Ctrl-C, Ctrl-V. Rinse, repeat.
ARCH.2003.37, Rendition: 808756
The image shows a collection of newspaper clippings, likely cut from a book or a magazine, dated October 2, 1980. The clippings are from two different publications: "The Globe" and "Cambridge (Mass.) Chronicle." The content of the clippings discusses an artist named Mary Miss and her environmental art installation titled "Mirror Way," which was constructed in the Central Courtyard of the Fogg Art Museum in Cambridge, Massachusetts.
The clippings mention that the installation is a three-level tier of wooden structures, a maze, and an expansive interplay of platforms, staircases, and ladders. The article by Robert Taylor from the Globe Staff highlights the artistic concept and the artist's interaction with the space and its architecture. The Chronicle article discusses the proposed demolition of a house at 1746 Cambridge St. as part of Harvard's plans for the Fogg Museum extension. The clippings include photographs of the installation and the proposed demolition site.
This image shows an open book or journal with two newspaper clippings attached to the pages.
On the left page, the clipping is from "The Globe" dated 9/28/80. The headline reads "Mary Miss brings her environment to the Fogg." The article, written by Robert Taylor, discusses Mary Miss's art installation at the Fogg Art Museum. It includes a photograph of Mary Miss with her sculpture, "Mirror Way," which is a three-level tier of wood structures forming a maze and an expansive interplay of platforms, staircases, and ladders. The article mentions that the installation is part of a series of courtyard exhibitions honoring the museum's former director, John Coolidge.
On the right page, the clipping is from "The Cambridge (Mass.) Chronicle" dated Thursday, October 2, 1980. The headline reads "Hearing on Fogg razing plans set." The article, written by Irene Sege, discusses a hearing set by the Cambridge Historical Commission to decide the fate of two frame houses Harvard wants to raze to make way for its extension of the Fogg Museum. The article includes a photograph of a house proposed for demolition, located at 1746 Cambridge St. The article mentions the architectural significance of the buildings and the university's plans for the new wing.
The clippings are secured with staples and there is a handwritten note on the left clipping that says "Globe 9/28/80." The pages of the book have a grid on the left side, possibly for indexing or reference.
This image displays an open scrapbook or newspaper clipping album, showing two pages from a 1980 newspaper, specifically the Cambridge (Mass.) Chronicle. The pages appear to be dated Thursday, October 2, 1980, and are bound or taped into a binder, as evidenced by the visible page edges and binding on the left.
The content focuses on the Fogg Art Museum at Harvard University and two major events surrounding it.
The image captures a moment in Harvard’s campus history, documenting both the artistic innovation brought to the Fogg Museum by Mary Miss and the contentious debate over architectural preservation versus institutional expansion. It provides a snapshot of how cultural institutions navigated public opinion, historical preservation, and contemporary art in the early 1980s.
A newspaper with two pages opened and one page folded is placed on a gray surface. The newspaper has a black border on the left and right sides. The newspaper is opened to a page with the title "Mary Miss brings her environment to the Fogg" and a picture of a house. The newspaper is folded to a page with the title "Hearing on Fogg razing plans set" and a picture of a house.
The image shows a newspaper article titled "Mary Miss brings her environment to the Fogg" from the Globe, dated October 2, 1980. The article discusses American environmental artist Mary Miss's work, which was selected for the Olympics in Lake Placid, New York. The article mentions that Miss created a 60-foot tall structure called "Wetted Landscape" as part of her work. The article also includes an image of the structure and discusses its significance in the context of the Fogg Art Museum.
The image shows an open book with two facing pages, dated October 2, 1988, from the Cambridge, Mass. Chronicle. The left page is titled "Mary Miss brings her environment to the Fogg" and is written by Robert Taylor. The article discusses the artist Mary Miss and her environmental art installation titled "Mirror Way" at the Fogg Art Museum. The text describes the artwork, which consists of a 400-foot path across the museum's courtyard, designed to explore spatial relationships and perception. The article includes a photograph of Mary Miss standing on the sculpture, showing the reflective surface and the surrounding environment.
The right page is titled "Hearing on Fogg razing plans set" and is written by Irene Sego. This article covers a public hearing scheduled to discuss the proposed demolition of the Fogg Art Museum building to make way for an extension of Harvard Yard. The text mentions the Cambridge Historical Commission, which opposes the demolition, and includes a photograph of the Fogg building. The article also references the historical significance of the structure, noting its connection to Harvard and its role in the university's history.
Both pages feature photographs that complement the text: one shows Mary Miss and her artwork, while the other depicts the Fogg building. The layout includes columnar text with clear headings, subheadings, and bylines, typical of a newspaper or magazine format. The book appears to be a collection or archive of articles, as indicated by the page numbering and structured layout. The overall design suggests a focus on art, architecture, and cultural preservation.
The image shows a page from an old newspaper, with the headline "Mary Miss brings her environment to the Fogg" and a subheading "Hearing on Fogg razing plans set".
Overall, the image appears to be a page from an old newspaper that has been preserved for historical purposes. The article and photo provide information about Mary Miss and her work, as well as a proposed demolition of the Fogg Museum.
The image shows a newspaper clipping about Mary Miss, an American artist, and her work at the Fogg Art Museum. The clipping is from the Cambridge (Mass.) Chronicle, dated Thursday, October 2, 1980.
Main Points:
Additional Information:
Overall, the image provides a glimpse into Mary Miss's artistic style and her work at the Fogg Art Museum in the early 1980s.
The image presents a collection of newspaper clippings related to the Fogg Art Museum, stored in a black binder with a white label on the spine featuring a lettered scale from "A" to "H". The clippings are arranged in chronological order, with the oldest article dated September 28, 1980, and the most recent dated October 2, 1980.
Left Page:
Right Page:
Overall:
The image provides a glimpse into the history of the Fogg Art Museum and its surroundings, highlighting the intersection of art, architecture, and urban planning. The articles and photographs offer a nuanced understanding of the complex issues surrounding the museum's expansion and the impact on the surrounding community.
The image presents a collection of newspaper clippings and photographs, arranged in an open book or binder. The left page features a prominent article titled "Mary Miss brings her environment to the Fogg," accompanied by a photograph of a woman standing in front of a large structure. The right page displays a black-and-white photograph of a house with a caption that reads, "Hearing on Fogg razing plans set."
Key Elements:
Newspaper Clippings:
Photographs:
Binder or Book:
Overall Impression:
The image appears to be a collection of archival materials related to art, architecture, and preservation efforts. The newspaper clippings and photographs suggest that the book or binder is a repository for historical documents and records. The use of tabs and handwritten notes indicates that the materials have been carefully organized and annotated.