Archives Scrapbooks

The image is a page from a scrapbook or album, containing three black-and-white photographs and a newspaper clipping. Here is a detailed summary of each item:

1. Top Left Photograph:

   • Title: "Steeple Chase Day - Paris, 1913"
   • Description: This photograph, taken by Edward Steichen, depicts a group of people at a steeplechase event. The image appears to be somewhat blurred and damaged.
   • Notes: There are handwritten annotations on the photograph, including the title and a note indicating that it was purchased from Camera Work (1913) with funds from a matching grant from the National Endowment for the Arts.

2. Top Right Photograph:

   • Subject: A portrait of a man identified as Brancusi.
   • Photographer: Edward Steichen.
   • Description: The photograph shows an older man with a beard, wearing a dark suit and tie.
   • Notes: The accompanying text describes Brancusi as a sculptor and mentions that he was photographed by Steichen. The text also provides details about the acquisition of the print, including its purchase by the National Collection of Fine Arts.

3. Bottom Left Newspaper Clipping:

   • Title: "Independent Nurtured Independence"
   • Date: April 19-25, 1973, Page 8.
   • Content: The article discusses the works of Pablo Picasso and Edward Steichen. It highlights Steichen's photograph "Sunburned Faun" (1923) and mentions a portrait of Brancusi. The article also notes that these prints are on view in the lobby of the National Collection of Fine Arts.
   • Notes: There are handwritten annotations on the clipping, including the date and a note indicating that it is from the National Collection of Fine Arts.

4. Bottom Right Photograph:

   • Subject: A portrait of a woman with a serious expression.
   • Photographer: Not specified in the visible text.
   • Description: The photograph shows a woman with short hair, looking directly at the camera.
   • Notes: There are handwritten annotations on the photograph, including the name "Gazelle" and the date "April 12, 1923."

The page appears to be part of a collection documenting the works of notable photographers and artists, with annotations providing context and provenance for each item.

The image displays an open scrapbook or album with three black and white photographs and several pieces of text, likely newspaper clippings, affixed to the pages. Here is a detailed description:

1. Top Left Photograph:

   • The photograph shows a group of people, possibly at an event or gathering. The people are dressed in early 20th-century clothing, suggesting that the photo is historical.
   • Below the photograph, the caption reads: "STEEPLE CHASE DAY - PARIS, 1913. This photograph by Edward Steichen, part of the Fogg's collection, is on view in the museum's Dept. of Prints and Photographs, HARVARD UNIVERSITY, APRIL 16 - 28, 1973."

2. Top Right Photograph:

   • This photograph features a man with a beard and mustache, dressed in formal attire. The man is identified as Brancusi.
   • The accompanying text states: "Brancusi, as photographed by Edward Steichen in 1922. Mr. Steichen, the renowned photographer, died last week. His work is on view in the Dept. of Prints and Photographs, HARVARD UNIVERSITY, APRIL 16 - 28, 1973."

3. Bottom Left Photograph:

   • The photograph is a close-up portrait of a young woman with a somber expression. A lock of hair falls across her forehead.
   • The caption below the photo reads: "Two giants of the Visual Arts died recently. One, Pablo Picasso, is among the most famed in history. The other, Edward Steichen, is considered by many the master photographer. The Fogg acquired shortly before Mr. Steichen's death, this portrait of the sculptor Brancusi. These and other prints are on view in the Fogg Dept. of Prints and Photographs, HARVARD UNIVERSITY, APRIL 16 - 28, 1973."

4. Additional Text:

   • There is a handwritten note that says: "INDEPENDENT, APRIL 19-25, 1973, Page 15."
   • Another clipping or note mentions: "Gazette April 23, 1973."

The overall theme of the page appears to be a tribute or a collection of works by Edward Steichen, featuring some of his notable photographs, along with information about an exhibition at Harvard University in April 1973.

The image appears to be a collection of clippings from the Harvard Independent newspaper dated April 19-25, 1973. Here's a detailed summary:

1. Top Left Clipping:

   • Title: "Steeple Chase Day — Paris, 1913"
   • Photographer: Edward Steichen
   • Description: This photograph is part of the Fogg Art Museum's collection, specifically from the Department of Prints and Photographs. The clipping highlights this particular Steichen photograph, which captures a lively street scene in Paris.

2. Top Right Clipping:

   • Photographer: Edward Steichen (1923)
   • Subject: Brancusi
   • Details: This clipping mentions Brancusi, a famous sculptor. It notes that Brancusi died suddenly two days before his 94th birthday. The article discusses the significance of his work and mentions the acquisition of a photograph by Edward Steichen. The text references the Steichen prints and a particular print from the Fogg collection, titled "Harmonics Riddle" (1921) and "Sunburned Portrait" (1923), highlighting the museum's acquisition of Steichen's work.

3. Bottom Left Clipping:

   • Main Content: This section notes the recent passing of two significant figures in the visual arts: Pablo Picasso and Edward Steichen. It mentions that the Fogg Art Museum had recently acquired some prints by Steichen, including one that is on view in the museum's Department of Prints and Photographs.

4. Bottom Center Clipping:

   • Image: A close-up photograph of a young person with striking, intense eyes, which is also noted as part of the Steichen collection.

5. Additional Notes:

   • The bottom part of the clipping includes a handwritten note from "Gauette," dated April 13, 1973, which appears to be a personal or additional comment related to the article.

Overall, the collection seems to focus on the contributions and legacy of Edward Steichen, his photographs, and the museum's acquisition of his works.

The image is of a page from a book or scrapbook that features several newspaper clippings and a photograph, all related to the renowned photographer Edward Steichen.

1. Top Left Corner:

   • A black-and-white photograph titled "STEEPLE CHASE DAY - PARIS, 1913." This image by Edward Steichen depicts a lively scene from the Steeple Chase Day in Paris, showcasing people in motion, possibly participating in or observing a horse race.
   • Below the photo, there is text indicating it is part of the Fogg's collection, on view in the museum's Department of Prints and Photographs. The date mentioned is April 14, 1973.

2. Top Right Corner:

   • A portrait of Constantin Brancusi, taken by Edward Steichen in 1922. The text explains that this is a photograph from the Fogg's collection, part of the "Family of Man" exhibition, and was acquired by the Fogg Museum. It mentions that Steichen also owned a print of Brancusi titled "Harmonia of the World" and another titled "Camera Work."
   • The clipping notes that the Fogg Museum made a significant purchase of Steichen prints possible through a grant from the Ford Foundation.

3. Bottom Center:

   • A black-and-white photograph of an unidentified young person with striking, intense eyes.
   • Below this photo, there is an article from the "HARVARD INDEPENDENT," dated April 19-25, 1973. The text discusses the recent deaths of two giants in visual arts, Pablo Picasso and Edward Steichen. It highlights Steichen's contributions as a master photographer and the Fogg Museum's acquisition of his work, particularly his photographs of Picasso and Brancusi. The clipping also mentions that other prints are on view in the Fogg Department of Prints and Photographs.

4. Bottom Right Corner:

   • A handwritten note dated April 13, 1973, from someone named Gaette, which seems to be a note or acknowledgment related to the clippings.

The page appears to be a collection of historical and informative materials centered around the legacy and work of Edward Steichen, showcasing his significant contributions to photography and his relationship with other prominent artists.

The image is a collage of newspaper clippings and photographs related to the photographer Edward Steichen, mounted in a scrapbook.

1. Top Left Clipping:

   • Title: "STEEPLE CHASE DAY — PARIS, 1913"
   • Description: This photograph by Edward Steichen is part of the Fogg collection, specifically on view in the museum's Department of Prints and Photographs.
   • Image: Shows a group of people dressed in period clothing, participating in a steeplechase event.

2. Top Right Clipping:

   • Title: "Brancusi, as photographed by Edward Steichen in 1923"
   • Description: The article mentions that Constantin Brancusi, the famous sculptor, was photographed by Steichen in 1923. The article notes that Brancusi died shortly after his 94th birthday. The photograph is part of the Fogg Museum's collection.
   • Image: A black-and-white portrait of Constantin Brancusi.

3. Bottom Center Clipping:

   • Title: No specific title, but it references the deaths of Pablo Picasso and Edward Steichen.
   • Description: The clipping discusses the deaths of two prominent figures in the visual arts, Pablo Picasso and Edward Steichen. The Fogg Museum acquired some of Steichen's works shortly before his death, including a portrait of Brancusi.
   • Image: A black-and-white portrait of a young woman.

4. Bottom Left and Right Notes:

   • Handwritten notes and a date stamp: "April 19-25, 1973" from the Harvard Independent newspaper.
   • Additional handwritten note: "Garret April 13, 1973" with a reference to "N.H. CR" and "Harvard Independent".

The scrapbook appears to be documenting the contributions of Edward Steichen to photography, including his notable works and connections to other famous artists like Pablo Picasso and Constantin Brancusi. The clippings and photographs are likely from the early 20th century, with additional notes from the early 1970s.

The image appears to be a page from a newspaper or magazine featuring an article about photography and notable artists. Here's a detailed description:

1. Top Left Photograph:

   • Title: "STEEPLE CHASE DAY – PARIS, 1913"
   • Description: This photograph by Edward Steichen is part of the "Fogg’s collection" and is displayed in the museum's Department of Prints and Photographs. It shows a dynamic scene from a steeplechase event.

2. Top Right Photograph:

   • Description: This is a portrait of Brancusi, photographed by Edward Steichen in 1922.
   • Context: The text explains that Brancusi, a renowned sculptor, died recently along with Pablo Picasso. The photograph was taken during Steichen's visit to Brancusi's studio. Steichen spent a weekend with Brancusi and later purchased three vintage prints, one of which is "Homage to Brancusi" (1921).

3. Bottom Left Photograph:

   • Newspaper Clipping: The image is part of an article from the "Independent" section of a publication dated April 19-25, 1976.
   • Description: The photograph is of a woman with striking eyes and is used to illustrate the article discussing two giants of the visual arts: Pablo Picasso and Edward Steichen. The article mentions that the Fogg Museum recently acquired several Steichen photographs.

4. Article Text:

   • The article discusses the recent deaths of two significant figures in the visual arts: Pablo Picasso and Edward Steichen.
   • It highlights that Steichen is considered by many the master photographer of the 20th century.
   • The Fogg Museum has acquired several important photographs by Steichen, which are now on display in their Department of Prints and Photographs.
   • It mentions that the Fogg also owns a Steichen print titled "Steeple Chase Day" (Paris, 1913) and a portrait of the sculptor Brancusi.
   • Additionally, the Fogg owns a photograph from Steichen’s grave from the "Camera Work" portfolio and a portrait of Steichen by George Seeley.

This page provides an overview of Edward Steichen's contributions to photography and his connection with other notable artists and works.

This image shows a scrapbook or album page with three black and white newspaper clippings and photographs attached.

1. The top left clipping is a photograph titled "STEEPLE CHASE DAY—PARIS, 1913" by Edward Steichen. It features two women in white dresses running or dancing, with people and a carriage in the background. The caption mentions that the photo is part of the Fogg's collection and on view in the museum's Dept. of Prints and Photographs. There is handwritten text below it: "Harvard Independent April 12-19 1973".

2. The top right clipping is a portrait photograph of a person identified as Brancusi, taken by Edward Steichen in 1922. The accompanying text discusses Steichen's recent death, his visit to the Fogg museum, and prints of Brancusi on display including "Harmonica Riddle" (1921) and "Sunburned Face" (1926). Handwritten in pencil is "Gazette April 13 1973".

3. The bottom left clipping is from the publication "Harvard Independent" dated April 19-25, 1973. Although the face is obscured, the text identifies the figure as Pablo Picasso and talks about the recent deaths of two giants of visual arts: Picasso and Edward Steichen. It mentions Steichen's death shortly before, and several of his masterpieces on display at the Fogg, including photographs "Sunburned Face" (1926) and a portrait of Brancusi.

Overall, the page is a memorial or tribute compilation focusing on Edward Steichen, Brancusi, and Picasso, highlighting their artworks and recent deaths in 1973.

The image shows an open book or scrapbook with two pages visible. On the left page, there is a black-and-white photograph of a crowd scene, with text and notations surrounding the image. The text includes a date "April 19-25" and other handwritten annotations that are not fully legible. Below the photo, there is an article with a heading that reads "INDEPENDENT", and some further text beneath, which isn't completely visible.

The right page features an article with a photograph at the top, both items are accompanied by text descriptions. There is a date "April 1973" handwritten in the upper right corner of the page. Both pages are mounted on a brown background which seems to be part of the book or scrapbook. The overall appearance suggests that this is a historical or archival document, likely related to the work of Edward Steichen, a notable photographer, mentioned in the context of the photos and articles. The photographs themselves are covered, respecting the instruction given.

The image depicts an open book or catalog page showcasing a collection of photographs and accompanying text. The layout is organized into three sections:

1. Top Left: A black-and-white photograph titled "Steeple Chase Day - Paris, 1913" by Edward Steichen. The image shows a group of people, likely spectators or participants, gathered around a horse-drawn carriage or similar vehicle, suggesting a lively, historical scene. The caption notes that this photograph is part of the Fogg's collection and is on view in the museum's Department of Prints and Photographs.

2. Top Right: A smaller black-and-white photograph of Brancus, taken by Edward Steichen in 1922. The caption describes Brancus as the master photographer who passed away shortly before his 94th birthday. It also mentions that only one photograph of Brancus was taken, and this print is part of the Fogg's three-print collection. The text highlights Brancus's work, including "Harmonica Riddle" (1921) and "Sunburned Face" (1920).

3. Bottom Left: A close-up black-and-white photograph of a woman's face, with handwritten notes below it. The notes include the words "INDEPENDENT HAWARD INDEPENDENT" and a date, "APRIL 19-25, 1973." The accompanying text discusses the recent deaths of two giants in the visual arts: Pablo Picasso and Edward Steichen. It emphasizes Steichen's legacy as a master photographer and notes that the Fogg acquired several of his works shortly before his death. The text also mentions that a portrait of the sculptor Brancusi, along with other prints, is on view in the Fogg Department of Prints and Photographs.

The page appears to be from an exhibition catalog or archive, documenting significant photographs and providing context about the artists and their works. Handwritten annotations and stamps suggest it may have been used for internal reference or cataloging purposes. The overall design combines historical photographs with descriptive text, offering insights into the artists' contributions and the museum's collection.

An open book with a brown cover has three black-and-white photos on the left side. The top photo is of a woman in a hat and dress standing next to a man in a suit and tie. The second photo is of a man with a beard and mustache. The third photo is of a woman with short hair. There is a white piece of paper with text on the right side.