Archives Scrapbooks

The image is a clipping from "The Harvard Independent" dated June 1980, featuring an article titled "A Gallery of Exhibits." The article discusses various art exhibitions held at the Boston Museum of Fine Arts during the fall of 1979 and the spring of 1980.

Key points from the article include:

1. Jean-Baptiste Chardin Exhibition: This showcased the works of the French painter known for his Baroque realism. The exhibition was well-received, attracting large crowds and setting records for visitor numbers.

2. Washington Allston Exhibition: This featured the works of the American painter, described as a "painter of genius." The exhibition included his masterpiece "Belshazzar's Feast."

3. Gilbert Stuart's Portraits: The National Gallery in Washington, D.C., presented Stuart's portraits of George and Martha Washington, which were highly praised.

4. Frans Hals Exhibition at the Fogg Museum: The museum received two unexpected portraits by the Dutch master, which were a significant addition to their collection.

5. Fogg Museum's Drawing Exhibition: To celebrate the centennial of the Fogg Museum, an exhibition of drawings was held, featuring works from the museum's collection and highlighting the work of artists like Poussin and Rubens.

6. Romanticism Exhibition: This showcased the flow and ebb of Romanticism through a century of art, featuring works from the Fogg's collection.

7. David Smith and Morris Louis Exhibitions: These focused on the drawings of two American modernists, revealing their lesser-known talents.

8. Persian Miniatures Exhibition: This exhibition at the Fogg Museum featured Persian manuscript illustrations from the Safavid and Pahlavi periods, showcasing the rich heritage of Persian art.

The article concludes by noting the Fogg Museum's ongoing potency in the art world, as evidenced by these diverse and significant exhibitions. The author of the article is David Lamb.

The image is a newspaper clipping from the Harvard Independent dated June 1980, titled "A Gallery of Exhibits."

The article discusses several notable art exhibitions that took place during that year:

1. Boston Museum of Fine Arts:

   • The exhibition "Chardin, 1699-1779" celebrated the career of the French painter Jean-Baptiste-Siméon Chardin. This show was significant as it was the first to present Chardin’s entire oeuvre, including his still-life and genre scenes, garnering a high number of visitors. The exhibition highlighted Chardin's use of light and shadow and his innovative approach to depicting everyday scenes.

2. Controversy at the National Gallery:

   • A show at the National Gallery in Washington, D.C., featuring Gilbert Stuart's portraits of George Washington was contested. This exhibition included works of a painter of genius, named Controversy, surrounded by two other prominent American painters.

3. Fogg Museum:

   • The Fogg Museum received two unexpected visitors, a pair of portraits by the Dutch master Franz Hals.
   • The Fogg also hosted an exhibition honoring the French artist Honoré Daumier, focusing on his caricatures and drawings.
   • An exhibition titled "From David to Courbet" showcased the evolution of Romanticism and its influence on art from David to Courbet.
   • The Fogg also mounted exhibitions of works by American modern artists, David Smith and Morris Louis. Smith is known for his abstract sculptures, while Louis is recognized for his "poured" paintings, which revealed other talents through post-humous exhibitions.
   • The Fogg also presented "Safavid Painting, 1500-1750," an exhibition of Persian manuscript illuminations, previously shown at the British Museum and the National Gallery.

Overall, the article emphasizes the rich and diverse exhibitions that museums were showcasing in the year 1980, highlighting significant contributions and innovative works in the art world.

The image shows a newspaper clipping from "The Harvard Independent," specifically from a "Year in Review" section dated June 1980. The headline of the article is "A Gallery of Exhibits," and it discusses various art exhibitions that took place in the 1970s, particularly focusing on the year 1979. The article mentions several key exhibitions and artists, including Chardin at the Boston Museum of Fine Arts, Allston's Romantic landscapes, and works by Gilbert Stuart. It also highlights events at the Fogg Museum, such as an exhibition of portraits by Franz Hals, a show on the god Dionysos, an exhibition titled "From David to Courbet," and displays of works by David Smith and Morris Louis. Additionally, the Fogg Museum presented an exhibition of Persian manuscript illuminations from the Safavid period. The article is written by David Lamb.

The image is a page from a publication titled "The Harvard Independent," specifically their "Commencement Issue" dated June 1989. The article is titled "A Gallery of Exhibits" and provides a year-in-review of significant art exhibitions.

Here's a detailed summary of the content:

Major Exhibitions in Boston:

1. Chardin Exhibit (1699-1779) at the Boston Museum of Fine Arts (MFA):

   • Celebrated the work of the 18th-century French painter Jean-Baptiste-Siméon Chardin.
   • Featured Chardin’s masterpieces, including still-life works and genre scenes, attracting record numbers of visitors.

2. Washington Allston Exhibit (1779-1843) at the MFA:

   • Showcased the Romantic, visionary panoramas of the American painter of genius, Washington Allston.
   • The MFA's exhibit was notable, though it faced competition from other exhibitions of American painters in Washington, D.C., specifically at the National Gallery of Art and the Smithsonian's National Portrait Gallery.

Exhibits at the Fogg Museum:

1. Portraits by Franz Hals:

   • The Fogg Museum received a pair of portraits by the Dutch master Franz Hals, drawing many unexpected visitors.

2. Tribute to Honoré Daumier:

   • Included a comprehensive exhibition of Daumier’s works, focusing on his caricatures, drawings, and paintings.
   • The exhibit was primarily sourced from the museum's own extensive collection.

3. Ancient and Medieval Exhibits:

   • Featured an exhibition of ancient and medieval artifacts, including a significant show of Dionysos and His Circle.
   • Another exhibit was dedicated to iconography, specifically depictions of the baby Jesus from different historical periods.

4. Rococo to Picasso:

   • Showcased contributions to the understanding of caricature and its evolution.

5. Romanticism Exhibit:

   • Early in the year, the Fogg presented an exhibit titled “From David to Courbet,” exploring the flow and ebb of Romanticism in the 19th century.

6. Modern Artists:

   • Featured works by David Smith and Morris Louis, focusing on their drawings.

7. John Pope’s Post-Humous Exhibit:

   • Highlighted the paintings of John Pope, who was known for his abstract sculptures.

8. Early American Painting:

   • Included an exhibit of early American paintings from 1500 to 1876, displaying the glimpses of a rich period in court painting.

9. Persian Manuscript Illuminations:

   • Displayed miniature Persian manuscript illuminations, previously shown at the British Museum and the National Gallery, emphasizing the Fogg's continuous strength in this area.

The article was written by David Laib.

The image is a newspaper clipping from The Harvard Independent dated June 1980, titled "A Gallery of Exhibits." The article discusses various art exhibitions that took place in Boston during the fall season.

1. Boston Museum of Fine Arts:

   • The museum hosted an exhibition titled "Chardin, 1699-1779," which celebrated the life and work of the French painter Jean-Baptiste-Siméon Chardin. The show included his still lifes and genre scenes, which were highly praised by critics and drew large crowds.
   • Washington Allston's panoramas were also displayed, but were somewhat overshadowed by the Chardin exhibition.

2. Isabella Stewart Gardner Museum:

   • This museum featured works by Gilbert Stuart and John Singer Sargent, with Stuart's portraits of George Washington being a notable highlight.

3. Fogg Museum:

   • The museum received two unexpected gifts: a pair of portraits by the Dutch master Frans Hals.
   • It also staged a tribute to Honoré Daumier, known for his caricatures, and displayed a significant collection of his works, including lithographs and drawings.
   • An exhibition titled "Dionysos and His Circle" showcased various depictions of the ancient Greek god Dionysus from Hellenic to Rococo periods.
   • Another exhibition, "From David to Courbet," traced the flow and ebb of Romanticism through the 19th century.
   • Additionally, the Fogg Museum hosted an exhibition of works by David Smith and Morris Louis, highlighting their talents beyond their well-known mediums.
   • The museum also displayed an exhibition of Persian manuscript illuminations from the British Museum and the National Gallery, focusing on the Safavid period (1501-1736).

The article concludes by emphasizing the continuing influence and prestige of the Fogg Museum.

The clipping also has a handwritten note at the top saying "Commencement Season June 1980."

The image is a newspaper clipping from "The Harvard Independent," dated June 1980. The headline reads "A Gallery of Exhibits," and it is part of a section titled "Year in Review."

The article discusses several notable exhibitions that drew large crowds to the Boston Museum of Fine Arts and other institutions during the 1980s.

1. Chardin Exhibition:

   • The Boston Museum of Fine Arts featured an exhibition of the works of Jean-Baptiste-Siméon Chardin (1699-1779), a French painter known for his still-life and genre scenes. The exhibition was so popular that it required a special extension to accommodate the high number of visitors.

2. Washington Allston:

   • The museum also showcased the works of Washington Allston, a Romantic painter known for his panoramic and visionary artworks.

3. Controversial Exhibits:

   • The article mentions two other exhibitions that sparked controversy: one featuring Gilbert Stuart's portraits of George Washington, which was kept at the National Gallery in Washington, D.C., and another exhibition at the Fogg Museum.

4. Fogg Museum Exhibits:

   • The Fogg Museum received two unexpected visitors, a pair of portraits by the Dutch master Frans Hals.
   • The museum staged a tribute to Honoré Daumier, a French caricaturist, on the centennial of his death, showcasing his works in caricature and political commentary.
   • The Fogg also displayed a collection of engravings and drawings by Rembrandt, including a rare portrait of the artist by himself.
   • The museum exhibited works from the Hellenic to the Rococo periods, focusing on depictions of Dionysus.
   • An exhibition of Romanticism, titled "From David to Courbet," explored the evolution of Romantic art through the 19th century.
   • The museum also mounted exhibitions of the works of two American modernists, David Smith and Morris Louis. Smith's abstract sculptures and Louis's "poured" paintings were displayed, showcasing their unique styles.

5. Safavid Painting:

   • The exhibition of Persian manuscript illuminations from the Safavid period (1501-1736) provided a glimpse into a rich and vibrant period of court painting, previously shown at the British Museum and the National Gallery.

The article concludes by highlighting the enduring significance of these exhibitions, underscoring the Fogg Museum's contributions to the art world. The article is signed by David Lamb.

The image contains a photocopy of a newspaper clipping from "The Harvard Independent." The headline reads "A Gallery of Exhibits," with a subtitle of "Year in Review." There is a red handwritten note at the top of the clipping that says "Commencement Issue June 1 1980."

The article reviews a series of art exhibits that took place, presumably around the year 1980 given the handwritten date. It references various museum shows, such as ones at the Boston Museum of Fine Arts and the Fogg Museum. The article mentions exhibitions related to artists such as Jean-Baptiste Chardin, Washington Allston, and Franz Hals, along with a tribute to Honore Daumier.

A black and white image accompanies the text, showing what appears to be an illustration featuring several figures, possibly extracted from one of the artworks or exhibits mentioned in the article.

The article concludes with the byline "—David Lamb," identifying the author.

The image shows a newspaper clipping titled "A Gallery of Exhibits" from "THE HARVARD INDEPENDENT" under the section "Year in Review." The top of the clipping has a handwritten note in red ink, reading "Commencement Issue June 1980." There is a black and white image at the top of the clipping depicting a group of people, possibly in period clothing, engaged in some activity, but it is quite grainy and unclear.

The article discusses various art exhibitions that took place in the Boston Museum of Fine Arts and the Fogg Museum. It mentions a notable exhibit on the French painter Jean-Baptiste Chardin, highlights works by American painters including Washington Allston, and notes controversies related to the National Gallery in Washington, D.C. The Fogg Museum is noted for receiving unexpected visitors in the form of portraits by Dutch master Franz Hals and hosting a tribute to Honore Daumier. Other exhibitions covered include works on Romanticism, drawings by David Smith and Morris Louis, and the "Wonders of the Age: Early Safavid Painting, 1501-1576," a display of miniature Persian manuscript illuminations.

The article is authored by David Lamb.

The image shows a page from the Harvard Independent newspaper, dated June 1980. The page contains an article titled "A Gallery of Exhibits," which discusses several art exhibitions that took place in Boston during the early 1980s. The article highlights the success of the "Gérard, 1699-1779" exhibition at the Museum of Fine Arts, which celebrated the career of the French painter Jean-Baptiste Chardin, known for his realistic still lifes and genre scenes. The article also mentions the controversy surrounding the National Gallery of Art's acquisition of Gilbert Stuart's portraits of George and Martha Washington, which the Museum of Fine Arts had tried to keep in Boston. Additionally, the article discusses the Fogg Museum's exhibition of works by David Smith and Morris Louis, as well as an exhibition of Persian manuscript illuminations. The article concludes by noting the continuing popularity of the Fogg Museum's collection.

The image shows a printed page from a publication titled "The Harvard Independent", specifically from the "Year in Review" section dated June 1994. The page is titled "A Gallery of Exhibits" and features an article discussing notable art exhibitions from the previous year.

Key Elements of the Image:

1. Header Information:

   • The top of the page includes a handwritten note at the very top, reading "Commencement Issue June 1994", indicating that this is part of a special edition of the publication.
   • Below this, the publication's name, "THE HARVARD INDEPENDENT", is prominently displayed.

2. Article Title:

   • The main headline is "A Gallery of Exhibits", suggesting that the article reviews significant art exhibitions from the year.

3. Visual Content:

   • There is a black-and-white photograph placed above the article text. The photograph depicts a group of people in formal attire, likely attendees or participants at an art exhibition. The setting appears to be indoors, possibly in a gallery or museum, with individuals dressed in suits and dresses, indicating a formal or celebratory event.

4. Article Content:

   • The article discusses various art exhibitions, focusing on notable events and artists. Key points mentioned include:
     • Chardin's Retrospective: Celebrating the career of the 18th-century painter Jean-Baptiste-Siméon Chardin, described as "perhaps the only Baroque realist."
     • Washington Allston's Romantic Canvases: Highlighting the works of this American painter, with a mention of controversy surrounding his portraits.
     • The Fogg Art Museum: Showcasing exhibitions such as portraits by Dutch master Franz Hals, a tribute to Honoré Daumier, and an ambitious show titled "Dionysos and His Circle", which included ancient and modern works.
     • David Smith and Morris Louis: An exhibit of works by these American moderns, with a focus on Smith's abstract sculptures and Louis's "poured" paintings.
     • Safavid Painting: An exhibition of Persian manuscript illuminations from the 15th–16th centuries.

5. Author and Conclusion:

   • The article is signed by David Lamb, indicating the author.
   • The concluding sentence emphasizes the Fogg Museum's role in showcasing the "continuing potency of the Fogg."

Overall Impression:

The image captures a well-organized article from a university publication, blending textual analysis of art exhibitions with a visual representation of a formal event. The layout is clean, with a clear hierarchy of information, and the inclusion of a photograph adds a visual context to the written content. The article reflects a focus on art history, museum exhibitions, and the cultural landscape of the early 1990s.