Archives Scrapbooks

The image shows a scanned page from a publication, likely a magazine or a book, discussing art and art history. The page appears to be from a section titled "Talking about... Art," focusing on the 1940s and the works of Arshile Gorky. The text discusses the transition in American art during the 1940s, emphasizing the influence of international artists and the emergence of Abstract Expressionism.

The page includes several short articles and a drawing. One of the articles is titled "Avant-Garde Yard," discussing an "environnement" organized by Gabriella Jeppson that transformed the staid Fogg Art Museum in Harvard University into a space for avant-garde activities. It mentions an installation by Patrick Ireland titled "A Courtyard for Tatlin and Fred Astaire," which was a three-dimensional rope drawing that interacted with the building's architecture.

Another section is titled "Painting Poetry" and discusses the concept of "Painted poetry" (peinture-poésie) as a preferred subject in Surrealism, with Arshile Gorky being a notable artist in this movement. The text mentions Gorky's life and work, noting that he took his own life in 1948 after a series of personal tragedies. It also highlights a retrospective show of Gorky's work at the Solomon R. Guggenheim Museum in New York.

There is also a drawing of a figure on the page, which appears to be a sketch or a drawing of a woman's profile. The drawing is labeled as "Mona Anna Uxor de Adolfo Ravenato," dated 1947, and attributed to John Graham, with a note that it is from the Whitney Museum of American Art. The page also has some red markings and annotations, suggesting that it has been marked for reference or study.

The image shows a page from a book or magazine, specifically page 86, with an article titled "Talking about... Art." The article is written by Barbara Rose and focuses on art from the 1940s. It discusses Gorky's poetic paintings and far-outs at the Fogg Art Museum.

The page includes a drawing titled "Mona Anna Uxor de Adolfo Ravenato" from 1947 by John Graham, which is part of the Whitney Museum of American Art collection. The article also mentions the "Decade of Transition: 1940-1950" exhibition at the Whitney Museum.

There is a section titled "Avant-Garde Yard" which describes a series of "environments" organized by Gabriella Jeppson at Harvard's Fogg Art Museum. It mentions installations by Patrick Ireland and Mary Miss.

Another section titled "Painting Poetry" discusses Arshile Gorky's work and his influence on American art in the 1940s.

The page has some handwritten notes and underlines, indicating it has been marked for reference. There is also a tab sticking out from the top of the page, possibly for bookmarking.

This image displays an open, vintage art magazine or newspaper supplement, laid flat and photographed from above. The right page is blank and yellowed with age, while the left page features a multi-column article with photographs and illustrations. The content is focused on mid-20th-century American art, specifically the 1940s.

Main Headline & Article:

• The main section is titled “Talking about… Art” with a large, stylized “S” beginning the article.
• Subhead: “Focus on ‘forties… Gorky’s poetic paint… far-outs at the Fogg”
• Authored by Barbara Rose.
• The article discusses the significance of American art from the 1940s, arguing that it represents a pivotal, transformative period that led to the dominance of Abstract Expressionism. It references the Whitney Museum’s exhibition Decade of Transition: 1940–1950, curated by Patterson Sims, and critiques the prevailing New York School’s rejection of native American styles in favor of European models.

Illustrations & Captions:

• Top Right: A black-and-white line drawing titled “MONA ANNA UXOR DE ADOLEO RAVENATO, 1947, DRAWING BY JOHN GRAHAM”. The artwork is credited to the Whitney Museum of American Art. It depicts a stylized profile of a woman’s face with ornate headwear.
• Bottom Left: A black-and-white photograph of an interior courtyard with arched windows, captioned: “A Courtyard for Tatlin and Fred Astaire,” 1961, rope drawing by Patrick Ireland, in courtyard of Fogg Art Museum, Harvard University.

Sidebar Sections:

• “AVANT-GARDE YARD”: Describes a series of “environments” at Harvard’s Fogg Art Museum organized by Gabriella Jeppson. It mentions artists Richard Long, Mary Miss, Patrick Ireland, and Fred Astaire in the context of a 1961 installation by Patrick Ireland — an environmental sculpture using rope and nylon cord that created an illusion of space and energy, reflecting on the dialogue between Tatlin’s austere aesthetic and Astaire’s whimsical movement.
• “PAINTING POETRY”: Focuses on Arshile Gorky, celebrating his “painted poetry” as a key achievement of the 1940s. It notes his 1948 retrospective at The Solomon R. Guggenheim Museum, curated by Diane Waldman, and his influence from Cubism, Matisse, and Picasso. The text argues that Gorky’s complex, beautiful, and sensitive work represents the culmination of American artists learning to assimilate imported traditions into something new and authentic.

Overall Aesthetic:
The page has an aged, yellowed appearance with visible wear, suggesting it’s from the 1960s or 1970s. It’s printed in black ink on cream-colored paper, with serif fonts and classic newspaper/magazine layout. The top of the page shows part of the magazine name: “LITE FUEL CO.” and a phone number “623-1880,” likely part of the masthead or advertisement on the reverse side or adjacent page.

This page is a snapshot of art criticism from a past era, offering insight into how mid-century American art — particularly the work of Arshile Gorky and avant-garde installations — was being interpreted and celebrated in the early 1960s.

The image is an open book with a magazine article about art. The magazine is titled "Vogue." The book is opened to a page featuring an article titled "Talking about Art," written by Barbara Rose. The article discusses various aspects of art, including exhibitions, artists, and art movements. There is an image of a woman's portrait on the left side of the page, and the article mentions the Whitney Museum of American Art and the Fogg Art Museum. The book is placed on a gray surface, and there is a business card from the "Lite Fuel Co." on top of the book.

The image shows an open book with a magazine article titled "Talking about Art" from Vogue magazine. The article discusses American art in the 1940s, focusing on the Whitney Museum of American Art's exhibit "Decades of Transition: 1940-1950" organized by Patterson Sims. The article highlights the emergence of American art as a dominant force in the post-war years and features illustrations of artwork from the exhibit, including a drawing by John Graham.

The image shows two pages from a book titled "Talking about... Art", authored by Barbara Rose. The book appears to be a collection of essays or articles discussing art, with a focus on American art of the 1960s and 1970s.

Left Page:

• Title: "Focus on forties... Gorky's poetic paint... far-outs at the Fogg"
• Author: Barbara Rose
• Content: The text discusses the evolution of American art in the 1960s, particularly highlighting the shift from Abstract Expressionism to newer forms of art. It references the Whitney Museum of American Art's exhibition The Forties, organized by John I. H. Borden, and touches on the influence of European models on American artists. The page also mentions the New York School and its impact on American art, noting the rejection of traditional forms and the embrace of more experimental styles.
• Visual Elements:
  • A small illustration or sketch of a face is visible in the top right corner.
  • A caption below the illustration reads: "MONA ANNA LUXO DE ADOLFO RAVENATO, 1947, DRAWING, JOHN GRAHAM, WHITNEY MUSEUM OF AMERICAN ART."
  • At the bottom left, there is a photograph labeled: "A COURTYARD FOR TATLIN AND FRED PATRICK IRELAND, COURTYARD OF FOGG ART MUSEUM, HARVARD UNIVERSITY." This image shows an outdoor installation featuring a sculpture and a wall, with text indicating its creators.

Right Page:

• Headings:
  • "AVANT-GARDE YARD": Discusses a series of "environments" organized by Gisele Breitling-Lebeau at the Fogg Art Museum in Cambridge, Massachusetts. It highlights installations by artists such as Mary Miss, Patrick Ireland, and others, focusing on unconventional art forms like floor and wall constructions.
  • "PAINTING POETRY": Explores the concept of "painted poetry" as adopted by artists like Arshile Gorky, who embraced the idea of art as a form of personal expression. The text discusses Gorky's work from the 1940s, including his series of "personal tragedies," and notes his influence on American artists who studied abroad.
• Visual Elements:
  • No additional images are present on this page, but the text is dense and formatted in a typical magazine or book style, with clear headings and subheadings.

Overall Context:

The book appears to be an art critique or historical analysis, focusing on key movements and artists of the mid-20th century. It combines textual analysis with visual references to artworks and installations, providing a comprehensive view of the art scene during that era. The layout is clean and structured, with clear typography and organized sections. The inclusion of both textual and visual elements suggests a scholarly or critical approach to discussing art history.

This image shows an open book or magazine spread on a flat surface. The left page features a column headlined "Talking about... Art" and is followed by text, which is likely part of an article. The same page displays a black and white image of a classical building façade captioned "A courtyard of fifties and thirties modern." The right page contains additional text, with the headline of an article – "PAINTING POETRY" – visible at the bottom. The layout follows a typical magazine or academic journal format with columns of text and embedded images relevant to the article's content. There are also several unprinted pages to the right of the book's spine, suggesting it might be a scrapbook or a compilation with various articles and clippings.

This image shows a scrapbook page featuring a clipped magazine or newspaper article titled "Talking about… Art," written by Barbara Rose. The focus is on the 1940s, particularly Gorky's art, as well as exhibitions at the Fogg Museum. The article includes:

1. A Sketch/Illustration: On the right side is a profile drawing or illustration of a woman credited as "Anna Wahl Moor." It's described as a 1941 drawing by Adolpho Redaelli.

2. Main Text Body: The article discusses art trends and influences in the 1940s, referencing Gorky's art as poetic. It highlights the importance of certain artists’ contributions to avant-garde movements of the time.

3. Subsections: Two additional sections titled "Avant-Garde Yard" and "Painting Poetry" further delve into art topics.

   • "Avant-Garde Yard" mentions a courtyard at the Fogg Museum in Cambridge, Massachusetts, describing it as a space for bringing together artists and ideas.
   • "Painting Poetry" defines and briefly reflects on the concept of "painted poetry," referencing Gorky as a prominent example.

4. Photo of a Courtyard: A black-and-white photo labeled "Courtyard for Tea and Fried Doughnuts at the Fogg Art Museum," is included in "Avant-Garde Yard."

The page is adhered to an album page, signaling it was curated as part of a collected series.

The image shows a scrapbook page containing two newspaper or magazine clippings related to art.

1. The upper clipping is a lengthy article titled "Talking about... Art" with the subtitle "Focus on 'forties... Gorky's poetic paint... far-outs at the Fogg" written by Barbara Rose. The text discusses American art in the 1940s and the shift in artistic styles and priorities of that era, mentioning notable artists like László Moholy-Nagy, John Graham, Arshile Gorky, Jackson Pollock, and others. It includes a simple line drawing portrait of a woman on the right side, labeled as "MONA ANNA UXOR DE ADOLFO RAVENATO, 1947, DRAWING BY JOHN GRAHAM, WHITNEY MUSEUM OF AMERICAN ART."

2. The lower clipping is composed of two smaller sections. The left side is titled "AVANT-GARDE YARD" with a black and white photo of a courtyard with columns and arches, credited as "A Courtyard for Tatlin and Fred Astaire," a 1981 rope drawing by Patrick Ireland in the courtyard of the Fogg Art Museum, Harvard University. The text in this section describes a series of "environments" organized by Gabriella Jeppsson at the Fogg Art Museum in Cambridge, Massachusetts, focusing on vanguard activities and artistic installations involving ceiling and walls.

The right side of the lower clipping is titled "PAINTING POETRY" and discusses the concept of "painted poetry" or peinture-poésie, especially as it relates to the works of Arshile Gorky and other surrealists of the 1940s. It highlights the emotional and stylistic evolution of American artists of the time and how they assimilated various influences including European traditions.

The clippings are pasted on a blank scrapbook page and show aging signs such as yellowing of paper edges. The date "VOGUE June 1981" appears at the bottom of the "PAINTING POETRY" section.

The image shows an open scrapbook page with art-clipping collage. At the top left is a large title that reads “Talking about… Art,” with a subtitle about the forties and Gorky, and it notes the author Barbara Rose. In the upper right there’s a pencil drawing of a woman’s profile, wearing a necklace. The page contains several magazine clippings: a long article column on the left under the decorative drop cap “S,” and two smaller clipped sections toward the bottom—one labeled “AVANT-GARDE YARD” with a photo of a building, and another on “PAINTING POETRY.” The background paper is a warm, yellowed color, and there’s a vertical tan strip on the right side. The page is part of a bound book or album, with the spine or cover visible along the left edge.