Archives Scrapbooks

This image depicts a collection of newspaper clippings and articles, likely from a historical archive or a scrapbook. The clippings are from various publications, including the "Boston Sunday Globe" and the "New York Times," and cover events and articles from 1981.

The articles appear to focus on the art scene, with references to art exhibitions, artists, and art dealers. One of the articles is titled "Focus on German art at Busch-Reisinger," discussing a specific exhibition at the Busch-Reisinger Museum in Cambridge, Massachusetts, showcasing German 19th-century drawings and watercolors. Another article mentions the death of Aimé Maeght, a prominent art dealer, with a portrait of him included.

The clippings also mention the work of specific artists, such as Adolph von Menzel and Max Klinger, and discuss contributions to the art world from regions like France and the Mediterranean. The articles also reference the art collections of museums, with mentions of Harvard's art collections and the Fogg Art Museum.

The news clippings are arranged on yellowed paper, suggesting they are from an older collection. The text and images are printed in black and white, typical of newspaper articles from the 1980s. The overall theme of the clippings is the art world, focusing on exhibitions, artists, and the business of art.

This image shows a scrapbook or collection of newspaper clippings related to art and artists. The left page features an article from the Boston Sunday Globe dated July 26, 1981, titled "Focus on German art at Busch-Reisinger." The article discusses an exhibition of German 19th-century drawings and watercolors at the Busch-Reisinger Museum in Cambridge. There is a large illustration of a drawing titled "An Elderly Man in a Military Topcoat" by Adolf von Menzel, and a smaller illustration at the bottom of the page titled "Study for the Beethoven Monument" by Max Klinger.

The right page contains two clippings. The top clipping is from the New York Times dated September 7, 1981, and is an obituary for Aimé Maeght, an art dealer who represented famous artists such as Joan Miró, Marc Chagall, and Henri Matisse. The clipping includes a photograph of Aimé Maeght. The bottom clipping is from the Fitchburg-Leominster Sentinel & Enterprise dated September 16, 1981, and discusses a sculpture displayed in Harvard Yard.

This image displays an open newspaper, specifically the New York Times, dated September 7, 1981 (9-7-81), laid flat on a light gray surface. The newspaper is open to a section focused on arts and culture, with multiple articles visible on both pages.

Right Page (Page B5)

This page features the prominent headline:

AIME MAEGHT, DEAD: ART DEALER WAS 75

• By G. Gerald Fraser
• The article reports on the recent death of Aime Maeght, a renowned French art dealer and publisher who was 75. He is noted as being instrumental in promoting major 20th-century artists such as Chagall, Miró, Braque, and others.
• A black-and-white photograph of Aime Maeght is included on the right side of the article.
• The piece details his life, work founding the Maeght Gallery in Paris in 1945, his role in publishing art books, and his contributions to modern art, including his friendship with artists like Joan Miró and Henri Matisse.
• A brief sidebar titled "A Poet With Brage Mosaic" mentions the artist Brage Mosaic, whose work was featured in Maeght’s gallery.
• Below the Maeght obituary is a small article titled "Sculpture Displayed", announcing an exhibition at the Cambridge Museum featuring works by various contemporary sculptors.

Left Page

This page contains several art-related articles:

1. "Focus on German art at Busch-Reisinger" – This appears to be the lead article on the page, headlined in bold, with a subheading: "GERMAN 18TH CENTURY DRAWINGS AND WATERCOLORS, Busch-Reisinger Museum, Cambridge. Through Aug. 29."

   • Written by Robert Taylor, the article reviews a major exhibition of German 18th-century drawings and watercolors at the Busch-Reisinger Museum in Cambridge, Massachusetts.
   • It discusses the historical context of German art in the 18th century, the exhibition’s focus on landscape, architecture, and portraiture, and highlights works by artists such as Johann Christian Reinhart, Jakob Philipp Hackert, and Johann Christian Dahl.
   • A small black-and-white illustration accompanies the article: a drawing titled “An Elderly Man in a Military Topcoat” (1801) by Adolf von Menzel, sourced from the Busch-Reisinger Museum.
   • The article concludes with a photo credit: "Study for the Biermayer Monument" by Max Klinger, in black chalk, Busch-Reisinger (illustrated below the text).

2. "REVIEW/ART" – A smaller review by Gail Stavitsky discussing an exhibition of American paintings from the 19th century at the American Academy Museum, featuring works by artists such as William Rimmer and Hudson River School painters.

3. "STORYTELLING: ILLUSTRATED NARRATIVES & PHOTOGRAPHY" – A brief mention of an exhibition at the Brooklyn Museum (running Sept 1–Oct 31, 1981).

4. A small column under “SEP 10 1981” – This appears to be a listing for events or announcements, including one about "Fifth Annual Sculpture Exhibition."

Physical Details

• The newspaper shows signs of age — the pages are slightly yellowed and the edges are worn.
• Other newspapers or pages are slightly visible underneath the open spread, suggesting this is part of a collection or archive.
• The photograph is taken from a slightly elevated angle, showing the texture of the newsprint and the crease down the center of the open pages.

In summary, this is a snapshot of an art-oriented section from the New York Times in September 1981, featuring an obituary of famed art dealer Aime Maeght, a review of a German art exhibition at Harvard’s Busch-Reisinger Museum, and brief notices of other local art exhibitions. The layout and typography are characteristic of early 1980s newspaper design.

The image shows an open book with several newspaper clippings placed on the pages. The book is open to pages that are filled with text and images. The newspaper clippings are placed on the right-hand side of the book, and some of them are folded. The clippings have black-and-white images of people and text that appears to be from a newspaper. The text is in different sizes and fonts, and some of it is in bold. The book is placed on a gray surface.

The image depicts an open book with several pages that contain newspaper clippings and articles. The book appears to be a collection of articles from the Boston Globe and The New York Times, dated from July 1981 to September 1981. The clippings are arranged in a visually appealing manner, with some featuring photographs and others containing text. The text in the clippings includes articles about art, culture, and notable individuals. The book's spine is visible on the left side, indicating that it is a bound volume.

The image shows an open book displaying two pages from a publication, likely a magazine or journal. The left page is titled "Focus on German art at Busch-Reisinger" and features a detailed article discussing German art from the late 19th century. The article includes a large, black-and-white illustration of an elderly man with a beard, dressed in formal attire, which appears to be a historical portrait. The text is dense and formatted in a typical journalistic style, with headings, subheadings, and paragraphs discussing topics such as German art movements, exhibitions, and notable artists.

The right page is titled "AIME MARCHÉ DEAD; ART DEALER WAS 78" and is from the New York Times, dated September 7, 1981. This page contains an obituary for Aime Marché, a prominent art dealer. The article includes a small black-and-white photograph of Marché, along with details about his life, career, and contributions to the art world. The text is concise and formatted in a newspaper style, with a headline, byline, and body text.

The book itself appears to be a collection or archive, as indicated by the visible page numbers (85 on the right page) and the structured layout. The pages are slightly worn, suggesting frequent use or age. The overall presentation indicates a focus on art history and criticism, with content spanning both contemporary news and in-depth artistic analysis.

The image shows several newspaper clippings from different dates, laid out on a surface and presumably archived in a folder or binder, given the visible rings on the left side which are part of a ring-bound system.

The left side of the image displays a newspaper clipping with a date stamp at the top reading "JUL 26 1981" from the "Boston Sunday Globe." Below the date is a reproduction of an artwork described in a caption as, "An Elderly Man in a Military Topcoat," a 1914 piece by Adolph von Menzel. The article is titled "Focus on German art at Busch-Reisinger" and discusses various aspects of German 19th-century art, with illustrations and discussions of pieces featured at the Busch-Reisinger Museum.

The right side of the image features an article from the "N.Y. Times," dated "9-7-89" with the headline partially visible as "AIME MAEGHT; DEAD; ART DEALER WAS 75." This article is about an art dealer whose obituary notes representational details and their contributions to the art world. The face on this right-side article has been blurred. Below this article is another one titled "Sculpture Displayed," stamped with "SEP 16 1981," and it discusses sculpture-related news.

The articles offer insights into the world of art, specifically in relation to German art and sculpture, and the people who represent, curate, and influence these fields.

This image shows an open scrapbook or album page containing three newspaper clippings related to art.

• The largest clipping occupies the left half of the page and is from the Boston Sunday Globe, dated July 26, 1981. It features a sketch or drawing titled "An Elderly Man in a Military Topcoat, 1881," by Adolf von Menzel. The article is titled "Focus on German art at Busch-Reisinger," and discusses German 19th-century drawings and watercolors at the Busch-Reisinger Museum.

• The upper right clipping is from the New York Times, dated September 7, 1981, with the headline "Aime Maeght Dead; Art Dealer Was 75." It reports the death of Aime Maeght, an art dealer associated with prominent artists like Miró, Chagall, and Matisse.

• The lower right clipping, dated September 16, 1981, from the New England Newsclip, is titled "Sculpture Displayed." It mentions a sculptor, Henry Moore, and a Brookline artist, Elizabeth Treadute, with notes on exhibitions and art sales.

The page appears to be carefully arranged and preserved for historical or research purposes, focusing on art and artists in 1981.

This image displays a scrapbook or archival page containing several clipped newspaper articles. The main article, on the left, is titled "Focus on German art at Busch-Reisinger" and is from the Boston Sunday Globe dated July 26, 1981. The article discusses 19th-century German art, focusing on an exhibition at the Busch-Reisinger Museum.

Other clippings include a smaller piece from The New York Times dated September 7, 1981, titled "Aime Maeght Dead; Art Dealer Was 75," and a brief article titled "Sculpture Displayed," dated September 16, 1981, from Fitchburg-Leominster Sentinel & Enterprise.

The accompanying images include a black-and-white artwork labeled as "An Elderly Man in a Military Topcoat" by Adolf von Menzel. There's also a smaller sketch titled "Study for the Beethoven Monument" by Max Klinger. Some sections of the articles and photographs appear redacted or blurred for privacy.

A close-up photo of an open scrapbook page filled with old newspaper clippings about art.

• The pages are yellowed with age and mounted in a bound album, with a dark spine visible on the left.
• Left page features a large clipping with a black-and-white portrait/illustration and the headline “Focus on German art at Busch-Reisinger.”
• Right page has several clippings, including a prominent article titled “AIMÉ MAEGH DEAD; ART DEALER WAS 75,” with a smaller photo area that appears grayed out.
• Handwritten notes at the top of the right page read “N.Y. Times 9-7-87.”
• Additional smaller clippings are arranged on the right, including a “Sculpture Displayed” clipping and other fragments; some images/text are obscured by gray blocks.
• A long, narrow clipping runs vertically along the left edge of the left page.