Archives Scrapbooks

This image shows an open scrapbook page, likely from the early 1970s, devoted to the renowned photographer Edward Steichen and his work.

The page features three black-and-white photographs with accompanying descriptive text, all related to Steichen’s legacy and recent events surrounding his passing.

1. Top Left: “Steeple Chase Day — Paris, 1913”

• A dynamic, somewhat grainy photograph capturing a lively scene, possibly a horse race or street celebration in Paris, with elegantly dressed women in period attire (long skirts, hats) walking or turning.
• Caption: Identifies the photo as by Edward Steichen, part of the Fogg Museum’s collection, and notes it was on view in the museum’s Dept. of Prints and Photographs as of April 12–19, 1973.
• A handwritten inscription below reads “HARVARD INDEPENDENT APRIL 12-19 1973” and “28-65” is printed in the corner of the photo.

2. Top Right: Portrait of Brancusi by Steichen (1922)

• A close-up, intense portrait of the sculptor Constantin Brancusi — an older man with wild hair, a prominent white beard, and a serious, penetrating gaze.
• Text below: Notes that this was taken by Steichen in 1922 to commemorate Steichen’s passing “suddenly last week, two days before his 94th birthday” — indicating the scrapbook was compiled shortly after Steichen’s death in March 1973.
• Also mentions that Davis Pratt, Associate Curator of Photographs at the Fogg Museum, had visited Steichen and purchased three vintage prints — including this one — for the Fogg’s collection, made possible by a grant from the National Endowment for the Arts.

3. Bottom Left: “Sunburned Face” (1926)

• A haunting, high-contrast close-up portrait of a woman’s face, with dark, heavy-lidded eyes that stare directly at the viewer. Her hair is dark and framing her face; the photo has a dramatic chiaroscuro effect.
• This newspaper clipping is from “The Independent,” dated “APRIL 19–25 1973, Page 15,” with handwritten notes: “From CK to DR” and “Gazette April 13, 1973.”
• The article text notes: “Two giants of the Visual Arts died recently. One, Pablo Picasso... the other, Edward Steichen.” It states that the Fogg acquired Steichen’s “Sunburned Face” and the Brancusi portrait shortly before his death.

Overall Context:
The page is a personal or institutional scrapbook curated to memorialize Edward Steichen’s death and highlight the acquisition of his iconic works by the Fogg Museum (Harvard). It captures a moment in art history where major museums were securing key pieces by masters at the twilight of their lives. The handwriting and newspaper clippings reflect an era of analog media documentation and personal curation of art events.

The page serves as both a tribute and an artifact of art historical preservation during the 1970s.

The image appears to be a page from a vintage scrapbook or a collection of historical documents and photographs, likely showcasing works by Edward Steichen. The page contains two black-and-white photographs and text annotations.

1. The top left photograph is titled "Steeple Chase Day" and is dated 1913. It shows a group of people in a celebratory setting, possibly during a steeple chase event in Paris. The individuals are dressed in period clothing, and the scene includes a horse and carriage.

2. The top right photograph is a portrait of Constantin Brancusi, taken by Edward Steichen in 1922. Brancusi is depicted with a prominent beard and hair, and the photograph has a slight grainy texture, typical of early 20th-century photography.

3. The bottom left photograph is a close-up portrait of a woman with dark hair. The text below the photograph mentions that it is a "Sunburned Face" (1926), which is another work by Edward Steichen.

4. The text annotations provide context about these photographs and Edward Steichen. It mentions that Steichen was a master photographer who produced the "Family of Man" exhibition. The text also notes that Steichen died just two days before his 94th birthday in 1973. It mentions that Davis Pratt, the Associate Curator of Photographs at the Fogg, spent time with Steichen reviewing his photographs, and that Davis Pratt purchased some vintage prints for the Fogg’s photograph collection.

The page is dated April 13, 1973, and has some handwritten notes, including a reference to "Harmonica Riddle" (1921) and "Sunburned Face" (1926) as works by Steichen. The overall layout and content suggest that this page might be from a historical archive or a document related to the Fogg Art Museum, which acquired Steichen's works.

This image appears to be a page from a scrapbook or a collection of photographs and articles related to the photographer Edward Steichen. The page contains two photographs and a text excerpt.

1. Top Left Photograph: This is a black-and-white image titled "Steeple Chase Day — Paris, 1913." It is a photograph by Edward Steichen, part of the Fogg's collection, and is on view in the museum's Department of Prints and Photographs. The image shows people in period clothing, possibly from the early 20th century, engaged in an outdoor scene.

2. Bottom Left Photograph: This is a black-and-white portrait titled "Sunburned Face" from 1926. It is a close-up of a person's face with intense lighting, creating dramatic shadows and highlights.

3. Right Photograph: This is a black-and-white portrait of a bearded man wearing a suit and tie. The text next to it identifies him as Constantin Brancusi, photographed by Edward Steichen in 1922.

4. Text Excerpt: The text provides information about Edward Steichen, describing him as a master photographer who produced the widely known "The Family of Man" exhibition. It mentions that Steichen died suddenly in 1973, two days before his 94th birthday. The text also notes that the Fogg Art Museum acquired several of Steichen's masterpieces shortly before his death, including the photograph "Sunburned Face" and a portrait of Brancusi. The acquisitions were made possible with funds from a matching grant from the National Endowment for the Arts.

The page has handwritten notes and markings, indicating it might be part of a personal collection or research material. The overall theme of the page is focused on Edward Steichen's photographic works and his contributions to the field of photography.

An open book with a brown cover has three black-and-white photos on the left side. The top photo is of a woman in a hat and dress standing next to a man in a suit and tie. The second photo is of a man with a beard and mustache. The third photo is of a woman with short hair. There is a white piece of paper with text on the right side.

The image is of an open book with a black-and-white photograph of a man and a woman. The man is wearing a hat and a suit, and the woman is wearing a dress. The book has a page with text and a picture of a man with a beard and mustache. The book also has a picture of a woman with a serious expression. The book is titled "Steeple Chase Day, Paris, 1913."

The image depicts an open book or catalog page showcasing a collection of photographs and accompanying text. The layout is organized into three sections:

1. Top Left: A black-and-white photograph titled "Steeple Chase Day - Paris, 1913" by Edward Steichen. The image shows a group of people, likely spectators or participants, gathered around a horse-drawn carriage or similar vehicle, suggesting a lively, historical scene. The caption notes that this photograph is part of the Fogg's collection and is on view in the museum's Department of Prints and Photographs.

2. Top Right: A smaller black-and-white photograph of Brancus, taken by Edward Steichen in 1922. The caption describes Brancus as the master photographer who passed away shortly before his 94th birthday. It also mentions that only one photograph of Brancus was taken, and this print is part of the Fogg's three-print collection. The text highlights Brancus's work, including "Harmonica Riddle" (1921) and "Sunburned Face" (1920).

3. Bottom Left: A close-up black-and-white photograph of a woman's face, with handwritten notes below it. The notes include the words "INDEPENDENT HAWARD INDEPENDENT" and a date, "APRIL 19-25, 1973." The accompanying text discusses the recent deaths of two giants in the visual arts: Pablo Picasso and Edward Steichen. It emphasizes Steichen's legacy as a master photographer and notes that the Fogg acquired several of his works shortly before his death. The text also mentions that a portrait of the sculptor Brancusi, along with other prints, is on view in the Fogg Department of Prints and Photographs.

The page appears to be from an exhibition catalog or archive, documenting significant photographs and providing context about the artists and their works. Handwritten annotations and stamps suggest it may have been used for internal reference or cataloging purposes. The overall design combines historical photographs with descriptive text, offering insights into the artists' contributions and the museum's collection.

This image depicts a scrapbook page containing three primary sections.

1. Top Left: A black-and-white photograph titled "Steeple Chase Day - Paris, 1913" by Edward Steichen, taken from the Fogg collection. The photograph shows a bustling outdoor scene with people, including women in white dresses, engaging in a lively event. There is a handwritten note below the photograph referencing the Harvard Independent, April 19-25, 1973.

2. Top Right: A newspaper clipping featuring a blurred-out portrait and a column of text discussing the works of Edward Steichen. It highlights his prominence in photography and references his iconic work in "The Family of Man" exhibition and other notable photographs.

3. Bottom: A larger, blurred-out photograph accompanied by a caption discussing the recent deaths of two giants in visual art history—Edward Steichen and Pablo Picasso. The note highlights Steichen's work, including the print "Sunburned Face (1926)" and his contribution to the arts preserved in the Fogg collection.

This scrapbook page combines photography, newspaper clippings, and annotations that provide historical context about Edward Steichen's legacy and artworks.

The image shows an open book or scrapbook with two pages visible. On the left page, there is a black-and-white photograph of a crowd scene, with text and notations surrounding the image. The text includes a date "April 19-25" and other handwritten annotations that are not fully legible. Below the photo, there is an article with a heading that reads "INDEPENDENT", and some further text beneath, which isn't completely visible.

The right page features an article with a photograph at the top, both items are accompanied by text descriptions. There is a date "April 1973" handwritten in the upper right corner of the page. Both pages are mounted on a brown background which seems to be part of the book or scrapbook. The overall appearance suggests that this is a historical or archival document, likely related to the work of Edward Steichen, a notable photographer, mentioned in the context of the photos and articles. The photographs themselves are covered, respecting the instruction given.

This image shows a scrapbook or album page with three black and white newspaper clippings and photographs attached.

1. The top left clipping is a photograph titled "STEEPLE CHASE DAY—PARIS, 1913" by Edward Steichen. It features two women in white dresses running or dancing, with people and a carriage in the background. The caption mentions that the photo is part of the Fogg's collection and on view in the museum's Dept. of Prints and Photographs. There is handwritten text below it: "Harvard Independent April 12-19 1973".

2. The top right clipping is a portrait photograph of a person identified as Brancusi, taken by Edward Steichen in 1922. The accompanying text discusses Steichen's recent death, his visit to the Fogg museum, and prints of Brancusi on display including "Harmonica Riddle" (1921) and "Sunburned Face" (1926). Handwritten in pencil is "Gazette April 13 1973".

3. The bottom left clipping is from the publication "Harvard Independent" dated April 19-25, 1973. Although the face is obscured, the text identifies the figure as Pablo Picasso and talks about the recent deaths of two giants of visual arts: Picasso and Edward Steichen. It mentions Steichen's death shortly before, and several of his masterpieces on display at the Fogg, including photographs "Sunburned Face" (1926) and a portrait of Brancusi.

Overall, the page is a memorial or tribute compilation focusing on Edward Steichen, Brancusi, and Picasso, highlighting their artworks and recent deaths in 1973.

This is a page from a vintage scrapbook or album. The page has a brown-tinted backing with three black‑and‑white clipped photographs and several captions.

• Top left: A photo of people dancing outdoors, captioned “Steeple Chase Day — Paris, 1913,” credited to Edward Steichen. There are handwritten notes in blue and black ink along the bottom.
• Right side: A vertical portrait of a man (the face is obscured by a gray box). A printed caption beneath discusses Brancusi and Edward Steichen, mentioning The Family of Man exhibition and notes from 1973.
• Bottom left: A large rectangular image, mostly obscured (a gray patch over the photo). A small caption beneath talks about Pablo Picasso and Edward Steichen as two giants of the visual arts, with additional dated annotations.

Overall, the page presents historical photographic references and commentary, with aging paper, clipped images, and handwritten notes.