Archives Scrapbooks

The image shows two newspaper articles related to art exhibitions, both from the year 1979.

The top article is from the "Harvard Independent," Vol. 10, No. 23, dated September 14, 1979. The title of this article is "Clearing the Fogg of Fall Exhibitions" by Becky Ranninger. It discusses the fall exhibitions at both the Fogg Museum and the Busch Reisinger Museum in Harvard. The article highlights various artists and their works, including an expressionist exhibit at the Busch Reisinger and a sculpture exhibit at the Fogg Museum.

The bottom article is from "The Boston Globe," dated Friday, September 7, 1979. The headline is "Fogg show wows London" written by George McKinnon. This article focuses on the Fogg Museum's exhibit, "Wonders of the Age," which features miniature Persian paintings. The exhibit was well-received in London and is described as one of the hits of the London art season.

This image shows a page from a newspaper or magazine, specifically from "The Harvard Independent," Vol 10, no. 23, dated September 14, 1979. The page is dedicated to arts and features an article titled "Clearing the Fogg of Fall Exhibitions" by Becky Ranninger. The article discusses various art exhibitions at the Fogg Art Museum and the Busch-Reisinger Museum at Harvard University.

The page is divided into several sections with text and images. There are two main illustrations:

1. A black-and-white photograph of a sculpture titled "Detroit Queen" by David Smith, dated 1957, which is mentioned in the article.
2. A drawing or print of Felixmuller's Expressionism work, which is also referenced in the text.

The article covers topics such as the Expressionism at the Busch exhibition, featuring Conrad Felixmuller's works, and the "Connoisseur on Show" exhibition focusing on Bernard Berenson. There is also a smaller section titled "art" that discusses David Smith's work and his influence on other artists.

Additionally, there is a clipped article from "The Boston Globe," dated Friday, September 7, 1979, titled "Fogg show wows London," which discusses a Persian art exhibition that has been highly successful in London and is expected to be a significant event at the Fogg Museum.

This image displays an open page from the Harvard Independent, specifically the Arts section from Vol. 10, No. 23, dated September 14, 1979. The page is yellowed with age, suggesting it is a preserved physical copy or clipping, and is bound into a scrapbook or folder, as evidenced by the binding visible at the top and a small tab or piece of tape on the upper right corner.

The page features two main articles about contemporary art exhibitions.

Main Article: "Clearing the Fogg of Fall Exhibitions"

Written by Becky Raninger, this article reviews several fall exhibitions at Harvard’s major art museums — the Fogg Museum and the Busch-Reisinger Museum.

It begins by noting the intense academic activity at Harvard, which often overshadows the rich art scene. The writer assures readers that there are exciting exhibitions worth seeing.

Exhibition 1: Expressionism at the Busch

• Focuses on a show of works by German Expressionist Konrad Felixmüller (1897–1977).
• Felixmüller spent most of his life in East Germany, achieved fame only after moving to West Germany in 1958, and had his first major U.S. show at the Busch Museum.
• The exhibition is drawn from the collection of Steven Schuyler.
• The article notes Felixmüller’s political and aesthetic evolution from his early, angular “Three Friends” (1919) to later, more humanistic work.
• Includes a small black-and-white photograph with the caption: “Felixmüller’s Expressionism at work.” — the photo depicts a sketchy, expressive drawing of a figure at a desk.

Exhibition 2: David Smith Sculpture at the Fogg

• Focuses on the sculptor David Smith (1906–1965).
• His works will be shown at the Fogg starting October 1.
• Smith is noted for his innovative and free approach to sculpture — using welding and spray paint to create forms that are simultaneously abstract, cubist, and expressive.
• The article describes one of his notable sculptures: a “monolithic concept” and “classic fragment”.
• The sculpture "Dervish Queen" is highlighted — a flamboyant, large figure described as “famous Florentine villa,” with its “Library with living room attached.” This appears to be a quirky or possibly mis-transcribed description of a flamboyant, expressive sculpture.
• Includes a black-and-white photograph of the sculpture "Dervish Queen," which shows a full-figure, abstracted, somewhat totemic bronze sculpture standing upright.

Exhibition 3: Berenson Exhibit at the Fogg

• A show on Bernard Berenson (1865–1959), the influential art critic, scholar, and collector of Italian paintings.
• The exhibition aims to explore Berenson’s remarkable career and intellectual legacy, including his original paintings, letters, memorabilia, and photographs.
• It notes his influence despite his “extreme complacency,” and that he was a favorite of wealthy American collectors like Isabella Stewart Gardner and Samuel Kress.
• The article mentions his collaboration with patron Joseph Widener and his “library with living room attached,” which he left to Harvard — the Berenson Estate at I Tatti in Italy.

Secondary Article: "Fogg show wows London"

By George McKinnon, this article reports on the international success of a Fogg Museum exhibition.

• The piece notes the “highly praised opening” of an exhibition at the British Library and the British Museum, titled “Wonders of the Age: Masterpieces of Early Safavid Painting 1501–1550.”
• Curated by Stuart Cary Welch, this was the first time in 60 years that 60 miniature Persian paintings were shown together.
• These were originally collected by the National Gallery of Art and the British Museum.
• The exhibition was a joint effort with the British Library and Fogg, and was highly praised in London.
• The article notes the exhibition will move to the National Gallery in Washington and then to the Fogg Museum from March 28 through May 11, 1980.

Overall, the page offers a snapshot of American academic art criticism from 1979, reflecting both national (Harvard’s fall exhibitions) and international (London) art events. The tone is scholarly yet accessible, aimed at students and the general public. It’s rich with cultural context, artist biographies, and institutional collaborations — especially highlighting the role of Harvard’s museums in shaping American art appreciation.

The image shows a page from a magazine that features an article titled "Clearing the Fogg of Fall Exhibitions." The article is written by Becky Ranninger and discusses various art exhibitions happening in the fall season. The page includes a photograph of a sculpture by David Smith, along with a brief description of the artist and his work. The article also mentions other exhibitions, such as the Busch exhibition at Harvard and the Fogg exhibition, which showcases works by various artists, including David Smith. The page also includes a small illustration of a woman, possibly related to the article or the magazine's theme.

The image is a page from a newspaper, featuring a collage of articles and images related to art and exhibitions. The page has a title "Harvard Independent, Vol 10, no. 23, Sept. 14, 1979," and it includes several articles about art exhibitions, including "Clearing the Fogg of Fall Exhibitions" and "Fogg show wows London." The page also features images of sculptures and paintings, as well as a drawing of a woman.

The image shows an open book or magazine page featuring an article titled "Clearing the Fog of Fall Exhibitions" from the Harvard Independent, dated September 14, 1979. The article is written by Becky Ranniger and discusses various art exhibitions and artists, providing detailed commentary and analysis.

Key Elements in the Image:

1. Title and Header:

   • The top of the page prominently displays the title "Clearing the Fog of Fall Exhibitions" in large, bold text.
   • The publication name, Harvard Independent, is shown at the top, along with the volume and issue details: Vol. 10, No. 23, Sept. 14, 1979.
   • The word "ARTS" is highlighted in a larger font, indicating the section of the publication.

2. Main Article Content:

   • The article discusses several art exhibitions and artists, including:
     • David Smith, whose sculptures are mentioned, with a caption referencing his 1957 work displayed at the Fogg Art Museum in Detroit.
     • Bernhard Berenson, an art collector and scholar, with commentary on his legacy and influence.
     • Frida Kahlo, mentioned in the context of her work being displayed at the Fogg.
     • David A. Smith, an artist whose work is highlighted in the article.
     • Felkman’s Expressionism, referenced in a caption at the bottom left of the page.
   • The article provides insights into the art world, discussing exhibitions, artists' careers, and critical perspectives.

3. Visual Elements:

   • Photograph of David Smith’s Sculpture: A black-and-white photograph of one of David Smith’s sculptures is placed on the right side of the page. The caption below the image reads: "David Smith’s 1957 sculptures, Detroit Museum, to be displayed at the Fogg Art Museum beginning October 1."
   • Caption at the Bottom: The text at the bottom left of the page reads: "Felkman’s Expressionism at work," likely referring to another artist or artwork discussed in the article.

4. Layout and Design:

   • The page has a clean, structured layout typical of a newspaper or magazine.
   • The text is organized into paragraphs, with subheadings and captions providing context for the images and topics discussed.
   • The overall design is professional, with clear typography and spacing.

5. Additional Text:

   • At the bottom of the page, there is a smaller article titled "Fogg show wows London" by George McKinnian, which appears to be a separate piece discussing an exhibition at the Fogg Art Museum that was well-received in London.

Summary:

The image depicts a page from the Harvard Independent dated September 14, 1979, focusing on art exhibitions and artists. It features an article titled "Clearing the Fog of Fall Exhibitions" by Becky Ranniger, which includes commentary on notable artists such as David Smith, Bernhard Berenson, and Frida Kahlo. The page also includes a photograph of David Smith’s sculpture and a smaller article about a Fogg Art Museum exhibition in London. The layout is clean and professional, typical of a publication dedicated to arts and culture.

The image shows a scrapbook page with newspaper clippings related to the arts, exhibitions, and reviews from September 1979. The primary clipping is titled "Clearing the Fogg of Fall Exhibitions," published in the "Harvard Independent," and discusses various exhibitions at Harvard, particularly at the Fogg Museum. It also mentions artists and their works, including a sculpture by David Smith called "Detroit Queen" set to be displayed.

Other smaller clippings on the page include detailed mentions of art exhibits and reviews, such as an article titled "Fogg show wows London" from the "Boston Globe," alongside sketches or illustrations related to the respective articles, including a drawing of a seated individual and another of a sculpture. The handwritten label at the top notes the publication details ("HARVARD INDEPENDENT, Vol 10, no. 23, Sept. 14, 1979"). The page has a vintage aesthetic and reflects an archival format.

The image is a collage from a scrapbook or display page. It features several vintage newspaper clippings about art exhibitions. At the top is a Harvard Independent Arts section with the large headline “Clearing the Fogg of Fall Exhibitions” and a long article. To the right is a tall, abstract illustration of a seated figure. Toward the bottom is a beige clipping headlined “Fog show wows London” by George McKinnon. In the lower-left there’s a small portrait with the caption “Felixmüller’s Expressionism at work.” The pages are aged and torn, giving a retro, collage-like look.

This image appears to show a scanned or photographed page from what looks like a newspaper or magazine, specifically from the "Harvard Independent, Vol 10, no. 23, Sept. 14, 1979". The page is focused on arts and features two main articles.

The first article's headline reads "Clearing the Fogg of Fall Exhibitions" and is by Becky Ranninger. It discusses art exhibitions and appears to critique or analyze the works and themes of specific art shows. Within this article, there is a black and white illustration or photo of what seems to be a sculpture of a figure, with the caption "David Smith's 1957 sculpture, 'Dido Reclining Minimally/ Queen'," to be displayed at the Fogg Museum beginning October 1".

The second article has a headline "Fogg show wows London" by George McKinmon. It seems to discuss an art exhibition from the Fogg Museum that was well received in London. The large font title "MARQUEE" serves as a partition between the two articles.

The page is slightly worn and yellowed with age, and there is a minor tear on the bottom, indicating it could be an old document. The paper appears to be placed in a folder or binder, as evidenced by the edge of another page visible in the left margin and the two rings approaching the middle top of the image.

At the bottom left, there is a small caption "Felizmüller’s Expressionism at work." which appears to be part of another article or image description that is not fully visible in this scan.

The image shows a scrapbook or an album page with several newspaper clippings related to art exhibitions, mostly focusing on the Fogg Museum and artists exhibited there. The page is titled "HARVARD INDEPENDENT, Vol 10, no. 23, Sept. 14, 1979" and has the section heading "ARTS."

The main article on the page is titled "Clearing the Fogg of Fall Exhibitions" by Becky Ranninger. It discusses various exhibitions and art activities at Harvard, focusing on the Fogg and the Busch Reisinger museums and their fall exhibitions. It mentions themes, featured artists, and styles, including expressionism, sculpture, modern diversity, and specific artists like Felixmuller's expressionism and David Smith's sculpture "Detroit Queen."

There are three smaller clippings:

• One talks about Felixmuller's expressionism, with a portrait sketch of a woman's profile.
• Another discusses David Smith and his sculpture "Detroit Queen," which was set to be displayed at the Fogg Museum beginning October 1.
• The third clipping is from The Boston Globe, dated Friday, September 7, 1979, titled "Fogg show wows London" by George McKinnon. It highlights the international recognition of the Fogg Museum's exhibitions, praising its opening and various highlights of the show, including the display of Muslim and Hindu paintings and the wide acclaim the exhibition received.

Overall, the page is a curated collection of press coverage about art shows and artists connected to the Fogg Museum in the fall of 1979.