Archives Scrapbooks

This image displays an open art publication, likely an exhibition catalogue or a magazine like The Art Newspaper, showcasing several artworks with accompanying descriptive text. The spread is divided into two pages filled with text, images, and handwritten annotations.

Top Page (Right-Hand Side):

The upper half of the right-hand page features two black-and-white reproductions of drawings:

1. Left Drawing:

   • Title/Artist: The Old Beggar, by Nicola Lépicié.
   • Medium: Black, white, red, and gray chalk on tan paper (360 x 280 mm).
   • Provenance: Anonymous loan from a Private Collection at Fogg Art Museum, Cambridge.
   • Description: A somber seated figure, rendered in chalk with expressive shading.

2. Right Drawing:

   • Title/Artist: Two Figures in a Landscape, by J.-B. Corneille.
   • Medium: Pen and black ink on beige paper (266 x 383 mm).
   • Provenance: Anonymous loan.
   • Description: A sketchy, landscape scene with two figures, one standing prominently in profile.

Below these images, a heading reads:

Louis XIII - Louis XVI: Drawings from a Private Collection

The surrounding text discusses a traveling exhibition of drawings from this period, mentioning artists like Lebrun, Saint-Aubin, and LaFosse, and venues including the Fogg Art Museum and the Musée des Beaux-Arts, Montreal.

To the right edge of this section, near the drawings, there is a handwritten note in blue ink:

Drawing, 780

Bottom Page (Left-Hand Side):

The lower half of the left-hand page features one color plate:

• Title/Artist: Youth with a Golden Pillow, attributed to Mirza ‘Ali, Iran, c. 1560.
• Medium: Drawing with color washes on paper, 6 ⅜ x 4 inches.
• Provenance: Gift of John Goelet; currently on view at the National Gallery of Art, Washington, D.C., through March 2.
• Description: A richly decorated scene featuring a youthful figure seated on an ornate golden pillow, surrounded by floral and garden elements, rendered in the Persian miniature style.

Beneath this image, another handwritten note in blue ink:

Drawing, 1958

The main text on this page (under the heading Persian paintings) discusses a major loan exhibition titled Wonders of the Age: Masterpieces of Early Safavid Painting, 1501–1576, which was on view at the National Gallery of Art in Washington, D.C., through March 2. It describes the exhibition as a landmark presentation of 16th-century Persian painting, originally created for Shah Tahmasp I’s Shah-nameh (Book of Kings), and notes the current exhibition’s comprehensive scope, including miniatures, illuminations, and bookbindings.

Other Visible Text and Features:

• At the very top edge of the open book, a torn piece of newsprint is visible with partially legible text: "...FRIDAY, OCTOBER..." and a headline fragment "...FUEL CE...", suggesting the book might have been used for marking or that it’s a clipping or bound periodical.
• The bottom left corner of the lower page has a small, printed header: ANTIQUES
• The overall layout suggests a scholarly or collector-focused publication, likely from the late 20th century, given the style and typeface.

Summary:

The image captures a detailed two-page spread from an art publication focusing on European and Persian drawings. The top section highlights 17th-18th century French drawings, while the bottom presents a rare Persian miniature, contextualized by articles about major exhibitions. Handwritten annotations (e.g., “Drawing, 780” and “Drawing, 1958”) suggest the book belongs to a collector or researcher cataloging artworks. The physical condition—torn newspaper, handwritten notes, slightly aged paper—adds to its archival or personal research character.

The image shows an open book, likely a magazine or journal, with two pages visible. The top page contains text and illustrations of historical art pieces. On the left side of the top page, there is an illustration of a figure labeled "Nicolas Lépicié, The Old Beggar," and on the right, there is an illustration titled "J.-B. Corneille, Two Hunters in a Landscape." The text accompanying these illustrations appears to be descriptions of the artworks.

The bottom page is titled "Persian paintings" and discusses a major loan exhibition. The text provides details about the exhibition, including its title, "Wonders of the Age: Masterpieces of Early Safavid Painting, 1501–1576," and mentions that it is currently on display at the National Gallery of Art in Washington, D.C., and will be at the Fogg Art Museum at Harvard University. The text also describes the exhibition as a collection of Persian paintings from the Safavid dynasty and includes information about the curator, Stuart Cary Welch, and the lenders to the exhibition.

The book appears to be aged, with yellowed pages and some visible wear, particularly at the top edge of the top page, where a piece of brown tape is partially peeled away. The bottom page is also yellowed and has some text continuing from the previous page, as indicated by the annotation "(Continued on page 116)."

This image shows two open pages from what appears to be a scrapbook or collection of printed materials. The pages contain text, illustrations, and handwritten notes. Here is a detailed description of each part:

Top Page:

• Illustrations:
  • On the left side, there is a black and white illustration titled "Nicolas Lépicié, The Old Beggar." The text describes it as being on tan paper with dimensions 360 x 280 mm.
  • On the right side, there is another black and white illustration titled "J.-B. Corneille, Two Hunters in a Landscape." The text describes it as being on beige paper with dimensions 266 x 383 mm.
• Text:
  • The text discusses an exhibition titled "Louis XIII - Louis XVI: Drawings from a Private Collection" at the Fogg Art Museum, Cambridge, and other locations.
  • It also mentions a collection of John James Audubon's watercolors and other artworks related to birds.
• Handwritten Notes:
  • There are handwritten notes on the page, including "Drawings" and "1980."

Bottom Page:

• Illustrations:
  • There is a black and white illustration of a painting titled "Youth with a Golden Pillow," attributed to Mirza-'Ali, Iran, c. 1560. The text describes it as being on paper with dimensions 6 15/16 by 4 inches.
• Text:
  • The text is about a major loan exhibition titled "Wonders of the Age: Masterpieces of Early Safavid Painting, 1501–1576" currently on view at the National Gallery of Art in Washington, D.C.
  • It provides details about the exhibition, including its significance, the lenders, and the catalogue.
• Handwritten Notes:
  • There are handwritten notes at the bottom left corner, including "January, 1980."

The pages are taped together with brown tape at the top, and the background is a neutral gray surface. The overall theme of the pages appears to be art exhibitions and historical artwork.

The image shows a book that is open to a page with text and illustrations. The book appears to be a catalog or an art publication, as it contains descriptions and images of artworks. The text is printed in black ink on white paper, and the illustrations are in black and white. The page is divided into sections, with each section containing a different artwork or a group of artworks. The illustrations depict various scenes, including landscapes, portraits, and still life compositions. The text provides information about the artists, the artworks, and the context in which they were created. The book appears to be well-designed and professionally printed, with clear and legible text and high-quality illustrations.

The image shows a page from a book or magazine that features a collage of various illustrations and texts. The collage includes a black-and-white portrait of an old man, a drawing of two houses in a landscape, and a drawing of a bird. The text accompanying the collage discusses an exhibition of Persian paintings at the Fogg Art Museum in Cambridge, Massachusetts, from March 2 to March 29. The exhibition was organized by Stuart Cary Welch, curator of Muslim and Hindu painting at the Fogg Art Museum. The exhibition showcased a collection of Persian paintings from the Houghton Shahnama, created for Shah Tahmasp I in the first half of the sixteenth century. The collage also includes a drawing of a woman with a golden pillow and a watermark in the bottom left corner that reads "Antique."

The image depicts an open book, showcasing two facing pages filled with text and illustrations. The left page contains a detailed description of an exhibition titled "Louis XIII - Louis XVI: Drawings from a Private Collection." The text discusses the historical significance of the drawings, mentioning their origins, the artists involved, and their exhibition at the Paul Getty Museum in Malibu, California. The page includes a black-and-white illustration labeled "Louis XIII - Louis XVI: Drawings from a Private Collection," showing a seated figure, likely a historical or royal portrait, with a caption identifying it as "J.-B. Corneille, Two Hunters in a Landscape, p.d.n. and black ink on beige paper (260 x 383 mm), Anonymous loan."

The right page continues the discussion of the exhibition, focusing on "Persian paintings." It describes a major loan exhibition titled "Wonders of the Age: Masterpieces of Early Safavid Painting, 1501-1576," which is currently on view at the National Gallery of Art in Washington, D.C. The text highlights the significance of the exhibition, noting that it features the greatest assemblage of sixteenth-century Persian painting ever displayed in the United States. It includes details about the exhibition's contents, such as Persian miniatures, illuminated manuscripts, and works by renowned artists like Reza 'Abbasi and Muhammad Qasim. The page also mentions that the exhibition will continue into the spring and provides information on how to obtain the exhibition catalogue.

The layout is typical of an art catalog or exhibition guide, with a mix of descriptive text and accompanying illustrations. The illustrations are labeled and provide visual context for the discussed artworks. The text is formatted in a professional, academic style, with references to specific dates, locations, and historical details. The overall design is clean and organized, with clear headings and subheadings to guide the reader through the content. The book appears to be well-preserved, with visible page numbers and annotations, suggesting it may be part of a larger collection or archive.

This image shows two pages from a book or catalog, containing scanned images with accompanying text describing artwork.

1. Upper Section (Louis XIII - Drawings from a Private Collection):

   • Includes two art pieces:
     • Left: A black-and-white illustration of a seated person.
     • Right: A landscape sketch showing trees, a mountainous background, and figures walking in the foreground.
   • Text provides information about Louis XIII's oeuvre and various pieces, their history, and collectors involved.

2. Lower Section (Persian Paintings):

   • Includes one significant artwork showing a figure kneeling with intricate patterns surrounding them, possibly detailed with floral motifs. The text offers historical context about Persian paintings from 1500–1575.
   • Gives details about an exhibition entitled Wonders of the Age, focusing on masterworks of early Safavid Painting displayed in museums, including Washington’s National Gallery and other locations like Harvard University and the British Library.

Notes, dates, and annotations in the margins may indicate these are excerpts from a catalog or preparatory notes for an exhibit, compiled for detailed reference.

The image displays an open book with multiple pages visible, showing various pieces of artwork and accompanying text descriptions. The left-hand page prominently features a black and white image of an artwork, with text underneath that appears to be explaining the piece or providing historical context. The right-hand page contains two black and white images positioned at the top and bottom, with blocks of text between and next to them, likely offering information about the artworks or discussing related subjects. The texts include references to exhibitions and collections, suggesting the book may be on art history or an exhibition catalogue. The layout is typical of academic or informational books on art, aimed at readers interested in the specifics of artworks and their provenance. Additionally, we can see the worn edges of the pages, indicating that the book may be old or well-used.

The image shows two open pages of a book or magazine laid flat on a surface with other papers partially visible behind it. The content includes text and images related to art.

• The top section features two black-and-white illustrations side by side. The left illustration is a portrait drawing titled “Nicolas Lepicie, The Old Beggar,” in black, white, red, and gray chalk on tan paper, while the right illustrates a landscape titled “Two Hunters in a Landscape,” done in pen and black ink on beige paper.
• Below these images, there is descriptive text about these artworks and their exhibition in a private collection, emphasizing drawings from the Louis XIII and Louis XVI periods.
• The lower section features an image of an artwork captioned "Youth with a Golden Pillow," attributed to Mirza 'Ali, Iran, c. 1560," alongside a larger block of text discussing Persian paintings and exhibitions related to this art style.
• The text mentions an exhibition titled "Wonders of the Age: Masterpieces of Early Safavid Painting, 1501–1576," held at the National Gallery of Art in Washington, D.C., highlighting important Persian miniatures and the work of Shah Tahmasp.
• Additional text discusses the exhibition's organization and related historical and artistic context.
• The pages are somewhat yellowed, indicating age, and there is a handwritten note that says "Drawings" near the top right margin of the page.

The image shows an open, aged book or scrapbook laid on a surface. It features two pages with black-and-white reproductions and captions:

• The top page has a row of small rectangular drawings/engravings (portraits and landscape scenes) with brief captions beneath each image. There are handwritten notes in pencil along the right edge of the page.
• The bottom page includes a larger illustration on the left (a figure described in the caption as “Youth with a Golden Fleece, attributed to Mirza Ali Khan, Iran, ca. 1560”) and a dense block of text on the right about Persian paintings, describing an exhibition or collection.
• The pages are bordered by a yellowed margin, and there are torn pieces of newspaper or paper at the very top of the book, suggesting it’s an archival or library-like artifact.