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This image displays a vintage newspaper clipping from the Harvard Crimson, dated January 31, 1973, laid flat on top of what appears to be a brown leather-bound book or folder. The article is titled “Images in Sequence” and is written by Phil Patton for the “SCRUTINY” section.

The article discusses the photographic technique of creating photo sequences—a narrative or thematic grouping of multiple images—comparing it to film and exploring its artistic and conceptual potential. Key figures mentioned include:

• Kelly Wise: whose recent photo sequence is the centerpiece of the article and is on display at “The Fogg” (likely the Fogg Museum at Harvard).
• Aaron Siskind: photographed alongside Wise’s work.
• Eadweard Muybridge: cited as an early pioneer of sequential images through animal locomotion studies.
• Diane Michals, Eve Sonneman, Alfred Hitchcock, Francis Lacassin, Pierre Cordier, and others are referenced in relation to the technique’s history, influence, and evolution.

The article argues that while photography is a young medium, sequences—by linking images over time or space—offer a powerful, yet still underexplored, narrative form. It notes how sequencing can create ambiguity, irony, or complex emotional effects that standalone images may not achieve.

Centered in the article is a small photo sequence by Kelly Wise (credited as “A photo sequence / By Kelly Wise. / Now at The Fogg”). It consists of five black-and-white images arranged in two rows:

• Top row (left to right): A portrait of a woman in contemplation, and a close-up of a man in what appears to be a clown or performer costume, laughing.
• Bottom row: A landscape with trees and water, and two images of people—possibly the same woman and man from above—in outdoor settings.

In the top right corner of the clipping, handwritten in red ink, are the words: “HARVARD CRIMSON JANUARY 31, 1973”, likely added later for cataloging.

A small, torn piece of paper, possibly a receipt or library card, is tucked under the top right corner of the clipping. It reads “41A Brattle St.” — likely an address associated with Harvard or the Fogg Museum.

The overall composition suggests a preserved artifact, possibly collected by a student, historian, or enthusiast of photographic art from the early 1970s. The tone of the article is scholarly and appreciative, placing the photo sequence within the broader context of film and comic art history.

The image is a page from a magazine or newspaper, specifically from the Harvard Crimson dated January 31, 1973. The article is titled "Images in Sequence" and discusses the use of sequential photography. The author, Phil Patton, explores the concept of photo sequences, comparing them to film and discussing both the similarities and differences between the two mediums.

The article includes a photo sequence by Kelly Wise, displayed at the bottom of the page, which shows a series of three black-and-white photographs. The sequence depicts a person in different poses, seemingly in a natural outdoor setting. The text accompanying the images suggests a narrative or progression, though the specific details are not clearly visible.

The article looks to be part of a larger discussion about the evolving art of photography, with references to other photographers and works, including Duane Michaels, Eve Sonnemann, and Diane Arbus. It also mentions the influence of comic strips and film techniques on the art of sequential photography. The overall tone is informative and analytical, providing insight into the techniques and concepts of photo sequences as an art form.

The image is a photograph of an old newspaper or magazine page. The page is titled "Images in Sequence" and is written by Phil Patton. It appears to be from the Harvard Crimson, dated January 31, 1973. The article discusses the development of photography as a medium and the use of photo sequences, particularly those by Kelly Wise, who is currently showing his work along with photographs by Aaron Siskind at the Fogg.

The article delves into the nature of photo sequences, comparing them to film and comic strips, and explores how they can be used to create a narrative or convey a sense of movement and progression. It mentions the work of various photographers and filmmakers, including Duane Michaels, Eve Sonneman, Alfred Hitchcock, and Alain Resnais, and discusses the influence of comic strips on film and photography.

Embedded within the text are three black-and-white photographs that illustrate a photo sequence by Kelly Wise. The sequence appears to show a person interacting with a dog in different poses and settings. The photographs are arranged in a vertical column, with the first two images showing the person and dog in close proximity, and the third image showing the person sitting on the ground with the dog beside them.

The page is slightly yellowed, indicating its age, and there is a small piece of paper with the text "41A Brattle St. Photographers" partially visible at the top right corner. The overall layout is typical of a newspaper or magazine, with columns of text and integrated images.

The image shows a page of a magazine or newspaper with an article titled "Images in Sequence" by Phil Patton. The article discusses the use of sequences of images in photography and film, highlighting the work of photographers like Kelly Wise and Aaron Siskind. The article features a photo sequence by Kelly Wise, showcasing the importance of sequencing in creating a narrative and evoking emotions. The article also mentions the influence of comic strips and film techniques on the development of photographic sequences.

The image is a page from a magazine or newspaper, featuring an article titled "Images in Sequence" by Phil Patton. The article discusses the art and technique of creating sequences of photographs, comparing it to the medium of film. The article includes several black-and-white photographs of people in various poses, as well as a photo sequence by Kelly Wise, which is highlighted in the article. The article explores the potential of sequences of photographs to tell stories and create narratives, similar to how film works. The article also mentions the work of other photographers who have experimented with sequences, such as Duane Michals and Eve Sussman.

The image depicts a page from a publication titled "Scrutiny", dated January 31, 1973, and authored by Phil Patton. The page is titled "Images in Sequence" and focuses on the artistic and technical aspects of photo sequences, particularly the work of photographer Kelly Wise.

Visual Elements:

1. Text Content:

   • The page contains a detailed article discussing the evolution and significance of photo sequences in photography. It explores how sequences can convey narrative, emotion, and meaning, drawing comparisons to film and literature.
   • The article highlights Kelly Wise’s work, specifically mentioning his sequence titled "None at The Fogg", which is illustrated with a small photo sequence at the bottom of the page.
   • The text also references other photographers and filmmakers, such as Aaron Siskind, Eadweard Muybridge, and Alfred Hitchcock, to contextualize the importance of sequences in visual storytelling.

2. Photo Sequence:

   • At the bottom of the page, there is a small photo sequence labeled "A photo sequence By Kelly Wise. None at The Fogg."
   • The sequence consists of four photographs arranged horizontally:
     • First Frame: Shows a close-up of a child’s hand gripping an object, possibly a piece of furniture or a structural element. The child appears to be in motion, with a blurred background suggesting movement.
     • Second Frame: Depicts the same child, now with their hand extended outward, possibly reaching for or interacting with something off-frame. The background remains blurred, maintaining the sense of motion.
     • Third Frame: Shows the child’s hand gripping a different object, possibly a railing or a piece of furniture, with the child’s body partially visible. The background continues to be blurred.
     • Fourth Frame: Displays the child’s hand and arm in a different position, suggesting continued interaction with the environment. The background remains blurred, emphasizing the focus on the hand’s movement.

3. Layout and Design:

   • The page has a classic newspaper or magazine layout, with the headline prominently displayed at the top.
   • The article is written in a dense, columned format typical of academic or intellectual publications.
   • The photo sequence is placed below the article, serving as a visual example to illustrate the discussion of sequential imagery.

Contextual Details:

• The article discusses the evolution of photography as a medium and its comparison to literature and film. It emphasizes the narrative potential of photo sequences, noting how they can convey complex stories, emotions, and themes.
• The mention of Kelly Wise’s sequence "None at The Fogg" suggests that the photographer is using sequences to explore themes of movement, interaction, and perhaps the subtle drama of everyday life.
• The blurred backgrounds in the sequence emphasize the focus on the subject’s actions, drawing attention to the hand’s movements and interactions.

Overall Impression:

The image captures a moment of artistic and intellectual discourse, blending textual analysis with visual storytelling. The photo sequence serves as a practical example of how sequential imagery can convey narrative and emotion, aligning with the broader themes discussed in the article. The layout and design reflect the formal tone of the publication, emphasizing the scholarly nature of the content.

The image shows a newspaper clipping about the importance of sequence in photography, with the title "Images in Sequence" at the top. The clipping is from a newspaper called "Scrutiny" and features an article by Phil Patton.

• Title and Date
  • The title of the article is "Images in Sequence".
  • The date of the article is January 31, 1973.
• Author and Newspaper
  • The author of the article is Phil Patton.
  • The newspaper is called "Scrutiny".
• Content
  • The article discusses the importance of sequence in photography.
  • It explains how sequence can be used to create a sense of movement and emotion in an image.
  • The article also includes examples of photographs that demonstrate the use of sequence effectively.
• Visuals
  • The clipping includes several photographs that illustrate the concepts discussed in the article.
  • The photographs are black and white and show people in various poses and settings.
• Overall
  • The article provides a thoughtful and informative discussion of the importance of sequence in photography.
  • It offers practical advice for photographers looking to improve their skills and create more effective images.

This image presents a vintage newspaper clipping titled "Images in Sequence" by Phil Patton, dated January 31, 1973. The article explores the concept of photography as a medium that relies on sequences to convey meaning and tell stories. It highlights the work of Kelly Wise, who has developed a unique approach to sequencing photographs to create a narrative.

The article features several black-and-white photographs by Wise, which are arranged in a sequence to illustrate his technique. The images depict everyday scenes, such as people walking down the street or sitting in a park, but they are presented in a way that creates a sense of tension and drama.

The article also references the work of other photographers who have experimented with sequencing, including Aaron Siskind and Eve Sonneman. It notes that their approaches differ from Wise's, but they all share a common goal of using sequences to tell stories and convey meaning.

Overall, the article provides an insightful look at the art of sequencing in photography and highlights the innovative work of Kelly Wise. It suggests that photography is not just about capturing individual moments, but about creating a narrative that unfolds over time.

The image depicts a newspaper clipping titled "Images in Sequence" from the Harvard Crimson, dated January 31, 1973. The article is written by Phil Patton and discusses the concept of photo sequences, highlighting the work of photographer Kelly Wise.

Key Features:

• Title and Date: The title "Images in Sequence" is prominently displayed at the top of the page, accompanied by the publication name "Harvard Crimson" and the date "January 31, 1973".
• Author: The article is authored by Phil Patton.
• Content: The article explores the idea of photo sequences, featuring the work of Kelly Wise.
• Visuals: Three black-and-white photographs by Kelly Wise are included in the article, showcasing his use of photo sequences.
• Presentation: The clipping is mounted on a beige background, with a small white label in the upper-right corner bearing the text "414 Harvard K 3a Revue".
• Overall: The image presents a thoughtful discussion on the art of photography, specifically the technique of creating sequences of images to convey meaning and tell stories.

The image depicts a newspaper clipping titled "Images in Sequence" by Phil Patton, discussing the work of photographer Kelly Wise. The article is printed on yellowed paper and features three black-and-white photographs.

• Newspaper Clipping
  • Title: "Images in Sequence"
  • Author: Phil Patton
  • Date: January 31, 1973
  • Publication: Harvard Crimson
• Photographs
  • Three black-and-white photographs
  • Part of Kelly Wise's photo sequence
  • Displayed in the center of the article
• Article Content
  • Discusses the work of photographer Kelly Wise
  • Explores the concept of photo sequences
  • Analyzes Wise's use of photography to tell stories
• Visual Elements
  • Yellowed paper
  • Black text
  • Black-and-white photographs

The newspaper clipping provides an in-depth look at Kelly Wise's photo sequence and its significance in the world of photography.