Archives Scrapbooks

The image appears to be a page from a book or a collection of articles, featuring several newspaper clippings and a handwritten note. The top clipping is from an article titled "A brush with eternity: Japanese paintings at the Fogg," written by Kenneth Baker. It discusses an exhibit of Japanese paintings at Harvard's Fogg Museum, with a focus on the catalog's insights and the historical context of the artworks. The article includes a small illustration of a Japanese painting.

Below the main article, there are two additional clippings. The first is from the "Middlesex News" dated "Dec 28 1979," titled "Dionysos: not the bum legend claimed he was." This article discusses the reevaluation of the Greek god Dionysos, presented by Caroline Houser, an assistant professor of art at Smith College. The article challenges the conventional portrayal of Dionysos as a drunken and licentious deity by presenting a more nuanced view of him as a husband and a faithful husband, reflecting the god's cultural significance in a different light.

The second clipping on the right-hand side is a handwritten note, seemingly part of a collection of writings or research notes, dated "Dec 31, 1979." The note mentions "Happily Thickens Alfred Hitchcock" and appears to have a reference to Alfred Hitchcock, the renowned film director, but the content of the note is not fully legible.

The overall context suggests that the page is part of a collection of articles related to art, mythology, and cultural history, possibly compiled for personal study or documentation.

This image displays a page from a scrapbook containing two newspaper clippings.

The top clipping is from "New England Newsclip" and is dated December 28, 1979. It is titled "A brush with eternity" and discusses an exhibition of Japanese paintings at the Fogg Museum. The article is written by Kenneth Baker and mentions the "Song of the Brush" exhibition, which includes works from the Sanso Collection and is organized by the Seattle Art Museum. The article describes the exhibition and the catalog, and it includes a photograph of a painting titled "Rice Threshing Mill" by Hakuin Ekaku. The clipping is accompanied by a small note from the Middlesex News, Framingham, MA, dated D. 50,300.

The bottom clipping is also from "New England Newsclip" and is titled "Dionysos: not the bum legend claimed he was." It discusses a special exhibition called "Dionysos and His Circle" at Harvard University's Fogg Art Museum, organized by Caroline Houser, an assistant professor of art at Smith College. The article provides insights into the nature of Dionysos and challenges the common perception of him as a wino. It also includes a handwritten note dated Dec 31, 1979, which appears to be a personal reflection or additional information related to the exhibition.

This image displays a single, aged page from a bound newspaper clipping album or scrapbook, opened to reveal two distinct articles from The New England News dated December 28, 1979.

The page is printed on yellowed, slightly brittle paper, characteristic of late 20th-century newsprint. The top of the page shows a small, torn piece of tape or a bookmark protruding from the binding at the top edge. The entire page is housed within a black binder or album, visible at the right and top margins.

The two articles are arranged vertically:

1. Top Article: "A brush with eternity: Japanese paintings at the Fogg"

   • Author: Kenneth Baker
   • Subject: A review of the exhibition "Song of the Brush" at Harvard's Fogg Museum, focusing on Japanese painting from the Sansa Collection.
   • Content: The article discusses the exhibition's catalog, the interplay of image and inscription in Japanese art, and specific works like Hokusai's "Rice Threshing Mill" (a small, monochrome illustration of which is embedded in the text). It contrasts Western and Japanese aesthetics, highlighting the latter's focus on natural imagery (like the "Four Gentlemen": orchid, plum blossom, bamboo, chrysanthemum) and the artists' "evasive attitudes toward the ability to act" in response to the "difficulty of life."

2. Bottom Article: "Dionysos: not the bum legend claimed he was"

   • Location/Byline: CAMBRIDGE, Mass. (AP)
   • Subject: An exhibition at the Fogg Art Museum titled "Dionysos and His Circle," curated by Assistant Professor Caroline Houser.
   • Content: This article challenges the common perception of Dionysos (Bacchus) as a drunken bum. It presents him as a complex figure associated with wine, fertility, and human emotions like love and vulnerability, citing his popularity among Greeks in the 5th century BCE and his later Roman counterpart Bacchus. The curator notes that for the 20th century, Dionysos is "a kind of nature" and a "sainte" to be "redeemed," not just "a drunken bum."

Handwritten Notes:
In the bottom right corner of the page, there is a small, separate piece of paper or an annotation on the margin with handwritten text in blue ink:

• "All Tribune"
• "Dec 31, 1979" (though the article itself is dated Dec 28)
• "--- Happily Thinks Alfred Hitchcock ---" followed by three asterisks.

This handwritten note appears to be a reader's marginal comment or a personal annotation, possibly a humorous or ironic juxtaposition with the serious art criticism on the page. The overall impression is of a preserved piece of cultural commentary from 1979, carefully collected and annotated by an individual.

The image is a photograph of an open scrapbook or scrapbook page. The scrapbook is made of yellowed, aged paper, suggesting it has been kept for a long time. The scrapbook contains various newspaper clippings and handwritten notes.

The clippings are from different newspapers and magazines, as indicated by the varying fonts, layouts, and styles. The clippings are glued onto the scrapbook page, and some have been trimmed to fit the space. The clippings cover a range of topics, including art exhibitions, historical figures, and cultural events.

The top clipping is an article about an art exhibition featuring Japanese paintings. The article includes a photograph of a painting and a brief description of the exhibition. The clipping is dated December 28, 1979.

The second clipping is an article about Dionysios, a historical figure from ancient Greece. The article discusses his reputation and legacy, and includes a photograph of a statue of Dionysios. The clipping is dated March 31, 1979.

The third clipping is a handwritten note with the date "Happily Thicken Alfred Hitchcock." It is unclear what this note refers to, but it may be a reference to a film or event related to Alfred Hitchcock.

Overall, the scrapbook page provides a glimpse into the interests and concerns of the person who created it, showcasing their fascination with art, history, and culture.

The image shows a newspaper clipping from the "New York Times" featuring an article titled "Art: A Brush with Eternity Japanese paintings at the Fogg." The article discusses an exhibition of Japanese paintings at the Fogg Art Museum, organized by the Seattle Art Museum. The clipping includes a black-and-white photograph of a Japanese painting titled "Rice Threshing Mill" by Hakuin Ekaku, along with a detailed description of the painting and its historical context. The article highlights the exhibition's ability to provide a unique perspective on Japanese art and culture.

The image shows an open book, likely a newspaper or magazine, with two visible pages. The left page features an article titled "Art: A brush with eternity" by Kenneth Baker, discussing Japanese paintings at the Fogg Art Museum. The article appears to focus on the work of Japanese artist Hokusai, referencing his painting "Rice Threshing Mill" and exploring themes of Zen, tradition, and the artist's approach to capturing the essence of life and nature. The text is formatted in a newspaper style, with a headline, subheadings, and a mix of descriptive and analytical content.

The right page contains two distinct articles:

1. "Dionysos: not the bum legend claimed he was" – This article, sourced from The Tribune and dated October 31, 1979, discusses the historical and mythological figure Dionysos. It references a statement by art historian Miss Houser, who claims Dionysos was not the "bum legend" often portrayed but rather a significant figure in ancient Greek culture. The article touches on themes of human sensuality, gender roles, and the interpretation of Dionysos in art and mythology.

2. "Happily Thickens" – This is a brief note or review, likely a commentary or opinion piece, mentioning Alfred Hitchcock and referencing an event at the Fogg Art Museum. The text is short and appears to be a sidebar or additional commentary related to the main articles.

The book's spine is visible, showing the title "LIFE FIELD CS" and the date "FRIDAY, OCTOBER 24", suggesting it is a publication from the mid-20th century. The pages are slightly worn, with visible creases and a small piece of tape or damage at the top left corner of the left page. The overall layout and typography are characteristic of mid-20th-century print media, with dense text and clear headings.

This image shows various newspaper articles and clippings arranged on a scrapbook-style page. The articles predominantly focus on art, mythology, and cultural topics.

1. Top left article: The headline reads “A brush with eternity: Japanese paintings at the Fogg” by Kenneth Baker. The article discusses an exhibition of Japanese paintings at the Harvard Art Museums’ Fogg Art Museum. A grayscale image depicting an abstract artwork accompanies the text.

2. Middle section: Below the article, a small receipt or ticket from Middlesex News, dated December 28, 1979, is attached.

3. Bottom left article: The headline reads “Dionysos: not the bum legend claimed he was.” It explores the cultural and mythological significance of Dionysos (the Greek god of wine, fertility, and revelry), reinterpreting his depiction over time.

4. Bottom right clipping: A small article or note dated December 31, 1979, titled “Happily, Thriceborn Alfred Hitchcock,” is visible. Though the text is partially legible, it seems to discuss Alfred Hitchcock’s works or cultural legacy.

The overall layout appears neatly arranged, suggesting someone collected these to document events or topics of personal interest from 1979. Vintage paper and faded print add to the archival aesthetic.

This image shows an open book or a scrapbook containing several clippings of newspaper articles. The book has a tan cover and is resting on an off-white surface with a slight texture. One of the pages is almost completely occupied by an article titled "A brush with eternity," which is about Japanese paintings at the Fogg museum, written by Kenneth Baker. The article appears to be faded and there is visible aging and wear on the paper.

Below this article, there's a smaller clipping titled "MIDDLEBURY NEWS from England." To the right, there are two separate clippings. The top one seems to be a continuation from a page not visible in the image, discussing the work or perspectives of Hakurin Ekaku's "Rice Threshing Mill." The second clipping, positioned on a yellowed piece of paper, is titled "Dionysos: not the bum legend claimed he was," and it is accompanied by a handwritten note with a date and signature.

Finally, at the bottom right corner of the open page is a white rectangular paper with a handwritten message and signature, dated December 31, 1974. The text written is "Happily Thicker, Alfred Hitchcock" followed by a note that suggests the context is possibly humorous or ironic. The presentation of the articles and notes suggests personal significance or research interest to the owner of the scrapbook.

The image shows a scrapbook or album page with three newspaper clippings attached to it.

1. The top clipping is a black-and-white article titled "A brush with eternity: Japanese paintings at the Fogg" by Kenneth Baker. The article discusses an exhibition of Japanese paintings at Harvard’s Fogg Museum. The clipping includes a small image of a Japanese painting titled "Rice Threshing Mill" by Hakunin Ekaku.

2. The bottom left clipping is titled "Dionysos: not the bum legend claimed he was." This article, from Cambridge, Mass. and dated Dec 28, 1979, talks about the historical and cultural reinterpretation of Dionysos, describing him as more than just a figure associated with drunkenness but rather as a complex mythological and cultural figure.

3. The bottom right clipping is a short note with a handwritten date "Dec 31, 1979," referencing Alfred Hitchcock's famous quote "Happily Thickens." This note reflects on a show put together by Caroline Houser about Dionysos at Harvard’s Fogg Art Museum, touching on misconceptions about Dionysos and his followers.

The articles are cut out and pasted on a beige-colored album page, with some edges and papers slightly worn or torn.

A vintage scrapbook page with clipped newspaper articles taped to a yellowed page.

• At the top left is a large clipping titled “A brush with eternity” about Japanese paintings at the Fogg, written by Kenneth Baker. It includes a black‑and‑white image on the right (labeled something like Hokusai’s Rice Threshing Mill).
• Below on the left is another clipping headlined “Dionysos: not the bum legend claimed he was” (Cambridge, Mass. AP), dated with a DEC 28 1979 stamp.
• To the right of that is a small cutout with handwriting at the top (“In Tiburon … Dec 31, 1979”) and a short passage or note, mentioning Alfred Hitchcock.
• The page shows aged beige paper with torn edges and taped clippings, giving it a collage‑like, archival look.