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The image shows two newspaper clippings from different sources, both of which are related to the Fogg Museum. The articles are dated April 1, 1980, and October 2, 1980, respectively.

1. Left Article (April 1, 1980) - "Mary Miss brings her environment to the Fogg"

   • The article discusses Mary Miss, an American sculptor known for her environmental installations.
   • Mary Miss is mentioned as one of the outstanding American artists who will be participating in the Olympics in Lake Placid.
   • The article highlights her installation at the Fogg Museum, which includes a large, site-specific sculpture called "Mirror Way."
   • The installation is described as a 600-foot-long corridor made of mirrors, creating a unique spatial experience for visitors.
   • The article also mentions other works by Mary Miss and her approach to art, which often involves creating environments that engage viewers in a spatial dialogue.

2. Right Article (October 2, 1980) - "Hearing on Fogg razing plans set"

   • This article reports on a hearing regarding the proposed demolition of a house at 51 Brattle Street in Cambridge, MA, as part of the planned extension of the Fogg Museum.
   • The Cambridge Historical Commission is involved in the hearing, and the article mentions the historical significance of the house, which was built in 1851.
   • The article discusses the concerns of the commission and the public about the demolition of the house, which is described as a fine example of Italianate architecture.
   • The hearing is part of a broader discussion about the preservation of historic buildings in Cambridge and the impact of the museum's expansion plans.

Both articles include photographs related to their respective topics: the left article features a photo of Mary Miss's installation, while the right article includes a photo of the house at 51 Brattle Street.

The image contains newspaper clippings from two different articles, one from the "Globe" dated September 28, 1980, and another from the "Cambridge Chronicle" dated October 2, 1980.

1. Globe Article:

   • Headline: "Mary Miss brings her environment to the Fog"
   • Author: Robert Taylor
   • Summary: The article discusses an art installation by Mary Miss at the Fog Art Fair. Miss is known for her large-scale environmental artworks. This particular installation is a massive, immersive structure made of a combination of materials such as telephone poles, steel beams, and fabric. The piece is described as a "paranoid interpenetration of platforms, staircases, and ladders." Miss's work is noted for its ability to engage viewers and create a sense of space and scale. The article mentions that her work is often site-specific and involves a complex interplay of materials and space.

2. Cambridge Chronicle Article:

   • Headline: "Hearing on Fogg razing plans set"
   • Author: Irene Sage
   • Summary: This article covers a hearing regarding the proposed demolition of the Fog Art Center buildings at Harvard University. The Cambridge Historical Commission (CHC) is considering the demolition of buildings from 1760 and 1790, which are part of the Fog Art Center complex. The university plans to demolish the buildings to make way for a new art museum. The article mentions concerns raised by the CHC and the Harvard Art Museums' Director, who argues that the buildings are architecturally significant and their demolition would be regrettable. The CHC has scheduled a public hearing to discuss the matter further.

The clippings are detailed with photographs and illustrations that support the text, providing visual context to the articles. The left clipping from the Globe includes a photo of Mary Miss's artwork, while the right clipping from the Cambridge Chronicle includes a photo of the buildings in question.

The image consists of two newspaper clippings placed side by side on a table.

1. Left Clipping (Globe, September 28, 1980):

   • Headline: "Mary Miss brings her environment to the Fogg"
   • By: Robert Taylor
   • Summary:
     • This article discusses the work of Mary Miss, an environmental artist, who created an art installation at the Fogg Art Museum.
     • Miss is described as one of the leading American environmental artists, known for her innovative and immersive artworks.
     • The installation at the Fogg Museum, titled "Mirror Way," involved creating a large reflective surface that mirrors the surroundings, thus bringing the environment into the museum.
     • The article highlights the installation's unique aspects, including its expansive scale and the way it transforms the viewer's perception of space and time.
     • The piece was constructed with a massive three-sided mirror, allowing visitors to see reflections of the museum's courtyard and the sky.
     • The article mentions the artistic and cultural significance of the work, as well as its impact on the perception of the museum space.

2. Right Clipping (Cambridge Chronicle, October 2, 1980):

   • Headline: "Hearing on Fogg razing plans set"
   • By: Irene Sage
   • Summary:
     • This article reports on a hearing regarding the proposed demolition of two historic buildings at Harvard University, specifically the 1746 and 1759 houses on Fogg Street.
     • The Cambridge Historical Commission is considering whether to approve the razing of these buildings as part of the Fogg Museum's expansion.
     • The buildings are noted for their architectural significance and historical value, with the 1746 house being the oldest remaining building on the Harvard campus.
     • The university's plans to demolish the buildings and replace them with a new structure have sparked controversy and debate.
     • The article outlines the arguments presented by the university and the historical commission, including the potential benefits and drawbacks of the proposed demolition.
     • The hearing is part of a larger discussion about the balance between modernizing university facilities and preserving historical structures.

Both articles provide detailed insights into significant cultural and architectural discussions of their time, focusing on art installations and historical preservation.

The image shows a collection of newspaper clippings related to an environmental artist named Mary Miss and the proposed demolition of the Fogg Art Museum at Harvard University.

1. Top Left Clipping (Globe, 9/28/80):

   • Title: "Mary Miss brings her environment to the Fogg."
   • The article discusses Mary Miss, an outstanding American environmental artist. She creates immersive installations that transform public spaces into art. The article describes her work at the Fogg Museum, where she has created a structure that spans across the courtyard, involving elements like telephone poles and the surrounding architecture.

   Key Points:

   • Miss's work is noted for its large-scale, site-specific installations.
   • She constructs environments that involve the visitor in a sensory experience, integrating the physical space and the artwork.

2. Top Right Clipping (Cambridge Chronicle, 10/2/80):

   • Title: "Hearing on Fogg razing plans set."
   • This article discusses the Cambridge Historical Commission meeting to decide on the proposed demolition of a house at 176 Cambridge Street, part of the Fogg Museum’s planned extension.
   • The building, known as the Fogg House, was constructed in 1846 and is significant for its architectural and historical value.

   Key Points:

   • The commission is deciding whether to demolish the building or preserve it.
   • The article mentions that the university has been considering the razing of the Fogg House as part of their expansion plans.
   • There is a debate over the historical significance and potential preservation efforts.

The juxtaposition of these articles highlights a broader cultural and architectural discussion around the use of public and historical spaces for artistic and educational purposes.

The image displays two open newspapers, one on top of the other, each featuring different articles. The newspaper on the top left is the Boston Globe, dated September 28, 1980. The main article is titled "Mary Miss brings her environment to the Fogg," discussing how the artist Mary Miss has transformed the Fogg Museum's courtyard with her installation. The article is accompanied by a photograph showing Mary Miss and her installation.

The newspaper on the right is the Cambridge (MA) Chronicle, dated October 2, 1980. The main article is titled "Hearing on Fogg razing plans set," which reports on the plans to raze two historic houses at 1706 and 1708 Cambridge Street for the expansion of the Fogg Museum. There is also a photograph of the houses that are proposed for demolition. The article discusses the plans and the scheduled hearing at the Cambridge Historical Commission.

The newspapers are placed on a flat surface, possibly a table or desk. The text is clearly legible, and the layout of the articles and photographs is typical of print journalism from that era.

The image is a newspaper spread from the Boston Globe, dated Thursday, October 7, 1982. The main articles on the page focus on two primary stories:

1. Mary Miss Brings Her Environment to the Fogg (Left Side):

   • Headline: "Mary Miss brings her environment to the Fogg"
   • Author: By Robert Taylor
   • Content: The article discusses an art installation by Mary Miss at the Fogg Art Museum, part of Harvard University. Mary Miss is described as one of the outstanding American environmental artists. The installation, titled "Untitled (Broken Grid)," involves the creation of an intricate structure within the museum's courtyard. The piece consists of platforms, staircases, and ladders, creating a complex spatial experience for visitors. The article delves into the nature of her work, which often involves transforming spaces to engage viewers in unique ways, and the specific details and challenges of this particular installation.

2. Hearing on Fogg Razing Plans Set (Right Side):

   • Headline: "Hearing on Fogg razing plans set"
   • Author: By Teresa Sage, Chronicle Staff
   • Content: This article addresses a proposed demolition by Harvard University. Specifically, the university plans to raze a house at 1746 Cambridge Street, part of its expansion for the Fogg Museum. The Cambridge Historical Commission will hold a hearing to discuss the demolition. The house in question is noted for its historical significance, and various community members, including neighbors and historical preservation advocates, are expected to voice their opinions. The article outlines the potential impact on the neighborhood and the historical value of the building.

Additionally, the page includes:

• A photograph of Mary Miss and her sculpture.
• A photo of the house at 1746 Cambridge Street slated for demolition.
• Various smaller sections and ads typical of a newspaper layout.

This image shows a newspaper spread open, focusing on what seems to be the arts or culture section. The left side headline reads "Mary Miss brings her environment to the Fogg," which is accompanied by a black and white photograph of a woman standing next to a large, geometric sculpture. The title suggests that this section is discussing an exhibition or installation created by Mary Miss.

Below the main article, various fragments of articles and pictures can be seen, but they are cut off, and not all the text is readable. On the right-hand side, another headline states, "Hearing on Fogg razing plans set," which pertains to some kind of public hearing relating to the demolition plans for a building associated with the Fogg, probably a museum or an art-related institution. Accompanying this article is a black and white image of an old building with architectural details visible.

The image also shows the newspaper's fold and it is laid on a dark surface. Handwritten text at the top of the left page indicates the name "Globe" and a date "9/28/80", which could suggest that the newspaper is an issue of The Globe from September 28, 1980.

The image shows a newspaper article titled "Mary Miss brings her environment to the Fogg" from the Globe, dated October 2, 1980. The article discusses American environmental artist Mary Miss's work, which was selected for the Olympics in Lake Placid, New York. The article mentions that Miss created a 60-foot tall structure called "Wetted Landscape" as part of her work. The article also includes an image of the structure and discusses its significance in the context of the Fogg Art Museum.

A newspaper with two pages opened and one page folded is placed on a gray surface. The newspaper has a black border on the left and right sides. The newspaper is opened to a page with the title "Mary Miss brings her environment to the Fogg" and a picture of a house. The newspaper is folded to a page with the title "Hearing on Fogg razing plans set" and a picture of a house.

The image shows an open book with two facing pages, dated October 2, 1988, from the Cambridge, Mass. Chronicle. The left page is titled "Mary Miss brings her environment to the Fogg" and is written by Robert Taylor. The article discusses the artist Mary Miss and her environmental art installation titled "Mirror Way" at the Fogg Art Museum. The text describes the artwork, which consists of a 400-foot path across the museum's courtyard, designed to explore spatial relationships and perception. The article includes a photograph of Mary Miss standing on the sculpture, showing the reflective surface and the surrounding environment.

The right page is titled "Hearing on Fogg razing plans set" and is written by Irene Sego. This article covers a public hearing scheduled to discuss the proposed demolition of the Fogg Art Museum building to make way for an extension of Harvard Yard. The text mentions the Cambridge Historical Commission, which opposes the demolition, and includes a photograph of the Fogg building. The article also references the historical significance of the structure, noting its connection to Harvard and its role in the university's history.

Both pages feature photographs that complement the text: one shows Mary Miss and her artwork, while the other depicts the Fogg building. The layout includes columnar text with clear headings, subheadings, and bylines, typical of a newspaper or magazine format. The book appears to be a collection or archive of articles, as indicated by the page numbering and structured layout. The overall design suggests a focus on art, architecture, and cultural preservation.