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The image depicts a newspaper article titled "Images in Sequence" from the "Scrutiny" section of the "Richard Edes Harrison" column, dated Saturday, July 21, 1973. The article is written by Phil Patton and discusses the concept of photo sequences in photography, drawing parallels with film and other narrative arts.

Key points from the article include:

1. Photography's Evolution: The article notes that photography, despite being a young medium, has evolved significantly. It compares photography to other arts like literature and painting, which have also developed over time.

2. Photo Sequences: The focus is on photo sequences, which involve pairing two or more prints to create a narrative or convey a theme. The article mentions Kelly Wise's sequences, which often explore familial relationships and are being shown at The Fogg.

3. Comparison with Film: The article compares photo sequences to film, noting that sequences can explore themes and narratives similarly to how films do. It mentions that sequences can sometimes be more effective than single images because they can show development and change over time.

4. Historical Context: The article references early photographers like Eadweard Muybridge, who used sequences to study motion, and Edward Steichen, who explored sequences through his work with film.

5. Techniques and Influences: The article discusses techniques used in photo sequences, such as subtle choices of angle and view, and the influence of comic strips and film continuities on the development of motion pictures.

6. Examples: The article provides examples of photo sequences, including one by Kelly Wise that shows a young girl climbing into a cardboard carton and floating out of the frame, and another by Duane Michals that depicts a whimsical scene of a man with a small house on his head.

7. Critique: The article also mentions that while some sequences are carefully peeled and shot, many individual frames are sensitive and effective. It critiques the overuse of sequences and the tendency to incorporate accidental elements into the order of the sequence.

The article is accompanied by a photo sequence by Kelly Wise, showing a series of images that illustrate the concepts discussed.

The image is a newspaper clipping from Harvard Sitwell’s Scrutiny, dated January 31, 1973. The article is titled "Images in Sequence" and is written by Phil Patton. The article discusses the concept of photo sequences in film and photography, particularly focusing on the work of photographer Kelly Wise.

Key points include:

1. Introduction to Photo Sequences:

   • The article begins by defining photography as a relatively young medium.
   • It highlights that photo sequences, which combine multiple frames into a continuous narrative, are a modern development in photography and film.

2. Kelly Wise’s Work:

   • The article mentions Wise’s photo sequence titled "Now at The Fog," which involves putting together two or more prints into a single image.
   • The sequence is noted for its ability to create a sense of narrative and progression, akin to the storytelling techniques used in films.

3. Artistic Development:

   • Wise’s sequences are praised for their ability to convey more than a single static photograph, using juxtaposition to tell a story.
   • The sequence technique is compared to the early experiments in film, such as the work of Eadweard Muybridge and Étienne-Jules Marey, who pioneered the use of multiple images to capture motion.

4. Comparison to Other Art Forms:

   • The article compares the photo sequence to the comic strip, noting similarities in their ability to use juxtaposition and sequence to create meaning and narrative.
   • The use of comic strips to illustrate the idea of sequences is mentioned, including references to the work of artists like Diane Michals and others.

5. Critical Analysis:

   • The article explores how sequences can create ambiguity and complexity, and how they can be used to reveal more about the subject by breaking it down into smaller, more detailed frames.
   • It also mentions the potential for sequences to create a more immersive viewing experience, akin to the viewer's experience in watching a film.

6. Conclusion:

   • The article concludes with a mention of Wise’s exhibition, noting that it represents a significant step forward in the photographic genre, particularly in how sequences can be used to explore new artistic possibilities.

The article includes photographs of Wise’s work to illustrate the concepts discussed. The clipping is part of a larger publication and includes other text and images, including a section about a book and a further discussion on the techniques and artistic merits of photo sequences.

The image shows a newspaper article titled "Images in Sequence" from Harvard University's "Scrutiny" magazine dated January 31, 1972, written by Phil Patton.

The article discusses the evolution and significance of photography sequences, especially in relation to film. Patton highlights the progression from early photographic techniques to the modern practice of creating sequences, which are now considered a crucial element in photography and filmmaking.

Key points from the article include:

1. Development and Form: The article explains how photography sequences have developed from simple photo essays to more complex narratives.
2. Artistic Expression: It mentions that sequences can express narratives and themes more effectively than single images, drawing parallels to film.
3. Examples and Techniques: Kelly Wise’s work at The Fogg is cited as an example of sequences used to create a cohesive story through a series of images.
4. Visual Storytelling: Patton discusses how sequences can be used to create a cinematic experience, blending motion and stillness to evoke a sense of loss and continuity.
5. Comparison with Film: The article compares the use of sequences in photography with filmmaking, emphasizing how sequences can help in establishing narrative continuity and emotional depth.

Included within the article is a photograph of Kelly Wise's sequence titled "Now at The Fogg," showing a sequence of images that illustrate a narrative flow, possibly depicting a transition or a scene of movement.

The visual language and techniques discussed in the article emphasize the power of sequences in storytelling, blending motion and stillness to create a more immersive experience for the viewer.

The image shows a newspaper or magazine article titled "Images in Sequence" by Phil Patton. The article discusses the development of photography as a young medium and compares it to literature and film. It highlights the work of photographer Kelly Wise, who explores the narrative potential of photo sequences. The article mentions that Wise's sequences often depict family relations and use the structure of narrative, myth, and ritual to create stories that can be read like a film.

The text also references other pioneers in the field, such as Eadweard Muybridge, whose studies of animal locomotion laid the groundwork for understanding motion, and Duane Michals, who uses sequences to create a sense of mystery and emotion. The article notes that the sequence allows for a more delicate and complex expression than a single image, and that this form is well-suited to capturing the nuances of everyday life.

Additionally, the article includes a specific example of Wise's work, where a sequence of images captures a man rowing a boat, with the frames showing different moments of the action, and the background elements shifting to express motion and time. The article concludes by noting that the photo sequence is a genre that is still being explored, with many possibilities yet to be discovered.

The image is a page from a publication, specifically from the "Harvard Crimson" dated January 31, 1973. The article is titled "Images in Sequence" and is written by Phil Patton. The main topic of the article is the significance and evolution of photographic sequences.

Here is a detailed summary:

Article Summary:

Title: Images in Sequence

Author: Phil Patton

Publication: Harvard Crimson, January 31, 1973

Content:

1. Introduction to Photography and Sequences:

   • Photography is acknowledged as a relatively young medium.
   • The author argues that the full potential of photography is still being discovered and that it is not merely a means of capturing a single moment but can also be used to explore narrative and sequential imagery.

2. Historical Context:

   • Early photographic sequences were akin to early painting techniques, used for studying motion and form.
   • Significant developments in photography, such as Eadweard Muybridge’s work, showed the potential of sequences to capture motion and time.

3. Sequences in Film:

   • The author discusses how sequences in film can convey more complex stories and relationships than single images.
   • Film sequences often rely on the juxtaposition of images to create meaning, with the example of Kelly Wise's sequences at the Fogg Art Museum illustrating this point.

4. Examples and Analysis:

   • The article delves into the specifics of certain sequences, such as those by Aaron Siskind and Harry Callahan, which show relationships between forms and people.
   • Wise’s sequences are highlighted for their ability to create narratives and explore relationships, contrasting with the single-frame limitations of traditional photography.
   • The sequences by Wise include a variety of themes, such as a man interacting with a cardboard cutout and the portrayal of a woman in a domestic setting.

5. Technical and Artistic Aspects:

   • The author notes the importance of framing and timing within sequences to build a cohesive narrative.
   • The sequences at the Fogg Art Museum demonstrate how photography can use a series of images to tell a story, similar to frames in a comic strip or a film.

6. Conclusion:

   • The article concludes by emphasizing the potential of photo sequences to create more complex and engaging narratives, promising future advancements and deeper explorations in this area of photography.

Images:

The page features several images from a photo sequence by Kelly Wise, illustrating different moments within the sequence:

1. A man interacting with a cutout figure of a woman.
2. A child in a room, demonstrating different actions and perspectives.

Additional Note:

The article suggests that photo sequences are an evolving art form that can capture a richer and more nuanced story compared to single photographs. This medium offers a unique way to explore relationships, motion, and narrative in visual storytelling.

The image is a page from a newspaper or magazine article titled "Images in Sequence" by Phil Patton, dated January 31, 1975. The article discusses the concept of photo sequences in photography, drawing parallels with the development of film and the work of photographers like Aaron Siskind and Kelly Wise.

Key points include:

1. Photography as a Developing Medium: The article argues that photography is still in its early stages, much like film was when it first emerged. It mentions that photography's potential is not fully realized yet.

2. Photo Sequences: The article highlights the use of photo sequences, which involve combining multiple images to create a narrative or convey a story. It mentions how Wise's sequences are designed to be viewed as a whole, unlike traditional photo essays which are more linear.

3. Wise's Work: Kelly Wise, who is noted for his work at the Fog Gallery, is discussed as an innovator in this field. His sequences are described as creating a sense of ambiguity and allowing viewers to piece together the narrative themselves.

4. Historical Context: The article references Edward Weston and other early photographers who experimented with sequences. It also mentions the influence of film and the way sequences can mimic the flow of film.

5. Technical Aspects: The article explains how sequences can create a dynamic visual experience, similar to film, by using techniques such as movement within frames and the juxtaposition of images to create a narrative.

6. Examples: The article provides examples from Wise's work, including sequences that depict a man rowing a boat and a woman in a room, emphasizing the storytelling aspect of photo sequences.

7. Influence and Inspiration: The article points out how comic strips and film have influenced photo sequences, with photographers using these mediums to inspire their own work.

Overall, the article explores the creative and technical aspects of photo sequences, emphasizing their potential to tell complex stories and evoke emotions in viewers.

The image shows a newspaper or magazine page titled "SCRUTINY" with an article headlined "Images in Sequence." There is a handwritten note above the headline in red ink that reads "HARVARD CRIMSON" and is dated "JANUARY 31, 1973."

The article is written by Phil Patton and discusses photography, focusing on the concept of sequences in photographic work. It explores how sequences function in films and photography to tell stories or communicate ideas. The text mentions several photographers and their approaches to sequence photography.

In the center of the page, there are three black-and-white photographs arranged vertically, related to the article. The caption beneath these photos reads: "A photo sequence By Kelly Wise Now at The Fogg."

Overall, the article delves into the artistic and technical aspects of creating visual sequences, particularly in the context of photographic art.

This image shows a newspaper page with an article titled "SCRUTINY – Images in Sequence" written by Phil Patton. The article is featured in "HARVARD CRIMSON" as evident from the newspaper masthead. The date of publication is September 21, 1973. The article appears to discuss the nature and evolution of photography as an artistic medium, with references to the practice of sequencing images to tell a story or articulate a concept.

The page includes a column of text under the headline, along with four smaller images arranged vertically in two columns near the center of the page. These images seem to be a part of a photo sequence which may perhaps illustrate points made in the article. The paper is aged, indicating that it is a physical artifact rather than a digital representation. The article references individuals who have presumably contributed to the field of photography and the art of sequencing images. There is a visible fold mark horizontally across the center of the page, indicating that the paper was folded at some point. The top right corner of the page bears a page number, reflecting its position within the newspaper.

The image depicts a page from a publication titled "Scrutiny", dated January 31, 1973, and authored by Phil Patton. The page is titled "Images in Sequence" and focuses on the artistic and technical aspects of photo sequences, particularly the work of photographer Kelly Wise.

Visual Elements:

1. Text Content:

   • The page contains a detailed article discussing the evolution and significance of photo sequences in photography. It explores how sequences can convey narrative, emotion, and meaning, drawing comparisons to film and literature.
   • The article highlights Kelly Wise’s work, specifically mentioning his sequence titled "None at The Fogg", which is illustrated with a small photo sequence at the bottom of the page.
   • The text also references other photographers and filmmakers, such as Aaron Siskind, Eadweard Muybridge, and Alfred Hitchcock, to contextualize the importance of sequences in visual storytelling.

2. Photo Sequence:

   • At the bottom of the page, there is a small photo sequence labeled "A photo sequence By Kelly Wise. None at The Fogg."
   • The sequence consists of four photographs arranged horizontally:
     • First Frame: Shows a close-up of a child’s hand gripping an object, possibly a piece of furniture or a structural element. The child appears to be in motion, with a blurred background suggesting movement.
     • Second Frame: Depicts the same child, now with their hand extended outward, possibly reaching for or interacting with something off-frame. The background remains blurred, maintaining the sense of motion.
     • Third Frame: Shows the child’s hand gripping a different object, possibly a railing or a piece of furniture, with the child’s body partially visible. The background continues to be blurred.
     • Fourth Frame: Displays the child’s hand and arm in a different position, suggesting continued interaction with the environment. The background remains blurred, emphasizing the focus on the hand’s movement.

3. Layout and Design:

   • The page has a classic newspaper or magazine layout, with the headline prominently displayed at the top.
   • The article is written in a dense, columned format typical of academic or intellectual publications.
   • The photo sequence is placed below the article, serving as a visual example to illustrate the discussion of sequential imagery.

Contextual Details:

• The article discusses the evolution of photography as a medium and its comparison to literature and film. It emphasizes the narrative potential of photo sequences, noting how they can convey complex stories, emotions, and themes.
• The mention of Kelly Wise’s sequence "None at The Fogg" suggests that the photographer is using sequences to explore themes of movement, interaction, and perhaps the subtle drama of everyday life.
• The blurred backgrounds in the sequence emphasize the focus on the subject’s actions, drawing attention to the hand’s movements and interactions.

Overall Impression:

The image captures a moment of artistic and intellectual discourse, blending textual analysis with visual storytelling. The photo sequence serves as a practical example of how sequential imagery can convey narrative and emotion, aligning with the broader themes discussed in the article. The layout and design reflect the formal tone of the publication, emphasizing the scholarly nature of the content.

The image shows a page of a magazine or newspaper with an article titled "Images in Sequence" by Phil Patton. The article discusses the use of sequences of images in photography and film, highlighting the work of photographers like Kelly Wise and Aaron Siskind. The article features a photo sequence by Kelly Wise, showcasing the importance of sequencing in creating a narrative and evoking emotions. The article also mentions the influence of comic strips and film techniques on the development of photographic sequences.