Archives Scrapbooks

The image shows an open library journal with the date "FEB 1973" written at the top. The journal appears to be a collection of clipped newspaper articles or documents, each pasted onto the page. The page features two articles:

1. On the left side, there is an article from the "BUSCH-REISINGER MUSEUM, Harvard University, Cambridge, Massachusetts 02138" about an exhibition titled "Master Drawings from the Nineteenth Century" introduced by John David Farmer. The article provides details about the exhibition, mentioning that it includes loans from various sources, such as the Fogg Art Museum, the Boston Public Library, and private collections. It also lists specific artists whose works are featured, such as Klingender, Richter, Biedermeier, and others.

2. On the right side, there is an article from "GAZETTE DES BEAUX ARTS," dated "FEB 8, 1973," with the heading "Chronique des Arts, octobre 1972." This article appears to be in French and discusses various art exhibits and news from October 1972. It mentions several exhibitions, including one at the Louvre and others featuring works by artists like Van Gogh, Picasso, and others. There is a signature at the bottom right, presumably the initials of the person who pasted the article, "F.M.F."

The page itself is brown, and the articles are pasted in a way that suggests this journal serves as an archive or a collection of important art-related news clippings from that period.

The image depicts a library journal page with two clippings from different publications taped to it.

1. Top Left Clipping (Library Journal, February 1972):

   • The clipping is titled "BUSCHI-REISINGER Museum, Harvard University: Master Drawings of the Nineteenth Century."
   • It details an exhibition held at Harvard University, which includes a catalog of master drawings from the Busch-Reisinger Museum and Harvard graduate students.
   • The catalog, introduced by John David Farmer, lists works by various renowned artists, including classic and modern works.
   • The exhibition covers a wide range of artists and includes pieces by prominent figures such as Rembrandt, Goya, and a variety of Impressionists and Post-Impressionists.
   • The price of the catalog is mentioned as $7.50, with LC 72-500.

2. Top Right Clipping (Gazette des Beaux-Arts, February 2, 1973):

   • The clipping is from "Gazette des Beaux-Arts," specifically the issue dated February 2, 1973.
   • It features a review or article titled "Chronique des Arts, octobre 1972," from the Paris edition.
   • The article is about the Fogg Art Museum's collection, focusing on acquisitions from 1911, including works by Picasso, Fautrier, and others.
   • It lists several artists and their significant works acquired by the museum, such as works by Giovanni R. Pittoni, Charles E. Wyzanski, and others.
   • The text also mentions the importance of the acquisitions and a specific mention of a collection by D. Thomas Bergen.

Both clippings are handwritten notes or annotations on the page, indicating they were likely saved for reference or discussion within a library setting.

The image shows an open page from a publication, featuring two distinct articles or excerpts from journals.

On the left side:

• The excerpt is from the "Library Journal," dated February 15, 1973.
• The article is a review by Marianna Busch-Reisinger of an exhibition at the Busch-Reisinger Museum titled "Drawings by German Artists of the Twentieth Century."
• The exhibition was introduced by John David Farmer and curated by Charles W. H. Scott, running from October 25, 1972, to January 14, 1973.
• The review highlights that the exhibition included works by various notable German artists such as Max Beckmann, Lovis Corinth, Otto Dix, George Grosz, Ernst Ludwig Kirchner, Käthe Kollwitz, and others.
• The catalog of the exhibition provides biographical information on the artists, a list of public and private collections where their works are held, and is fully documented with illustrations.

On the right side:

• The excerpt is from "Gazette des Beaux-Arts," specifically the February 1973 issue.
• It mentions the "Chronique des Arts" from October 1972.
• There is a section titled "Le Fogg Art Museum de Cambridge (Massachusetts)" discussing important acquisitions made by the museum in 1971.
• The acquisitions include works by artists such as Pisanello, Bacchus et Ariane by Sebastiano Ricci, and other notable pieces by artists like Charles E. Wynn, Jean-Honoré Fragonard, and more.

Additionally, there is a signature or inscription on the right side of the page, appearing to read "Fafner."

The image shows a page from a library journal dated February 1973. The page is divided into two sections with different clippings:

1. Top Left Section:

   • The heading reads "LIBRARY JOURNAL FEB. 1973."
   • There is a clipping from the Busch-Reisinger Museum, Harvard University, Art Museums. It discusses an exhibition titled "Master Drawings of the Nineteenth Century," curated by John David Farmer. The exhibition was held from December 2, 1972, to January 22, 1973, and featured works by artists such as Ingres, Daumier, Delacroix, Corot, and others.
   • The clipping includes a description of the exhibition, noting that it comprises a lean selection of 50 drawings from the museum's collection and private collections. It highlights some of the artists whose works are included, such as Klassicism (Koch, Roos), Romanticism (Delacroix), Realism (Daumier, Corot), and Impressionism (Degas, Manet, Pissarro). The exhibition also included a historical sketch by Farmer.

2. Top Right Section:

   • There is a clipping from the "Gazette des Beaux-Arts," dated February 2, 1973, with the address "140, Faubourg Saint-Honoré, Paris-8e."
   • The clipping is from the "Chronique des Arts," October 1972 issue, and it mentions the "Fogg Art Museum de Cambridge," focusing on a significant acquisition: "Les Dessins de l'Exposition."
   • The text discusses a series of drawings by various artists, including Picasso, Pissarro, and others, and mentions the exhibition of Japanese woodcuts and a series of drawings by Charles E. Wyzanski.

The page itself appears to be a part of a larger notebook or journal used for cataloging and documenting library acquisitions, articles, and exhibitions.

The image shows a page from a library journal dated February 1973. The page contains two clippings and a title indicating it is part of a library journal.

1. The first clipping is from the "Gazette des Beaux Arts" dated February 2, 1973, and mentions an article titled "Chronique des Arts, octobre 1972." The clipping seems to be related to an exhibition or review of works at the Fogg Art Museum of Cambridge. It mentions the acquisition of several important works, including those by Picasso, Faure, and others, as well as a historical sketch by Giovanni R. Pittioni.

2. The second clipping is a detailed article from the Harvard University Busch-Reisinger Museum. It describes an exhibition of drawings from the late 18th to the early 20th century. The exhibition, titled "Master Drawings of the Nineteenth Century," was curated by John David Farmer and includes works by notable artists such as Albrecht Dürer, Rembrandt, and many others. The article mentions the inclusion of works from both the museum's permanent collection and several private collections, highlighting a range of styles and periods.

The page is labeled "LIBRARY JOURNAL" and has a date of "FEB 1973" handwritten on it. There are also handwritten notations, including the initials "F.F." on the second clipping, likely indicating the librarian or individual who cataloged or annotated the journal entry.

The image shows the inside cover of a book or journal. There are several pieces of paper attached to it, each containing handwritten or typed notes. Here's a detailed description of each piece of paper:

1. Top Left Note (Handwritten):

   • Written in black ink.
   • Text: "LIBRARY JOURNAL FEB 1/53"

2. Middle Left Note (Typed):

   • This note provides information about the Busch-Reisinger Museum at Harvard University.
   • It mentions that the museum was founded in 1903 and is devoted to the study of the arts of Northern Europe.
   • The museum's collection includes drawings, prints, paintings, and sculptures.
   • It highlights that the museum has a comprehensive collection of German and Austrian art, including works by artists such as Dürer, Cranach, Holbein, and Kollwitz.
   • The note also mentions that the museum publishes a quarterly bulletin and has a reference library.

3. Top Right Note (Typed):

   • This note is from the "GAZETTE DES BEAUX ARTS" dated February 2, 1973.
   • It lists the contents of the October 1972 issue of "Chronique des Arts."
   • The contents include articles on various art-related topics, such as exhibitions, museums, and art history.

4. Middle Right Note (Handwritten):

   • Written in black ink.
   • Text: "Feb 5 1973"

The background of the inside cover appears to be a textured, possibly fabric-like material, with a muted color palette. The notes are attached with what seems to be adhesive or tape.

The image shows an open album or scrapbook page with two newspaper clippings attached. The background page is a plain grey-brown color.

On the left side of the page:

• There is a clipping from the "Library Journal" dated Feb. 1, 1973, which discusses a book titled "Busch-Reisinger Museum, Harvard University. German Master Drawings of the Nineteenth Century," introduced by John David Farmer and published by the Fogg Art Museum at Harvard University in 1972. The review praises the book as an excellently illustrated and well-documented catalog of drawings from various German and American museums, describing the various artistic styles represented.

On the right side of the page:

• There is a clipping from the "Gazette des Beaux Arts," dated February 2, 1973, with a subheading "Chronique des Arts, octobre 1972." It mentions the Fogg Art Museum of Cambridge and lists recent important acquisitions including works by Mark Rothko, Picasso, Giovanni B. Pittoni, and Paul Gauguin, among others.
• The clipping has handwritten notation, including "F & F Office" written on it.

The rest of the page is empty.

This image shows an open scrapbook or binder with a brown cover and pages. On the left-hand side of the open page, there is text indicating "Library Journal FEB. 1/13," which suggests it may be a record from that date. Just below this handwriting, there's a pasted newspaper or journal clipping that contains a block of text, which seems to be related to a museum exhibition or art collection, with partial visibility of words like "DAVID" and "AMERICAN ART." Due to the text font and style, it appears to be a historical or archival document.

On the right-hand side of the open page, at the top, there's a small rectangular pasted paper with text "GAZETTE DES BEAUX ARTS FEB 2 1973". Below this is a larger pasted article or review with a header reading "Chronique des Arts," dated October 1972. The rest of the page contains the continuation of the article in French, discussing various art subjects and exhibitions. Additionally, there are handwritten annotations on the right margin of this article, including some scribbles that might be signatures or initials.

It seems like this image captures someone's personal or institutional archival process where clippings and notes are being organized for reference or study.

The image depicts a page from a library journal. The journal is open to a page that contains two pieces of paper attached with tape. The top piece of paper is titled "LIBRARY JOURNAL" and is dated February 1973. The bottom piece of paper is titled "Gazette des Beaux Arts" and is dated October 1972. The paper has a brown border and is filled with text.

The image shows an open book, likely a journal or catalog, with two visible pages.

Left Page:

• Title/Label: The top of the page has handwritten text that reads "LIBRARY JOURNAL FEB 1/73," indicating this is an entry or catalog from February 1973 in a library journal.
• Content: The main body of text appears to be a review or description of an exhibition titled "BUSCH-REISINGER Museum, Harvard University, Ninth Century Drawings by John David Farmer."
  • The review discusses an exhibition featuring drawings by John David Farmer, a Harvard University instructor, held at the Busch-Reisinger Museum.
  • It mentions that the exhibition was curated by Farmer and included 50 LC drawings, with contributions from graduate students in fine art.
  • The review highlights the exhibition's focus on German and Austrian drawings, including works by artists such as Dürer, Rembrandt, and others.
  • The text also references a catalog accompanying the exhibition, which includes a historical sketch by Farmer and contributions from other scholars.

Right Page:

• Header: The top of the page features a printed header that reads "GAZETTE DES BEAUX ARTS FEB 2 1973," indicating this is an article or excerpt from the Gazette des Beaux-Arts dated February 2, 1973.
• Content: The main text is in French and discusses an art museum acquisition. It mentions:
  • The Fogg Art Museum of Cambridge acquiring important works.
  • Specific acquisitions from 1911 by Paul Pissarro, including works such as "Unité," "La Route," "La Barque," "Le Chêne," "La Route de la Ferme," and others.
  • The acquisitions were made possible through the generosity of Mrs. Henry Rower, with the approval of Judge Charles E. Wyzanski Jr..
  • The text also references other donors and acquisitions, such as works by James C. McGregor and Mrs. Henry Roewer.
  • There is a handwritten note or signature in the top-right corner that reads "FJF the," possibly indicating a reviewer, editor, or annotator.

General Observations:

• The book appears to be a library or archival journal, as indicated by the handwritten label and structured layout.
• The content focuses on art exhibitions, museum acquisitions, and scholarly reviews, suggesting it is related to art history or museum studies.
• The pages are aged, with a slightly worn appearance, typical of older printed materials.

This image captures a snapshot of art-related documentation from 1973, highlighting both exhibition reviews and museum acquisitions.