Archives Scrapbooks

The image appears to be a page from a notebook or folder, with a text and illustrations attached on a yellow background. The page contains several articles and images, likely related to art history or museums.

Here's a breakdown of the visible content:

1. Top Section:

   • The top-left corner shows a printed illustration of a figure in classical attire, holding a staff, with a background of architectural elements.
   • Below the illustration, there is a section with text discussing the "Germain Seligman collection of French drawings," mentioning notable artists like Laurent de la Hyre and Eustace Le Sueur. The text also highlights the quality and historical significance of the drawings.
   • There are additional details about the collection, mentioning the transformation from Italian and Flemish influences to achieving the classical style of "le grand siècle."
   • The text is signed by Konrad Oberhuber, Curator of Drawings and Professor of Fine Arts.
   • There is a note at the bottom: "FAM Newslett, Sept. 1978."

2. Middle Section:

   • The middle section has a smaller printed illustration or photograph of an architectural courtyard or courtyard-like space with intricate details and arches.
   • Below this image, there is text discussing the "Rübel Asiatic Bureau" and its merger with the Harvard Fine Arts Library. It provides details about the collection, including its establishment in 1927, the number of volumes, and the types of research materials it contains.
   • There is also a mention of the publication of a book by Oleg Grabar, a professor of fine arts and chairman of the fine arts department.

3. Bottom Section:

   • The bottom section contains more articles about changes in the Fine Arts Department at Harvard.
   • It mentions professors, visiting faculty, and courses being taught by different individuals during the fall and spring semesters.
   • There is also a note about graduate students being appointed as Junior Fellows by the Society, with an accompanying text about their roles and contributions.

The overall layout and content suggest that this page is from a newsletter or a report related to Harvard's Fine Arts Department and its collections, focusing on the history, significance, and developments of the art collections at the university.

This image shows a document placed inside a folder with alphabetical tabs, possibly part of an archive or a collection of papers. The document appears to be a newsletter or informational sheet from the fine arts department, dated September 1978.

1. Top Left Section:

   • Headline: "SEIDEN & DE CUEVAS, INC. LEND RARE GROUP OF FRENCH DRAWINGS"
   • Image: A black-and-white illustration of a classical figure, possibly a statue or a drawing, sitting on a throne-like chair with one hand raised.
   • Caption: "Laurent de la Hyre, La Dialectique, graphite on paper. Loan — Seiden & de Cuevas, Inc., LTL 90.1978."
   • Text: Describes the admiration for the German Seligman collection of French drawings, highlighting its superb quality and historical significance. It mentions the acquisition of 24 important drawings by Seiden & de Cuevas, Inc., for a long-term loan at the Fogg. The collection includes works by various classical artists and will be on exhibit from November 29, 1978, through January 7, 1979.

2. Top Right Section:

   • Headline: "RÜBEL ASIATIC BUREAU MERGES WITH FINE ARTS LIBRARY"
   • Image: A black-and-white photograph of an ornate architectural interior, possibly from the Alhambra.
   • Caption: "Illustration from Oleg Grabar's The Alhambra."
   • Text: Discusses the merger of the Rübel Asiatic Research Bureau with the Harvard Fine Arts Library on July 1, 1978. It details the history and significance of the Rübel Collection, which contains approximately 12,000 volumes devoted to the history of Oriental art. The text also mentions the publication of a book by Oleg Grabar, professor of fine arts and chairman of the fine arts department, titled "The Alhambra," which will be available in October/November from Harvard University Press.

3. Bottom Section:

   • Headline: "MORE CHANGES IN THE FINE ARTS DEPARTMENT"
   • Text: Provides updates on various changes and appointments within the fine arts department. It mentions that Director Seymour Slive is on sabbatical, and his courses will be taught by visiting faculty. It lists the courses and seminars that will be taught by different professors and graduate students, including Zirka Filipczak, John Walsh, Ann Milstein, Sydney Freedberg, Robert Bagley, and Caroline Houser. It also notes the appointment of Natasha Staller and Nancy Shatzman as Junior Fellows.

The document is titled "FAM Newsletter Sept. 1978" and appears to be a compilation of news and updates from the fine arts department for that period.

This image displays two archival pages from a Harvard University Fine Arts Department newsletter, dated September 1978. The pages are mounted on a larger acid-free backing sheet, which is partially visible on the left and features a vertical grid labeled A–H for archival organization. At the top left corner of the backing, “Apr. 2003” is handwritten, indicating when the item was processed or cataloged.

Upper Page (Primary Content)

This page is titled “SEIDEN & DE CUEVAS, INC. LEND RARE GROUP OF FRENCH DRAWINGS”.

• Visual: It features a black-and-white reproduction of a drawing, captioned:

  Laurent de la Hyre, La Dialectique, graphite on paper. Loan — Seiden & de Cuevas, Inc., L.71, 90.1978

• Text Summary:

  • The article discusses the loan of 24 important French 17th- and 18th-century drawings to the Fogg Art Museum from the German Seligman collection, now held by Seiden & de Cuevas, Inc.
  • Highlights include works by Louis XIII and Louis XIV-era artists and a rare drawing by Pierre Puget.
  • The collection exemplifies the shift from Italian/Flemish influences to French “le grand siècle” style.
  • The drawings were on exhibition at the Fogg from November 29, 1978, to January 7, 1979, and were intended as teaching tools for students.
  • Signed by Konrad Oberhuber, Curator of Drawings and Professor of Fine Arts.

• Handwritten annotation: At the bottom, “3 FAM Newsletter Sept. 1978” is written — likely an internal reference or page number.

Right Column / Sidebar Content

Title: “RÜBEL ASIATIC BUREAU MERGES WITH FINE ARTS LIBRARY”

• Text Summary:

  • Announces the merger on July 1, 1978, of the Rübel Asiatic Research Bureau with the Harvard Fine Arts Library.
  • The Bureau, established in 1927, contained approximately 12,000 volumes on Oriental art.
  • The collection, originally formed by Langdon Warner and later curated by C. Adrian Rübel, was integrated into the Fine Arts Library under the Fine Arts Librarian’s jurisdiction.
  • The transformation from a small collection to a major specialized library occurred through donations and Mr. Rübel’s endowment.
  • Also mentions the merger with Visual Collections in 1965.
  • Signed by Deborah A. Smulyan.

• Illustration: A small black-and-white image of an architectural detail, captioned:

  Illustration from Oleg Grabar’s The Alhambra. Harvard University Press is about to release a major book by Oleg Grabar...

  This refers to a forthcoming book on the Alhambra by Oleg Grabar, then professor and chair of Harvard’s Fine Arts Department.

• Handwritten annotation: “FAM Newsletter Sept. 1978” — same as above, perhaps confirming the source.

Lower Page (Secondary Content)

Title: “MORE CHANGES IN THE FINE ARTS DEPARTMENT”

This page lists personnel and program updates:

• Teaching Faculty Changes:

  • Director Seymour Slive on sabbatical; two visiting faculty teaching Dutch and Flemish art.
  • Zirka Filipczak (Williams College) teaching one course, then Peter Paul Rubens seminar.
  • John Walsh (curator of paintings at Museum of Fine Arts, Boston) teaching a semester on Dutch painting.
  • Caroline Houser returning to teach “Classical Greek Sculpture.”

• Faculty Appointments and Visits:

  • Professor George M.A. Hanfmann (UT Austin) focusing on writing and publication.
  • Ann Milstein named Acting Assistant Curator of prints; will teach Renaissance art.
  • Sydney Freedberg to focus on directing the Museum.
  • Robert Bagley, graduate student, to teach “The Arts of the Chinese Bronze Age.”
  • James Cahill (specialist in Chinese painting, UC Berkeley) is visiting Harvard to lecture on Chinese painting; will also give guest appearances in John Hay’s Oriental art classes.

• Student Honors:

  • Graduate students Natasha Staller and Nancy Shatzman named “Society awarded fellowships” — a distinction awarded to two students nominated by professors.

• Handwritten annotation: “6 FAM Newsletter Sept. 1978” — indicating page 6 of the same newsletter.

Overall Context

This is an archival record of faculty, collection, and program updates within Harvard’s Fine Arts Department for Fall 1978. It highlights:

• A major loan of French drawings,
• A significant library merger (Rübel Collection),
• Visiting scholars and curriculum changes,
• Student achievements.

These materials were likely compiled for internal documentation, historical archives, or research purposes, given their archival mounting and internal annotations.

The handwriting “FAM Newsletter Sept. 1978” on both pages suggests these are clipped or excerpted sections from a larger departmental newsletter, carefully preserved for posterity.

The image is a photograph of a binder containing a collection of newsletters, presumably from the Fine Arts Museum (FAM). The binder is open, revealing several newsletters dated September 1978. Each newsletter is printed on white paper and includes various articles, announcements, and illustrations.

1. Newsletter Layout and Content:

   • The newsletters are neatly organized within the binder, with each page featuring a header that reads "FAM Newsletter, Sept. 1978."
   • The newsletters contain multiple articles and announcements related to the Fine Arts Museum. Each article is separated by horizontal lines for clarity.

2. Articles and Announcements:

   • First Newsletter:
     • Features an article about the acquisition of a rare group of French drawings by Seiden & de Cuevas, Inc. The article includes a black-and-white illustration of a drawing.
     • Another article announces the merger of the Rubel Asiatic Bureau with the Fine Arts Library, detailing the history and significance of the Rubel Collection.
   • Second Newsletter:
     • Discusses changes in the Fine Arts Department, including the temporary reassignment of Director Seymour Slive and the introduction of new courses and lecturers.
     • Mentions the return of Caroline Houser as a Mellon Fellow to teach Classical Greek Sculpture and the appointment of new specialists in various art forms.
   • Third Newsletter:
     • Highlights the expansion of the museum's collection, including the addition of Chinese paintings and the appointment of new curators and assistants.
     • Announces upcoming exhibitions and lectures, including a focus on Dutch painting of the 17th century and Chinese art.

3. Illustrations:

   • Each newsletter includes illustrations relevant to the articles. For example, the first newsletter features a drawing from the newly acquired French collection and an architectural illustration related to the Rubel Collection.
   • The illustrations are in black and white, providing visual context to the written content.

4. Binder and Page Numbers:

   • The binder has a vertical ruler on the left side, indicating page numbers from A to H.
   • Each newsletter is numbered sequentially, with the first newsletter being page 3 and the second being page 6.

5. Additional Details:

   • The newsletters are professionally printed, suggesting they were distributed to museum members or staff.
   • The content reflects the museum's commitment to expanding its collection, enhancing its educational programs, and engaging with the community through exhibitions and lectures.

Summary:
The image depicts a binder containing several newsletters from the Fine Arts Museum dated September 1978. The newsletters announce significant acquisitions, departmental changes, new courses, and upcoming exhibitions. Each newsletter includes relevant illustrations and is organized with clear headers and page numbers. The content reflects the museum's dynamic activities and its dedication to the arts.

The image is a scanned page from a newsletter or magazine. It contains two main articles, with text and images.

The first article is titled "SEIDEN & DE CUEVAS, INC. LEND RARE GROUP OF FRENCH DRAWINGS." It features a black and white drawing of a woman in classical attire, along with a caption that provides background information on the collection. The article discusses the loan of a group of French drawings from the company Seiden & de Cuevas, Inc. to an institution. It mentions the collection's quality, historical significance, and the artists represented.

The second article is titled "RÜBEL ASIATIC RESEARCH BUREAU MERGES WITH FINE ARTS LIBRARY." It includes an image of an architectural structure, possibly an entrance or portal, along with a caption that provides context for the merger. The article discusses the merger of the Rübel Asiatic Research Bureau with the Fine Arts Library, highlighting the collection's growth, the involvement of notable figures like C.A. Langdon, and the potential for future donations and acquisitions.

The page also contains a table of contents or index on the left side, with letters "A" through "H" and corresponding page numbers. The newsletter or magazine appears to be focused on art, history, and cultural topics, with articles related to art collections, institutions, and historical figures.

The image shows an open book or catalog titled "FAM Newsletter", dated September 1978. The page features a mix of textual content and an illustration. Here is a detailed description:

Left Side:

• Illustration:

  • A detailed black-and-white drawing of a classical female figure.
  • The figure is depicted in a dramatic pose, raising one arm and holding a staff or scepter in the other hand.
  • She is adorned in elaborate, flowing robes, suggesting a historical or mythological theme.
  • The drawing is labeled at the bottom as:
    "Laurent de La Hyre. La Delicieuse, graphite on paper. 1639 – Seiden & de Cuevas, Inc. LTQ, no. 1978."
  • The illustration is part of a section titled "Seiden & de Cuevas, Inc. LEND RARE GROUP OF FRENCH DRAWINGS."

• Textual Content:

  • The text discusses a collection of French drawings, specifically mentioning the Seiden & de Cuevas collection.
  • It highlights the quality and historical significance of the drawings, noting that they include works by renowned artists such as Laurent de La Hyre, Jacques Stella, and Charles Le Brun.
  • The collection is described as featuring "an outstanding series of figure studies by Simon Vouet and Lebrun," as well as works by Claude Vignon and François de Troy.
  • The text emphasizes the artistic merit and historical value of the collection, noting that it includes rare and important pieces, such as a parchment drawing by Pierre Puget and works by Claude Lorrain.

Right Side:

• Headline:

  • "RUBÉL ASIATIC BUREAU MERGES WITH FINE ARTS LIBRARY"
  • This section discusses the integration of the Rubel Asiatic Research Bureau with the Fine Arts Library at Harvard.
  • Key points include:
    • The Rubel Bureau was established in 1927 and contained approximately 12,000 volumes devoted to the history of Oriental art.
    • The collection was donated to the Fine Arts Library, and the Bureau will retain its separate identity through the use of a booklet but will be integrated with the holdings of the Fine Arts Library.
    • The administrative jurisdiction of the Fine Arts Librarian will now include the Rubel Bureau.
    • The Rubel Bureau's collection of photographs of Asian art was merged with the Visual Collections of the Fine Arts Library in 1965.

• Additional Text:

  • A smaller section titled "MORE CHANGES IN THE FINE ARTS DEPARTMENT" discusses updates in the Fine Arts Department at Harvard, including:
    • Courses in Dutch and Flemish art being taught by visiting faculty.
    • A new course on Renaissance art by Sydney Freedberg.
    • The appointment of James Cahill as Acting Assistant Professor of Fine Arts.
    • The appointment of Catherine Houser as a Mellon Fellow to teach Classical Greek Sculpture.

• Illustration at the Bottom Right:

  • A small black-and-white photograph of an architectural structure, possibly a mosque or temple, with arched doorways and intricate detailing.
  • Below the image, there is a caption:
    "Illustration from Oleg Grabar’s The Alhambra. Harvard University Press about to release a major book by Oleg Grabar, professor of fine arts and chairman of the Fine Arts department. The Alhambra is one of the world’s most handsomely illustrated volumes. The Alhambra, a 14th-century Moorish palace in Granada, Spain, is renowned as the best-preserved monument from the medieval Islamic world. The book, which sells for $15.00, will be available in October/November from HUP."

Overall Layout:

• The page is structured with a clear division between the left and right sides.
• The left side focuses on an art collection and features a prominent illustration of a classical drawing.
• The right side provides news updates about the Fine Arts Department, including the merger of the Rubel Asiatic Bureau and other departmental changes.
• The page includes handwritten notes at the top and bottom, such as "APRL. 2003" and "FAM Newsletter Sept. 1978", indicating the date of the newsletter and possibly the date the page was reviewed or cataloged.

Conclusion:

The image depicts a page from the FAM Newsletter (September 1978), combining an art-focused article about a rare collection of French drawings with news updates about the Fine Arts Department at Harvard, including the merger of the Rubel Asiatic Bureau and other academic developments. The page is rich in both visual and textual content, reflecting the newsletter's purpose of informing readers about art collections, academic changes, and upcoming publications.

The image presents a scanned page from a book or magazine, featuring a prominent article about the French drawings collection at Harvard University's Fine Arts Library. The page is divided into sections, with the main article occupying the majority of the space and accompanied by smaller sections on either side.

Article Title and Image

• The article title, "SEIDEN & DE CUEVAS, INC. LEND RARE GROUP OF FRENCH DRAWINGS," is displayed in red text at the top of the page.
• A large black-and-white image of a woman in ancient Greek attire is situated below the title, adding visual interest to the page.

Article Content

• The article discusses the French drawings collection at Harvard University's Fine Arts Library, highlighting its significance and historical value.
• The text is written in black ink and provides detailed information about the collection, including its size, scope, and notable features.

Side Sections

• On the left side of the page, a section titled "MORE CHANGES IN THE FINE ARTS DEPARTMENT" is displayed in red text, followed by a list of changes and updates related to the department.
• On the right side of the page, a section titled "RÜBEL ASIATIC BUREAU MERGES WITH FINE ARTS LIBRARY" is displayed in red text, followed by a brief description of the merger and its implications.

Background and Layout

• The page has a beige background, which provides a neutral contrast to the black text and images.
• The layout is clean and organized, with clear headings and concise paragraphs that make it easy to follow the content.

Overall, the image presents a well-structured and informative page that showcases the French drawings collection at Harvard University's Fine Arts Library. The use of red text and images adds visual interest to the page, while the clear headings and concise paragraphs make it easy to follow the content.

The image presents a page from a book or catalog, featuring a collection of articles and images related to art. The page is divided into sections, each containing a unique piece of content.

Section 1: Article with Image

• The top-left section features an article accompanied by an image of a woman in a classical dress, holding a staff and a flame. The article discusses the Seiden & de Cuevas, Inc. Lend Rare Group of French Drawings.
• The article provides information about the collection, including its history, significance, and notable pieces.

Section 2: Article

• The top-right section contains an article titled "Rübel Asiatic Bureau Merges with Fine Arts Library." The article discusses the merger of the Rübel Asiatic Bureau with the Fine Arts Library at Harvard University.
• The article highlights the benefits of the merger, including increased access to resources and expertise.

Section 3: Article

• The bottom section features an article titled "More Changes in the Fine Arts Department." The article discusses changes in the Fine Arts Department at Harvard University, including new faculty appointments and course offerings.
• The article provides information about the department's goals and initiatives, as well as its commitment to excellence in teaching and research.

Additional Features

• The page includes handwritten notes and annotations, suggesting that it may have been used for research or study purposes.
• The page also features a table of contents or index, which lists the titles of the articles and images on the page.

Overall, the image presents a collection of articles and images related to art, highlighting the importance of art history, conservation, and education. The page provides valuable information for art enthusiasts, researchers, and students, and serves as a resource for those interested in learning more about the world of art.

The image depicts a beige folder containing photocopies of a newsletter or magazine related to the Fine Arts department, specifically the Fogg Art Museum at Harvard University.

Folder and Contents

The folder is open, revealing its contents. The left side of the folder has a tabbed section with letters A to H, while the right side contains three photocopied pages from the "Fogg Art Museum Newsletter" dated September 1978.

Page 3: "Seiden & De Cuevas, Inc. Lend Rare Group of French Drawings"

The first page features an article titled "Seiden & De Cuevas, Inc. Lend Rare Group of French Drawings," accompanied by a black-and-white illustration of a drawing by Laurent de La Hyre. The article discusses the loan of a collection of French drawings to the Fogg Art Museum.

Page 7: "Rubel Asiatic Bureau Merges with Fine Arts Library"

The second page includes an article titled "Rubel Asiatic Bureau Merges with Fine Arts Library," along with a black-and-white illustration from Oleg Grabar's book "The Alhambra." The article describes the merger of the Rubel Asiatic Research Bureau with the Fine Arts Library.

Page 6: "More Changes in the Fine Arts Department"

The third page contains an article titled "More Changes in the Fine Arts Department," which discusses various changes within the department, including faculty appointments and course offerings.

Handwritten Notes

The pages are annotated with handwritten notes, including the date "Sept. 1978" and the page numbers "3," "7," and "6." The folder is placed on a gray background, suggesting that it may be part of an archive or collection.

The image presents a scanned or photographed page from a binder, featuring a collection of newspaper clippings and handwritten notes. The page is divided into sections, with the top section displaying three articles.

Top Section:

• Article 1: A black-and-white drawing of a woman in a robe, accompanied by text discussing the sale of rare French drawings.
• Article 2: A black-and-white photograph of an arched walkway, with text describing the merger of the Rubel Asiatic Bureau with the Fine Arts Library.
• Article 3: A continuation of the previous article, providing more information about the merger.

Bottom Section:

• Article: A continuation of the previous articles, discussing changes in the Fine Arts Department.

Handwritten Notes:

• Top-Left Corner: "APCH. 2003.2" is written in pencil.
• Center: "FHR Newsletter Sept. 1978" is written in blue ink.
• Bottom-Right Corner: "FAN Newsletter 5/4/78" is written in blue ink.

Binder and Background:

• The page is placed in a black binder with a yellowed paper insert on the left side, featuring a ruler-like design with letters A-H.
• The background of the image is a plain gray color.

Overall, the image appears to be a scanned or photographed page from a binder, showcasing a collection of newspaper clippings and handwritten notes related to art and academia.