Archives Scrapbooks

The image is a page from a newsletter or a report, specifically the "FAM Newsletter" dated September 1978. The page is divided into three main sections, each discussing different topics related to fine arts.

1. Top Left Section: "Beiden & de Cuevas, Inc. Lend Rare Group of French Drawings"

   • This section features an article about a loan of rare French drawings to the Fine Arts Museum by Beiden & de Cuevas, Inc.
   • The article highlights a drawing titled "Laurent de la Hyre, La Directrice" (graphite on paper) from 1647, which is part of a collection of 24 important French drawings from the 17th and 18th centuries.
   • The collection includes works by notable artists such as Simon Vouet, Jacques Blanchard, and others.
   • The drawings will be exhibited at the Fogg Art Museum from November 20, 1978, through January 7, 1979.

2. Top Right Section: "Rubel Asiatic Bureau Merges with Fine Arts Library"

   • This section discusses the merger of the Rubel Asiatic Research Bureau with the Fine Arts Library.
   • The Rubel Collection, which includes over 12,000 volumes on Oriental art, will be integrated into the Fine Arts Library.
   • The collection was assembled by C. Adrien Rubel and was previously housed in the Rubel Asiatic Research Bureau.
   • The merger aims to enhance the library's resources on Oriental art and provide better access to researchers.

3. Bottom Section: "More Changes in the Fine Arts Department"

   • This section provides updates on changes within the Fine Arts Department.
   • It mentions that William Seitz, a professor of fine arts, will be on sabbatical leave for the fall semester.
   • Janet Wulsin, a curator of paintings at the Fogg Art Museum, will also be on leave.
   • Cynthia Hahn, the assistant curator of prints, has returned from a leave of absence.
   • James Cahill, a specialist in Chinese painting, will be the Morton Lecturer at Harvard this year.
   • Ann Milton, an associate curator of prints, will be on leave during the fall semester.
   • The section also mentions the activities of graduate students Natalia Teteriatnikov and James Cahill.

The page includes black-and-white images related to the articles, such as a drawing by Laurent de la Hyre and a photograph of the Fine Arts Library. The layout is typical of a newsletter, with clear headings and concise articles.

The image displays an open, yellowed paper, likely from a newsletter or a magazine, dated "Sept. 1978." The left page contains an article titled "SEIDEN & DE CUEVAS, INC. LEND RARE GROUP OF FRENCH DRAWINGS," accompanied by a black and white illustration of an artwork. The article discusses a collection of French drawings from the 17th and 18th centuries on loan from Seiden & de Cuevas, Inc., featuring works by Laurent de La Hyre, Jacques Stella, and others, which will be on display at the Fogg Art Museum from November 29, 1978, through January 7, 1979.

The right page features two articles. The first, titled "RÜBEL ASIATIC BUREAU MERGES WITH FINE ARTS LIBRARY," describes the merger of the Rübel Asiatic Research Bureau with the Fine Arts Library, expanding the library's holdings significantly. The second article, "MORE CHANGES IN THE FINE ARTS DEPARTMENT," details staffing changes at the Fogg, including the appointment of Peter P. Ruber as a visiting lecturer, Caroline Houser as a Mellon Fellow, and others. The article also mentions the retirement of Professor George M. A. Hanfmann and his plans to continue research and writing.

The page is marked with the handwritten note "Fogg Newsletter" and the date "Sept. 1978" at the bottom, indicating the source and timeframe of the content.

The image shows a page from a document containing newsletters and advertisements related to the Fine Arts Department of an institution, likely a university. Here's a detailed summary:

1. Top Section (Advertisement):

   • Seiden & de Cuevas Inc. is advertising a rare group of French drawings. The ad highlights Laurent de La Hyre, a notable French draughtsman, and mentions drawings from the 17th century attributed to him.
   • It includes a drawing of La Hyre and notes that the collection features studies by Simon Vouet and Claude Vignon, among others, and sketches by Eustache Le Sueur, a prominent artist of the time.
   • The drawings are noted for their historical significance and are displayed in a long-term loan by Seiden & de Cuevas, Inc.

2. Middle Section (Newsletter):

   • Rübel Asiatic Bureau Merges with Fine Arts Library:

     • The Rübel Asiatic Research Collection, which was previously under the Fine Arts Department, is now merged with the Fine Arts Library.
     • The collection, dating back to 1927, contains approximately 12,000 volumes and is a valuable resource for Oriental art studies. It is administered by the library and will be accessible to researchers through annual research materials provided by the Fine Arts Library.

   • Changes in the Fine Arts Department:

     • Director Seymour Slive is on sabbatical this year, with courses taught by visiting professors.
     • Notable visiting professors include:
       • Caroline Hauser, a Mellon Fellow, teaching Classical Greek Sculpture at the University of Texas.
       • George M.A. Hanfmann, teaching a course on Dutch painting.
       • Peter Paul Rubens, whose work will be discussed by various scholars.
       • Additional visiting lectures and courses are scheduled by other professors.

3. Bottom Section (Additional Newsletter):

   • More Academic Events:
     • Professor Atina M. Mitchel will be teaching a course on Renaissance art.
     • Sydney Freedberg, a renowned art historian, is teaching a graduate course on the history of art.
     • James Cahill, an eminent specialist in Chinese painting, will be visiting from the University of California at Berkeley.
     • The University of Texas Professor George M.A. Hanfmann is focusing on teaching Greek sculpture.
     • A mention of a book release by Oleg Grabar, titled "The Alhambra," which is available for purchase.

4. Illustrations:

   • There are two images included: one of a drawing by Laurent de La Hyre and another illustrating the Alhambra, a historic palace and fortress complex in Granada, Spain.

The overall document captures a snapshot of academic activities, administrative changes, and significant cultural events related to the Fine Arts Department.

The image shows a page from a document, specifically a newsletter, dated April 2003, containing several articles and notices related to art and cultural institutions.

1. Top Section:

   • Seiden & De Cuevas, Inc. Lend Rare Group of French Drawings:
     • An advertisement for a rare group of French drawings from the 17th and 18th centuries. It includes a drawing titled "Laetentia" by Laurent de La Hyre, dated 1638, which is noted for its refined classical style. The advertisement highlights the quality and rarity of the drawings, which were formerly owned by important collectors such as Cardinal Richelieu.

2. Middle Section:

   • Nübel Asiatic Bureau Merges with Fine Arts Library:
     • An article detailing the merger of the Nübel Asiatic Research Bureau with the Fine Arts Library. The Nübel collection, established in 1927, contains approximately 12,000 volumes and is focused on Asian art, especially Chinese and Japanese. The merger aims to integrate these collections for better access and research. The article mentions the administrative and physical integration processes, including the involvement of the Oriental Department and the Fine Arts Librarian, Deborah A. Smutnyan.

3. Illustration:

   • A black-and-white photograph of an architectural structure, presumably from the Fine Arts Library collections, and a mention of a book release by Harvard University Press, "The Alhambra" by Oleg Grabar, illustrated with photographs by John Freely.

4. Bottom Section:

   • More Changes in the Fine Arts Department:

     • Notices about staff changes and visiting faculty:
       • Seymour Slive, Director of the Fine Arts Department, is on sabbatical and will be teaching at the University of Texas in Austin.
       • Professor George M.A. Hanfmann will be teaching at the University of Texas in Austin.
       • Caroline Houser, who recently received her Ph.D., will teach Classical Greek Sculpture at the Mellon Fellow.
       • A mention of the appointment of acting assistant professors, including Sydney Freedberg and James Cahill, and visiting professors such as James McAllister and Arthur M. Sackler.

   • Fan Newsletter Section:

     • A handwritten note indicating that the content is from the Fan Newsletter dated September 1978, showing that these updates were part of a historical document from that year.

The document appears to be a compilation of announcements and updates related to the Fine Arts Library and its associated departments, reflecting changes in staff, visiting faculty, and the integration of collections.

The image shows a page from what appears to be a newsletter or a bulletin from the Fine Arts Department, dated April 2003, but containing articles from 1978. The page is divided into several sections with various news items and announcements.

1. Top Left Section:

   • Headline: "SEIDEN & DE CUEVAS, INC. LEND RARE GROUP OF FRENCH DRAWINGS"
   • Description: This section includes a drawing by Laurent de la Hyre titled "La Dialectique, graphie sur papier." The text discusses the loan of a collection of French drawings from the time of Louis XIII (1610-1643) and Louis XIV (1643-1715). It highlights the high quality of the works by notable artists such as Simon Vouet, Claude Vignon, and Eustache Le Sueur, and mentions the historical significance of these pieces.

2. Top Right Section:

   • Headline: "RÜBEL ASIATIC BUREAU MERGES WITH FINE ARTS LIBRARY"
   • Description: This section discusses the integration of the Rübel Asiatic Research Bureau into the Fine Arts Library. The bureau was administered by the Oriental Department and was known for its specialized collections on Asian art. The text mentions the donation of volumes and photographs by Mr. Rübel, who was the curator of the bureau, and the future use of the materials for research.

3. Bottom Section:

   • Headline: "MORE CHANGES IN THE FINE ARTS DEPARTMENT"
   • Description: This section lists several changes and new appointments in the Fine Arts Department. Key points include:
     • Director Seymour Slive's sabbatical year and the visiting faculty members replacing him.
     • Caroline Houser’s return to teaching Classical Greek Sculpture.
     • George M.A. Hanfmann's lectures at the University of Texas.
     • Arthur M. Sackler's course on Renaissance art and Sydney Freedberg’s focus on directing graduate students.
     • James Cahill's teaching on Chinese painting from the University of California at Berkeley.

4. Additional Notes:

   • The page includes small handwritten notes and dates in the margins, indicating that this page was likely kept for reference or archival purposes.

The overall content of the page reflects a blend of historical art collection news and departmental updates from the Fine Arts Department, highlighting the merging of collections, faculty changes, and educational activities.

The image displays a page from a 1978 issue of the "Fogg Art Museum Newsletter," specifically from September. The page contains several articles and announcements related to the Fine Arts:

1. Seiden & de Cuevas, Inc. Lend Rare Group of French Drawings (Section A, B, C, D, E):

   • The article discusses a notable collection of French drawings from the 17th to 19th centuries, curated by Seiden & de Cuevas, Inc.
   • The collection includes works by prominent artists such as Laurent de La Hyre, Jacques Stella, Eustache Le Sueur, Simon Vouet, and others.
   • These drawings are admired for their quality and have been placed on long-term loan at the Fogg Art Museum, allowing Harvard students and scholars to study them closely.
   • The collection features a range of styles, from the classical to the grand scale, and includes sketches and studies.

2. Rubel Asiatic Bureau Merges with Fine Arts Library (Section A):

   • The Rubel Asiatic Research Bureau was established in 1967 and merged with the Fine Arts Library on July 1, 1978.
   • The collection includes approximately 20,000 photographs of Asian art, donated by Mr. and Mrs. Rubel.
   • This merger aims to integrate these resources for better access and use by the scholarly community.

3. Illustration (Section A):

   • The image includes a photograph of an architectural detail, specifically an archway, likely from the Alhambra, as mentioned in the context of the book by Oleg Grabar.

4. More Changes in the Fine Arts Department (Section F, G, H):

   • Seymour Slive, the Department Chair, will be on sabbatical, teaching only one course on Dutch landscape painting.
   • Additional faculty news includes:
     • John Coolidge will teach a seminar on 19th-century architecture.
     • James Ackerman will continue his work on Palladio.
     • Konrad Oberhuber will take a leave of absence.
   • New appointments and visiting lecturers include:
     • Caroline Houser, a Mellon Fellow, teaching Classical Greek Sculpture.
     • George M.A. Hanfmann, from the University of Texas, Austin, teaching a seminar on Etruscan art.
     • Anna McCann, teaching a course on Romanesque art.
     • A visiting lecturer from Berkeley, focusing on Chinese painting.
   • The department also notes the retirement of distinguished professors Natascha and Stanley Stanton.

This detailed rundown provides an overview of the significant activities, loans, mergers, and personnel changes in the Fine Arts sector at Harvard during that period.

This image shows a page from what appears to be a newsletter or publication. The page features several articles with headlines, columns, and accompanying images. The upper left portion of the page has a column with the heading "Selden A. De Cuevas, Inc. Lend Rare Group of French Drawings," followed by a body of text and an image of a classical drawing of a draped figure. To the right, there is another section with the title "Riehl Asiatic Bureau Merges With Fine Arts Library," which includes text and an image of an arched structure, possibly an entrance to a historical building.

In the lower portion of the page, there is a header "More Changes in the Fine Arts Department" with a paragraph of text beneath it. On the left side of the page, there is a yellowish-brown vertical band featuring a list of alphabets (A to I) with corresponding boxes, potentially a part of a filing or categorization system within the newsletter.

Throughout the page, handwritten notes are visible in various places, indicating dates such as "Sept.1978," which may provide context to when the events described took place or when the newsletter was compiled or annotated. The overall layout is indicative of a publication focused on fine arts, cultural events, or educational announcements.

The image shows a scrapbook or archival page with four clippings related to fine arts, dated September 1978 from the "FAM Newsletter." The clippings are organized neatly on the page, arranged in a roughly rectangular layout with three articles positioned in the top half and one across the bottom.

1. Top Left Clipping: "SEIDEN & DE CUEVAS, INC. LEND RARE GROUP OF FRENCH DRAWINGS"

   • Contains an illustration of a classical figure in robes holding a staff, with the face obscured.
   • The text discusses a collection of French drawings lent by Seiden & de Cuevas, highlighting classical artists such as Laurent de la Hyre and Eustace Le Sueur.
   • The drawings come from 17th-century French classical artists and have been exhibited at the Fogg Museum.

2. Top Right Clipping: "RÜBEL ASIATIC BUREAU MERGES WITH FINE ARTS LIBRARY"

   • Describes the merger of the Rübel Asiatic Research Bureau with the Harvard Fine Arts Library as of July 1, 1978.
   • Details the collections involved, such as the history of Oriental art and the Fine Arts Library’s history.
   • An illustration accompanies this clipping, showing a detail from "Oleg Grabar's The Alhambra," depicting a patterned architectural element.

3. Bottom Clipping: "MORE CHANGES IN THE FINE ARTS DEPARTMENT"

   • Announces staff changes and sabbaticals, including Seymour Slive’s sabbatical and Ann Milstein becoming Acting Assistant Curator of Prints.
   • Mentions upcoming teaching and lectures, including areas of Dutch and Flemish art and Oriental art.
   • Lists names of other faculty members and their roles or expertise.

The page is part of a larger archival system with column and row labels (A-H, 1-6) visible on the left side of the binder. Handwritten notations confirm the source ("FAM Newsletter") and date (September 1978) for several of the clippings.

The image is a scanned page from a newsletter or magazine. It contains two main articles, with text and images.

The first article is titled "SEIDEN & DE CUEVAS, INC. LEND RARE GROUP OF FRENCH DRAWINGS." It features a black and white drawing of a woman in classical attire, along with a caption that provides background information on the collection. The article discusses the loan of a group of French drawings from the company Seiden & de Cuevas, Inc. to an institution. It mentions the collection's quality, historical significance, and the artists represented.

The second article is titled "RÜBEL ASIATIC RESEARCH BUREAU MERGES WITH FINE ARTS LIBRARY." It includes an image of an architectural structure, possibly an entrance or portal, along with a caption that provides context for the merger. The article discusses the merger of the Rübel Asiatic Research Bureau with the Fine Arts Library, highlighting the collection's growth, the involvement of notable figures like C.A. Langdon, and the potential for future donations and acquisitions.

The page also contains a table of contents or index on the left side, with letters "A" through "H" and corresponding page numbers. The newsletter or magazine appears to be focused on art, history, and cultural topics, with articles related to art collections, institutions, and historical figures.

The image shows an open book or catalog titled "FAM Newsletter", dated September 1978. The page features a mix of textual content and an illustration. Here is a detailed description:

Left Side:

• Illustration:

  • A detailed black-and-white drawing of a classical female figure.
  • The figure is depicted in a dramatic pose, raising one arm and holding a staff or scepter in the other hand.
  • She is adorned in elaborate, flowing robes, suggesting a historical or mythological theme.
  • The drawing is labeled at the bottom as:
    "Laurent de La Hyre. La Delicieuse, graphite on paper. 1639 – Seiden & de Cuevas, Inc. LTQ, no. 1978."
  • The illustration is part of a section titled "Seiden & de Cuevas, Inc. LEND RARE GROUP OF FRENCH DRAWINGS."

• Textual Content:

  • The text discusses a collection of French drawings, specifically mentioning the Seiden & de Cuevas collection.
  • It highlights the quality and historical significance of the drawings, noting that they include works by renowned artists such as Laurent de La Hyre, Jacques Stella, and Charles Le Brun.
  • The collection is described as featuring "an outstanding series of figure studies by Simon Vouet and Lebrun," as well as works by Claude Vignon and François de Troy.
  • The text emphasizes the artistic merit and historical value of the collection, noting that it includes rare and important pieces, such as a parchment drawing by Pierre Puget and works by Claude Lorrain.

Right Side:

• Headline:

  • "RUBÉL ASIATIC BUREAU MERGES WITH FINE ARTS LIBRARY"
  • This section discusses the integration of the Rubel Asiatic Research Bureau with the Fine Arts Library at Harvard.
  • Key points include:
    • The Rubel Bureau was established in 1927 and contained approximately 12,000 volumes devoted to the history of Oriental art.
    • The collection was donated to the Fine Arts Library, and the Bureau will retain its separate identity through the use of a booklet but will be integrated with the holdings of the Fine Arts Library.
    • The administrative jurisdiction of the Fine Arts Librarian will now include the Rubel Bureau.
    • The Rubel Bureau's collection of photographs of Asian art was merged with the Visual Collections of the Fine Arts Library in 1965.

• Additional Text:

  • A smaller section titled "MORE CHANGES IN THE FINE ARTS DEPARTMENT" discusses updates in the Fine Arts Department at Harvard, including:
    • Courses in Dutch and Flemish art being taught by visiting faculty.
    • A new course on Renaissance art by Sydney Freedberg.
    • The appointment of James Cahill as Acting Assistant Professor of Fine Arts.
    • The appointment of Catherine Houser as a Mellon Fellow to teach Classical Greek Sculpture.

• Illustration at the Bottom Right:

  • A small black-and-white photograph of an architectural structure, possibly a mosque or temple, with arched doorways and intricate detailing.
  • Below the image, there is a caption:
    "Illustration from Oleg Grabar’s The Alhambra. Harvard University Press about to release a major book by Oleg Grabar, professor of fine arts and chairman of the Fine Arts department. The Alhambra is one of the world’s most handsomely illustrated volumes. The Alhambra, a 14th-century Moorish palace in Granada, Spain, is renowned as the best-preserved monument from the medieval Islamic world. The book, which sells for $15.00, will be available in October/November from HUP."

Overall Layout:

• The page is structured with a clear division between the left and right sides.
• The left side focuses on an art collection and features a prominent illustration of a classical drawing.
• The right side provides news updates about the Fine Arts Department, including the merger of the Rubel Asiatic Bureau and other departmental changes.
• The page includes handwritten notes at the top and bottom, such as "APRL. 2003" and "FAM Newsletter Sept. 1978", indicating the date of the newsletter and possibly the date the page was reviewed or cataloged.

Conclusion:

The image depicts a page from the FAM Newsletter (September 1978), combining an art-focused article about a rare collection of French drawings with news updates about the Fine Arts Department at Harvard, including the merger of the Rubel Asiatic Bureau and other academic developments. The page is rich in both visual and textual content, reflecting the newsletter's purpose of informing readers about art collections, academic changes, and upcoming publications.