Archives Scrapbooks

The image shows a yellowed page, possibly from a scrapbook or collection of clippings, featuring various newspaper articles and announcements about art exhibitions and events. The visible articles are dated between January 27, 1980, and March 15, 1980, with one clipping dated as early as January 27, 1980. The articles are from different publications such as the "Sunday Sun" from Lowell, MA, the "Boston Globe," the "News-Tribune" from Waltham, MA, and the "Jewish Times" from Brookline, MA.

One of the articles, titled "From David to timber stacks" by Ann Schecter, discusses an art exhibition at the Fogg Museum titled "From David to Courbet," which explores the French Revolution and modern art, focusing on Jacques-Louis David's "Oath of the Horatii" and other works from the late 18th through the mid-19th century. Another clipping mentions an exhibition of drawings by Morris Louis at the Fogg Art Museum. There is also an announcement for a workshop on art forgeries at Brandeis Rose Art Museum. The clippings are placed on a yellow background, and the overall appearance suggests a collection of historical news articles related to art and museums.

This image shows an open scrapbook or page with several newspaper clippings pasted on it. The clippings are from different newspapers and dates, all related to art exhibitions, workshops, and articles about art. Here are the details of the clippings:

1. Top Left Clipping:

   • Source: Sunday Sun, Lowell, MA, S. 46,200, Jan 27, 1980.
   • Article Title: "From David to timber stacks"
   • Author: Ann Schecter, Sun Art Critic.
   • Content: Discusses the exhibition "From David to Courbet" at the Fogg Museum, exploring the period from the late 18th through the mid 19th century. It mentions artists like Jacques-Louis David, Theodore Gericault, and Gustave Courbet, and their contributions to the development of art during this period.

2. Top Right Clipping:

   • Source: Boston Globe, Boston, MA, S. 480,691, Feb 29, 1980.
   • Article Title: "Art"
   • Content: Talks about the drawings of Morris Louis, showing how his painting in the early '60s was a result of development rather than sudden inspiration. The exhibition was at the Fogg Art Museum, Cambridge, through April 6.

3. Bottom Right Clipping:

   • Source: News-Tribune, Waltham, MA, S. 15,360, Mar 13, 1980.
   • Article Title: "Workshop will concern art forgeries"
   • Content: Announces a free workshop on art forgeries by Marjorie B. Cohn, a conservator of works of art on paper at Harvard University's Fogg Art Museum. The workshop will discuss the rising incidence of art forgeries and show slides depicting examples of counterfeit work. It was held on Sunday, March 16, at 3 p.m. at the Pollack Fine Arts Teaching Center on the Brandeis campus.

4. Bottom Left Clipping:

   • Source: Jewish Times, Brookline, MA, S. 10,500, Mar 13, 1980.
   • Article Title: "Brandeis Rose Art Museum Holds Workshop"
   • Content: Similar to the News-Tribune clipping, it announces the workshop on art forgeries by Marjorie B. Cohn at the Brandeis Rose Art Museum.

The scrapbook page is organized with the clippings taped or glued in place, forming a collage of articles related to art exhibitions and educational workshops. The background of the page is a plain, light-colored paper, and the edges of the scrapbook are visible, showing it is a bound book.

This image shows an open scrapbook or album with several newspaper clippings pasted onto the right-hand page. The clippings, dated between January and March of 1990, are all related to art exhibitions and events centered around the Fogg Art Museum (now part of the Harvard Art Museums) and the Brandeis University Rose Art Museum, both located in Massachusetts.

Here’s a detailed breakdown of the clippings:

1. Clipping on the Left (January 27, 1990)

• Source: Sunday Sun, Lowell, MA
• Headline: “From David to timber stacks”
• Subhead: Inside Art
• Byline: Ann Schechter, Sun Art Critic
• Content: This is a review of a major exhibition at the Fogg Museum titled “David to Courbet.” It highlights the exhibition’s focus on French art from the late 18th through mid-19th century, featuring works by Jacques-Louis David, Théodore Géricault (specifically mentioning his painting “The Bull Market”), and others. It discusses the transition from Neoclassicism to Romanticism and Realism.

2. Clipping in the Upper Right (February 29, 1990)

• Source: Boston Globe, Boston, MA
• Section: Art
• Headline: The Drawings of Morris Louis
• Content: This article announces the first showing of 50 drawings by the mid-20th-century abstract painter Morris Louis. It notes that these works reveal his development as an artist and were displayed at the Fogg Art Museum, Cambridge.

3. Clipping in the Middle Right (March 13, 1990)

• Source: Herald-Tribune, Waltham, MA
• Headline: Workshop will concern art forgeries
• Content: Announces a workshop at the Pollock Fine Arts Teaching Center on the Brandeis campus. The workshop, titled “The Truth, the Whole Truth and Nothing but the Truth,” is presented by the Patrons and Friends of Brandeis’ Rose Art Museum. It features Marjorie B. Cohn, conservator at Harvard’s Fogg Art Museum, who will discuss the incidence of art forgeries and how chemical analysis can determine authenticity.

4. Clipping at the Bottom (March 15, 1990)

• Source: Jewish Times, Brookline, MA
• Headline: Brandeis Rose Art Museum Holds Workshop
• Content: This clipping reiterates the details of the March 16 workshop on art forgeries featuring Marjorie B. Cohn. It confirms the location (Pollock Fine Arts Teaching Center), time (Sunday, 3 p.m.), and notes that admission is free and the public is invited.

Additional Notes:

• All clippings are neatly arranged and pasted onto the aging, yellowed pages of a scrapbook.
• A small portion of a newspaper clipping from LIFE FUEL CL... dated Friday, October 24, 1986, is visible tucked between the pages — suggesting this is part of a longer-running collection.
• The collection reflects a focused interest in art history, museum exhibitions, and art conservation during early 1990.

Summary:
This scrapbook page documents contemporary art coverage in early 1990, centered on major exhibitions at the Fogg Art Museum (featuring French masters and Morris Louis) and educational programming at Brandeis University’s Rose Art Museum focused on art authentication. It likely belonged to someone with a deep interest in art history and museum culture in the Boston area.

The image shows a page of a scrapbook with various articles and clippings pasted on it. The scrapbook appears to be a collection of newspaper clippings, magazine articles, and other printed materials that have been cut out and arranged on the page. The articles are about different topics, such as art exhibitions, workshops, and news events. The clippings are arranged in a haphazard manner, with some overlapping and others placed side by side. The page has a yellowish tint, indicating that it may be an old or vintage scrapbook.

The image appears to be a page from a magazine or newspaper clipping. The page contains several articles and advertisements related to art and museums. The main article is titled "From David to Timber Stacks" and discusses the evolution of art from the neoclassical style of David to the more modern and avant-garde works of the late 19th and early 20th centuries. The article mentions the Fogg Art Museum's exhibition of works by Theodore Gericault, a French artist who was influenced by David but also explored more innovative and unconventional styles.

The page also includes several advertisements for art exhibitions and workshops, such as a workshop on art forgeries at the Brandies Rose Art Museum and an exhibition of drawings by Maurits Cornelis Escher at the Fogg Art Museum. There are also advertisements for various art-related products and services, such as art supplies and framing.

Overall, the image provides a glimpse into the art world of the time, showcasing the diversity and evolution of artistic styles and the importance of museums and exhibitions in promoting and preserving art.

The image depicts an open newspaper or magazine spread featuring multiple clippings or articles from various sources, dated between January 27, 1980, and March 13, 1980. The layout includes several articles, headlines, and accompanying images, suggesting a collage or scrapbook-style presentation.

Key Elements in the Image:

Left Page:

• Headline: "Inside Art From David to timber stacks"
  • Subheading: By Ann Schecter, Lowell Sun Art Critic
  • Image: A black-and-white photograph of a dramatic scene, likely depicting a bull market or a chaotic setting. The image is labeled "The Bull Market" by Theodore Gericault, at Fogg Museum.
  • Content: The article discusses the exhibition of David’s works at the Fogg Museum, highlighting the artist’s role in the French Revolution and his influence on modern art. It mentions David’s painting "The Oath of the Horatii" and explores his contributions to the Neoclassical movement.

Right Page:

• Top Section:

  • Headline: "Art: The Drawings of Morris Louis – First showing of 56 drawings by the noted artist."
    • Subheading: It mentions that the drawings reveal Louis’s process of experimentation, not the product of sudden inspiration. The exhibition is at the Fogg Art Museum, Cambridge.

• Middle Section:

  • Headline: "Workshop will concern art forgery"
    • Subheading: An article from the News-Tribune, Waltham, MA, dated March 13, 1980. It discusses a workshop at the Pollack Fine Arts Teaching Center, focusing on detecting art forgery. The workshop will be led by Marjorie B. Cohn, a conservator at Harvard University’s Fogg Art Museum. It mentions the use of chemical analysis to determine the authenticity of paintings and other works of art.

• Bottom Section:

  • Headline: "Brandes Rose Art Museum Holds Workshop"
    • Subheading: Details about a workshop at the Brandes Rose Art Museum, also focusing on art forgery. The event is scheduled for Sunday, March 16, at 3 p.m. and will be led by Marjorie B. Cohn. The workshop will cover topics such as the use of chemical analysis and other methods to detect forgeries.

Visual Layout:

• The pages are filled with text, headlines, and an image, giving the impression of a curated collection of art-related news clippings. The articles are from different publications, including the Lowell Sun, News-Tribune, and Jewish Times.
• The clippings are arranged in a way that suggests they were physically cut and pasted into a document or scrapbook, as evidenced by the visible edges and overlapping of some articles.

Overall Theme:

The image conveys a focus on art, particularly on exhibitions, workshops, and discussions surrounding art forgery. It highlights the role of institutions like the Fogg Art Museum and the Brandes Rose Art Museum in promoting art education and authentication. The inclusion of historical art (e.g., Gericault’s "The Bull Market") alongside contemporary discussions about forgery underscores a blend of historical and modern art concerns.

This layout is typical of an art enthusiast’s scrapbook or a curated collection of art-related news from the early 1980s.

The image shows a page from a book or scrapbook, with a newspaper clipping about art and a workshop.

• The clipping is titled "From David to timber stacks" and features a black-and-white photograph of a painting.
  • The article discusses the evolution of modern art, from the Renaissance to the present day.
  • It highlights the works of artists such as David, Courbet, and Cezanne, and their contributions to the development of modern art.
  • The article also mentions the upcoming workshop, which will focus on the use of chemical analysis to determine the authenticity of paintings and other works of art.
• The workshop is scheduled to take place on March 13, 1980, at the Brandeis Rose Art Museum.
  • The workshop will be led by Marjorie B. Cohen, conservator of the Rose Art Museum.
  • The workshop is open to the public and will provide an opportunity for attendees to learn about the latest techniques in art conservation.
• The background of the image is a light gray color, which helps to highlight the details of the newspaper clipping and the workshop information.

Overall, the image provides a glimpse into the world of art and art conservation, highlighting the importance of preserving and understanding the works of artists throughout history.

This image depicts a page from a scrapbook or photo album, featuring newspaper clippings related to art exhibitions. The page is yellowed and worn, with visible tears and creases.

Newspaper Clippings:

• A prominent clipping on the left side showcases an article titled "From David to timber stacks" by Ann Sothern, accompanied by a black-and-white photograph of a painting.
• Two smaller clippings are positioned above and below the main article, respectively. The top clipping features a review of an art exhibition, while the bottom clipping announces a workshop titled "Brandeis Rose Art Museum Holds Workshop."
• Additional clippings are partially visible behind the main page, suggesting that the scrapbook contains multiple pages of similar content.

Overall Impression:

The image presents a nostalgic glimpse into the world of art exhibitions and events from a bygone era. The yellowed newspaper clippings and worn page evoke a sense of age and nostalgia, while the content itself provides insight into the artistic tastes and interests of the time.

The image depicts a scrapbook or photo album with a collection of newspaper clippings related to art, pasted onto yellowed pages. The clippings are arranged in a seemingly random order, with some overlapping or placed at an angle.

Clipping Details:

• The largest clipping is on the left page and features a black-and-white image of a painting titled "The Bull Market" by Theodore Gericault, at the Fogg Museum.
• The article is titled "From David to timber stacks" and is written by Ann Schecter.
• Other clippings include:
  • An article about Morris Louis' drawings, dated February 29, 1980.
  • A workshop announcement for "The Truth, the Whole Truth and Nothing but the Truth," dated March 13, 1980.
  • A notice about a workshop at the Brandeis Rose Art Museum, dated March 15, 1980.

Scrapbook Details:

• The scrapbook appears to be old and worn, with yellowed pages and a black cover.
• The pages are not uniform in size, and some have rough edges.
• A piece of tape is visible at the top of the book, holding together a torn page.

Background:

• The background of the image is a plain gray color, suggesting that the scrapbook is being displayed or photographed against a neutral backdrop.

Overall, the image presents a nostalgic and eclectic collection of art-related news clippings, carefully curated and preserved in a vintage scrapbook.

The image presents a scanned page from an open book, featuring a collection of newspaper clippings and articles related to art. The page is yellowed with age, indicating that it has been stored for some time.

Newspaper Clippings:

• The largest clipping is from the "Sunday Sun" in Lowell, MA, dated January 27, 1980.
  • The article discusses an exhibition at the Fogg Museum, showcasing works by French artist David to Corot.
  • The exhibition features 36 drawings by the noted artist, which reveal Corot's painting of the era.
  • The article highlights the significance of the exhibition, which provides a rare opportunity to view this period of development not the product of sudden inspiration.
• A smaller clipping from the "Globe" in Boston, MA, dated February 29, 1980, appears to be an advertisement for an art exhibition.
• Another clipping from the "News Tribune" in Baltimore, MD, dated March 13, 1980, discusses a workshop on art forgeries at the Brandeis Rose Art Museum.
  • The workshop, led by Marjorie B. Cohn, conservator of works of art on paper at Harvard University's Fogg Art Museum, will discuss the rising incidence of art forgeries and show examples of counterfeit works.
  • The workshop is free and open to the public, with no admission charge.
• A final clipping from the "Jewish Times" in Shrewsbury, MA, dated March 15, 1980, announces a workshop on "The Truth, the Whole Truth and Nothing but the Truth?" at the Brandeis Rose Art Museum.
  • The workshop will be led by Marjorie B. Cohn, conservator of works of art on paper at Harvard University's Fogg Art Museum.
  • The workshop will discuss the rising incidence of art forgeries and show examples of counterfeit works.

Overall:

The image provides a glimpse into the art world of 1980, highlighting exhibitions, workshops, and articles related to art history, conservation, and forgery. The clippings offer a snapshot of the art scene during this time period, showcasing the interests and concerns of art enthusiasts and professionals.