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ARCH.2003.36, Rendition: 805477
This image shows an open book with a single, loose page placed on its right-hand side. The book itself appears to be older, with dark brown, worn covers and aged, yellowed pages.
The loose page is a printed article or exhibit label with the main title “The Brotherhood” in a large, bold serif font. Above the title, smaller text reads “At the Fogg Through Feb. 25,” indicating it’s likely from a museum or gallery exhibition catalog. In the top right corner of the page, there is a handwritten date “2/13/73” and a name, “Harold Owings.”
The article is arranged in three columns of dense, justified text. It discusses the Pre-Raphaelite Brotherhood, a group of 19th-century English painters. The text mentions key figures such as Dante Gabriel Rossetti, John Millais, and William Holman Hunt, and describes their artistic philosophy — rejecting the “sacred” ideals of the Royal Academy in favor of a truthful, detailed representation of nature, medieval subjects, and literary themes (particularly from the Bible and Shakespeare).
The article references specific paintings (though not pictured) such as Rossetti’s “The Death of the Sea,” Burne-Jones’s “Laus Veneris,” and “Aurea Catena,” which is described as being by Dante Gabriel Rossetti; a small caption at the bottom of the page confirms this.
The text is signed at the bottom right by Cydla Robinson.
Overall, the image captures a scholarly article about the Pre-Raphaelites, likely from a 1973 exhibition at the Fogg Museum, presented as an ephemeral insert alongside a more traditional hardcover book. The handwritten note suggests it may have been annotated by a visitor or researcher.
The image appears to be a scan of a page from a book or a magazine. The page features a title at the top that reads "The Brotherhood" and a subtitle that mentions "At the Fogg Through Feb. 25". The text below discusses an exhibition of the Pre-Raphaelite Brotherhood, a group of English artists who sought to revolutionize English painting by focusing on the natural world and studying nature directly. The text covers the background of the group, their beliefs, and their impact on art.
Particularly, it mentions the members of the Pre-Raphaelite Brotherhood: Dante Gabriel Rossetti, John Millais, and William Hunt. The text highlights Rossetti's fascination with women and his association with Elizabeth Siddal and Jane Morris. It also discusses the work of Burne-Jones and his depiction of the woman overcoming men in "The Depth of the Sea". The text concludes with an analysis of the Pre-Raphaelites' influence on modern art and their role in creating a new alliance between poets and painters.
At the bottom of the page, there is a sketch of a woman's portrait with the title "Aurea Catena" by Dante Gabriel Rossetti.
This image shows a page from a book or publication with a newspaper clipping pasted onto it. The clipping is titled "The Brotherhood" and is about the Pre-Raphaelite Brotherhood, an art movement that began in 1848. The article discusses the origins, principles, and works of the Pre-Raphaelites, including artists such as Dante Gabriel Rossetti, John Millais, and William Hunt. It also mentions the influence of Elizabeth Siddal on Rossetti's work and the themes explored by artists like Edward Burne-Jones.
At the bottom of the clipping, there is a black and white image of a painting titled "Aurea Catena" by Dante Gabriel Rossetti. The painting depicts a woman with dark, curly hair, wearing a necklace and a draped garment. The background features a landscape with trees and foliage.
The clipping is dated "2/13/13" and has the name "Harvard Crimson" written at the top, indicating it might be from the Harvard Crimson newspaper. The article is signed by Lydia Robinson.
An open book displays a page with text and a photograph. The text is divided into sections, each with a title. The first section is titled "The Brotherhood." The text is written in black font on a white background. Below the text is a photograph of a woman with a serious expression. The photograph is in black and white and has a caption that reads "Aurelia Catena by Dante Gabriel Rossetti." The book is open to a page with a white background.
The image appears to be a page from a book or magazine featuring an article about the Pre-Raphaelite Brotherhood, a group of 19th-century British artists known for their detailed, realistic style. The article discusses the Brotherhood's founding members, their artistic principles, and their influence on later artists. The page also includes a photograph of the artist Laura Caterina, who was associated with the Pre-Raphaelite movement. The image has a vintage or historical aesthetic, suggesting that it may be from an older publication or archive.
The image depicts a page from a book, showcasing a historical or literary document. The page is titled "The Brotherhood" and is dated 2/18/73, with the name "Harold Chilion" written at the top right corner, likely indicating the author or editor. The content appears to be an essay or article discussing themes related to Pre-Raphaelitism, a 19th-century art movement.
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In summary, the image shows a page from a scholarly or literary work discussing the Pre-Raphaelite Brotherhood, featuring an illustration of Alice Catena by Dante Gabriel Rossetti, and providing historical and artistic context about the movement and its key figures.
This image shows a scanned page from a publication. At the top, there's a hand-written note that says "2/13/13 Harvard Crimson," indicating the article's date and source. The title of the article, "The Brotherhood," is prominently displayed, with the subtitle "At the Fogg Through Feb. 23" suggesting it is related to an art exhibition at the Fogg Museum.
The body of the article is structured into columns and discusses the Pre-Raphaelite Brotherhood, a Victorian-era art movement. It covers themes of art theory, historical context, and prominent artists associated with the movement, including Dante Gabriel Rossetti. At the bottom of the article, there's an image titled "AUREA CATENA by Dante Gabriel Rossetti," depicting a woman in a classical style, although the face is digitally obscured.
The document appears to have been preserved in a scrapbook or archival book, with the page mounted on a gray background.
This image shows a page from a publication, likely a vintage or historical book or journal. The page contains a two-column article with the headline "The Brotherhood" and a subheading "Art in the Age of the PRB." The article itself is dated February 13, 1913, and is from the Harvard Crimson, as per the stamp on the top. The text is quite dense and discusses art and painting, referencing various historical figures and concepts related to the Pre-Raphaelite Brotherhood, a group of English painters, poets, and critics founded in 1848.
The bottom half of the page includes a reproduction of a drawing or etching titled "AUREA CATENA" by Dante Gabriel Rossetti. The drawing is detailed, featuring foliage or floral elements around the central figure, which is depicted from the shoulders up. The illustrated elements are indicative of the intricate style often associated with Pre-Raphaelite artwork.
The image shows a newspaper clipping titled "The Brotherhood," dated 2/13/73 from the Harvard Crimson. The article discusses the Pre-Raphaelite Brotherhood, an artistic movement started in 1848 by seven young men from England’s Royal Academy who sought to revolutionize English painting by returning to nature and rejecting the then-prevailing academic standards and formulas.
The article mentions key figures such as Dante Gabriel Rossetti, John Millais, and William Hunt, highlighting their stylistic approaches, influences, and the themes they explored, particularly the role of women in Rossetti’s work. It also touches on the broader context of the Pre-Raphaelite movement’s influence on later art and artists, including connections to Symbolists.
At the bottom of the clipping, there is a black-and-white image of a painting titled "Aurea Catena" by Dante Gabriel Rossetti. The painting shows a woman wearing a large hat and multiple necklaces, positioned in front of a decorative backdrop featuring foliage. The woman’s gaze is directed slightly to the side.
The image shows a page from a scrapbook or mounted notebook. At the top is a newspaper clipping titled “The Brotherhood” (labeled “Exhibits” with a date and “Harvard Crimson” handwritten above). The article is set in two narrow columns. Mounted below the clipping is a second, smaller image: a black-and-white engraving or reproduction titled “AUREA CATENA by Dante Gabriel Rossetti.” The face in the portrait has been obscured with a gray square. The whole piece is affixed to a larger brownish page, with the background surface appearing neutral gray.