Archives Scrapbooks

This image shows an open book or scrapbook with a plain, light brown or beige paper page. Two distinct clippings or printouts have been mounted on the right-hand page.

Left Clipping:

• Title: "LIBRARY JOURNAL" (handwritten in blue ink at the top).
• Date: "FEB. 1/63" (handwritten in blue ink below the title).
• Content: A printed book review for the exhibition catalogue "German Master Drawings of the Nineteenth Century" from the Busch-Reisinger Museum, Harvard University.
  • It notes the catalogue was compiled by museum staff and graduate students, with an introduction by John David Farmer.
  • It describes the catalogue as an excellent, well-documented survey of drawings mostly from German and American museums and private collections, covering many facets of 19th-century German art.
  • It lists the various artistic schools and styles represented, including Classicism, Nazarenes, Biedermeier, Naturalism, German Romanesque, Impressionism, and Jugendstil, mentioning several artists.
  • The review concludes by praising the catalogue's historical sketch, plates, and documentation.
  • Signed by Johannes L. Denson, Library of Congress.

Right Clipping:

• Source: "GAZETTE DES BEAUX ARTS" (header in blue).
• Address: "140, FAUBOURG SAINT-HONORE PARIS-8e".
• Date: "FEB 2 1973" (typed in blue on the right).
• Sub-header: "Chronique des Arts, octobre 1972".
• Content: A short article in French detailing recent acquisitions by the Fogg Art Museum de Cambridge. The acquisitions listed are:
  • Untitled, 1969, by Mark Rothko.
  • La Grenade, 1911, by Picasso.
  • Bachus et Ariane, by Giovanni B. Pittoni.
  • Soirée amoureuse, sous un vieux hêtre, 1895-99, an engraving on wood by Paul Gauguin (gift of Judge Charles E. Wyzanski, Jr.).
  • Two Japanese engravings and a contemporary series (gift of Mrs. James C. Abegglen and Mrs. Henry Rosovsky).
  • An engraving by Erich Heckel (gift of D. Thomas Bergen).
  • And "plusieurs prêts de longue durée" (several long-term loans).
• Handwriting: Below the printed text, there is a handwritten signature or inscription in black ink that reads "F of F office". This might be a note indicating the clipping came from or is for the "Field of Field" office or a similar department, though its exact meaning is not clear from the image alone.

The overall image captures a page from a personal collection or archive, used to document art-related publications and reviews from the early 1970s. The handwriting provides additional context, likely for cataloging or personal reference.

The image shows a page from a book or a catalog, which appears to be a library journal. The page is light brown in color and has two pieces of paper attached to it, which seem to be cutouts from other documents or articles.

• On the left side of the page, there is a handwritten note that reads "LIBRARY JOURNAL" with the date "FEB. 1/73" written below it. Below this note is a printed excerpt from an article or review discussing the "BUSCH-REISINGER Museum, Harvard University. German Master Drawings of the Nineteenth Century." This excerpt includes details about the museum, the catalog, and a description of the collection of German master drawings of the 19th century.

• On the right side of the page, there is another cutout from a different document. This piece of paper includes the title "GAZETTE DES BEAUX ARTS," the address "140, FAUBOURG SAINT-HONORÉ PARIS-8E," and a section labeled "Chronique des Arts, octobre 1972." Below this, there is a short text in French listing exhibitions and donations to the Fogg Art Museum, including pieces by artists such as Mark Rothko, Picasso, and Paul Gauguin.

The page seems to have been compiled for reference or study purposes, as indicated by the handwritten notes and the attached cutouts from various sources. The overall condition of the page suggests it is from a historical document or record.

This image shows a page from a scrapbook or journal with two clippings pasted on it. The page is beige and appears to be from a vintage book or notebook. The clippings are from different sources and provide information related to art and exhibitions:

1. On the left side, there is a clipping with the handwritten note "LIBRARY JOURNAL FEB. 1/73" at the top. The clipping itself is titled "BUSCH-REISINGER Museum, Harvard University. German Master Drawings of the Nineteenth Century." It provides details about an exhibition catalog compiled by staff members of the museum and six graduate students in fine art at Harvard. The catalog is well-illustrated and documents a loan exhibition of drawings from German and American museums and private collections. It mentions various schools and styles of German art from the 19th century, including classicism, Romanticism, Nazarenes, Biedermeier, naturalism, German Romantics, Impressionism, and Jugendstil.

2. On the right side, there is a clipping from "GAZETTE DES BEAUX ARTS" dated February 2, 1973. It mentions the Fogg Art Museum in Cambridge and its recent acquisitions of important artworks, including pieces by Mark Rothko, Picasso, and Giovanni B. Pittoni. It also lists donations from various individuals and institutions, such as a wood engraving by Paul Gauguin, Japanese engravings, and a contemporary series.

The text in the clippings is in English and French, and there is a signature or marking on the right clipping that reads "F of F Ales." The overall appearance suggests that this is a collection of art-related articles and notes, possibly for reference or research purposes.

The image depicts a page from a library journal. The journal is open to a page that contains two pieces of paper attached with tape. The top piece of paper is titled "LIBRARY JOURNAL" and is dated February 1973. The bottom piece of paper is titled "Gazette des Beaux Arts" and is dated October 1972. The paper has a brown border and is filled with text.

The image shows a library journal with a beige-colored cover. The journal has two pages open, one on the left and one on the right. The left page has a white paper with black text that reads "Library Journal Feb 1/23" at the top. Below it is another white paper with black text that reads "BUSH-REISINGNER MUSEUM, Harvard University, German Master Drawings of the Nineteenth Century." The right page has a white paper with black text that reads "GAZETTE DES BEAUX ARTS 140, Faubourg Saint-Honoré Paris-6e." Below it is another white paper with black text that reads "Chronique des Arts, octobre 1972." There is also a signature that reads "F.F.F."

The image shows an open book, likely a journal or catalog, with two visible pages.

Left Page:

• Title/Label: The top of the page has handwritten text that reads "LIBRARY JOURNAL FEB 1/73," indicating this is an entry or catalog from February 1973 in a library journal.
• Content: The main body of text appears to be a review or description of an exhibition titled "BUSCH-REISINGER Museum, Harvard University, Ninth Century Drawings by John David Farmer."
  • The review discusses an exhibition featuring drawings by John David Farmer, a Harvard University instructor, held at the Busch-Reisinger Museum.
  • It mentions that the exhibition was curated by Farmer and included 50 LC drawings, with contributions from graduate students in fine art.
  • The review highlights the exhibition's focus on German and Austrian drawings, including works by artists such as Dürer, Rembrandt, and others.
  • The text also references a catalog accompanying the exhibition, which includes a historical sketch by Farmer and contributions from other scholars.

Right Page:

• Header: The top of the page features a printed header that reads "GAZETTE DES BEAUX ARTS FEB 2 1973," indicating this is an article or excerpt from the Gazette des Beaux-Arts dated February 2, 1973.
• Content: The main text is in French and discusses an art museum acquisition. It mentions:
  • The Fogg Art Museum of Cambridge acquiring important works.
  • Specific acquisitions from 1911 by Paul Pissarro, including works such as "Unité," "La Route," "La Barque," "Le Chêne," "La Route de la Ferme," and others.
  • The acquisitions were made possible through the generosity of Mrs. Henry Rower, with the approval of Judge Charles E. Wyzanski Jr..
  • The text also references other donors and acquisitions, such as works by James C. McGregor and Mrs. Henry Roewer.
  • There is a handwritten note or signature in the top-right corner that reads "FJF the," possibly indicating a reviewer, editor, or annotator.

General Observations:

• The book appears to be a library or archival journal, as indicated by the handwritten label and structured layout.
• The content focuses on art exhibitions, museum acquisitions, and scholarly reviews, suggesting it is related to art history or museum studies.
• The pages are aged, with a slightly worn appearance, typical of older printed materials.

This image captures a snapshot of art-related documentation from 1973, highlighting both exhibition reviews and museum acquisitions.

The image shows a scrapbook or archival page with two newspaper or magazine clippings attached to it on a plain brown background.

• The clipping in the top-left corner is labeled “LIBRARY JOURNAL FEB 1/73” handwritten in black ink. It contains an article titled "Busch-Reisinger Museum, Harvard University," which discusses a publication or exhibition related to the Busch-Reisinger Museum and its collection.

• The clipping in the top-right corner is titled "GAZETTE DES BEAUX ARTS" with the text "140, FAUBOURG SAINT-HONORÉ" and a date stamp of "FEB 2, 1973" printed at the top. It appears to have information related to "Chronique des Arts, octobre 1972," and is signed at the bottom with initials.

Both clippings seem to provide contextual background or commentary about museum activities or exhibitions.

This image shows an open scrapbook or binder with a brown cover and pages. On the left-hand side of the open page, there is text indicating "Library Journal FEB. 1/13," which suggests it may be a record from that date. Just below this handwriting, there's a pasted newspaper or journal clipping that contains a block of text, which seems to be related to a museum exhibition or art collection, with partial visibility of words like "DAVID" and "AMERICAN ART." Due to the text font and style, it appears to be a historical or archival document.

On the right-hand side of the open page, at the top, there's a small rectangular pasted paper with text "GAZETTE DES BEAUX ARTS FEB 2 1973". Below this is a larger pasted article or review with a header reading "Chronique des Arts," dated October 1972. The rest of the page contains the continuation of the article in French, discussing various art subjects and exhibitions. Additionally, there are handwritten annotations on the right margin of this article, including some scribbles that might be signatures or initials.

It seems like this image captures someone's personal or institutional archival process where clippings and notes are being organized for reference or study.

The image shows an open album or scrapbook page with two newspaper clippings attached. The background page is a plain grey-brown color.

On the left side of the page:

• There is a clipping from the "Library Journal" dated Feb. 1, 1973, which discusses a book titled "Busch-Reisinger Museum, Harvard University. German Master Drawings of the Nineteenth Century," introduced by John David Farmer and published by the Fogg Art Museum at Harvard University in 1972. The review praises the book as an excellently illustrated and well-documented catalog of drawings from various German and American museums, describing the various artistic styles represented.

On the right side of the page:

• There is a clipping from the "Gazette des Beaux Arts," dated February 2, 1973, with a subheading "Chronique des Arts, octobre 1972." It mentions the Fogg Art Museum of Cambridge and lists recent important acquisitions including works by Mark Rothko, Picasso, Giovanni B. Pittoni, and Paul Gauguin, among others.
• The clipping has handwritten notation, including "F & F Office" written on it.

The rest of the page is empty.

A page from a scrapbook or catalog. It’s a brown, blank sheet with three small newspaper clippings taped to the top half.

• Top left: a handwritten label that says “LIBRARY JOURNAL FEB …” (date is not fully legible).
• Top right: a clipping from Gazette des Beaux Arts with a stamp reading February 1973 and some handwritten initials.
• Center-left: a longer column of text from another clipping, likely about a museum or art topic.

Overall, it looks like an archival, vintage note page used to collect references about art or museum topics.