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The image shows a page from a newsletter titled "FOGG ART MUSEUM Newsletter," which is from Volume 15, Number 4, dated June 1978. The newsletter is published by Harvard University and is located in Cambridge, Massachusetts, with the zip code 02138. The page is dedicated to highlighting the contributions of the Fogg Art Museum's collections to the British art journal "Apollo." The text describes the extensive articles contributed by noted scholars, current staff, and former Fogg affiliates, focusing on various topics such as historical growth of collections, specific artists, and themes.

The page features two illustrations: one is a painting titled "Le Skating" by Edouard Manet, dated 1877, which is part of the Fogg's collection. The other illustration is a seated Buddha from the Northern Ch'i Dynasty (6th century), made of white marble with polychrome, also part of the museum's collection. The Buddha statue is shown in a seated position, with its hands in a gesture of meditation or teaching. The newsletter also mentions an upcoming exhibition at the museum titled "Apollo's Laurels," which will showcase the works discussed in the journal issues.

The image shows a page from the Fogg Art Museum Newsletter, Volume 15, Number 4, dated June 1978. The newsletter is published by Harvard University in Cambridge, Massachusetts, 02138. The main headline is "APOLLO'S MAY AND JUNE ISSUES BESTOW LAURELS ON FOGG COLLECTIONS," indicating that the British art journal Apollo is dedicating its May and June issues to the collections of the Fogg Art Museum.

The page includes two black-and-white images:

1. On the left, there is a painting titled "Le Skating" by Edouard Manet, painted in 1877. The painting is an oil on canvas and is a bequest of Maurice Wertheim, 1951.50.
2. On the right, there is a photograph of a Seated Buddha, Chinese, from the Northern Ch'i Dynasty (6th century). The statue is made of white marble with polychrome and is a bequest of Grenville L. Winthrop, 1943.53.42.

The text discusses the contributions of various scholars and staff members who have written articles for the Apollo issues, covering a wide range of topics related to the Fogg Art Museum's collections. The articles explore the historical growth of specific collections, the development of the museum's holdings for discussion of a particular artist or theme, and the diversity of the museum's collections. The newsletter also mentions that the issues will be bound into a single volume and will be available for purchase. Additionally, there will be a special exhibition titled "Apollo's Laurels" at the Fogg Art Museum, where visitors can see all the original works discussed in the issues.

This image displays page 1 of the Fogg Art Museum Newsletter, Volume 15, Number 4, dated June 1978. The newsletter is published by Harvard University in Cambridge, Massachusetts.

The page is laid out on a light-yellow, aged paper, appearing to be from a bound volume or scrapbook—the top edge shows torn paper and binding material. Handwritten in pencil in the upper right corner of the newsletter page is “Vol 15 #4”.

The main headline, printed in a bold, red-orange sans-serif font, reads:

FOGG ART MUSEUM

Below that, in smaller black type, it notes: “Newsletter / Harvard University Cambridge, Massachusetts 02138 / June 1978”.

The lead article is titled in bold black caps:

APOLLO’S MAY AND JUNE ISSUES BESTOW LAURELS ON FOGG COLLECTIONS

The article announces that Apollo, a prominent British art journal, is devoting its entire May and June 1978 issues to the Fogg Art Museum’s collections. It notes that 16 articles by noted scholars — including current and former Fogg staff, faculty, and experts like Jean Boggs, David Pratt, Seymour Slive, Sydney Freedberg, Stuart Cary Welch, George Hanfmann, David Mitten, Robert Bergman, Mark Haxthausen, Everett Fahy, John Wilmerding, John Rosenfield, Agnes Mongan, Henri Zerner, and Denys Sutton — cover topics ranging from specific artists (Renoir, Degas, Picasso) to broader themes (Dutch drawings, Japanese prints, Hindu/Muslim art, Romanesque sculpture).

Two black-and-white illustrations accompany the text:

1. Bottom left: A photograph of Edouard Manet’s “Le Skating” (1877, oil on canvas), identified as a bequest of Maurice Wertheim, 1951.50.
2. Top right: A photograph of a Seated Buddha, Chinese, Northern Ch’i Dynasty (6th century), made of white marble with polychrome, bequest of Grenville L. Winthrop, 1943.53.42.

The text concludes by announcing that the Apollo issues will be available in a bound volume for $10 (public) or $8.50 (Friends of the Fogg). It also mentions a concurrent Fogg exhibition titled “Apollo’s Laurels,” in which original artworks discussed in the journal will be on view throughout the museum, identified by a laurel wreath insignia.

The layout is clean and academic, typical of museum publications of the era, with columns of text and captioned illustrations providing visual context to the scholarly content.

The image shows a page from a newsletter. The newsletter is from the Fogg Art Museum at Harvard University, Cambridge, Massachusetts. The page is titled "Volume 15, Number 4" and is dated June 1978.

The newsletter features two articles. The first article, titled "Apollo's May and June Issues Bestow Laurels on Fogg Collections," discusses the museum's collections and their significance. It mentions scholars and faculty members who have contributed to the museum's collections and highlights specific artworks and artifacts.

The second article, titled "Copious Illustrations," showcases illustrations from the museum's collections. It includes images of artworks, artifacts, and historical documents, providing a visual representation of the museum's holdings.

The newsletter also includes information about the museum's publications, such as the "Apollo" magazine, and how visitors can access them. It encourages readers to visit the museum and explore its collections in person.

Overall, the newsletter serves as a promotional and informational resource for the Fogg Art Museum, highlighting its collections and resources to engage with its audience.

The image shows a page from a magazine or newsletter titled "Fogg Art Museum Newsletter" from Harvard University. The page features an article about the Apollo May and June issues, which focus on the collections of the Fogg Art Museum. The article highlights the diversity and significance of the museum's holdings, including works by various artists and from different cultures and time periods. The page also includes illustrations of some of the artworks, as well as information about the museum's upcoming exhibition and the availability of a special publication.

The image shows a page from the Fogg Art Museum Newsletter, specifically Volume 15, Number 4, dated June 1978. The newsletter is published by the Fogg Art Museum at Harvard University, Cambridge, Massachusetts 02138.

Key Elements of the Image:

Header:

• The top of the page prominently displays the Fogg Art Museum logo and name in bold red text.
• The newsletter's title, "Newsletter," is written in black, along with the volume and issue number (Volume 15, Number 4) and the publication date (June 1978).

Main Article:

• The main article is titled "APOLLO'S MAY AND JUNE ISSUES BESTOW LAURELS ON FOGG COLLECTIONS."
• The article discusses the Apollo magazine, an eminent British art journal, dedicating its May and June issues to the collections of the Fogg Art Museum.
• It highlights that these issues feature a wide range of topics, including:
  • Historical growth of specific collections.
  • Scholarly explorations by faculty members, former students, and noted scholars.
  • Articles on various artists and themes, such as:
    • Jean Boggs on “Variations on the Nude.”
    • Degas’s After the Bath, Renoir’s The Bather, Ingres’s Odalisque à l’esclave, and Picasso’s The Bathers.
    • Seymour Slive on Rembrandt at Harvard.
    • Illustrations of the Fogg’s paintings and drawings by Dutch masters.
    • Contributions on Indian art, Chinese art, Hindu and Muslim art, and more.
• The article emphasizes that the Apollo issues provide a valuable record of the high points of the Fogg’s holdings and serve as a useful introduction to the museum's resources.

Visual Elements:

• Left Side (Image Caption):

  • A photograph of a painting titled "Le Skating" by Édouard Manet, dated 1877, on oil canvas. The painting is described as a bequest of Maurice Wertheim and is cataloged as 1961.36.
  • Below the painting, there is an image of a Seated Buddha, described as Chinese, Northern Ch’a (Dynastic 9th century), white marble with polychrome, and cataloged as Bequest of Granville L. Winthrop, 1943.63.42.

• Right Side (Illustration):

  • An illustration of a Seated Buddha, depicted in a stylized, traditional form, likely from the same collection as mentioned in the caption.

Footer Information:

• The page number 1 is visible at the bottom left.
• Additional details about the Apollo issues are provided, including:
  • The issues are copiously illustrated in black-and-white and color.
  • They are available for purchase at a handsome desk-bound, leather-bound volume.
  • The Fogg has arranged to have both issues (without commercial material) bound into a single volume.
  • The price is $10.00 to the public and $8.50 to Friends of the Fogg.
  • Orders can be placed by mail, with an additional $1.00 for postage and handling.
• The newsletter also mentions that during the summer exhibition titled "Apollo’s Apollo: Publications," visitors will be able to see the original works discussed in the issues, identified by a laurel wreath insignia.

Overall Context:

The image captures a page from a museum newsletter that celebrates the recognition of the Fogg Art Museum’s collections by the prestigious Apollo magazine. It highlights the scholarly and artistic value of the Fogg’s holdings and provides details on how readers can obtain the special issues dedicated to the museum. The visual elements, including the painting and Buddha illustration, underscore the diversity and richness of the Fogg’s collections.

The image displays a newsletter from the Fogg Art Museum, which is associated with Harvard University in Cambridge, Massachusetts. The document is a printed page with various text blocks and images. The newsletter is titled "APOLOGIES: MAY AND JUNE ISSUES BESTOW LAURELS ON FOGG COLLECTIONS," and the date indicated is June 1978, Volume 15, Number 4.

The first large block of text provides details about the contents of the newsletter and appears to mention individuals and their contributions to the museum's collections or exhibitions. Some notable text references include subjects such as Apollo, architecture, museum collections, and various individuals involved in the arts.

There are three pictures on the newsletter. The top image is of a sculpture or bust. Below that, two smaller images appear to represent works of art, possibly paintings, judging by the distinct frames and visual content.

At the bottom of the page, there is a credit line that mentions Edward Munch: "Self-Portrait," an oil on canvas. It is attributed to the Meyer Weinberg Collection, indicating that this particular work is part of a collection donated or lent.

The newsletter page is taped inside a beige folder, or binder, with the page edges visible, suggesting it is part of a collection of documents. Handwritten text on the folder indicates "Vol 15 #4," likely for organizational purposes.

The image shows a page from a newsletter of the Fogg Art Museum, dated June 1978, Volume 15, Number 4. The newsletter is from Harvard University in Cambridge, Massachusetts. The main headline reads "APOLLO'S MAY AND JUNE ISSUES BESTOW LAURELS ON FOGG COLLECTIONS."

The text discusses the Apollo magazine’s May and June issues that focus on collections at the Fogg Art Museum. It highlights contributions from scholars and staff on a wide range of topics related to the museum's collections, including articles on specific artists and themes.

There are two images on the page:

1. On the left, a small reproduction of Édouard Manet's painting "Le Skating," 1877, oil on canvas.
2. On the right, a photograph of a seated Buddha statue from the Chinese Northern Qi Dynasty (6th century), made of white marble with polychrome.

The newsletter also mentions a special exhibition entitled “Apollo’s Laurels” at the Fogg, which will showcase original works discussed in the issues, marked by a laurel wreath insignia.

Additional details include instructions for ordering a bound volume of the Apollo issues and notes on contributors and editors associated with the content. There is a handwritten note at the top right corner of the page that says "Vol 15 #4." The page is mounted on a cream-colored backing with some torn paper visible at the top.

This image displays a newsletter from the Fogg Art Museum, which mentions Harvard University and is dated June 1978 (Volume 15, Number 4). The title prominently reads, "Apollo's May and June issues bestow laurels on Fogg collections." The newsletter includes text discussing the museum's collections, publications, and highlights of artworks.

The article features images:

1. A black-and-white photograph of a Chinese seated Buddha statue (Northern Qi dynasty, 6th century), listed as marble with polychrome.
2. A black-and-white painting by Édouard Manet titled "Le Balcon, 1871," featuring figures standing and seated on a balcony.

There are annotations on the top of the page referencing "Vol 15 #4." The newsletter shares insights on exhibitions and contributions to the museum's collections.

• A single sheet from a Fogg Art Museum newsletter is laid on a cream-colored page inside a binder.
• The header features “FOGG” in large red letters with “ART MUSEUM” below it, followed by “Harvard University Cambridge, Massachusetts 02138” and a June 1978 date.
• In pencil at the top right is a note that says “Vol 15 #4.”
• The main article title is in red: “APOLLO’S MAY AND JUNE ISSUES BESTOW LAURELS ON FOGG COLLECTIONS.”
• The page includes black-and-white images: a tall statue on a pedestal on the right and two smaller photos toward the bottom left.
• The text is arranged in columns, giving it an archival, scholarly newspaper-like appearance.
• Overall mood: historical, documentary, and museum-focused.