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ARCH.2003.37, Rendition: 808788
The image shows a newspaper clipping from February 13, 1981, titled "Medford musician in Baroque concert." The article is about a concert by "Intimate Baroque," a vocal trio from the New England Baroque Ensemble, which took place at the Fogg Art Museum in Cambridge. The concert was part of the Fogg's Sunday concert series.
The article details the composition of the trio, mentioning Eileen Moreman of Medford on soprano, Douglas Freundlich on archlute, and Sheila Beardslee on recorder. It also provides background on the musicians and their performances, including Handel's influence on Baroque music and the program's features.
The article is accompanied by a black-and-white photograph of the trio. Below the article is another photograph showing Arthur Beale and Suzannah Doeringer holding mementos given to them by their colleagues at the Fogg Art Museum in honor of their longer service to Harvard. They are also presented with gold ID cards for everyday use around the University.
The text is neatly arranged in columns, and the photographs are placed on the page to complement the article. The overall tone of the article is informative and highlights the cultural and musical aspects of the event.
This image shows a newspaper clipping from February 13, 1981, about a Baroque concert featuring a Medford musician. The article is titled "Medford musician in Baroque concert" and discusses a concert by the New England Baroque Ensemble's vocal trio, "Intimate Baroque," featuring chamber works by G.F. Handel. The concert was scheduled to take place on Sunday at 4 p.m. at the Fogg Art Museum in Cambridge.
The article provides background on the musicians involved: Eileen Moremen of Medford, Douglas Freundlich, and Sheila Beardslee. It mentions their musical backgrounds, connections to various music schools, and their expertise in Baroque music. The ensemble has performed in various styles, including German sacred songs, French airs, Italian cantatas, and English opera excerpts.
There is a photograph accompanying the article showing three individuals, identified as Eileen Moremen, Douglas Freundlich, and Sheila Beardslee, standing together. Freundlich is holding a Baroque instrument, possibly a lute or a theorbo.
At the bottom of the page, there is another photograph showing two individuals, Arthur Beale and Suzannah Doeringer, holding mementos given to them by their colleagues at the Fogg Art Museum in honor of their service to Harvard. The caption mentions that they were also presented with larger-than-life gold I.D. cards.
Additionally, there is a small decorative illustration at the top left corner of the clipping with the word "Gazette" and some balloons. The clipping is dated July 10, 1981. The newspaper is part of a scrapbook or collection, as indicated by the visible binding and other clippings in the background.
This image displays a page from a newspaper clipping, dated February 13, 1981, as indicated in the top-left corner. The clipping is pasted into a scrapbook or binder, with the page slightly yellowed and the binding visible on the right edge. The newspaper is from the New England Newspaper, with a stamp indicating it was received in Holden, Mass. on 0.12.820 (likely a date stamp error or archive code).
The headline announces a concert by the New England Baroque Ensemble’s vocal trio, “Intimate Baroque,” to be held at the Fogg Art Museum in Cambridge, as part of the museum’s Sunday concert series. The concert will feature chamber works by G.F. Handel and will take place in the Naumburg Room of the museum’s main gallery building at 32 Quincy St.
The article focuses on Eileen Morémen of Medford, a soprano and member of the trio, who has been a resident of Medford for three years. She holds a degree in voice and music history from the Eastman School of Music and the University of Michigan, and was a finalist in the Erwin Bodky Competition. She has also studied with renowned vocalists and is a soloist at the Christian Science Church in Needham. In addition, she teaches voice from her studio in Winchester.
The trio also includes:
The article provides historical context about Handel, noting his German birth and Italian influences, and explains how “Intimate Baroque” curates programs featuring works in four national styles: German sacred songs, French airs, Italian cantatas, and English opera excerpts.
The ensemble has performed extensively in Massachusetts and New Hampshire and has been broadcast on local radio stations such as WCUM-FM (Worcester) and WGBH-FM (Boston).
Accompanying the article is a black-and-white photo of the three women in the trio. From left to right:
They are standing on a patterned rug, dressed in period-style or performance attire. Douglas Freundlich is holding a large archlute; its body rests on the floor. All three are smiling at the camera.
Below and to the left of the main article is a separate, smaller clipping (dated July 10, 1981, but physically pasted under the Feb 13 clipping). It features a photo of Arthur Beale and Suzannah Dorminger holding framed mementos and books at the Fogg Art Museum, in honor of their long service to Harvard University. They also received “larger-than-life gold I.D. cards.” The photo is credited to Joe Wrim.
This newspaper clipping commemorates a local cultural event — a Baroque music concert — highlighting the involvement of Medford residents and musicians associated with prestigious Boston-area institutions. The inclusion of the July 1981 clipping below suggests this scrapbook may be documenting the activities, honors, or milestones of individuals connected to Harvard or the Fogg Museum.
The clipping reflects a community’s pride in its local artists and cultural programming, as well as the enduring legacy of historical music performance in the Cambridge/Boston area during the early 1980s.
The image is a page from a newspaper with the headline "Medford musician in Baroque concert." The page is from the New England News, dated February 18, 1981. The article is about a Baroque concert featuring the New England Baroque Ensemble, which includes Medford residents Douglas Freundlich, Eileen Moreman, and Sheila Beardslee. The article includes a black-and-white photograph of the trio standing together, with Freundlich holding a musical instrument, possibly a recorder, and the other two members smiling. There is also a smaller photograph of Eileen Moreman and Sheila Beardslee standing together, with Moreman holding a book and Beardslee holding a musical instrument. The article describes the concert and the performers' backgrounds and achievements.
An open book with a black and white image of three people on the right side of the page. The image is of a woman holding a musical instrument and a man beside her holding a lute. The text is written in black font and is titled "Medford musician in Baroque concert." The text includes information about the musicians and their performances. The book has a black border on the sides.
The image depicts a page from a newspaper or magazine, showcasing an article titled "Medford musician in Baroque concert". The article is dated February 13, 1981, and is sourced from the New England Newsclip.
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The image conveys a sense of cultural and academic engagement, highlighting the intersection of music, history, and university life. The article emphasizes the importance of Baroque music and the contributions of local musicians to the arts community. The layout is clean and professional, typical of a newspaper or magazine publication.
The image depicts a page from a newspaper, featuring an article about a Medford musician in a baroque concert. The article is titled "Medford musician in Baroque concert" and includes a photo of the musician, Eileen Moreman of Medford, and her colleagues, Douglas Freundlich and Sheila Beardslee.
In summary, the image shows a page from a newspaper featuring an article about a Medford musician in a baroque concert. The article includes a photo of the musician and her colleagues, and provides information about the concert. The newspaper page is yellowed and worn, with visible signs of aging.
The image presents a newspaper clipping from the New England Newselle, dated February 13, 1981. The article is titled "Medford musician in Baroque concert" and features a photograph of three individuals standing together, with one holding a lute.
The article discusses the upcoming concert by the New England Baroque Ensemble at the Fogg Art Museum in Cambridge, Massachusetts. It highlights the ensemble's unique blend of voice and music history degrees, as well as their international travels. The concert will feature works in four national styles, including German sacred songs, French airs, an Italian cantata, and excerpts from English opera.
In addition to the article, the image includes a smaller photograph of a man and woman holding up mementos given to them by their colleagues at the Fogg Art Museum. The overall tone of the image is one of cultural appreciation and celebration of the arts.
The image depicts a scrapbook page featuring two newspaper clippings. The top clipping is from the "New England News" dated February 13, 1981, with the headline "Medford musician in Baroque concert." It includes a black-and-white photograph of three women dressed in long skirts and blouses, holding musical instruments, accompanied by an article about their performance.
The bottom clipping appears to be from the "Gazette" dated July 10, 1984, although the date is handwritten. It features a black-and-white photograph of a man and woman holding up framed pictures, along with a caption describing the scene. The scrapbook page has a yellowed appearance, suggesting age, and is set against a gray background.
The image presents a scanned page from an old scrapbook, featuring two newspaper clippings. The top clipping is titled "Medford musician in Baroque concert" and includes a black-and-white photograph of four individuals dressed in long dresses, with one holding a lute and another holding a recorder. The article discusses a concert by the New England Baroque Ensemble's vocal trio, "Intimate Baroque," which took place on Sunday at 4 p.m. in the Naumburg Room of the main gallery building of the Fogg Art Museum.
The bottom clipping features a black-and-white photograph of two people holding up mementos, accompanied by a caption that reads: "'INTIMATE BAROQUE' - The New England Baroque Ensemble's vocal trio, 'Intimate Baroque,' will perform Sunday at 4 p.m. in the Naumburg Room of the main gallery building of the Fogg Art Museum, 32 Quincy St., Cambridge, as part of the Fogg's Sunday concert series. Trio members, shown above, from left are Eileen Moreman of Medford, soprano; Douglas Freundlich, a member of the faculty of the Longy School of Music, Cambridge, architect; and Sheila Beardslee, recorder teacher at Tufts University, recorders."
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