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ARCH.2003.36, Rendition: 805500
This image displays a page from The Christian Science Monitor, specifically from a section titled “The Home Forum.” The page features an article titled “Waves in moonlight” by Ervid Saunders Candlin.
The article centers on a circular Chinese album painting—“Album painting of waves in the moonlight”—created with ink and color on silk, dating to the Sung Dynasty (A.D. 960–1280). The artwork depicts turbulent, swirling waves under a large, luminous moon, rendered with minimal brushstrokes that evoke motion and drama. As described, the silk has become dark over time, while the moon and spray glint with faint gold, enhancing the painting’s romantic and mysterious aura.
The article explores the historical rarity of Chinese seascapes; traditionally, Chinese painters focused on rivers, streams, and ponds rather than the open sea, which was largely avoided as a theme until the late Ming Dynasty. It references The Mustard Seed Garden, an influential 17th-century painting manual, which includes passages about painting billows and notes how the moon’s reflection on water creates a scene of galloping white horses and leaping peaks.
The painting, though anonymous, is noted for its powerful composition and emotional resonance. The author comments on its evocative nature for Western viewers—romantic and mysterious—and suggests the artist’s intent may have been to capture not just the sea’s wildness, but also the mystery and unpredictability of human experience.
A credit beneath the image notes that the painting is “Courtesy of the Fogg Art Museum, Harvard University, Cambridge, Mass.”
The physical document appears to be clipped and mounted in an old scrapbook or album, with visible aging and wear on the page edges. The overall tone of the article is reflective and lyrical, emphasizing the painting’s poetic mood and cultural significance.
This image appears to be a page from a magazine or newspaper, specifically from "The Christian Science Monitor" as indicated at the top left corner. The page is part of a section titled "The Home Forum" and features an article with the title "Waves in moonlight." The content of the article discusses a painting of waves in moonlight, attributed to a Chinese artist from the Sung Dynasty (A.D. 960-1280). The painting is described in detail, emphasizing its artistic significance and depicting the turbulent waves with dynamic movement, as well as the reflection of the moon on the water.
The article includes a black-and-white circular illustration of the painting, showing the dramatic waves and the moon's reflection. The text mentions that the painting is a "Album painting of waves in the moonlight: Ink and color on silk," and is from Harvard University, courtesy of the Fogg Arts Museum. The author of the article is Enid Saunders Candlin, and she provides an insightful commentary on the painting, linking it to the thematic interests of Western eyes and the mysterious beauty of the ocean and human experience. The style of the article and the presentation suggest it is from a periodical focused on cultural and artistic topics.
This image is a page from "The Christian Science Monitor" featuring an article from "The Home Forum" titled "Waves in Moonlight." The article discusses a Chinese album painting depicting waves in moonlight, created during the Sung Dynasty (A.D. 960-1280).
The article discusses the historical context of Chinese art, noting that Chinese painters traditionally focused on water within landlocked settings like rivers, lakes, and streams rather than the open sea. It mentions the rare occasion when an artist would focus on the complexities of the ocean. The article references "The Mustard Seed Garden," an important painting manual of the time, which includes a section on painting billows and waves.
The article describes the painting in detail, noting that it was done with ink and faint touches of color on silk, mounted as a hanging scroll. The painting portrays turbulent waves curling like dragons against the backdrop of a rising full moon and a heavy cloud resting on the sea. The text emphasizes the dramatic effect of the moon and the wild strength and danger of the waves, suggesting a bond of union between the artist and the viewer.
The image of the painting is circular and shows intricate details of the waves and the moon, with the caption indicating it is courtesy of the Fogg Arts Museum, Harvard University, Cambridge, Mass. The article is signed by Enid Saunders Candlin.
The image is a photograph of an open book. The book is titled "The Home Forum," and it is open to a page that features an article titled "Waves in Moonlight." The article discusses a small album leaf that presents an unusual theme for the Chinese artist—that of the open sea. The article describes the painting and its themes, highlighting the artist's fascination with the sea and the intricate depiction of scroll patterns. The article also mentions the historical context of Chinese sea paintings and the significance of moonlight in the artwork. The book appears to be a collection of essays or articles on various topics, as indicated by the title "The Home Forum." The page is well-preserved, with clear text and a detailed illustration of the painting. The book's pages are brown, suggesting it may be an older publication. The image captures the essence of the article, focusing on the unique theme of the painting and the artist's approach to depicting the sea and moonlight.
The image shows an open book with an article titled "Waves in moonlight" from The Christian Science Monitor. The article discusses a Chinese painting called "Waves in Moonlight" from the Song Dynasty. The painting depicts the moon reflected in water waves and is described as having a romantic and evocative theme. The article mentions that the painting contains a hint of the mystery of the sea and the strange vagaries of human experience.
The image shows an open book, likely a magazine or journal, titled "The Christian Science Monitor." The page features an article titled "Waves in moonlight," which discusses the artistic depiction of water and moonlight in Chinese painting, particularly from the Sung Dynasty (circa A.D. 960–1280).
The image presents a blend of textual analysis and visual art, showcasing the intersection of Chinese artistic tradition and the thematic exploration of waves and moonlight. The article provides historical and cultural context, while the illustration serves as a powerful visual representation of the theme, emphasizing the beauty and complexity of water under moonlight. The layout and design suggest a scholarly or artistic publication, likely aimed at readers interested in art history, Chinese culture, or aesthetic appreciation.
The image is a newspaper clipping from "The Christian Science Monitor," under the section "The Home Forum." It includes an article titled "Waves in Moonlight." The article discusses an album painting of waves under the moonlight, which is highlighted in the accompanying image. The painting itself appears circular and features waves and cloud-like shapes in soft grayscale tones, capturing the texture and movement of the waves under the moonlight. The artwork dates back to the Chinese Sung Dynasty (A.D. 960–1280) and is identified as ink and color on silk.
The article analyzes the painting's unique technique, theme, and artistic approach. It elaborates on the artist's intent and the aesthetic harmony created by the waves, moonlight, and clouds. The text hints at the emotional impact and evocative quality of the artwork, linking traditional Chinese art to deeper spiritual and natural elements.
The newspaper clipping is carefully glued into a scrapbook-like page, reflecting a collector's effort to preserve it.
The image shows a page from a book or a magazine, specifically "The Christian Science Monitor" as indicated by the header on the top. The page is part of a section titled "The Home Forum."
The primary focus is a large, circular black-and-white image of artwork with the caption: "Album painting of waves in the moonlight: ink and color on silk, Chinese, Sung Dynasty, A.D. 960-1280. Courtesy of Freer Gallery of Art, Smithsonian Institution, Washington."
This artwork is centered on the page and depicts an intricate pattern of waves seemingly designed in a circular, whirling fashion. The text surrounding the illustration on the left begins with a bold subheading "Waves in moonlight" and consists of several paragraphs discussing the significance and detailing the historical context of the album leaf painting from the Chinese Sung Dynasty.
The text to the right of the illustration is partially visible and more difficult to read due to the curvature of the page, but it seems to continue the discussion about the painting and its features, possibly relating to its composition and the effects of light.
The page is from a bound volume, lying flat, and the photo is taken so that the leftmost edge of the book is sharply in focus, gradually softening as the page curves towards the spine. The bottom right edge of the page curls slightly upwards. Overall, the image conveys both artistic and historical commentary on a piece of Chinese art representative of its era.
The image shows a newspaper or magazine page titled "The Home For" from The Christian Science Monitor. The article is titled "Waves in moonlight" and discusses a Chinese artist's theme of waves in moonlight, focusing on the interplay of water and moonlight, and the cultural and historical significance of such depictions.
Accompanying the text is a circular artwork labeled as an "Album painting of waves in the moonlight: Ink and color on silk, Chinese, Sung Dynasty, A.D. 960-1280," which is credited to the Fogg Art Museum, Harvard University, Cambridge, Mass. The artwork depicts stylized waves and clouds in a dark, monochromatic palette, representing waves under the moonlight. The piece highlights the fluidity and movement of water, characteristic of traditional Chinese painting from that era.