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The image is a newspaper clipping from the Boston Globe, dated February 26, 1993. The article is titled "Outstanding graphics at Wiggin Gallery" and is written by Robert Taylor. The article discusses an exhibition of graphics at the Wiggin Gallery of the Boston Public Library.

Key points from the article include:

• The exhibition showcases a collection of prints by artists such as Leonard Baskin, Michael Mazur, and others.
• The prints are described as brilliant hand-edged forms and are noted for their impressive quality.
• The exhibition includes a variety of techniques such as lithography, etching, and woodcuts.
• The article mentions a specific work by Phyllis Hattis, a black chalk drawing titled "Head of a Young Woman," which is part of the exhibition.
• The exhibition is noted for its educational value, providing insight into the techniques and artistic processes of the featured artists.

Additionally, there is a smaller section on the left side of the article titled "ANCIENT MASTERPIECES — ON DISPLAY AT HARVARD'S FOGG ART MUSEUM UNTIL MARCH," which briefly mentions an exhibition of ancient masterpieces at Harvard's Fogg Art Museum.

The main image accompanying the article is a detailed drawing of a young woman's head, likely the "Head of a Young Woman" by Phyllis Hattis mentioned in the article.

The image shows a framed newspaper article from the Boston Globe, dated February 26, 1973. The headline of the article is "Outstanding graphics at Wiggin Gallery," and it is written by Robert Taylor. The article discusses an exhibition at the Wiggin Gallery, featuring a collection of fine prints and graphics from various artists. The left side of the article includes an illustration of "Apollo Belvedere," which was on display at Harvard's Fogg Art Museum until March 12. The text elaborates on the significance of the prints and the impact of the exhibition, highlighting specific artists and their contributions. The framed article is set against a light background.

The image is a newspaper clipping from the Boston Globe dated February 26, 1973, titled "Outstanding graphics at Wiggin Gallery."

The article discusses an exhibition at the Wiggin Gallery in Boston showcasing various graphic arts. It highlights the professionalism and dedication of the Impressions atelier, a workshop devoted to fine printmaking. The article mentions several artists, including David Arneson, Dana Chandler, and others who are part of the Impressions group. These artists are noted for their mastery of lithography, relief, and letterpress techniques.

The piece also references a historical figure, Ingres, whose works are being studied in relation to a current exhibition. It notes the historical significance of Impressions and the unique techniques they employ, including serigraphy and the use of etching.

Additionally, the clipping includes a small inset photo of a print titled "Apollo Belvedere" on display at Harvard's Fogg Art Museum until March 12, and a small piece of paper showing a close-up of a print by Ingres.

The text discusses the artistic evolution and the challenging yet rewarding process of printmaking, emphasizing the importance of understanding and preserving the heritage of graphic arts.

The image is a newspaper clipping from the Boston Globe dated February 26, 1973. The article is titled "Outstanding graphics at Wiggin Gallery" and is written by Robert Taylor.

The article discusses an exhibition at the Wiggin Gallery, which features prints and graphics from various artists. The piece begins with a definition of "atelier," a workshop or studio for an artist, and provides background on the Wiggin Gallery itself, founded in 1958 by George Lockwood, Impressions, Inc., which is a group specializing in the production and publication of fine prints.

The article highlights several aspects of the exhibition, including the diversity and quality of the works, which range from traditional techniques like etching to more modern methods. It mentions artists like David Aronson, Dana Chandler, and others, noting the variety in their styles and techniques. The article also references a specific piece, "Apollo Belvedere," which was on display at Harvard's Fogg Art Museum until March 12.

The text goes on to describe specific works and their significance, such as the prints by Maud Morgan, Bernard Childs, and Karl Knaths, and touches on the historical and cultural context of the pieces. It also includes a brief mention of the artist Ingres and his influence on contemporary art.

Additionally, there is a small inset photo in the article showing an artwork, likely part of the exhibition, which appears to be a detailed print or drawing. The article seems to emphasize the excellence and diversity of the graphic artworks on display at the Wiggin Gallery.

The image is a page from the Boston Globe dated February 26, 1973. The article is titled "Outstanding graphics at Wiggin Gallery" and is written by Robert Taylor. The focus of the article is an exhibition at the Wiggin Gallery, which showcases a collection of prints from the Boston Public Library's Impressions collection.

Key points from the article include:

1. Impressions Overview:

   • Impressions is a professional enterprise dedicated to the production and publication of fine prints.
   • Founded in 1958 by George Lockwood, it specializes in lithography, relief, and letterpress techniques.
   • The gallery exhibition features prints by various artists such as David Arenson, Dana Chandler, and others.

2. Notable Works:

   • The article highlights a pair of prints by Maud Morgan, which are described as brilliant and hard-edged forms of Impressionism.
   • It mentions works by other notable artists including Bernard Childs, Karl Knaths, and Calvin Hollis.
   • The exhibition includes pieces that range from traditional techniques to modern interpretations, such as a rare lithograph by Ingres, which is discussed in detail.

3. Artistic Techniques and Styles:

   • The article discusses the use of different techniques such as lithography and relief printing.
   • It notes the historical significance of Ingres's works, which were kept private and are now being displayed.
   • The article mentions that Ingres's works were discovered in a larger context, revealing a new dimension to his artistic style.

4. Exhibition Details:

   • The exhibition features works that span various periods and styles, including Impressionism and modern abstract forms.
   • The prints are displayed at Harvard's Fogg Art Museum until March 12.

5. Visuals:

   • The page includes a black and white photograph of a sculpture titled "Apollo Belvedere" on display at Harvard’s Fogg Art Museum.
   • There is also an inset photo of a print from the exhibition, showing a landscape with a focus on artistic detail.

Overall, the article provides a detailed review and appreciation of the graphic arts exhibition at Wiggin Gallery, highlighting the skill and diversity of the prints on display.

The image is a newspaper clipping from the "Boston Globe," dated February 26, 1973. The article, titled "Outstanding graphics at Wiggin Gallery," is written by Robert Taylor and discusses an exhibition at the Wiggin Gallery located in the Boston Public Library.

Key Points from the Article:

1. Impressions: A Professional Enterprise

   • The Wiggin Gallery's exhibition, "Impressions," showcases the production and publication of fine prints.
   • The gallery, founded in 1958, is a small institution dedicated to promoting and educating about fine prints.

2. Artists and Works Featured

   • The exhibition includes works by various artists, notably a pair of prints by Maude Morgan.
   • The article highlights the diversity and technique of artists such as David Aronson, Dana Chandler, Bernard Childs, and others.
   • It mentions specific pieces like Karl Schrag’s "Street with Trees" and Käthe Kollwitz’s self-portrait.

3. Educational Aspect

   • The exhibition not only displays finished prints but also demonstrates the intricate process of printmaking.
   • It includes examples of serigraphy, etching, engraving, and other techniques.

4. Notable Mentions

   • The article discusses the inclusion of works by prominent artists such as Leonard Baskin, Gropper, and John Wilson.
   • It references the involvement of historical figures like Marcus Garvey and the aesthetic evolution of prints from the 1890s.

5. Exhibition Details

   • The lower-left corner of the image mentions a specific work, "Apollo Belvedere," which is on display at Harvard's Fogg Art Museum until March 12.

Additional Information:

• The article emphasizes the importance of the Wiggin Gallery's role in the community of art, particularly in Boston.
• It praises the gallery's efforts to bring significant print works to the public's attention and educate them on the technical and artistic aspects of printmaking.

Overall, the article is a detailed review and appreciation of the "Impressions" exhibition at the Wiggin Gallery, highlighting its educational value and the quality of the displayed works.

This image shows a newspaper clipping from the "Theater / Arts" section of the Boston Globe, dated February 26, 1973. The article is headlined "Outstanding graphics at Wiggin Gallery" and is written by Robert Taylor. It appears to be an art review or art-related news piece. The article discusses an exhibition that includes prints by artists at the Wiggin Gallery. There is a sub-caption below an image (top left corner which is not identified due to obscuration), stating "APOLLO BELVEDERE—ON DISPLAY AT HAYWARD’S FOGG ART MUSEUM UNTIL MARCH 1". The clipping itself has been adhered to a piece of cardboard for preservation or display purposes.

The image shows a newspaper clipping from the "THEATER | ARTS" section of the Boston Globe dated February 26, 1973. The headline reads "Outstanding graphics at Wiggin Gallery" and the article is by Robert Taylor.

The left side of the clipping contains a grainy black-and-white image of a classical statue, labeled "APOLLO BELVEDERE" — ON DISPLAY AT HARVARD'S FOGG ART MUSEUM UNTIL MARCH 12.

The article discusses an exhibition of prints at the Wiggin Gallery, noting the quality and artistry of the works displayed. It mentions the artistic talents involved, the history of the gallery, and specific artists such as David Aronson, Dana Chandler, and Calvin Burnett. The article reflects on the importance of the prints and the various styles represented in the show.

Overall, the clipping highlights the significance of the exhibition and its contribution to the art community.

The image is a scanned page from a newspaper or magazine titled "Theater / Arts", dated February 26, 1973, and published by the Boston Globe. The page features an article titled "Outstanding graphics at Wiggin Gallery" by Robert Taylor.

Key Elements of the Image:

Header:

• The top of the page prominently displays the section title "THEATER / ARTS".
• The publication name, "Boston Globe", is written in cursive at the top right corner, along with the date "Feb 26, 1973".

Main Article:

• The headline "Outstanding graphics at Wiggin Gallery" is bold and centered, drawing attention to the article's focus on an art exhibition.
• The byline "ROBERT TAYLOR" is placed just below the headline, indicating the author of the article.

Visual Element:

• On the left side of the page, there is a grayscale illustration or photograph of a classical bust, likely of a historical or mythological figure.
• Below the illustration, a caption reads:
  "APOLLO BELVEDERE — ON DISPLAY AT HARVARD'S FOGG ART MUSEUM UNTIL MARCH 12."

Article Content:

• The article discusses an exhibition of graphics at the Wiggin Gallery, highlighting the work of various artists, including David Aronson, Dana Chandler, George Lockwood, Michael Mazur, Bernard Childs, and Karl Knaths.
• It mentions the Fogg Museum and its collection, noting that the "Apollo Belvedere" bust is on display there until March 12.
• The article provides details about the artists' techniques, styles, and the significance of their work, emphasizing the gallery's role in showcasing contemporary graphic art.

Design and Layout:

• The page has a classic newspaper layout with clear typography and structured paragraphs.
• The text is dense and informative, typical of art criticism or exhibition reviews.
• The overall tone suggests a focus on art appreciation and critique.

Summary:

The image depicts a newspaper or magazine page from the Boston Globe dated February 26, 1973, featuring an article by Robert Taylor about an art exhibition at the Wiggin Gallery. The page includes a grayscale illustration of the "Apollo Belvedere" bust, which is on display at Harvard's Fogg Art Museum until March 12. The article discusses the gallery's exhibition of outstanding graphics by notable artists and provides insights into their work and techniques.

The image shows a newspaper clipping from the Boston Globe dated February 26, 1973. The clipping features an article about the outstanding graphics at the Wiggin Gallery, highlighting the works of various artists. The article is divided into two sections: "Theater/Arts" and "Outstanding graphics at Wiggin Gallery."

The top left corner of the clipping includes a black-and-white photograph of a classical bust, likely representing a figure from ancient Greek or Roman art. The text below the photograph reads "APOLLO BELVEDERE—ON DISPLAY AT HARVARD'S FOGG ART MUSEUM UNTIL MARCH 12." This indicates that the bust was on display at Harvard's Fogg Art Museum until March 12, 1973.

The article on the right side of the clipping discusses the Wiggin Gallery's exhibition, focusing on the work of Robert Taylor, an artist known for his printmaking. The text describes Taylor's prints as "a professional enterprise devoted to the production of fine prints" and mentions the gallery's reputation for outstanding graphics.

The article also mentions other artists featured in the exhibition, such as David Aronson, David Aronson, David Aronson, David Aronson, and David Aronson, whose works are described as "quiet excellence of an early expressionist style." The text highlights the gallery's commitment to showcasing a diverse range of artistic styles and techniques.

Overall, the newspaper clipping provides a glimpse into the art scene in Boston during the early 1970s, showcasing the Wiggin Gallery's dedication to promoting outstanding graphics and featuring the works of various artists, including Robert Taylor and others.