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ARCH.2003.37, Rendition: 808813
This image shows a page from "The New York Times" dated Friday, January 8, 1982. The article is titled "Art People" and discusses a legal dispute involving the Louvre and the Cleveland Museum of Art over a painting by Nicolas Poussin, titled "Madonna of the Steps." The article mentions the cultural issues and legal procedures surrounding the export of art from France without an export permit.
On the bottom left corner, there is an additional article from the Boston Herald American dated January 24, 1982. This article is titled "In a Fogg" and is about the Friends of the Fogg Art Museum at Harvard University, mentioning a series of winter-spring chamber music concerts scheduled for Sunday afternoons. It also features a photograph of a watercolor painting titled "Nighttime in a Palace" by an unknown artist, dated to the 16th century and displayed at the Fogg Art Museum.
The page also includes a small advertisement at the bottom right corner promoting the Museum of Modern Art's new facility and upcoming exhibitions.
This image depicts a page from a scrapbook or collection of newspaper clippings. The page contains two distinct newspaper articles.
The top article is from "The New York Times," dated Friday, January 8, 1982. The headline reads "Art People: Louvre v. Cleveland," written by Grace Glueck. The article discusses a controversy involving the Cleveland Museum of Art and the Louvre Museum in France. It mentions that the Louvre curators accused the Cleveland Museum of acquiring a painting by Nicolas Poussin without the necessary export permit. The article includes a photograph of Sherman Lee, the director of the Cleveland Museum of Art.
The bottom article is from "The Boston Herald American," dated January 4, 1982. The headline reads "In a Fogg." The article is about the Friends of the Fogg Art Museum at Harvard University starting a series of Sunday afternoon chamber music concerts. It mentions the cost of tickets and provides a call number for more information. There is also an image of a painting titled "Nighttime in a Palace," described as an opaque Persian watercolor dating to the 16th century, currently on display at the Fogg Art Museum.
This image shows an open book or binder displaying two newspaper clippings from early 1982, placed against a plain gray background.
Right Page: The New York Times, Friday, January 8, 1982
This is a full-column article under the “Art People” section, written by Grace Glueck.
The headline reads: “Louvre v. Cleveland.”
The article details a legal and diplomatic dispute between the Louvre Museum in Paris and the Cleveland Museum of Art concerning the acquisition of a 17th-century painting of Nicolas Poussin, “Madonna of the Steps.” The Louvre alleges the painting was smuggled out of France and demands its return, while Cleveland maintains it was legally acquired under French export law (specifically, under the principle of “droit de suite”). The article features quotes from key figures:
The article also discusses Dr. Gudol’s assertion that “Ono and Ruiz,” two forged works attributed to Picasso and purchased by the Cleveland Museum, were actually painted by the Rotrimer brothers—whose father, it claims, was Picasso’s father—which is presented as a highly implausible theory.
At the bottom of the page, a small caption reads: “REMEMBER THE NEEDLESTI” — likely a humorous or ironic footnote.
Left Page: Boston Herald American, January 24, 1982
This is a smaller, cut-and-paste clipping attached to the left leaf. It’s a promotional announcement for Harvard University’s Fogg Art Museum.
The headline: “In a Fog”
The article announces the beginning of a winter-spring series of Sunday afternoon chamber music concerts at 3 p.m. in the Fogg’s Naumburg Room, starting February 7.
Ticket prices are listed as:
A small black-and-white reproduction of a watercolor painting titled “Nighttime in a Palace” is included with the announcement. The caption below it reads:
“(Above, ‘Nighttime in a Palace’ an opaque Persian watercolor dating to the 16th century, on display at the Fogg) Call 495-4544.”
The clipping also references Thomas Hoving’s book “King of the Confessors” and mentions Hoving’s visit to the Cleveland Museum of Art to view the Poussin painting.
Overall Description:
The two clippings reflect a moment in early 1982 when major art institutions were embroiled in controversies surrounding ownership, provenance, forgery, and cultural patrimony — particularly the Louvre vs. Cleveland dispute — while smaller institutions like the Fogg Art Museum were quietly promoting local cultural events. The juxtaposition of high-stakes international art politics with a local concert series suggests a curated collection of arts-related news, possibly for research or personal interest. The physical placement of the Boston Herald clipping on top of the book page gives the impression of an active scrapbook or research file.
The image shows a page from a newspaper, specifically from "The New York Times," dated Friday, January 8, 1982. The page is titled "Art People" and features several articles related to the art world.
Main Article:
Photograph:
Additional Articles:
Layout:
Advertisement:
Additional Text:
Summary:
The page from "The New York Times" features a prominent article about a legal dispute between the Louvre Museum and the Cleveland Museum of Art over a painting by Nicolas Poussin. The article includes quotes from the directors of both museums and is accompanied by a photograph of Sherman Lee. Additional articles on the page discuss upcoming events at the Fogg Art Museum and an advertisement for the Museum of Modern Art's new permanent collection.
The image shows a page from a newspaper or magazine with a headline "Art People" and an article titled "Louvre v. Cleveland." The article discusses a legal dispute between the Louvre Museum in Paris and the Cleveland Museum of Art over the ownership of a painting by the 18th-century artist Nicolas Poussin. The article also includes a photograph of Sherman Lee, the director of the Cleveland Museum of Art, and mentions the Friends of the Fogg Art Museum at Harvard University.
The image shows an open book or magazine page featuring a mix of text and visual elements. The layout includes:
This page combines news reporting on an art-related legal dispute with supplementary information about museum events and charitable appeals.
This image depicts an open scrapbook or archival folder containing two newspaper clippings adhered to a page.
Top Clipping:
Bottom Clipping:
The page is part of a document or album preserving these clippings, showing an organized collection.
The image shows a page from a book containing two newspaper clippings. The larger clipping at the top is from The New York Times, dated Friday, January 8, 1982, under the section titled "Art People" by Grace Glueck. The main headline of the article is "Louvre v. Cleveland." The article discusses a legal and cultural issue involving the loan of a painting from the Louvre Museum in France to the Museum of Art in Cleveland, Ohio. It touches on the bureaucratic and legal difficulties faced due to export permits and mentions several individuals including Pierre Rosenberg and Hubert Landais. On the right side of the clipping, there is a small photograph labeled "Sherman Lee."
The smaller clipping at the bottom is from the Boston Herald American, dated January 24, 1982. It features a section titled "In a Fogg" about events at the Fogg Art Museum at Harvard University, specifically the winter-spring series of Sunday afternoon chamber music concerts starting at 2 p.m. on February 7 in the Fogg's Maumup Room. The clipping includes a grainy black and white photograph and some details about ticket prices and the events.
The two clippings are mounted on the page, likely part of a scrapbook or archival collection related to art news and events from 1982.
This image shows a spread of an open book or booklet with newspaper clippings carefully pasted onto the pages. On the left side, there is a segment from the 'Boston Herald American' dated January 24, 1982, titled "In a Fogg." It appears to be an announcement for an event at the Fogg Art Museum at Harvard University, mentioning an exhibition in the Fogg's Naumberg Room with tickets varying in price for different audiences.
On the right side, there's an article with the heading "Art People" from 'The New York Times' dated Friday, January 8, 1982. This article, minus the redacted portion, discusses various topics related to art and art exhibitions. Titles and subtitles like "Louvre v. Cleveland" can be seen, indicating there's content regarding the art scene, museums, and possibly comparisons between different institutions or collections.
The clippings are a mix of text and a small grayscale image, and they offer a snapshot into the cultural commentary and happenings in the art world during the early 1980s. The visible portions of the articles seem to provide context and information on art exhibitions along with the opinions and activities of individuals in the art community.
The image shows an open scrapbook or photo album page filled with newspaper clippings. The pieces are arranged in a collage:
Overall, it appears to be a vintage collage of art-related newspaper clippings, neatly cut and pasted. The page is slightly yellowed, suggesting age.