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ARCH.2003.37, Rendition: 808691
The image is a scan of a magazine or newspaper clipping. The left side features an article titled "Fogg Seeks Space For Newly Restored Rothko Paintings" by Mark Muro. It discusses the Harvard University Fogg Museum's efforts to find a suitable place to display five recently restored Mark Rothko paintings. The article mentions the paintings were hung in a penthouse in Holyoke Center but were moved to a conference room due to poor protection. The text details the condition of the paintings and the museum's plans to consult the Rothko Foundation for the best location for exhibition.
The right side of the image contains an article titled "GQ/VIEWPOINTS: Art and Artists" by Harry Herbert Sloane. It appears to be part of a larger section discussing art and cultural events. The article seems to be an overview of various art museums and exhibitions happening in Boston and other cities, with a focus on Boston's art scene. It mentions the Museum of Fine Arts (MFA) in Boston and other cultural institutions. The article also includes art calendar listings for upcoming exhibitions in various museums.
The article also features a black-and-white photograph of a painting, which is attributed to Edgar Degas and titled "Duke and Duchess of Morbilli" from the Museum of Fine Arts.
The page number at the bottom of the left page is 36, and the magazine title "GQ/NOVEMBER" is visible at the bottom of the right page. The top of the left page includes a Harvard Crimson newspaper clipping dated October 25, 1979. The overall layout suggests this is a compilation of relevant articles and information into a single document, likely for preservation or reference purposes.
The image shows an open scrapbook or binder with two pages visible. The left page contains a newspaper clipping from "The Harvard Crimson," dated October 25, 1979. The article is titled "Fogg Seeks Space For Newly Restored Rothko Paintings" by Mark Muro. It discusses the Fogg Museum's plans to find a suitable space to display five recently restored Mark Rothko paintings.
The right page is from a magazine, specifically from a section titled "GQ/VIEWPOINTS" by Harry Herbert Sloane. The article is about art and artists, and it features a black-and-white image of a painting by Edgar Degas titled "Duke and Duchess of Morbilli," which is housed at the Museum of Fine Arts. The article discusses various art museums and their collections, highlighting Boston's best brushwork and mentioning several museums across the United States.
The scrapbook appears to be organized alphabetically, as indicated by the tabs labeled A through H on the left side of the image. The pages of the scrapbook are yellowed, suggesting that the materials are from the late 1970s or early 1980s.
This image displays two open pages from a vintage issue of GQ magazine, specifically from the October/November 1979 issue (page 36 shown), laid flat on a light gray surface, likely for archival or display purposes.
The spread is dominated by two distinct articles:
This page features an article titled:
“Fogg Seeks Space For Newly-Restored Rothko Paintings”
Authored by Mark Muro, the piece reports on Harvard University’s Fogg Museum struggling to find adequate space to display five recently restored major Mark Rothko canvases. The paintings, which had hung in a poor-condition penthouse at the Holyoke Center for 17 years, were removed due to damage from harsh lighting and vibrations. The article quotes key figures including Diane U. Headley (associate professor of Fine Arts), Arthur C. Beale (Head Conservator of the Fogg), and Yarumari Dowdige (deputy director of the Fogg).
The page has a simple, clean layout with a centered title and justified text. It bears a stamp from the “Harvard Crimson, Cambridge, MA” at the top right, along with the date “OCT 25 1979” and the word “Note” — suggesting this may be a press clipping or archival copy.
This page belongs to the “GQ VIEWPOINTS” section and is subtitled:
“ART AND ARTISTS BY HARRY HERBERT SLOANE”
This column features a large, bold headline and contains three black-and-white photographs embedded within the text:
The column is divided into thematic sections:
“BOSTON’S BEST BRUSHWORK” — Discusses Boston’s art scene, including the Museum of Fine Arts (MFA), Isabella Stewart Gardner Museum, and Harvard’s Fogg Art Museum. Highlights include the MFA's Impressionist and Renaissance collections, and the Gardner’s “intimate Van Gogh ‘Self-Portrait’.”
“ART CALENDAR” — A list of current and upcoming exhibitions in major U.S. museums, including:
At the bottom, a brief bio notes that Harry Herbert Sloane is a teacher and writer whose specialty is the art world, and he lives and works in New York City.
This is a well-preserved, historically significant spread from GQ’s 1979 arts issue, reflecting the magazine’s coverage of contemporary cultural issues and museum life at the time. It combines journalistic reporting with curated art commentary, offering insight into the state of American art institutions and the challenges of exhibiting modern masterpieces — in this case, Rothko’s monumental works — nearly half a century ago.
The image depicts an open magazine with two pages visible, showcasing articles and images. The magazine is titled "GQ/VIEWPOINTS" and appears to be a publication focused on art and artists. The date on the page is October 25, 1979. The left page has a vertical ruler-like strip on the left side, which could be used for measuring or marking.
The left page contains an article titled "Fogga Seeks Space For Newly Restored Rothko Paintings." The article discusses the efforts to find a suitable location for displaying recently restored paintings by Mark Rothko, which have been in poor condition for the past 17 years. The University of Texas commissioned the restoration, and the American Fellows are expected to hang the paintings in the University's art gallery. The article mentions the challenges faced during the restoration process, including light damage and abrasions.
The right page features an article titled "DESPONS' BEST BRUSHWORK" and includes an image of a painting by an artist named Despons. The article highlights the artist's work and the quality of their brushwork. There is also a sidebar with additional information about various art museums and their collections, including the Fogg Art Museum, the Museum of Fine Arts, and others. The sidebar provides details about the museums' collections, exhibitions, and notable works.
The magazine pages are filled with text, images, and advertisements, showcasing a variety of art-related content. The overall design and layout suggest a publication aimed at an audience interested in art, culture, and the art world.
An open book is titled "GQ/Viewpoints" by Harry Herbert Sloane. It has a black cover with a white border. The book has a page that has a text "Fogg Seeks Space For Newly Restored Rothko Paintings" by Mark Muro. It has a black-and-white image of a man and a woman sitting on a chair. The text also has a text that reads "Degas: Duke and Duchess of Morbilli" Museum of Fine Arts.
The image shows an open book or magazine, likely from the late 20th century, based on the design and typography. The visible pages are from a publication titled "GQ/VIEWPOINTS", subtitled "ART AND ARTISTS BY HARRY HERBERT SLOANE". The layout is structured with a mix of text and visual elements, typical of a magazine or journal format.
The image depicts a page from an art-focused publication that combines news, criticism, and event listings. The left page centers on a specific art-related story about the Rothko paintings at Harvard, while the right page offers a broader view of the art world, including reviews, historical references, and event calendars. The design and content suggest a focus on contemporary art, museum practices, and cultural commentary.
This image displays an open magazine or journal featuring an article on one of its pages. On the left side of the image, we can partially see a column listing items alphabetically, with tabs running down the side marked with letters A to H, suggesting an index, archive, or filing system of some sort. The right side of the image shows a page from a publication named "GQ/VIEWPOINTS," with several articles visible.
The upper portion of this page features a headline that reads, "Fogg Seeks Space For Newly-Restored Rothko Paintings," with a date marked as "OCT 25 '79," indicating the article was published on October 25, 1979. Below this headline, there is an article with several paragraphs of text.
The middle section of the page presents a bold header with the title "ART AND ARTISTS BY HARRY HERBERT SOLANE" followed by a subheader for an article with accompanying text. Below the header is a photograph of two individuals seated next to each other. Text next to the photo starts with "BOSTON'S BEST BRUSHWORK" and continues with editorial content.
The lower portion of the page offers an "ART CALENDAR" listing various upcoming exhibitions and events, along with details about the venues and dates.
The page is cream-colored with black text, and the articles contain several paragraphs formatted in columns. The contents suggest an emphasis on art-related news and events, and the overall setting gives the impression of historical information due to the date indicated. The right page of the publication is fitted into what appears to be a larger storage or archive folder, indicated by the index tabs on the left.
This image is a photograph of an open book or scrapbook. The left page features a newspaper clipping titled "Fogg Seeks Space For Newly Restored Rothko Paintings." It is attributed to Mark Muro and includes a printed date of October 25, 1979, along with a header that says Harvard Crimson, Cambridge, MA. The article discusses the restoration and potential display of Mark Rothko's paintings.
The right page appears to be a magazine page from GQ titled "GQ/Viewpoints: Art and Artists" by Harry Herbert Sloane. It features an image of a painting, "Duke and Duchess of Morbili," with two faces blurred for privacy. Below the painting is text discussing Boston’s art scene and other art exhibitions.
At the bottom right of the page is a section titled "Art Calendar," listing art events at various locations, such as the Fogg Art Museum and the Metropolitan Museum of Art. Both pages are mounted in a neatly organized scrapbook, with the binding visible on the left edge. Tabs with letters are visible along the side, indicating a filing system.
The image shows a book or magazine open to a page containing two main articles. The left article is a newspaper clipping or similar print dated October 25, 1979, with the headline "Fogg Seeks Space For Newly Restored Rothko Paintings" by Mark Muro. The article discusses the Fogg Museum's efforts to find a space for Mark Rothko's newly restored paintings.
The right side of the page features a section titled "GQ/VIEWPOINTS" under the header "ART AND ARTISTS BY HARRY HERBERT SLOANE." It contains a black and white photo of two people with their faces blurred, captioned "DEGAS: 'DUKE AND DUCHESS OF MORBILI,' MUSEUM OF FINE ARTS." The main article beneath the photo is about Boston’s best brushwork and discusses various art exhibitions, collections, and artists connected to the Museum of Fine Arts (MFA) in Boston and Harvard University. Additionally, there is an art calendar listing art events in New York City and Los Angeles.
The page layout includes text columns, with the articles densely packed and small font size. The left side clipping has a Harvard Crimson header indicating it's from Cambridge, MA. The right side is from GQ magazine's November issue.
This is a photo of an opened scrapbook or album page filled with vintage newspaper/magazine clippings.
Left side: A clipping from the Harvard Crimson (Cambridge, MA) dated Oct 25, 1979, with the headline “Fogg Seeks Space For Newly Restored Rothko Paintings.” The text is in a narrow column format, attached to the page.
Right side: A page headed “GQ/VIEWPOINTS” (Art and Artists) with a subheading by Harry Herbert Slone. It features a black-and-white photograph of two people sitting on a couch, their faces pixelated, and several columns of text about art. The layout resembles a magazine feature.
Overall, the pages have a yellowed, aged look and are bound inside a larger book or binder, with a slim, dark spine along the left edge.