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The image shows a newspaper clipping from the arts and entertainment section, featuring an article titled "Frank's photography — 'a landmark of modern art'". The article is written by Jan Eagles.

The article discusses the photographic work of Robert Frank, specifically his book "The Americans," which is described as one of the old landmarks of modern art. The book is noted for its photographs found just off the highway, down the side streets, and in the places that were considered too unimportant for the tourist to see.

The article highlights that Frank's work is currently on display at the Fogg Art Museum at Harvard University. The exhibition includes 83 prints and an audio interview with Martha Rosler, a photographer for the National Film Board of Canada.

The article provides background information on Robert Frank, mentioning that he was born in Switzerland in 1924 and came to the United States in 1947. It discusses his early work as a fashion photographer and his fascination with American culture, which led to the creation of "The Americans." The article notes that Frank's photographs capture the essence of America's "hidden generation" and that his work is characterized by a sense of irony and detachment.

The article also mentions Frank's later films, such as "Pull My Daisy" and "Me and My Brother," and his continued influence on contemporary photography. The exhibition at the Fogg is described as a rare opportunity to see Frank's work in a comprehensive setting.

The image includes a photograph of a group of people, presumably from one of Frank's works, and a smaller inset image of a poster or advertisement for the exhibition. The text is accompanied by a headline and subheadings that emphasize the significance of Frank's contributions to modern art.

The image displays an open book with a newspaper clipping about the photographer Robert Frank. The headline of the article, titled "Frank's photography - 'a landmark of modern art'," is written by Jan Holmes. The clipping includes a black-and-white photograph titled "'City Fathers' - political irony," which depicts a group of men in suits and hats, seemingly in conversation.

The article discusses the significance of Frank's work, his background, and his impact on photography. It mentions that his work is being shown at the Fogg Art Museum at Harvard University until June 18. The text also highlights Frank's move from still photography to film, his Swiss roots, and his unique perspective on American culture and society. The article notes that Frank's photographs capture the essence of America with a critical eye, often focusing on the less glamorous aspects of life. It concludes by mentioning his 1972 film, "Pull My Daisy," and his upcoming film, "My Brother, and my sister, and me."

The clipping is from the Christian Science Monitor, dated Thursday, June 15, 1978, and is inserted into what appears to be a scrapbook or album, with some visible tape and a handwritten note on the right side.

The image shows a newspaper clipping from the New England arts and entertainment section. The headline reads "At the Fogg: Frank's photography - 'a landmark of modern art'." The article is authored by Jan Holmes and discusses Robert Frank's photography exhibit at the Fogg Art Museum in Cambridge, Massachusetts.

The article highlights Frank's work, particularly his series "The Americans," which is renowned for its candid and raw depiction of American life. The article mentions that this exhibit is a rare opportunity to see Frank's work in person, as his prints have been widely circulated but not recently shown in the United States.

The accompanying black-and-white photographs illustrate the subjects of Frank's work, showing people in various settings that reflect the diversity and everyday life of America.

The publication date is June 18, 1978, and the article is part of a larger section titled "National Science Monday" on page 22-23 of the newspaper. The clipping also includes a small note about the exhibit, emphasizing Frank's innovative approach and the impact his photography has had on modern art.

The image is a newspaper clipping from the National Science Foundation's publication, specifically from a section titled "N.S. Arts/Entertainment." The article, titled "Frank's photography – 'a landmark of modern art'" by Jan Holmes, discusses the photography work of Robert Frank, who is described as one of the most influential photographers of the 20th century.

Key points from the article include:

1. Exhibition Context: The article mentions that Robert Frank's work is being exhibited at the Fogg Art Museum on the Harvard campus, marking his first extensive show in the country since 1959.

2. Photography Evolution: Frank transitioned from black-and-white to color photography, which was considered a radical departure at the time. His use of color in "The Americans" series, which was initially criticized, has now gained recognition.

3. Biographical Background: Born in Switzerland in 1924, Frank initially worked as a freelance photographer and commercial artist in Paris. His fascination with American culture led him to document America in the late 1950s, producing the seminal work "The Americans."

4. Artistic Style and Impact: Frank's photography is noted for its stark realism and lack of glamour, capturing everyday life and its contradictions. The article highlights that his work often deals with themes of alienation and the impact of modernity on society.

5. Personal and Artistic Journey: Frank’s photographs, including those from his travels, are described as a mixture of whimsy and seriousness, depicting both the beauty and the ugliness of American life.

6. Audience Reaction: The photographs are intended to provoke thought and discussion about the American way of life, reflecting a deep-seated critique of societal norms.

The article concludes by emphasizing the enduring relevance and impact of Frank's work, which continues to challenge and provoke viewers.

The image shows a newspaper clipping from the "National Science Monitor," dated June 16, 1978, focusing on an article about the photography of Robert Frank.

The article is titled "Frank’s photography – 'a landmark of modern art'" and is written by Jan Holmes. The main points of the article include:

1. Introduction to Robert Frank:

   • Robert Frank is described as one of the most influential photographers of the 20th century, known for his work in both photography and film.
   • His work is characterized by its rawness and naturalism, often capturing the less glamorous aspects of life.

2. Exhibition at the Fogg Museum:

   • The article discusses an exhibition at Harvard's Fogg Art Museum, which features Frank's photographs and films.
   • The exhibition includes a recent work titled "City Fathers," which is noted for its political irony.

3. Photographic Style:

   • Frank’s work is described as a departure from the straight documentary approach, often using hand-colored prints and handwritten inscriptions.
   • His photographs are noted for their surrealism and the way they challenge the viewer to see beyond the surface.

4. Background and Influences:

   • Born in Switzerland, Frank came to the United States in 1947 and worked as a photographer for various magazines.
   • He was influenced by the Beat poets and writers, which is reflected in his work.
   • His fascination with the "hidden violence" of America is highlighted, showing the darker sides of American society.

5. Impact and Reception:

   • The article mentions that Frank's work is provocative and often unsettling, designed to make the viewer confront uncomfortable truths.
   • His exhibition at the Fogg is noted for its powerful and thought-provoking nature, blending art with social commentary.

The photograph accompanying the article shows a series of Frank's images, including the "City Fathers" piece, emphasizing the stark, dramatic visuals typical of his work.

The image is a newspaper clipping from the Boston Evening Globe, dated June 15, 1978. The article is titled "Frank's photography — 'a landmark of modern art'" and is authored by Jan Holmes.

Summary of the Article:

Headline and Subheadline:

• The headline reads, "Frank's photography — 'a landmark of modern art'."
• There is a subheading featuring political irony with an illustration of "City Fathers."

Content:

1. Introduction:

   • Robert Frank's work is celebrated as one of the old landmarks of modern photography, known for its ratlikeable range and naturalism.
   • The article mentions a specific photograph taken on the Fourth of July in 1958, which has become iconic.

2. Exhibition Warning:

   • The piece warns readers that they have until June 18 to see Frank's work at the Fogg Museum, part of Harvard University.
   • The exhibition is described as a rare opportunity since Frank has transitioned from still photography to film.

3. Art Review Context:

   • The article discusses the general state of arts reviews, mentioning that many longer prints and interviews are now published in quarterly journals due to a lack of space in daily newspapers.
   • Martha Hayes, who works for the National Film Board of Canada, is cited for her efforts to gather significant prints for public viewing.

4. Robert Frank’s Career:

   • Robert Frank was born in Switzerland in 1924 and moved to the U.S. in 1947.
   • He started as a commercial photographer, working for magazines like Harper's Bazaar.
   • Frank received a Guggenheim fellowship in 1955, allowing him to travel across America and capture diverse images.

5. The Americans:

   • Frank's seminal work, "The Americans," was first published in France and later in the U.S. in 1959.
   • The book featured 83 photographs, capturing a wide range of American life with a nuanced and sometimes critical perspective.
   • The article notes that Frank's images often evoke strong reactions and have influenced the field of photography significantly.

6. Transition to Film:

   • Frank shifted his focus from photography to film, creating notable works like "Pull My Daisy," which featured prominent figures from the Beat Generation.
   • The article touches on the difficulty of finding Frank's personal films, such as one titled "Me and My Brother."

7. Impact and Legacy:

   • The article reflects on Frank's impact on photography and film, acknowledging his role in shaping modern art.
   • It concludes by emphasizing the importance of Frank’s work and its continued relevance.

The article provides a comprehensive overview of Robert Frank's contributions to photography and film, highlighting his significance in the art world.

The image shows a newspaper clipping featuring a black-and-white photograph at the top and an article below it. The photograph depicts a group of four people standing in a line, all dressed in old-fashioned or theatrical attire, including hats and coats. The caption beneath the photo reads "'City Fathers' - political irony."

The article is titled "Frank's photography — 'a landmark of modern art'" and is written by Jan Haines. The text discusses the photographic work of Robert Frank, highlighting his impact on modern art through his portrayal of American life. The article mentions an exhibition of Frank's photography at the Fogg Museum in Cambridge, Massachusetts, and provides some background on Frank's career and style. There is also a vertical label on the right side indicating this is from The Boston Globe, dated Thursday, June 15, 1978.

This image shows a newspaper clipping or an article page, possibly from a section focusing on arts or entertainment. The headline of the article seems to be related to photography, specifically mentioning "Frank's photography – 'a landmark of modern art'." An article is accompanying the headline, but the text is mostly illegible due to the image's resolution. Additionally, there is a small inset titled "City Fathers – political irony," featuring an image directly below the title, which is part of the discussion in the article.

The paper shows some signs of age or wear, with yellowing and slightly frayed edges. There is adhesive tape affixed to the top of the page indicating it may have been repaired or reinforced at some point. The right side of the image includes the edge of another page from the publication, indicating that this is an open publication or book. There is text visible on this adjacent page, but it's not clear in this photograph.

The image shows an open book or magazine page featuring an article titled "Frank's photography — 'a landmark of modern art'" by Jen Holmes. The article is about the photographic work of Robert Frank, a prominent figure in modern art. The page includes a black-and-white photograph at the top, depicting three men in hats, with the caption "City Fathers" — political irony.

The text discusses Frank's work, highlighting his influential role in shaping modern art through his photographs. It mentions his early life, his move to the United States, and his fascination with the "hidden soul" of America, drawing inspiration from artists like Kerouac and Ginsberg. The article also touches on Frank's experimental approach to photography, including his use of collage and his focus on capturing everyday scenes with a sense of irony and social commentary.

The layout includes a sidebar on the right with the title "THE OFFICIAL NATIONAL ARTS REVIEW" and additional publication details, such as the date (Thursday, June 15, 1978) and page number (223). The overall design is clean and typographically structured, typical of a magazine or journal format. The photograph and accompanying text work together to convey the article's theme of Frank's impact on modern art and his unique perspective on American society.

A magazine page with an article about Robert Frank, a photographer. The article is titled "Frank's photography - a landmark of modern art" and features a black-and-white photo of Frank with other people. The text below the photo reads "City Fathers - political irony." The article discusses Frank's work, his approach to photography, and his impact on modern art. The article also mentions that Frank's work has been exhibited at the Fogg Art Museum.