Archives Scrapbooks

This image shows an open book or binder, displaying a page from a publication titled “DRAWING Vol. 1, No 4, Nov–Dec. '79”, handwritten in black marker at the top right.

The page itself is formatted as an art review section or catalogue index, featuring several distinct blocks of text arranged in columns, describing various art publications and exhibitions.

Key visual elements include:

• Handwritten Annotation: At the very top, “DRAWING Vol. 1, No 4, Nov–Dec. '79” is written in large, bold handwriting, likely indicating the source or issue of this clipping.

• Illustration: A black-and-white drawing titled “A Circular Church, n.d.” by Antonio Canaletto (quill pen and bistre wash) is featured in the upper right, credited to the Fogg Art Museum and the Charles A. Lester Bequest.

• Text Blocks:

  • Left column: Discusses a catalogue accompanying the exhibition Pierre Bonnard Drawings, 1906–1936, available from Marilyn Pink/Master Prints and Drawings, Los Angeles, and from the Indiana University Press.
  • Central column: Reviews Roman Drawings of the Sixteenth Century from the Musée du Louvre, on view at the Art Institute of Chicago. It mentions contributions by Maurice Sérullaz and Harold Joachim and covers artists such as Michelangelo, Raphael, and Titian.
  • Right column: Includes reviews of:
    • Fogg Art Museum Handbooks — a course on Old Master Drawings with biographical entries and illustrations.
    • Old Master Drawings: Selections from the Charles A. Lester Bequest, edited by Konrad Oberhuber — a volume in a series of handbooks.
    • Barnett Newman: The Complete Drawings, 1944–1969, organized by Brenda Richardson, noting Newman’s postwar significance and the scarcity of his drawings.

• Layout: The page is clearly part of a printed journal or magazine with clean typography, divided into sections with ruled boxes. Page number “90” is visible at the bottom left.

• Contextual Clues:

  • The book is bound in black, with a tabbed spine visible on the left side labeled “ARCH 2”, suggesting it's an archival or research binder.
  • The tabs A–H indicate a categorized or indexed structure, possibly for art history or museum studies.
  • The overall aesthetic suggests a scholarly publication from the late 1970s, with a focus on exhibition catalogues and museum acquisitions.

This page serves as a catalogue of recent art publications and exhibitions, aimed at art researchers, collectors, or museum professionals. The handwritten title suggests this page may be part of a personal or institutional clipping file used for reference.

The image shows an open book with yellowed pages, indicating it might be an older publication. The book appears to have been placed on a ruled folder or document holder. The pages have text and a few illustrations. The top of the page is titled "DRAWING Vol. 1, No 4, Nov-Dec. '79" and includes a sketch of a dome-like structure with people around it, labeled as "Antonio Canaletto, A Circular Church, n.d., quill pen and bistre wash (71/4 x 13 in.). Fogg Art Museum, the Charles A. Loeser Bequest."

The text discusses various art exhibitions and publications, including catalogues from the Fogg Art Museum and mentions of works by artists such as Pierre Bonnard and Barnett Newman. The presence of prices and addresses suggests these are details about where to obtain the catalogues mentioned. There are also references to specific exhibitions, like the "Roman Drawings of the Sixteenth Century from the Musée du Louvre, Paris," and "Old Master Drawings: Selections from the Charles A. Loeser Bequest."

The text is well-organized into paragraphs, and some sections are highlighted with a line box for emphasis. The overall theme of the book seems to revolve around art exhibitions and collections, particularly focusing on drawings and prints.

This is an open book resting on a flat, gray surface. The book appears to have a light beige cover, and the internal pages are a similar color, although the one being viewed is a white slip of paper that has been inserted into the book. This paper contains text and an illustration.

The visible page is labeled at the top in handwritten text: "DRAWING Vol. 1, No 4, Nov-Dec-'79." The page contains printed text in two columns, and there are several sections of text enclosed in hand-drawn boxes. The text discusses various art exhibitions and catalogues related to drawings, mentioning artists such as Pierre Bonnard, Roman artists from the 16th century, and Barnett Newman.

In the upper right corner, there is an illustration of a circular church, captioned as "Antonio Canaletto, A Circular Church, n.d., quill pen and bistre wash (7 3/4 x 13 in.). Fogg Art Museum, the Charles A. Loeser Bequest."

The left-hand side of the book shows a tabbed index with labels A through H, indicating an organized system for finding information within the book. The right-hand page contains more text and a small drawing at the bottom. The overall theme of the book appears to be related to art, specifically drawings and their exhibition and cataloguing.

The image shows an open book with the left page displaying a ruler with the alphabets A to H on the side. The right page has a drawing of a building and text. The book appears to be a journal, with the right page showing an article about the Fogg Art Museum. The drawing is titled "Antonio Carafeto, A Circular Church, n.d.," and it is described as a quill pen and bistre wash. The text provides information about the museum's collection, including drawings, prints, and photographs.

An open book titled "Drawing" is placed on a gray surface. The book is a collection of drawings from different artists. The book has a black border on the left side and a yellow border on the right side. The pages of the book are yellow. The book contains text and images of drawings. The text is written in black font. The drawings are in black and white.

The image shows an open book, likely a catalog or publication related to art, specifically focusing on drawings. The left page displays a grid with labeled sections (A through H) and a small handwritten note in the top left corner reading "April 2." The right page contains text and an illustration.

Key Details:

Text Content:

• Title and Description: The page is titled "DRAWING Vol. 1, No.4, Nov.-Dec. '79," indicating it is part of a series or publication from November to December 1979.
• Main Illustration Caption: The illustration is captioned as "Antonio Caneletti, A Circular Church, n.d., quill pen and bistre wash (7 3/4 x 7 1/3 in.), Fogg Art Museum, the Charles A. Loewer Bequest."
• Textual Content: The text discusses various art-related topics, including:
  • A catalog of drawings from the recent exhibition "Pern Bond Drawings" held at the Los Angeles County Museum of Art.
  • References to notable artists such as Bernard Rosenzweig, Marily Palk, and others.
  • Information about publications, including "Fogg Art Museum Handbooks" and "The Complete Drawing," which are described as catalogs or guides to drawings.
  • Mentions of exhibitions and collections, such as the Cincinnati Art Museum's collection of drawings and the Louvre's Cabinet des Dessins.

Illustration:

• Visual Element: The illustration depicts a detailed architectural drawing of a circular church. The style suggests it is a historical or classical design, rendered in a monochromatic medium (quill pen and bistre wash).
• Details: The drawing includes architectural elements such as a dome, columns, and possibly a bell tower, indicating it is a grand, possibly religious structure.

Layout and Design:

• Grid System: The left page features a grid with labeled sections (A–H), likely used for indexing or organizing content within the book.
• Typography: The text is typeset in a formal, serif font, typical of academic or catalog publications.
• Handwritten Note: The small handwritten note "April 2" in the top left corner suggests this page may have been marked or annotated for reference.

Overall Context:

The image portrays a page from an art catalog or journal, focusing on drawings and their historical, artistic, and institutional significance. The combination of textual descriptions and a detailed illustration reflects a scholarly or curatorial approach, likely aimed at art historians, collectors, or museum professionals. The publication appears to be part of a series, as indicated by the volume and issue number.

This image depicts a page from a publication titled Drawing Vol. 1, No. 4, Nov.-Dec. '79, as written in pen at the top. The page contains text discussing various topics, including art exhibits, catalogs, publications, and old master drawings.

On the top right, there is a detailed illustration of a building (a round structure resembling a church) drawn in fine lines, labeled "A Circular Church." The building appears to be surrounded by trees and figures in the foreground, created using pen and ink with wash technique.

The remaining portion of the page contains densely packed paragraphs, along with smaller boxed sections. These sections list book titles, exhibition details, and prices for publications or printed items related to art. On the left edge, there is a ruler-like graphic with labeled sections ranging from A to G, possibly a reference indexing system.

Overall, the page is part of an archival compilation, likely focusing on art-related resources or historical drawings.

• The image shows an open scrapbook/page spread.
• A single newspaper-style clipping is pasted in the center of a cream-colored page.
• At the top of the clipping is a handwritten note that says something like “DRAWING Vol. 1, No. 4, Nov.–Dec. ’79.”
• The clipping features a black-and-white architectural illustration of a domed building (neoclassical style) with steps and a surrounding wall, set in a landscaped scene.
• Surrounding the illustration is dense blocks of small printed text in two columns.
• The page is part of a larger bound book, with other pages and a tabbed divider visible on the left. The overall feel is aged, like a vintage catalog or journal.

This image shows an open book or journal on a yellowish background. The left page of the book contains text with two columns and mentions various topics related to art and artists. Notably, there are letters listed on the left margin (A, B, C, D, E, F, G, H) each corresponding to a segment of the text, though their specific references are not visible in the photograph.

The right page has more text with two columns and a drawing or engraving at the top right corner. The drawing depicts a classical architectural structure, which appears to be a detailed sketch or illustration of a building with a dome and columned entrance. Adjacent to the drawing, the text references "Vol. 1, No. 4, Nov-Dec. '79," indicating this may be from a publication dated from November to December 1979.

The pages are slightly aged and have some discoloration along the edges, suggesting the document has some historical value or is an older publication. It appears to be an academic or scholarly article, possibly from a journal dedicated to art history, art criticism, or a related field, considering the discussion of art pieces and exhibitions.

The image shows an open scrapbook or album page containing a magazine or journal clipping titled "DRAWING Vol. 1, No. 4, Nov.-Dec. '79" handwritten at the top. The clipping primarily consists of text discussing art exhibitions, publications, and catalogs related to drawings and master prints.

In the upper portion of the clipping, there is a detailed black-and-white illustration of a circular church with a dome and people gathered around it. The caption below the illustration reads: "Antonio Canaletto, A Circular Church, n.d., quill pen and bistre wash (7 3/4 x 13 in.), Fogg Art Museum, the Charles A. Loeser Bequest."

Several portions of the text are circled or marked by hand with a pen, highlighting particular details about the "Fogg Art Museum Handbooks," and "Old Master Drawings: Selections from the Charles A. Loeser Bequest," including information about their editors, contributors, and contents.

On the left side of the clipping, there is additional text about other art exhibitions and catalogs, touching on Renaissance and mannerist drawings, as well as mention of exhibitions held at the Art Institute of Chicago and the Art Institute of Chicago's collaboration with the Louvre.

The scrapbook page has a grid on the left edge labeled with letters (A to H), presumably to help align or reference contents. The page appears to be stored in a large binder or archive with visible pages on the left edge. The overall color scheme is neutral with cream-colored background and black text.