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This image displays a vintage newspaper clipping from the Harvard Crimson, dated January 31, 1973, laid flat on top of what appears to be a brown leather-bound book or folder. The article is titled “Images in Sequence” and is written by Phil Patton for the “SCRUTINY” section.

The article discusses the photographic technique of creating photo sequences—a narrative or thematic grouping of multiple images—comparing it to film and exploring its artistic and conceptual potential. Key figures mentioned include:

• Kelly Wise: whose recent photo sequence is the centerpiece of the article and is on display at “The Fogg” (likely the Fogg Museum at Harvard).
• Aaron Siskind: photographed alongside Wise’s work.
• Eadweard Muybridge: cited as an early pioneer of sequential images through animal locomotion studies.
• Diane Michals, Eve Sonneman, Alfred Hitchcock, Francis Lacassin, Pierre Cordier, and others are referenced in relation to the technique’s history, influence, and evolution.

The article argues that while photography is a young medium, sequences—by linking images over time or space—offer a powerful, yet still underexplored, narrative form. It notes how sequencing can create ambiguity, irony, or complex emotional effects that standalone images may not achieve.

Centered in the article is a small photo sequence by Kelly Wise (credited as “A photo sequence / By Kelly Wise. / Now at The Fogg”). It consists of five black-and-white images arranged in two rows:

• Top row (left to right): A portrait of a woman in contemplation, and a close-up of a man in what appears to be a clown or performer costume, laughing.
• Bottom row: A landscape with trees and water, and two images of people—possibly the same woman and man from above—in outdoor settings.

In the top right corner of the clipping, handwritten in red ink, are the words: “HARVARD CRIMSON JANUARY 31, 1973”, likely added later for cataloging.

A small, torn piece of paper, possibly a receipt or library card, is tucked under the top right corner of the clipping. It reads “41A Brattle St.” — likely an address associated with Harvard or the Fogg Museum.

The overall composition suggests a preserved artifact, possibly collected by a student, historian, or enthusiast of photographic art from the early 1970s. The tone of the article is scholarly and appreciative, placing the photo sequence within the broader context of film and comic art history.

The image is a page from a magazine or newspaper, specifically from the Harvard Crimson dated January 31, 1973. The article is titled "Images in Sequence" and discusses the use of sequential photography. The author, Phil Patton, explores the concept of photo sequences, comparing them to film and discussing both the similarities and differences between the two mediums.

The article includes a photo sequence by Kelly Wise, displayed at the bottom of the page, which shows a series of three black-and-white photographs. The sequence depicts a person in different poses, seemingly in a natural outdoor setting. The text accompanying the images suggests a narrative or progression, though the specific details are not clearly visible.

The article looks to be part of a larger discussion about the evolving art of photography, with references to other photographers and works, including Duane Michaels, Eve Sonnemann, and Diane Arbus. It also mentions the influence of comic strips and film techniques on the art of sequential photography. The overall tone is informative and analytical, providing insight into the techniques and concepts of photo sequences as an art form.

The image is a photograph of an old newspaper or magazine page. The page is titled "Images in Sequence" and is written by Phil Patton. It appears to be from the Harvard Crimson, dated January 31, 1973. The article discusses the development of photography as a medium and the use of photo sequences, particularly those by Kelly Wise, who is currently showing his work along with photographs by Aaron Siskind at the Fogg.

The article delves into the nature of photo sequences, comparing them to film and comic strips, and explores how they can be used to create a narrative or convey a sense of movement and progression. It mentions the work of various photographers and filmmakers, including Duane Michaels, Eve Sonneman, Alfred Hitchcock, and Alain Resnais, and discusses the influence of comic strips on film and photography.

Embedded within the text are three black-and-white photographs that illustrate a photo sequence by Kelly Wise. The sequence appears to show a person interacting with a dog in different poses and settings. The photographs are arranged in a vertical column, with the first two images showing the person and dog in close proximity, and the third image showing the person sitting on the ground with the dog beside them.

The page is slightly yellowed, indicating its age, and there is a small piece of paper with the text "41A Brattle St. Photographers" partially visible at the top right corner. The overall layout is typical of a newspaper or magazine, with columns of text and integrated images.

The image shows a page of a magazine or newspaper with an article titled "Images in Sequence" by Phil Patton. The article discusses the use of sequences of images in photography and film, highlighting the work of photographers like Kelly Wise and Aaron Siskind. The article features a photo sequence by Kelly Wise, showcasing the importance of sequencing in creating a narrative and evoking emotions. The article also mentions the influence of comic strips and film techniques on the development of photographic sequences.

The image is a page from a magazine or newspaper, featuring an article titled "Images in Sequence" by Phil Patton. The article discusses the art and technique of creating sequences of photographs, comparing it to the medium of film. The article includes several black-and-white photographs of people in various poses, as well as a photo sequence by Kelly Wise, which is highlighted in the article. The article explores the potential of sequences of photographs to tell stories and create narratives, similar to how film works. The article also mentions the work of other photographers who have experimented with sequences, such as Duane Michals and Eve Sussman.

The image depicts a page from a publication titled "Scrutiny", dated January 31, 1973, and authored by Phil Patton. The page is titled "Images in Sequence" and focuses on the artistic and technical aspects of photo sequences, particularly the work of photographer Kelly Wise.

Visual Elements:

1. Text Content:

   • The page contains a detailed article discussing the evolution and significance of photo sequences in photography. It explores how sequences can convey narrative, emotion, and meaning, drawing comparisons to film and literature.
   • The article highlights Kelly Wise’s work, specifically mentioning his sequence titled "None at The Fogg", which is illustrated with a small photo sequence at the bottom of the page.
   • The text also references other photographers and filmmakers, such as Aaron Siskind, Eadweard Muybridge, and Alfred Hitchcock, to contextualize the importance of sequences in visual storytelling.

2. Photo Sequence:

   • At the bottom of the page, there is a small photo sequence labeled "A photo sequence By Kelly Wise. None at The Fogg."
   • The sequence consists of four photographs arranged horizontally:
     • First Frame: Shows a close-up of a child’s hand gripping an object, possibly a piece of furniture or a structural element. The child appears to be in motion, with a blurred background suggesting movement.
     • Second Frame: Depicts the same child, now with their hand extended outward, possibly reaching for or interacting with something off-frame. The background remains blurred, maintaining the sense of motion.
     • Third Frame: Shows the child’s hand gripping a different object, possibly a railing or a piece of furniture, with the child’s body partially visible. The background continues to be blurred.
     • Fourth Frame: Displays the child’s hand and arm in a different position, suggesting continued interaction with the environment. The background remains blurred, emphasizing the focus on the hand’s movement.

3. Layout and Design:

   • The page has a classic newspaper or magazine layout, with the headline prominently displayed at the top.
   • The article is written in a dense, columned format typical of academic or intellectual publications.
   • The photo sequence is placed below the article, serving as a visual example to illustrate the discussion of sequential imagery.

Contextual Details:

• The article discusses the evolution of photography as a medium and its comparison to literature and film. It emphasizes the narrative potential of photo sequences, noting how they can convey complex stories, emotions, and themes.
• The mention of Kelly Wise’s sequence "None at The Fogg" suggests that the photographer is using sequences to explore themes of movement, interaction, and perhaps the subtle drama of everyday life.
• The blurred backgrounds in the sequence emphasize the focus on the subject’s actions, drawing attention to the hand’s movements and interactions.

Overall Impression:

The image captures a moment of artistic and intellectual discourse, blending textual analysis with visual storytelling. The photo sequence serves as a practical example of how sequential imagery can convey narrative and emotion, aligning with the broader themes discussed in the article. The layout and design reflect the formal tone of the publication, emphasizing the scholarly nature of the content.

This image shows a newspaper or magazine clipping mounted onto a page. The heading at the top reads "Images in Sequence," dated January 31, 1973, with additional handwritten notes indicating "HARVARD CRIMSON." The article is written by Phil Patton and discusses "Photography as a young medium," exploring the concept of photographic sequences and their role in visual storytelling.

The text analyzes photographic techniques, such as sequences which create meaning by capturing moments in progression. The article references a photo sequence by Kelly Wise featured at the Fogg Art Museum, highlighting its impact and importance.

Below the article text, there are three photographs grouped together as part of the discussed sequence. Each image captures different moments of action, demonstrating the progression and layered storytelling concept mentioned in the article.

Surrounding the clipping is a scrapbook-style border, with the page itself displaying some aging (slightly yellowed paper edges). There’s a visible folded element (possibly a tab or bookmark) at the top right.

This image shows a newspaper page with an article titled "SCRUTINY – Images in Sequence" written by Phil Patton. The article is featured in "HARVARD CRIMSON" as evident from the newspaper masthead. The date of publication is September 21, 1973. The article appears to discuss the nature and evolution of photography as an artistic medium, with references to the practice of sequencing images to tell a story or articulate a concept.

The page includes a column of text under the headline, along with four smaller images arranged vertically in two columns near the center of the page. These images seem to be a part of a photo sequence which may perhaps illustrate points made in the article. The paper is aged, indicating that it is a physical artifact rather than a digital representation. The article references individuals who have presumably contributed to the field of photography and the art of sequencing images. There is a visible fold mark horizontally across the center of the page, indicating that the paper was folded at some point. The top right corner of the page bears a page number, reflecting its position within the newspaper.

The image shows a newspaper or magazine page titled "SCRUTINY" with an article headlined "Images in Sequence." There is a handwritten note above the headline in red ink that reads "HARVARD CRIMSON" and is dated "JANUARY 31, 1973."

The article is written by Phil Patton and discusses photography, focusing on the concept of sequences in photographic work. It explores how sequences function in films and photography to tell stories or communicate ideas. The text mentions several photographers and their approaches to sequence photography.

In the center of the page, there are three black-and-white photographs arranged vertically, related to the article. The caption beneath these photos reads: "A photo sequence By Kelly Wise Now at The Fogg."

Overall, the article delves into the artistic and technical aspects of creating visual sequences, particularly in the context of photographic art.

A vintage newspaper page kept in a bound book, opened to a feature titled “Images in Sequence” under a bold “SCRUTINY” header. The article, with multiple narrow columns of text, discusses photography and sequence imagery. In the middle of the page is a small grid of four black‑and‑white photos, forming a photo sequence with captions beneath. A handwritten note along the top edge reads “Harvard Crimson January 31, 1973.” The page is slightly yellowed and curved along the spine, giving it an aged, archival look.