Archives Scrapbooks

The image appears to be a photograph of a page from a newspaper or magazine article. The article is titled "At the Fogg: Frank's photography - 'a landmark of modern art'" by Jon Holmes, dated Thursday, June 15, 1978. The article discusses the work of Robert Frank, a photographer known for his modernist and documentary photography. The article mentions an exhibition of Frank's work at the Fogg Art Museum, which was described as a rare opportunity for the public to see his prints and experiments in collage.

The page also includes a smaller section with the heading "Art review," which seems to provide a more detailed review or analysis of Frank's work. There is an illustration above the article's title, depicting a group of people, which could be an image or a reference to a photograph by Frank. The overall tone of the article suggests that Frank's work is considered significant and innovative in the context of modern art.

This image shows an open scrapbook or notebook with a newspaper article pasted on a page. The article is titled "Frank's photography — 'a landmark of modern art'" and is written by Jon Holmes. The article discusses the photography work of Robert Frank, describing it as a significant part of modern art. The article mentions that Frank's work is on display at the Fogg Art Museum on the Harvard campus until June 18. The text also includes a caption at the top that reads "'City Fathers' — political irony" and a photograph of a group of people, possibly city officials, dressed in period costumes. The article is from The Christian Science Monitor, dated Thursday, June 15, 1978. The scrapbook has a spine visible on the left side with alphabetical labels (A, B, C, etc.).

This image displays a photograph of an open archival folder or scrapbook, showcasing a preserved newspaper article.

Main Content:
The central focus is a newspaper clipping from The Christian Science Monitor, dated Thursday, June 15, 1978. The article is titled:

Frank’s photography — ‘a landmark of modern art’

It is written by Joe Holiers and is filed under the “NE. ONS/ENTERTAINMENT” section. The article is part of an “Art review” for an exhibition at the Fogg Art Museum (Harvard University) titled “At the Fogg”.

The piece reviews the photographic work of Robert Frank, describing it as “one of the odd landmarks of modern art.” It discusses his transition from traditional photography to more experimental, cinematic, and political collages and film, mentioning works such as “We and My Brother” and “Pull My Daisy”. The text also provides biographical context for Frank, noting his birth in Switzerland, move to the U.S., and his fascination with the “hidden violence” of American life.

Above the headline, there is a black-and-white photograph accompanying the article, captioned “‘City Mothers’ — political irony”, depicting a crowd of people, some wearing hats, with a vehicle visible behind them.

The clipping is mounted on a beige archival page. The right-hand margin of the newspaper includes a vertical note: “National arts / on page 243”.

Archival Materials:

• The newspaper clipping is set against a larger, off-white sheet of archival paper.
• To the left, the page is bound inside a black folder. A yellowish paper tab labeled “April, 2003.3” is visible, suggesting this is part of a collection organized by date.
• Along the left edge of the page, there is a vertical ruler or index with letters A through H, likely for organizational or reference purposes.

Overall, the image captures a well-preserved historical newspaper review of a significant modern artist, carefully curated within an archival folder for long-term reference or research.

A book is open to a page with an article about the photographer Robert Frank. The article is titled "At the Fogo: Frank's photography - a landmark of modern art." The article is written by Jon Holmes. The article discusses the impact of Robert Frank's photography on modern art. The article includes a photograph of Robert Frank and mentions his exhibition at the National Gallery of Canada. The article also mentions the influence of Robert Frank's photography on other photographers.

The image shows a page from a magazine or newspaper with an article about Robert Frank's photography. The article is titled "Frank's photography - a landmark of modern art" and includes a black and white photo of a group of people, possibly the artist himself. The article discusses Frank's work and how it has influenced modern photography. The page also includes a photo of a group of people, possibly the artist himself, and a caption that reads "City Fathers - political irony."

The image shows an open book or magazine page featuring an article titled "Frank's photography — 'a landmark of modern art'" by Jim Holmes. The article discusses the work of photographer Robert Frank, highlighting his contributions to modern art and photography.

Key Elements in the Image:

1. Text Content:

   • The article is structured with a headline and subheadings, including "At the Fogg" and "A generation of younger artists."
   • The text provides background on Robert Frank, his career, and his influential work, particularly his book The Americans.
   • It describes Frank's unique style, characterized by candid, gritty, and direct photographs that capture everyday life in America.
   • The article mentions Frank's role in shaping modern photography and his impact on younger artists.

2. Photographs:

   • There are two photographs included in the article:
     • Top Photograph: A black-and-white image titled "City Fathers — political irony". It depicts three men in suits and hats, seemingly engaged in conversation. The setting appears formal, possibly in a government or institutional building.
     • Bottom Photograph: A smaller black-and-white image that is less prominent but appears to show a candid scene, possibly capturing a moment of everyday life.

3. Layout and Design:

   • The page is formatted with a clean, structured layout typical of a magazine or journal.
   • The text is organized into paragraphs, with clear headings and subheadings.
   • The page includes a page number (223) and a date (Thursday, May 13, 1976), indicating it is from a publication dated May 13, 1976.

4. Annotations:

   • On the left side of the image, there is a vertical column with labeled sections A, B, C, D, E, F, G, H. These appear to be annotations or reference markers, possibly for indexing or analysis purposes.
   • The top left corner has the handwritten note "APOH. 2003.2", which could be an archival or cataloging reference.

5. Context:

   • The article emphasizes Frank's role in modern art and his influence on photography, noting his work as a "landmark" in the field.
   • It discusses Frank's transition from traditional photography to a more experimental and candid style, highlighting his impact on both artists and the general public.

Summary:

The image depicts a page from a publication discussing Robert Frank's influential photography, with a focus on his work and its significance in modern art. The page includes a headline, descriptive text, and two photographs—one titled "City Fathers — political irony"—that illustrate the themes discussed in the article. The layout and annotations suggest this is part of an archival or analytical collection.

This image depicts a scanned photograph of a page from a publication. There is a strip on the left side with the letters A through G, with checkboxes next to each letter, suggesting it may be some form of library or archive indexing system; in this case, only the box next to letter 'A' is checked. The main part of the page features an article with the headline "At the Fogg" and subheadline "Frank's photography – ‘a landmark of modern art’" by Lisa Gentes. The upper half of the page includes a printed black and white image of several people's silhouetted heads and shoulders, aligned in a row; this image appears to be an artwork or photograph referenced in the article. The article itself discusses the significance of photography by someone with the surname Frank. Additionally, "City Rhythms" and "political irony" are mentioned, possibly relating to the themes or titles of artworks discussed.

The quality of the print is fairly poor, making it difficult to read the text, as it is both small and slightly blurred. It appears to be a photocopy or scanned print of the original article rather than the original printed text. In the bottom right section of the scan, there is text indicating a library or archive identification, "Arch. 2008.3.2," suggesting that this item is part of an archived collection, cataloged in 2008. The strip with boxes on the left and the archive number imply that this image might be from a cataloging system for documents within a library, museum, or scholarly collection.

The image shows a black-and-white newspaper clipping mounted on a beige page inside a photo album or scrapbook. The clipping features an article titled "Frank's photography — 'a landmark of modern art'" by Joe Holmes. Above the article title, there is a grainy, black-and-white photograph titled "'City Fathers' — political irony" with several men wearing hats, seemingly from an earlier era, depicted in profile or side view. The article discusses the photographer Robert Frank and his impact on modern art, highlighting his work and exhibitions. The clipping is slightly faded and has some smudges and imperfections. On the right edge of the clipping, there is a stamp that reads "National arts" and references a page number. To the left of the scrapbook page, part of a card labeled "Apr. 2003" is visible.

This image shows a scanned newspaper or article clipping that is taped or affixed to a page in a folder or scrapbook. The focus of the clipping is an article titled "Frank's photography — 'a landmark of modern art.'" The content discusses Robert Frank's photographic works, describing them as significant and influential in modern art. An image at the top of the clipping shows a group of individuals wearing hats and formal attire, accompanied by the caption "City Fathers — political irony." The article text explores Robert Frank's career, his influences, and the importance of his photography.

The page on which this clipping is mounted has a visible label or organizational system on the left margin (columns marked A to H), suggesting the item is part of a catalog or archival record. A date stamp, “Thursday, Jan. 10, 1974,” is visible near the lower right margin, indicating the publication date of the article. The preserved aesthetic suggests an archival or historic interest in Robert Frank's contribution to art and photography.

The image shows a page from a scrapbook or folder. In the center is a black‑and‑white newspaper clipping mounted on a cream page. The clipping features a grainy photo of several men wearing hats standing in a line along a railing. The visible headline reads something like “Frank’s photography — ‘a landmark of modern art’,” with a short byline and body text in two columns beneath. There are some small, partially legible captions and a vertical stamp or label along the right edge. On the left side of the scrapbook page you can see a vertical A–H index grid on a beige sheet, and the overall look is aged and archival.