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ARCH.2003.37, Rendition: 808736
The image depicts an open booklet or magazine, with the left page containing text and the right page featuring a black-and-white photograph. The text on the left page is titled "Romance and reality" and is written by Kenneth Baker. It discusses artistic themes, particularly focusing on the works of 18th and 19th-century French artists, such as Gérard-Edmond-Désamy Ingres, and their connection to modernist sensibilities. The text touches on the evolution of art styles, the impact of the French Revolution on art, and the importance of individual artistic sensibility.
The right page shows a black-and-white photograph of a painting titled "Odalisque with Slave," an artwork by Ingres. The painting is part of a museum exhibit, as indicated by the caption at the bottom of the image, which reads "Ingres's 'Odalisque with Slave,' at the Fogg." The photograph captures a detailed view of the painting, showcasing two figures in a luxurious, intimate setting, with one reclining and another seated, adorned in elegant and restrained attire. The style of the painting reflects the neoclassical and romanticist themes prevalent in the 19th century.
This image shows an open book displaying a page titled "Romance and reality" by Kenneth Baker. The page contains a detailed article discussing the exhibition "David to Courbet" at Harvard's Fogg Museum, which covers late 18th and early 19th-century French art. The article explores the transition from neoclassicism to romanticism and realism, highlighting the works of artists such as David, Ingres, Géricault, and Courbet.
Below the article, there is a photograph of a painting titled "Odalisque with Slave" by Ingres, which is part of the exhibition at the Fogg. The painting depicts a reclining nude woman with a slave attending to her. The photograph is dated February 5, 1980, and is from the Boston Phoenix, Boston, MA. The book's edge also shows a tabbed index on the left side, with letters A through H visible.
This image captures a close-up, slightly angled view of an open book or bound newspaper archive, showcasing a printed page from the Boston Phoenix newspaper.
The page is dated FEB 5 1990 and displays an article titled “Romance and reality” by Kenneth Baker. The article reviews an exhibition at Harvard’s Fogg Museum titled “David to Courbet,” which focused on late 18th- and early 19th-century French art from the museum’s collections. Baker’s review discusses the transition from Neoclassicism to Romanticism, analyzing the work of artists like David, Ingres, Géricault, and Courbet, and reflects on the “French romanticism” and “modernist sensibility” of the period.
Below the article text, there is a large, black-and-white reproduction of a painting, identified in the caption as:
Ingres’s “Odalisque with Slave,” at the Fogg
This reproduction shows a reclining woman (the odalisque) in an exoticized setting, with another figure (the slave) attending to her.
To the left of the page, the spine or margin of the bound volume is visible. It features a vertical column labeled “A” through “H,” likely for indexing or archival reference, and a handwritten notation at the top: “Apr. 20”.
At the top left corner of the article page is a stamp from the BOSTON PHOENIX, including the address BOSTON, MA. and an internal code W. 113.000.
The overall presentation suggests this is a preserved clipping or archived copy of a newspaper, possibly stored in a library or research collection, as indicated by the binding and indexing elements. The image is shot on a neutral gray surface, with soft, even lighting highlighting the printed page.
The image shows a magazine page with a title "Romance and reality" by Kenneth Baker. The page is filled with text, and a black-and-white image is displayed at the bottom. The image is of a woman playing a musical instrument while a naked woman is lying on a bed in front of her. The text on the left side of the page is a table of contents, with letters A to H.
The image is a scanned page from a book or magazine. The page features a mix of text and an image. The text discusses the exhibition of French art and provides commentary on the artworks. The image is a black-and-white photograph of a woman sitting on a bed, wearing a crown and holding a lute. The woman's pose and attire suggest that she is a queen or royalty. The image is labeled as "Ingres's 'Odalisque with Slave' at the Fogg." The text accompanying the image provides context and analysis of the artwork.
The image shows an open book with two visible pages. The left page is labeled "A" and contains handwritten notes, including a date "April 20" at the top and a list of letters (A, B, C, D, E, F, G, H) on the left margin, likely used for referencing or indexing purposes. The right page is titled "Romance and reality" and is authored by Kenneth Baker. The text discusses the relationship between contemporary art and reality, exploring themes such as perception, historical context, and the evolution of artistic styles. It references notable artists like David, Ingres, and others, analyzing their works and the broader artistic movements of the time.
Below the text on the right page, there is a black-and-white illustration of a painting titled "Ingres's Odalisque with Slave, at the Fogg". The artwork depicts a woman in traditional attire, seated and draped in flowing fabric, with a slave holding a fan or similar object. The painting is rendered in a classical style, characteristic of the artist's work, and is presented as a visual example to accompany the textual discussion. The overall layout suggests an art history or critical analysis context, with the illustration serving to illustrate the author's points about romanticism, realism, and the interplay between art and historical perception.
This image is a scanned page from a publication featuring an article titled "Romance and reality" by Kenneth Baker. The article discusses French painting and historical and modern interpretations of art. Below the text is a black-and-white reproduction of the artwork "Odalisque with Slave" by Ingres. The image depicts a lounging, partially nude figure while another clothed figure plays a string instrument. The scene is set in an ornate, bedroom-like interior. A stamp in the upper left indicates the source of the publication, the Boston Phoenix, dated Feb 5, 1980. Additionally, the page appears to be part of a larger archive or collection, as evidenced by the labeled and tabbed organization along the left margin.
The image shows an open scrapbook or album with a newspaper article and a black-and-white image pasted on a page. The newspaper article is titled "Romance and reality" by Kenneth Baker and discusses art, specifically mentioning David, Ingres, and trends in painting. The article compares romanticized art styles with more realistic depictions.
Below the article is a black-and-white reproduction of a classical painting titled "Odalisque with Slave" by Ingres, displayed at the Fogg. The scene depicts a reclining nude woman lying on a patterned rug with her head resting on a pillow, while another figure, dressed in traditional clothing and playing a stringed instrument, is seated nearby. The background includes architectural elements such as a railing and drapery.
There is a stamp on the image showing "BOSTON PHOENIX, BOSTON, MA, FEB 5 1980," indicating the source and date. The scrapbook page edges have alphabetical tabs visible, suggesting it is part of a larger organized collection.
The image shows a reproduction of a painting within a magazine or book. The text at the top of the page reads "Romance and reality" by Kenneth Baker. Below the title there are two columns of text, presumably an article related to the subject of romance and reality in art or a related topic. The reproduced painting depicts a historical scene with a person in a lying position, draped cloth or garments, with another figure seated nearby holding a stringed instrument, possibly in a room with classic architecture. To the left of the main content, there's a visible margin with a vertical scale running from A to H and a label indicating that the material is from the "BOSTON PHOENIX" dated "FEB 5 1980."