Archives Scrapbooks

The image shows a yellowed page, possibly from a scrapbook or collection of clippings, featuring various newspaper articles and announcements about art exhibitions and events. The visible articles are dated between January 27, 1980, and March 15, 1980, with one clipping dated as early as January 27, 1980. The articles are from different publications such as the "Sunday Sun" from Lowell, MA, the "Boston Globe," the "News-Tribune" from Waltham, MA, and the "Jewish Times" from Brookline, MA.

One of the articles, titled "From David to timber stacks" by Ann Schecter, discusses an art exhibition at the Fogg Museum titled "From David to Courbet," which explores the French Revolution and modern art, focusing on Jacques-Louis David's "Oath of the Horatii" and other works from the late 18th through the mid-19th century. Another clipping mentions an exhibition of drawings by Morris Louis at the Fogg Art Museum. There is also an announcement for a workshop on art forgeries at Brandeis Rose Art Museum. The clippings are placed on a yellow background, and the overall appearance suggests a collection of historical news articles related to art and museums.

This image shows an open scrapbook or page with several newspaper clippings pasted on it. The clippings are from different newspapers and dates, all related to art exhibitions, workshops, and articles about art. Here are the details of the clippings:

1. Top Left Clipping:

   • Source: Sunday Sun, Lowell, MA, S. 46,200, Jan 27, 1980.
   • Article Title: "From David to timber stacks"
   • Author: Ann Schecter, Sun Art Critic.
   • Content: Discusses the exhibition "From David to Courbet" at the Fogg Museum, exploring the period from the late 18th through the mid 19th century. It mentions artists like Jacques-Louis David, Theodore Gericault, and Gustave Courbet, and their contributions to the development of art during this period.

2. Top Right Clipping:

   • Source: Boston Globe, Boston, MA, S. 480,691, Feb 29, 1980.
   • Article Title: "Art"
   • Content: Talks about the drawings of Morris Louis, showing how his painting in the early '60s was a result of development rather than sudden inspiration. The exhibition was at the Fogg Art Museum, Cambridge, through April 6.

3. Bottom Right Clipping:

   • Source: News-Tribune, Waltham, MA, S. 15,360, Mar 13, 1980.
   • Article Title: "Workshop will concern art forgeries"
   • Content: Announces a free workshop on art forgeries by Marjorie B. Cohn, a conservator of works of art on paper at Harvard University's Fogg Art Museum. The workshop will discuss the rising incidence of art forgeries and show slides depicting examples of counterfeit work. It was held on Sunday, March 16, at 3 p.m. at the Pollack Fine Arts Teaching Center on the Brandeis campus.

4. Bottom Left Clipping:

   • Source: Jewish Times, Brookline, MA, S. 10,500, Mar 13, 1980.
   • Article Title: "Brandeis Rose Art Museum Holds Workshop"
   • Content: Similar to the News-Tribune clipping, it announces the workshop on art forgeries by Marjorie B. Cohn at the Brandeis Rose Art Museum.

The scrapbook page is organized with the clippings taped or glued in place, forming a collage of articles related to art exhibitions and educational workshops. The background of the page is a plain, light-colored paper, and the edges of the scrapbook are visible, showing it is a bound book.

This image shows an open scrapbook or album with several newspaper clippings pasted onto the right-hand page. The clippings, dated between January and March of 1990, are all related to art exhibitions and events centered around the Fogg Art Museum (now part of the Harvard Art Museums) and the Brandeis University Rose Art Museum, both located in Massachusetts.

Here’s a detailed breakdown of the clippings:

1. Clipping on the Left (January 27, 1990)

• Source: Sunday Sun, Lowell, MA
• Headline: “From David to timber stacks”
• Subhead: Inside Art
• Byline: Ann Schechter, Sun Art Critic
• Content: This is a review of a major exhibition at the Fogg Museum titled “David to Courbet.” It highlights the exhibition’s focus on French art from the late 18th through mid-19th century, featuring works by Jacques-Louis David, Théodore Géricault (specifically mentioning his painting “The Bull Market”), and others. It discusses the transition from Neoclassicism to Romanticism and Realism.

2. Clipping in the Upper Right (February 29, 1990)

• Source: Boston Globe, Boston, MA
• Section: Art
• Headline: The Drawings of Morris Louis
• Content: This article announces the first showing of 50 drawings by the mid-20th-century abstract painter Morris Louis. It notes that these works reveal his development as an artist and were displayed at the Fogg Art Museum, Cambridge.

3. Clipping in the Middle Right (March 13, 1990)

• Source: Herald-Tribune, Waltham, MA
• Headline: Workshop will concern art forgeries
• Content: Announces a workshop at the Pollock Fine Arts Teaching Center on the Brandeis campus. The workshop, titled “The Truth, the Whole Truth and Nothing but the Truth,” is presented by the Patrons and Friends of Brandeis’ Rose Art Museum. It features Marjorie B. Cohn, conservator at Harvard’s Fogg Art Museum, who will discuss the incidence of art forgeries and how chemical analysis can determine authenticity.

4. Clipping at the Bottom (March 15, 1990)

• Source: Jewish Times, Brookline, MA
• Headline: Brandeis Rose Art Museum Holds Workshop
• Content: This clipping reiterates the details of the March 16 workshop on art forgeries featuring Marjorie B. Cohn. It confirms the location (Pollock Fine Arts Teaching Center), time (Sunday, 3 p.m.), and notes that admission is free and the public is invited.

Additional Notes:

• All clippings are neatly arranged and pasted onto the aging, yellowed pages of a scrapbook.
• A small portion of a newspaper clipping from LIFE FUEL CL... dated Friday, October 24, 1986, is visible tucked between the pages — suggesting this is part of a longer-running collection.
• The collection reflects a focused interest in art history, museum exhibitions, and art conservation during early 1990.

Summary:
This scrapbook page documents contemporary art coverage in early 1990, centered on major exhibitions at the Fogg Art Museum (featuring French masters and Morris Louis) and educational programming at Brandeis University’s Rose Art Museum focused on art authentication. It likely belonged to someone with a deep interest in art history and museum culture in the Boston area.

The image shows a page of a scrapbook with various articles and clippings pasted on it. The scrapbook appears to be a collection of newspaper clippings, magazine articles, and other printed materials that have been cut out and arranged on the page. The articles are about different topics, such as art exhibitions, workshops, and news events. The clippings are arranged in a haphazard manner, with some overlapping and others placed side by side. The page has a yellowish tint, indicating that it may be an old or vintage scrapbook.

The image appears to be a page from a magazine or newspaper clipping. The page contains several articles and advertisements related to art and museums. The main article is titled "From David to Timber Stacks" and discusses the evolution of art from the neoclassical style of David to the more modern and avant-garde works of the late 19th and early 20th centuries. The article mentions the Fogg Art Museum's exhibition of works by Theodore Gericault, a French artist who was influenced by David but also explored more innovative and unconventional styles.

The page also includes several advertisements for art exhibitions and workshops, such as a workshop on art forgeries at the Brandies Rose Art Museum and an exhibition of drawings by Maurits Cornelis Escher at the Fogg Art Museum. There are also advertisements for various art-related products and services, such as art supplies and framing.

Overall, the image provides a glimpse into the art world of the time, showcasing the diversity and evolution of artistic styles and the importance of museums and exhibitions in promoting and preserving art.

The image depicts an open newspaper or magazine spread featuring multiple clippings or articles from various sources, dated between January 27, 1980, and March 13, 1980. The layout includes several articles, headlines, and accompanying images, suggesting a collage or scrapbook-style presentation.

Key Elements in the Image:

Left Page:

• Headline: "Inside Art From David to timber stacks"
  • Subheading: By Ann Schecter, Lowell Sun Art Critic
  • Image: A black-and-white photograph of a dramatic scene, likely depicting a bull market or a chaotic setting. The image is labeled "The Bull Market" by Theodore Gericault, at Fogg Museum.
  • Content: The article discusses the exhibition of David’s works at the Fogg Museum, highlighting the artist’s role in the French Revolution and his influence on modern art. It mentions David’s painting "The Oath of the Horatii" and explores his contributions to the Neoclassical movement.

Right Page:

• Top Section:

  • Headline: "Art: The Drawings of Morris Louis – First showing of 56 drawings by the noted artist."
    • Subheading: It mentions that the drawings reveal Louis’s process of experimentation, not the product of sudden inspiration. The exhibition is at the Fogg Art Museum, Cambridge.

• Middle Section:

  • Headline: "Workshop will concern art forgery"
    • Subheading: An article from the News-Tribune, Waltham, MA, dated March 13, 1980. It discusses a workshop at the Pollack Fine Arts Teaching Center, focusing on detecting art forgery. The workshop will be led by Marjorie B. Cohn, a conservator at Harvard University’s Fogg Art Museum. It mentions the use of chemical analysis to determine the authenticity of paintings and other works of art.

• Bottom Section:

  • Headline: "Brandes Rose Art Museum Holds Workshop"
    • Subheading: Details about a workshop at the Brandes Rose Art Museum, also focusing on art forgery. The event is scheduled for Sunday, March 16, at 3 p.m. and will be led by Marjorie B. Cohn. The workshop will cover topics such as the use of chemical analysis and other methods to detect forgeries.

Visual Layout:

• The pages are filled with text, headlines, and an image, giving the impression of a curated collection of art-related news clippings. The articles are from different publications, including the Lowell Sun, News-Tribune, and Jewish Times.
• The clippings are arranged in a way that suggests they were physically cut and pasted into a document or scrapbook, as evidenced by the visible edges and overlapping of some articles.

Overall Theme:

The image conveys a focus on art, particularly on exhibitions, workshops, and discussions surrounding art forgery. It highlights the role of institutions like the Fogg Art Museum and the Brandes Rose Art Museum in promoting art education and authentication. The inclusion of historical art (e.g., Gericault’s "The Bull Market") alongside contemporary discussions about forgery underscores a blend of historical and modern art concerns.

This layout is typical of an art enthusiast’s scrapbook or a curated collection of art-related news from the early 1980s.

This image depicts a page from a scrapbook with various newspaper clippings and articles pasted onto it. There is a range of dates visible on the articles, including January 27, 1980; February 29, 1980; and March 13, 1980, which suggests that the articles were collected over a period of time.

Featured prominently is a larger article titled "Inside Art: From David to timber stacks," by Ann Critic. This article includes an image of a painting or print titled "The Bull Market" by Theodore Gericault, as displayed at the Fogg Museum. The article appears to discuss an art exhibition featuring works of art from different historical periods with a focus on pieces related to the French Revolution and transformations in art styles.

There are two smaller clippings related to art as well. One clipping from 'The Boston Globe' on February 29, 1980, is titled "Art," and briefly notes showings of drawings by Louis-Léopold Boilly; the other, from 'News-Tribune Waltham, MA' on March 13, 1980, announces a workshop titled "Workshop will concern art forgeries."

In the bottom right corner, there is a small clipping from 'The Boston Times' dated March 15, 1980, which provides details about a Brandeis Rose Art Museum workshop.

The page is part of a scrapbook and shows signs of age and wear; for instance, some of the page corners are folded or damaged, and the newspaper print has yellowed. The overall image provides insight into a particular interest in art exhibitions and events from newspapers during that time frame.

This image shows a scrapbook page containing newspaper clippings and articles, seemingly related to art exhibitions and workshops in 1980. The page consists of articles from various newspapers, including the "Sunday Sun," "Boston Globe," "News-Tribune," and "Jewish Times."

One prominent clipping titled "From David to timber stacks" discusses art movements starting from the late 18th century, referencing works like Theodore Géricault's "The Bull Market." A black-and-white photograph of this artwork is included in the clipping.

Other smaller clippings advertise art workshops and exhibitions, such as one held at Brandeis Rose Art Museum concerning art forgeries. Another article is titled "The Drawings of Morris Louis," highlighting a display of the artist's work at a museum. The clippings contain dates from early 1980 and are mounted on a pale yellow background.

The entire page appears to document artistic events, providing historical insights into art exhibitions and education during that year.

The image shows a scrapbook or album page with several newspaper clippings pasted on it. The clippings are dated from early 1980 — specifically January 27, February 29, and March 13.

The articles relate to art, exhibitions, and workshops:

1. The largest clipping on the left is titled "From David to timber stacks," written by Ann Schecter, a Sun Art Critic. It discusses an art exhibition at the Fogg Museum featuring works from the late 18th and mid-19th centuries, focusing on realism and social consciousness in art. There is also a small image of a painting called "The Bull Market" by Theodore Gericault.

2. A small clipping in the upper middle is from the Boston Globe dated February 29, 1980, announcing an exhibition of drawings by Morris Louis at the Fogg Art Museum in Cambridge.

3. On the right side, there is a larger clipping headlined "Workshop will concern art forgeries" from the Waltham News-Tribune dated March 13, 1980. It announces a free workshop at Brandeis' Rose Art Museum about art forgeries and how to detect them, led by Marjorie B. Cohn, a conservator.

4. Below that, another clipping from the Jewish Times also announces the Brandeis Rose Art Museum workshop on art forgeries scheduled for March 16, 1980, with similar details.

The page overall documents art exhibitions and educational events related to art history and preservation during early 1980.

This is a page from a scrapbook or journal. A pale yellow mounting page holds several old newspaper clippings about art exhibitions and museum events from 1980. The largest clipping is on the left, with a bold headline “From David to timber stacks” and a black-and-white photo above it (caption mentions “The Bull Market” by Theodore Gericault at a museum). Surrounding it are smaller clippings on the right about topics like Morris Louis drawings and a workshop on art forgeries, as well as a Brandeis Rose Art Museum workshop notice. The edges of the clippings are torn, and the page shows signs of aging and is taped into a binder.