Archives Scrapbooks

This image displays two newspaper clippings from art reviews, mounted on facing pages within what appears to be a scrapbook or archival binder with a yellowish, aged paper background.

Left Page:
The primary article, titled “Ruisdael show fabulous”, is a review by Robert Taylor of the Globe Staff, dated Jan. 24, 1982, as handwritten in blue ink below the headline. The article reviews the Jacob van Ruisdael retrospective exhibition at the Fogg Art Museum in Cambridge. Above the headline is a black-and-white photograph of Ruisdael’s painting, “The Windmill at Wijk bij Duurstede,” credited to the Fogg Art Museum. The text praises the exhibition’s comprehensive scope, noting it featured over 700 works from 66 museums and private collections, and highlights the significance of the show in presenting two versions of his painting “The Jewish Cemetery” together for the first time. The reviewer calls the show “fabulous” and “magnificent,” placing Ruisdael among the greatest Dutch painters like Rembrandt and Hals.

Right Page:
This page features a second, related article with the headline “Ruisdael at the Fogg magnificent exhibition!” This piece includes another black-and-white photograph of Ruisdael’s “Waterfall with a castle and a Cottage” (though the caption is cut off). This article appears to be a more detailed catalog-style listing, beginning with a bullet point labeled “RUISDAEL” and continuing with a paragraph starting with “demography and biography at Har-...”. It discusses the artist’s life, his connection to Haarlem, and his artistic legacy.

Overall:
The two clippings together document critical reception of a major 1982 Ruisdael retrospective. The left page offers a journalistic review with a prominent headline, while the right provides additional descriptive and biographical context. The layout, with newspaper pages physically pasted into the book and the handwritten date, suggests a personal or institutional archival collection of press coverage for art exhibitions. The yellowed pages of the scrapbook and the typographic style of the newspapers are consistent with the early 1980s.

The image shows an open book with text and two photographs related to the artist Jacob van Ruisdael. The top page features a headline reading "Ruisdael show fabulous" and includes a black-and-white photograph of the painting "The Windmill at Wijk bij Duurstede." Below the photograph, there is an excerpt from a review of the exhibition, with credits to the Fogg Art Museum. The text discusses the art show and Ruisdael's work.

The bottom page contains another black-and-white photograph, which appears to be a detail from one of Ruisdael's paintings, possibly "Waterfall with a Castle and a Cottage," as indicated by the caption. This page also includes a snippet of a review or article about the exhibition, which seems to continue onto the next page. The book appears to be a collection of printed articles or reviews related to Ruisdael's artwork, possibly from a newspaper or a book of art criticism. The text is dense and appears to be discussing Ruisdael's work in detail.

The image shows an open scrapbook or a collection of newspaper clippings, focusing on an article about a Jacob van Ruisdael art exhibition. The article is titled "Ruisdael show fabulous" and is a review of an art exhibition organized by Seymour Slive and H.R. Hoetink at the Fogg Art Museum in Cambridge. The article is dated January 24, 1982, and is accompanied by a photograph of Ruisdael's painting "The Windmill at Wijk bij Duurstede."

The text discusses the logistics of the exhibition, which involved 66 European and American museums and private holdings, and highlights the breadth and variety of Ruisdael's work. It mentions specific paintings such as "The Jewish Cemetery" and "The Banks of a River," and discusses the artist's mastery of landscape painting.

The right page of the scrapbook contains additional text and images related to the exhibition, with the heading "Ruisdael at the Fogg magnificent exhibition" and a continuation of the article from page A21. There is also a mention of another article titled "This week in art" on the right side of the page.

The open book has a clipping of an article about an art exhibit. The article is from a newspaper and is titled "Ruisdael show fabulous." The article is about Jacob Van Ruisdael, a painter of Dutch landscapes. The article is written by Robert Taylor, a globe staff member. The article also has a picture of one of his paintings, "The Windmill bij Wijk bij Duurstede." The article is dated January 24, 1982.

The image shows an open book with two pages displayed. The left page features a black-and-white photograph of a windmill with a caption that reads "Ruisdael's 'The Windmill at Wijk bij Duurstede'." The right page contains an article titled "Ruisdael show fabulous," with the date "Jan. 24, 1982" at the bottom. The article discusses a retrospective exhibition of the Dutch landscape painter Jacob van Ruisdael, organized by Seymour Slive and H.R. Hoetink at the Fogg Art Museum in Cambridge. The article highlights the significance of Ruisdael's work and the exhibition's impact on the art world.

The image shows an open page from a publication, likely a magazine or art review, titled "This Week in Art." The page features a detailed review of an exhibition dedicated to the Dutch landscape painter Jacob van Ruisdael.

Visual Elements:

1. Headline:

   • The main headline reads: "Ruisdael show fabulous", indicating a positive review of the exhibition.

2. Subheading:

   • Below the headline, it states: "REVIEW | ART", categorizing the content as an art review.

3. Byline:

   • The review is attributed to Jacob van Ruisdael, with the reviewer identified as Robert Taylor from the Globe Staff.

4. Exhibition Details:

   • The review mentions that the exhibition, titled "Jacob van Ruisdael: a retrospective of paintings," was organized by Seymour Slive and H.R. Hoetink and was held at the Fogg Art Museum, Cambridge, running through April 11.

5. Exhibition Scope:

   • The review highlights the extensive nature of the exhibition, noting that it involves 66 European and American museums and private holdings, including notable locations such as Buckingham Palace, Baroness Gauntlett’s collection, and the National Gallery of Art.

6. Photograph:

   • On the left side of the page, there is a black-and-white photograph labeled "Ruisdael’s 'The Windmill at Wijk bij Duurstede'", credited to the Fogg Art Museum. This image depicts a landscape scene with a prominent windmill, characteristic of Ruisdael’s work.

7. Text Content:

   • The right side of the page contains a detailed review discussing the significance of Ruisdael’s work. Key points include:
     • Ruisdael’s role as a pivotal figure in Dutch landscape painting during the 17th century.
     • The exhibition’s comprehensive nature, showcasing a wide range of his works, including paintings, drawings, and etchings.
     • The review emphasizes the exhibition’s ability to capture the breadth and mastery of Ruisdael’s artistic vision, noting his influence on later artists such as Rembrandt and Hals.
     • Specific highlights mentioned include "The Jewish Cemetery" and "The Storm on the Sea of Galilee," both praised for their emotional depth and technical skill.
     • The review also touches on the historical context of Ruisdael’s life, noting that he died young at the age of 18, yet left behind a significant body of work.

8. Annotations:

   • There are handwritten notes on the page, including a signature that reads "Bostan Sunday Globe" and a date "Jan. 24, 1982", suggesting that this page may have been part of a personal collection or archive.

Overall Impression:

The image portrays a well-documented and thoughtful review of a major art exhibition dedicated to Jacob van Ruisdael. The combination of textual analysis, a representative artwork photograph, and contextual details makes it a rich resource for understanding Ruisdael’s legacy and the impact of the exhibition. The layout and design suggest a professional publication aimed at art enthusiasts and scholars.

This image shows a scrapbook page featuring newspaper clippings about the artist Jacob van Ruisdael and his exhibition.

The top clipping includes a printed reproduction of Ruisdael's painting titled "The Windmill at Wijk bij Duurstede," accompanied by an article with the headline "Ruisdael show fabulous." The article provides a review of a retrospective exhibition of Ruisdael’s work and includes information about the display at the Fogg Art Museum in Cambridge, Massachusetts, dated January 1982. Below the headline is a handwritten note that reads, "Boston Sunday Globe Jan. 24, 1982."

The bottom clipping appears to be another article about Ruisdael’s exhibition at the Fogg Art Museum, with the title "Ruisdael at the Fogg: magnificent exhibition." Both clippings feature text discussing Ruisdael's work and contributions to art, along with further commentary on the museum's presentation. There are visible indications of the clippings being pasted into the scrapbook.

This image shows an open book or journal with several newspaper clippings taped or pasted onto the pages. The clippings are articles or reviews regarding an art exhibition. The main headline visible on the left page reads "Ruysdael show fabulous" and mentions it is a review of art. There is a sub-heading below mentioning "JACOB VAN RUISDAEL, bio of a landscape artist by Seymour Slive..." suggesting the article might discuss a biography or the works of the 17th-century Dutch landscape artist Jacob van Ruisdael. There's also a photograph captioned with "Photo courtesy of Fogg Art Museum" and the photograph appears to depict a painting with windmills, likely one of Ruysdael's famous scenes.

There's handwritten text at the bottom left corner of the left page which seems to read "Boston Sunday Globe Feb. 24, 1978," which possibly indicates the source and date of the clipping. The right-hand pages feature more tightly packed text, which is cut off and not completely legible in the viewing frame.

There is also some sort of index tab or label that reads "April" attached to one of the pages, which may serve as a reference point for the content or the clippings' chronological placement within the book or journal.

The image shows an open scrapbook or album page with two newspaper clippings attached. The upper clipping includes a grainy black-and-white image of a windmill scene with water and buildings, captioned "Ruisdael's 'The Windmill at Wijk bij Duurstede.'" The article headline reads "Ruisdael show fabulous," and it appears to be a review or art critique discussing an exhibition of paintings by Jacob van Ruisdael, a Dutch landscape artist. The clipping includes detailed text about the exhibit and the artist's work. There is a handwritten note below this clipping stating "Boston Sunday Globe Jan. 24, 1982."

The lower clipping is partially folded and includes another image, also grainy and black-and-white, of a cloudy sky associated with Ruisdael's work. The headline reads "Ruisdael at the Fogg magnificent exhibition," and the article also appears to review an exhibition of Ruisdael's paintings. The text is dense, and the article is cut off on the right side.

On the right margin of the page, a vertical printed strip reads "This week's new art." The scrapbook page background is light tan or cream color, common for archival materials.

• A page from a scrapbook or notebook containing black-and-white newspaper clippings about a Ruisdael art exhibition.
• The top clipping shows a landscape image (likely a painting with a windmill and dark trees) with a large headline: “Ruisdael show fabulous.” There is a small section labeled “REVIEW ART” and some smaller text beneath.
• A handwritten note along the bottom of that clipping reads something like “Boston Sunday Globe – Jan. 24, 1982.”
• The lower part of the page has another clipping laid out horizontally, with a bold vertical headline about Ruisdael and the Fogg’s magnificent exhibition.
• There are additional narrow vertical clippings with dense text.
• The page is aged, in a cream/beige scrapbook, with a visible binding on the left and a collage of newsprint in black and white.