Archives Scrapbooks

The image depicts two newspaper clippings from the Boston Globe, dated November 1980 and March 6, 1981.

Left Clipping (November 1980)

Headline: Signposts to the future
Subheadline: Contemporary Photography

Article Summary:
The article discusses an exhibition titled "Contemporary Photography" at the Fogg Art Museum, Harvard University, curated by Deborah Martin Kao. The exhibit features works by 13 artists, including photographers like James Casey, Judy Glickman, and others. The exhibition is noted for its blend of abstract photography and a more narrative approach, with images that are both manipulated and unmanipulated.

The text highlights James Casey's work, which involves transforming photographs into abstract forms using gravel, beans, and plastic. It also mentions Judy Glickman's work, which focuses on the urban environment with a sense of humor and satire.

Additional Article:
There is a smaller article titled "Josep Sert wins architects' medal" by Robert Campbell, dated December 7, 1980. It reports that Josep Lluis Sert, the dean of the Harvard Graduate School of Design, received the American Institute of Architects' highest honor. The article discusses Sert's contributions to architecture and his influence on urban design.

Right Clipping (March 6, 1981)

Headline: Boston's mania for monotypes

Article Summary:
The article by Charles Giuliano discusses the growing interest in monotypes, a type of printmaking, in Boston. It mentions an exhibition at the Museum of Fine Arts featuring monotypes by artists like William Blake, Edgar Degas, and Mary Frank. The article highlights the unique qualities of monotypes, which are one-of-a-kind prints made from a single plate.

The text also mentions a concurrent exhibition at the Alpha Gallery and discusses the techniques and historical context of monotype printing. It notes the resurgence of interest in this medium among contemporary artists.

Images:

• "Reverie: A Portrait of a Woman" by William Blake (1795)
• "Amaryllis" by Mary Frank (1979)

Both articles provide insights into the art scene in Boston during the early 1980s, focusing on contemporary photography and the revival of monotype printing.

The image shows an open book or pages from a book that appear to be newspaper clippings related to art and architecture. Here is a detailed summary of the content:

1. Top Left Clipping - "Signposts to the future"

   • Published in the Boston Globe on November 1, 1980.
   • The article discusses contemporary photography at Harvard University, featuring works by several artists that indicate the future direction of the art. It mentions artists like Jessica Burd, Stephen L. Peters, and others.

2. Middle Left Clipping - "Josep Sert wins architects' medal"

   • Published in the Boston Globe on March 6, 1981.
   • The article reports that Josep Luis Sert, a Cambridge architect and former dean of the Harvard Graduate School of Design, won the 1981 American Institute of Architects' (AIA) gold medal for his contributions to architecture. It highlights his work, including the design of the United Nations headquarters in New York.

3. Top Right Clipping - "Boston's mania for monotypes"

   • Published in the Boston Globe on March 6, 1981.
   • The article, by Charles Giardina, discusses the Boston art scene's interest in monotypes, a painting process that allows for a single printed image. It mentions the Museum of Fine Arts' (MFA) exhibition, featuring artists like William Merritt Chase and Mary Frank, and the historical context of the technique.

4. Middle Right Clipping - "A Portrait of a Woman" by William Merritt Chase

   • This is a smaller clipping, also from the Boston Globe, showing a monotype by William Merritt Chase, titled "A Portrait of a Woman."

The pages are likely part of a collection or scrapbook assembling notable articles related to art and architecture from that period.

The image shows a collage of newspaper clippings from various Boston Globe articles from the late 1970s and early 1980s. Here's a detailed summary of each section:

1. Top Left ("Signposts to the Future: Contemporary Photography - The Phillips Collection, Washington, D.C."):

   • This article discusses the Phillips Collection's exhibition of contemporary photography, focusing on the work of younger photographers.
   • It highlights the evolution of photography as an art form and its establishment as an independent medium.
   • The piece mentions significant artists and their innovative approaches, including the use of color and unconventional photographic techniques.

2. Top Right ("Boston's Mania for Monotypes"):

   • This article from March 6, 1981, explores the growing interest in monotypes among Boston’s art community.
   • It describes a historical survey of monotype works at the Museum of Fine Arts (MFA) and mentions various artists, such as Nancy Andell and Harry Rosovsky.
   • The text delves into the evolution and revival of monotype art, noting its unique qualities and the contemporary fascination with this medium.

3. Bottom Left ("Josep Lluis Sert Wins Architects’ Medal"):

   • This article from December 12-7, 1980, announces Josep Lluis Sert winning the American Institute of Architects’ medal.
   • It discusses Sert’s career, his architectural contributions, and his notable collaborations with artists.
   • The piece highlights his significant works, such as the Barcelona Pavilion and his influence on modern architecture.

The clippings together provide insight into the cultural and artistic trends in Boston during the late 1970s and early 1980s, focusing on photography, art mediums like monotypes, and architectural achievements.

The image shows several newspaper clippings from the 1980s, each discussing different topics related to art and architecture:

1. Top Left Clipping (Boston Globe, November 1, 1980):

   • Title: "Signposts to the Future"
   • Content: This article discusses contemporary photography, highlighting the exhibition "Contemporary Photographs" at Harvard University's Fogg Art Museum. It mentions that the exhibition aims to reflect the current generation's interest in photography and its divergence from traditional painting. The article also touches on the work of Ellen Carey and others, focusing on the experimental and narrative aspects of modern photography.

2. Middle Left Clipping (Boston Globe, December 7, 1980):

   • Title: "Josep Sert Wins Architects' Medal"
   • Content: This article is about Josep Lluís Sert, an architect who won the American Institute of Architects' Gold Medal. It highlights Sert's career, his work in architecture, and his collaboration with artists. The article mentions his significant contributions to architecture, including his work at Harvard Graduate School of Design and his influence on modernist architecture in the United States.

3. Top Right Clipping (Boston Globe, March 6, 1981):

   • Title: "Boston's Mania for Monotypes"
   • Content: This article discusses the Boston art scene's fascination with monotypes, a printmaking technique. It mentions an exhibition at the Museum of Fine Arts (MFA) and describes the collaborative efforts of various artists and the historical context of monotypes. It highlights the monotype's unique qualities and its revival in contemporary art.

4. Bottom Right Clipping (Boston Globe, 1981):

   • Content: This section features a review of the exhibition "Reverie: A Portrait of a Woman" by William Merritt Chase and "Amaryllis" by Mary Frank, both likely displayed at the MFA. The accompanying images include a black-and-white photograph of a woman and an image of a monotype print.

The clippings collectively showcase the diverse interests and achievements in the Boston art world during the early 1980s, focusing on photography, architecture, and printmaking.

The image shows a collection of newspaper clippings from different articles, each covering various topics related to art and architecture. Here's a detailed summary of each clipping:

1. Top Left: "Signposts to the Future"

   • Source: Boston Globe, November 1, 1980
   • Topic: Contemporary Photography at Harvard University
   • Summary: The article discusses the exhibit "Contemporary Photography" at Harvard University, focusing on the works of young photographers. It highlights the debate on the definition of photography and the influence of new technologies. The article mentions photographers like Maciej Novak and Sandy Skoglund, who are pushing the boundaries of photographic art through experimental techniques and the use of color and form.

2. Top Right: "Boston's Mania for Monotypes"

   • Source: New England News, March 6, 1981
   • Topic: Monotype Art Exhibit at the Museum of Fine Arts (MFA)
   • Summary: This article covers the Boston art world's recent fascination with monotypes, a form of printmaking. It discusses an exhibition at the MFA featuring monotypes by artists such as Nancy Andreassen, Bahar Apeji, and others. The article also mentions the historical context of monotypes and their resurgence in popularity. It includes references to the technical process and the distinctive qualities of monotypes.

3. Bottom Left: "Josep Lluis Sert Wins Architects' Medal"

   • Source: Boston Globe, July 12-13, 1980
   • Topic: Josep Lluis Sert Receiving the AIA Gold Medal
   • Summary: The article announces Josep Lluis Sert as the winner of the 1981 American Institute of Architects (AIA) Gold Medal. It highlights Sert's extensive career in architecture, including his collaboration with Le Corbusier and his role in creating the Harvard Graduate School of Design. The article mentions his significant works such as the Harvard Graduate Center and the pavilion at the Museum of Modern Art.

4. Bottom Right: "REVERIE: A PORTRAIT OF A WOMAN" and "AMARYLLIS"

   • Source: Not explicitly dated but likely from the same period
   • Topics: Art Exhibits and Artworks
   • Summary:
     • "REVERIE: A PORTRAIT OF A WOMAN" by William Merritt Chase: This is a brief description of a portrait drawing by Chase, showcasing the artist's ability to capture the essence of the subject.
     • "AMARYLLIS" by Mary Frank: This section features a monotype artwork by Mary Frank, emphasizing the detailed and delicate nature of her work.

Overall, the clippings collectively reflect a period of innovation and interest in modern art forms and architecture in the early 1980s, with a particular focus on exhibitions and notable achievements in these fields.

The image is a page from the Boston Globe newspaper dated March 6, 1981. It contains several articles related to art and photography. Here's a detailed summary of each section:

1. Signposts to the Future (Contemporary Photographs at the Fogg Art Museum):

   • Author: Jeanne Duproc
   • This article reviews an exhibition of contemporary photography at Harvard University's Fogg Art Museum, running through December 12.
   • The exhibition, curated by Barbara Hitchcock, showcases the work of 65 photographers, many of whom are young and relatively unknown.
   • The article discusses the diversity and innovative nature of the works, noting that some photographers blur the lines between photography and other art forms.
   • Photographers like Ellen Carey, Susan Evans, David Hanson, and others are mentioned for their unique contributions, ranging from surreal and abstract imagery to more straightforward yet evocative photographs.

2. Boston’s Mania for Monotypes:

   • Author: Charles Giuliano
   • This piece discusses the rising popularity of monotypes, a type of printmaking, in Boston.
   • The article highlights a historical survey at the Museum of Fine Arts (MFA) that covers monotypes from the 17th to the 20th century, featuring works by artists like Degas, Pissarro, and Matisse.
   • Giuliano notes the technique's revival and mentions several contemporary artists who are experimenting with monotypes, such as Michael Mazur and others from the Boston Printmakers group.
   • The article also touches on the challenges and unique qualities of monotype printmaking.

3. Josep Sert Wins Architects’ Medal:

   • Author: Robert Campbell
   • Josep Lluis Sert, a prominent Cambridge architect and former dean of Harvard Graduate School of Design, is announced as the winner of the 1981 Harleston Parker Medal.
   • The medal is awarded annually to the most beautiful piece of architecture in the Boston area.
   • Sert's notable works include the Holyoke Center, the Peabody Terrace, and the Science Center at Harvard.
   • The article highlights Sert's influence on modern urban design and his collaborations with famous artists like Alexander Calder, Joan Miró, and Pablo Picasso.

4. Reviews and Announcements:

   • Review: "Beverie: A Portrait of a Woman" by William Merritt Chase

     • This small section reviews a work by William Merritt Chase, focusing on his portraiture.

   • Review: "Amaryllis" by Mary Frank

     • This review discusses Mary Frank's work in monotypes and her artistic expressions through this medium.

Overall, the page provides a rich overview of the art scene in Boston, focusing on contemporary photography, printmaking, and architecture.

The image shows an open newspaper or magazine spread out on a surface. The left page features an article with the headline "Signposts to the future" which discusses contemporary photography. Below this article, there's another heading "Josep Sert wins architects' medal" with an accompanying photograph and text.

On the right page, the article headlined "Boston's mania for monotypes" appears, discussing the city's interest in a particular art form. There are some illustrations or photographs accompanying this article, likely examples of monotypes. The page also shows smaller article headings and texts which suggest a focus on cultural events and reviews. There's a visible crease on the right page where the paper is folded, and the pages have a slightly yellowed tone, indicating they may have some age to them.

The newspaper or magazine is dated March 6, 1981, as indicated in the top corner of the right page. It also seems to have been from a section categorizing it as a review, possibly focusing on artistic and cultural critique.

This image shows a scrapbook or an album page containing several newspaper clippings related to art, photography, and architecture from the early 1980s. The clippings are glued or taped onto the page, which is cream-colored.

1. The top left clipping is titled "Signposts to the future" and appears to be a review or discussion of contemporary photography, specifically focusing on Ellen Carey's work with photograms. There is a small black-and-white photo of Ellen Carey's untitled work next to the text.

2. Below this, there is an article titled "Josep Sert wins architects' medal" about Josep Lluis Sert winning the 1981 Gold Medal of the American Institute of Architects, dated "Boston Globe 12-7-80". There is a small black-and-white photo of Josep Lluis Sert included.

3. On the right side, there is the widest clipping titled "Boston’s mania for monotypes" by Charles Giuliano, dated March 6, 1981, from the Boston Ledger. The article discusses Boston's enthusiasm for monotype printmaking. Included in this clipping are two black-and-white images of artworks: one is a portrait of a woman by William Merritt Chase, and the other is a work titled "Amaryllis" by Mary Frank.

Overall, the scrapbook page is dedicated to documenting significant artistic and architectural achievements and exhibitions from that period.

The image shows a collection of newspaper clippings and articles from the Boston Globe, dating from 1980 and 1981. The clippings are about photography and art, with a focus on monotypes and contemporary photography. The articles discuss the use of monotypes in printmaking, the work of various artists, and the trend of contemporary photography. The clippings are arranged in a way that suggests they were cut out and pasted into a scrapbook or a collection.

The image shows an open magazine or journal featuring a collection of articles and photographs. The layout includes text and visual elements spread across two facing pages. Here's a detailed description:

Left Page:

• Headline: "Signposts to the future"
  • This article discusses contemporary photography, highlighting artists and their work from the 1980s. It mentions specific photographers such as Ellen Carey, whose work is described as "futuristically" emerging from a series of black and white swirls.
  • The article also references the influence of photography on art and its evolution, noting the shift from traditional techniques to more experimental forms. It includes a photograph of a woman, possibly Ellen Carey, with a swirling, abstract design in the background.
  • The text is dense and appears to be an in-depth review or commentary on contemporary photographic practices.

Right Page:

• Headline: "Boston's mania for monotypes"
  • This article focuses on the art form of monotypes, particularly in Boston. It discusses the work of various artists, including Charles Giuliano, who wrote the piece. The article highlights the resurgence of interest in monotypes, noting their historical roots and contemporary revival.
  • The article includes a photograph of a woman, identified as "Reverie: A Portrait of a Woman" by William Merritt Chase, and another photograph titled "Amaryllis" by Mary Frank. These images are likely examples of monotype works or related artworks.
  • The text describes the process of creating monotypes and their unique qualities, emphasizing their experimental and expressive nature.

Additional Content:

• Article on Josep Sert:
  • At the bottom of the left page, there is a smaller article titled "Josep Sert wins architects’ medal." It discusses Josep Lluís Sert, an architect and former dean of the Harvard Graduate School of Design. The article highlights his contributions to architecture and his collaboration with artists, including a reference to his work on the mural "Guernica" by Pablo Picasso.
  • A photograph of Josep Sert is included, showing him in a formal pose.

Visual Elements:

• Photographs:
  • The right page features two photographs:
    1. "Reverie: A Portrait of a Woman" by William Merritt Chase.
    2. "Amaryllis" by Mary Frank.
  • These images are placed prominently, suggesting they are central to the article's discussion of monotypes and contemporary art.
• Text Layout:
  • The text is formatted in a traditional magazine style, with columns and subheadings. The articles appear to be well-organized, with clear headings and descriptive prose.

Overall Impression:

The image depicts a page from an art or photography-focused publication, likely from the early 1980s (as indicated by the date "Nov 1, 1980" at the top of the left page). The content is scholarly and analytical, exploring contemporary art movements, photographic techniques, and the work of notable artists and architects. The inclusion of both textual analysis and visual examples suggests a comprehensive approach to discussing art and its evolution.