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ARCH.2003.37, Rendition: 808671
The image is a page from a newspaper or magazine, specifically page five of the "Galleries" section. The article is titled "In the Eyes of the Bystander" and discusses an exhibition at the Fogg Museum, titled "Evidence," which showcases photographs by Mark Mendel and Lucy Sante. The exhibition features photographs taken from the files of corporations and educational institutions.
The article describes the unconventional nature of the exhibition, noting that the photographs are not artistic works but rather snapshots taken by employees to document events or conditions. The photographs are described as having an "accumulated context" that makes them intriguing.
The text mentions that the photographs often include interesting details that were not the main focus of the original shot, such as a man stretching with a plastic bag over his head or a large cloud of soap bubbles. The article highlights how these accidental details can reveal unexpected aspects of the scenes.
Accompanying the article is a photograph showing a man painting on an Algol parachute bathhouse, with the frame cropped to exclude the man's head, emphasizing the accidental nature of the composition. The article discusses how such accidental arrangements can create interesting and unexpected visual narratives.
The image shows a newspaper page with an article titled "In the Eyes of the Bystander." The article is about an exhibition at the Fogg Museum, featuring photographs that offer uncommon angles and provoke fresh perspectives. The byline mentions that the photographs, originally taken for documentary purposes, are being displayed without labels or context, challenging viewers to interpret them anew. The article discusses how these images, taken from the collections of various governmental agencies and educational institutions, present everyday scenes and details that might otherwise go unnoticed. There is a black-and-white photograph accompanying the article, depicting an industrial scene with a person standing near a structure, possibly a water treatment plant or similar facility. The image and text suggest a focus on the aesthetic and narrative potential of everyday scenes captured in documentary photography.
The image shows a page from a newspaper article titled "In the Eyes of the Bystander," dated September 1978. The article is located in the "Galleries" section and is labeled as "Page Five."
The article discusses an exhibition at the Fogg Museum featuring photographs by renowned artists Mike Mandel and Larry Sultan. The show, titled "Existence," comprises 71 photographs that were originally taken for documentary purposes and are now presented in a new context within the art gallery.
The photographs primarily depict scenes from various governmental agencies and bureaucratic settings, such as a man smoking while holding a plastic bag over his head, a man measuring and labeling a piece of machinery, and a scene that looks like a large cloud of fluff or a man dressed in a fluffy costume. The photographs are intriguing as they raise questions about the meaning and purpose behind the images, especially when viewed in an art context.
The article includes a photograph of the gallery space showing visitors looking at the exhibit, and it highlights the unusual perspectives and intriguing details that the photographs offer. It also mentions that the photographs document a man's daily life and activities, emphasizing the juxtaposition of mundane scenes with the artistic framing of the images.
Additionally, there is a reference to the similarity between some of these photographs and the new social landscape scenes by photographers such as Nick Nixon and Steven Shore. The article also notes a comparison to a painting by DeKooning, indicating how the composition of these photographs can be interpreted in various artistic ways.
The image shows a clipping from a newspaper, specifically from the "Galleries" section, dated October 21, 1978. The article is titled "In the Eyes of the Bystander" and features a subheading "At the Fogg, Uncommon Angles Provoke Fresh Perspectives."
The article discusses an exhibit at the Fogg Museum, which includes photographs taken by renowned art photographers Mike Mandel and Larry Sultan. The exhibit, titled "Existence," features photographs from various government agencies, businesses, and educational institutions across the country.
The photographs are not traditional family album shots or formal portraits but rather candid, everyday scenes that prompt viewers to question and reflect. The article mentions that the photographs are taken from unique angles, showing ordinary people and situations in a new light. For instance, it highlights a photograph where a man is seen with a plastic bag over his head, and another where a man is washing himself in a bathtub, both of which are unusual and provoke thought.
The article also notes that the photographs document a sense of everyday life, with details like the size of a man’s head in relation to a machine, and how these images challenge the viewer to consider the context and narrative behind the scenes.
The clipping is marked with the handwritten note "Hannah Curzon 10/21/78" in the upper left corner. The photograph in the article shows a man washing himself in what appears to be a bathtub, surrounded by a cloud of soap bubbles, and a juxtaposition with a De Kooning painting.
The image is a newspaper clipping from a section titled "Galleries," dated April 20, 1978, and labeled as "Page Five." The headline of the article is "In the Eyes of the Bystander: At the Fogg, Uncommon Angles Provoke Fresh Perspectives."
The article discusses an exhibition at the Fogg Museum, titled "Exclusion," curated by photographers Mike Mandel and Larry Sultan. The exhibition features a collection of photographs taken from the files of various governmental agencies, including the FBI and NASA, among others. These photographs were originally taken for documentary purposes but are now presented in an art gallery context.
The photographs in the exhibition are described as capturing unusual and often humorous scenes, such as a man standing with a plastic bag over his head while a lighted torch is placed to the bag, and a man smiling as his arm burns. The article mentions that the photographs provoke viewers to consider the mundane and the ordinary in new and often surprising ways.
The photographs are presented without labels or explanations, leaving viewers to interpret their meanings and contexts. The article notes that the photographs are carefully arranged to create a narrative, with one photograph showing a man in a bathtub filled with water, and another showing an arrangement of soap bubbles, which might be interpreted as a metaphor for the ephemeral nature of life or the absurdity of human existence.
The article also references the work of artists like Nick Nixon and Steven Shore, whose photographs are noted for their meticulous framing and composition. It concludes by mentioning a painting by Willem de Kooning, which contrasts with the precise and carefully composed photographs in the exhibition.
The image is a page from a newspaper, specifically Page Five of the Harvard Crimson dated April 6, 1978. The article is titled "In the Eyes of the Bystander" and focuses on an exhibition of photographs at the Fogg Museum.
The article discusses a collection of photographs by Mike Mandel and Larry Sultan, which is a compilation of images taken by various governmental and institutional photographers from across the United States. The exhibition, titled "Evidence," features photographs that were originally used in scientific, industrial, and governmental contexts, stripped of their original captions and contexts, which creates an intriguing and often perplexing viewing experience.
The text highlights that these photos were not taken by well-known artists but by anonymous photographers for documentary purposes. Removing them from their original contexts allows viewers to interpret the images in new and often unexpected ways.
The article also mentions specific photographs within the exhibition, noting their peculiar and sometimes inexplicable nature. For instance, it describes a man standing with a plastic bag over his head, an arm holding a lit flare, and other images that provoke curiosity.
Additionally, the piece draws a comparison between the exhibition's photographs and the social landscape series by photographers Nick Nixon and Steven Shore, suggesting an uneasy similarity in the composition and arrangement of some images to traditional art forms like painting. The article concludes by reflecting on the validity and nature of the "new" photography showcased in the exhibit.
The image shows a newspaper clipping pasted into a scrapbook. The scrapbook page is slightly aged and discolored, indicating it may be old. The newspaper heading reads, "GALLERIES" and the title of the article is "In the Eyes of the Bystander." The subtitle below it states, "At the Fogg, Uncommon Angles Provoke Fresh Perspectives." The text of the article begins with a description of a man with a plastic bag over his head, which is part of an exhibit at the Fogg Museum. The article continues to discuss the photography exhibition, mentioning the transformative experience offered by viewing the photographs from unconventional angles.
There are also handwritten markings on the clipping: "Harvard Gazette," "6/20/78," which suggest the source and date of the publication.
In the upper part of the image, there's a black and white photograph accompanying the article. It appears to depict an outdoor scene with multiple figures, objects, and a gazebo structure within a fenced area. The exact details of the photo are not clearly visible.
Two pieces of brownish tape are affixed to the top of the clipping, presumably used to adhere it to the scrapbook page. The top edge of the scrapbook page is visible, and it seems to be slightly torn, likely from wear over time.
This image shows a newspaper clipping pasted onto a blank page in a scrapbook or album. The clipping is an article titled "In the Eyes of the Bystander" with a subtitle "At the Fogg, Uncommon Angles Provoke Fresh Perspectives." There is a handwritten note at the top of the clipping that reads "Harvard Crimson 4/20/78." The article discusses a photography exhibition at the Fogg Museum featuring photographs by California photographers Mike Mandel and Larry Sultan. It describes various intriguing and unusual photographic angles and subjects, emphasizing fresh perspectives.
To the right of the text, there is a black and white photograph depicting an outdoor scene with a few people in the background near some trees and a structure resembling a shed or small building. In the foreground, there appears to be a series of objects or shapes arranged on the ground, possibly part of an art installation or photograph subject. The overall theme of the article seems to focus on the unconventional viewpoints and documentary approach of the displayed photographs.
The image shows a magazine page with a heading that reads "In the Eyes of the Bystander" and a subheading "At the Fogg, Uncommon Angles Provoke Fresh Perspectives." The page features a photograph of a man standing with a plastic bag over his head, holding a lighted torch in his hand. The text on the page discusses the unique perspectives and angles that can be captured in photography, using the example of the photograph of the man with the plastic bag.
The image shows an open book, specifically a page from a publication titled "In the Eyes of the Bystander" under the section "At the Fogg, Uncommon Angles" with the subtitle "Provoke Fresh Perspectives." The page is labeled as PAGE FIVE and includes both text and an accompanying photograph.
The page combines textual analysis with a visual example to illustrate the theme of the article: using everyday, unposed photographs to challenge conventional perspectives and provoke new ways of seeing the world. The photograph serves as a concrete example of the exhibit's focus on documenting the overlooked and mundane aspects of life.