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The image shows a newspaper article titled "Images in Sequence" from the Harvard Crimson, dated January 31, 1973. The article, written by Phil Patton, discusses the use of photo sequences in photography and their potential for storytelling, comparing it to the young and evolving nature of the photographic medium itself. The article mentions several photographers, including Kelly Wise, Aaron Siskind, and Philippe Halsman, and their works that utilize sequences to convey motion, emotion, or progression of events.

The article also touches on the challenges and uncertainties that come with interpreting photo sequences, as the meaning can often be ambiguous and open to the viewer's interpretation. It references specific examples, such as a sequence by Wise that depicts a man and child, and another by Siskind that focuses on abstract elements. The article concludes by suggesting that photo sequences, though still relatively unexplored, hold great promise for the future of photography.

Additionally, the article includes an image of a photo sequence by Kelly Wise, displayed at an exhibit at The Fogg, and a brief note about other exhibits at the Busch-Reisinger and Fogg museums.

The image is of a newspaper clipping from the Harvard Crimson dated January 31, 1973, titled "Images in Sequence." The article, written by Phil Patton, discusses photography sequences and their development in the field.

Key points include:

1. Introduction to Photography Sequences:

   • Photography is still a relatively new medium, and sequences are a developing approach.
   • The article highlights that the quality of sequences is not universally understood or agreed upon.

2. Examples and Comparisons:

   • The piece compares early works of artists like Aaron Siskind and the photographer Kelly Wise.
   • It mentions how sequences, especially those by Wise, utilize formal relationships between images, often exploring narrative and structural elements.
   • The text points out that sequences can be confusing and ambiguous, particularly when the direction is not explicitly clear.

3. Kelly Wise's Work:

   • Kelly Wise's sequences are noted for their complex and layered storytelling.
   • Her sequences often involve juxtaposing seemingly unrelated shots to create a new narrative or symbolic meaning.
   • The article discusses Wise's technique of using sequences to explore the nature of film itself, showing how different shots can lead into each other.

4. Importance and Technique:

   • The article suggests that sequences are important in photography for teaching viewers about film and creating a new visual language.
   • It highlights how sequences can be used to portray the feeling of loss and progression, emphasizing the artistic tension between frames.

5. Exhibition Information:

   • The article mentions an exhibition titled "BUSCH-REISGINER. Graphic Works by Peter Ackermann and Hermann Fogg" which features photography by Aaron Siskind and Kelly Wise.
   • It notes that the exhibit is part of the Fogg Museum's ongoing "Images in Sequence" series, showcasing works from different artists.

Overall, the article provides an in-depth look at the innovative use of photographic sequences, focusing on the work of Kelly Wise and discussing the broader implications of these artistic sequences in photography.

The image is a newspaper clipping from the Harvard Crimson, dated January 31, 1973. The article is titled "Images in Sequence" and is written by Phil Patton. The piece discusses the art of photography and the concept of photo sequences, focusing on the work of Kelly Wise and Aaron Siskind.

Key points from the article include:

1. Photography as a Medium: The author notes that photography is a young medium and its quality is still uncertain. It's compared to other forms of art like painting and literature, and its development is likened to the evolution of film.

2. Photo Sequences: The article explores the use of photo sequences, where multiple images are arranged to tell a story or convey a narrative. Kelly Wise's sequences are highlighted for their ability to show progression and development within a series of frames.

3. Kelly Wise's Work: Wise’s sequences are described as often involving a narrative that unfolds across multiple frames. His work is praised for its ability to create tension and progression through the juxtaposition of images, akin to the techniques used in film.

4. Influence and Comparison: The article mentions that Wise’s work is influenced by the moving camera and the use of montage techniques, which are pivotal in filmmaking. It also references the work of Edward Muybridge and Eadweard Muybridge, who were early pioneers in capturing motion through sequential images.

5. Visual Examples: The article includes a photo sequence by Kelly Wise, specifically from his work at The Fogg, illustrating how a sequence can be composed to tell a story through a series of images.

6. Exhibition Context: The article is likely part of an exhibition announcement or review, suggesting that Wise’s works are on display, possibly at The Fogg Museum.

7. Critical Reception: The text discusses how Wise’s sequences are being critically received and how they challenge the viewer to interpret the progression and narrative within the images.

8. Exhibits and Other Works: The clipping also mentions other exhibits, such as those by Peter Ackermann and Hermann Lang, and Aaron Siskind, indicating a broader context of photographic art exhibitions.

The article concludes by emphasizing the potential of photo sequences to offer new ways of seeing and interpreting the world through photography.

The image is a newspaper clipping from January 31, 1973, featuring an article titled "Images in Sequence" by Phil Patton. The article discusses the use of photo sequences in photography, focusing on the work of Kelly Wise and Aaron Siskind.

Key points from the article include:

1. Introduction to Photo Sequences:

   • Photography is described as a young medium with evolving quality standards.
   • Photo sequences, like those by Kelly Wise and Aaron Siskind, are highlighted as a significant development in the medium.

2. Kelly Wise's Work:

   • Wise’s sequences are noted for their narrative and thematic connections.
   • The sequences often depict a progression, where parts of the images can be linked to development in form or subject matter.
   • Wise's work is seen as an attempt to explore and realize sequences that were only hinted at in earlier film sequences.

3. Influence of Film:

   • Wise's approach is likened to film techniques, specifically the way film sequences can create a narrative through juxtaposed images.
   • The article mentions Wise’s use of still photographs to create a narrative effect akin to film.

4. Kelly Wise's Techniques:

   • Wise’s sequences often break down into images that are not directly related but collectively tell a story.
   • His sequences are compared to the structure of narrative in films, where each shot contributes to the overall story.

5. Aaron Siskind’s Work:

   • Siskind’s sequences are noted for their reliance on family relations and other human connections.
   • The article mentions that Siskind’s sequences are more ambiguous and less directly narrative-driven.

6. Exhibitions and Recognition:

   • The article mentions several exhibitions and events related to photography, including the prestigious photography magazine, Camera Obscura.
   • It lists various photographers and their works, such as Peter Ackermann, Hermann Claasen, and Kelly Wise, who are showcasing their photo sequences.

7. Visual Examples:

   • There is an image of a photo sequence by Kelly Wise titled "Now at The Fogg".

8. Overall Impact:

   • The article suggests that photo sequences are a significant trend, bringing a new dimension to the medium of photography.
   • It emphasizes the potential of sequences to create narratives and evoke emotions, much like film.

The article concludes by highlighting the innovative potential of photo sequences in expanding the storytelling capabilities of photography.

The image is a newspaper clipping from January 31, 1973, featuring an article titled "Images in Sequence" under the "Scrutiny" section by Phil Patton. The article discusses the concept of photo sequences, analyzing their artistic and narrative qualities.

Summary:

Main Article (Images in Sequence):

• Author's Perspective:
  Phil Patton explores the idea that photography, particularly sequences of images, is still evolving artistically. He emphasizes the importance of sequences in capturing moments and conveying narratives in a way that single images cannot.

• Photo Sequences vs. Film:
  The article notes that while early photographers tried to emulate film, sequences offer unique qualities. Unlike film, which can capture continuous movement, sequences are composed of discrete images that can highlight specific moments and gaps between them.

• Analysis of Different Photographers:

  • Aaron Siskind: His sequences resemble English poetry, linking images through formal or thematic elements.
  • Eadweard Muybridge: Known for his animal locomotion studies, Muybridge’s sequences attempt to capture movement by breaking it into frames.
  • Harry Callahan: His work shows stark juxtapositions and a focus on transitions between images.
  • Kelly Wise: His photo sequences at the Fogg Museum illustrate the progression of moments, similar to narrative storytelling.

• Wise's Work:
  The article highlights Kelly Wise’s sequences, noting their effectiveness in depicting a sense of loss and narrative through a series of images. Wise’s photographs show a fluid, almost cinematic progression, with each image contributing to a broader story.

Exhibits Column:

• Mentions various photographic exhibitions:
  • Peter Ackerman and Hermann Wiese at Busch-Reisinger Graphic Works.
  • Aaron Siskind at Light Gallery.
  • Kelly Wise at the Fogg Museum.

Third Page Announcements:

• Pierre Cordier: Known for chemigrams, which combine painting and photographic techniques.
• Phil Patton: Another mention of upcoming photographic exhibits and techniques.

Visual Elements:

The article includes several photographs illustrating a sequence by Kelly Wise, showing a child interacting with a cat, and another sequence depicting a person in various stages of movement or activity.

Conclusion:

The article argues that photo sequences can offer a unique storytelling medium, bridging the gap between static photography and dynamic film. It praises the ability of sequences to convey deeper narratives and emotional content, exemplified by the works of several photographers, particularly Kelly Wise.

The image shows a page from a magazine or newspaper, specifically an article titled "Images in Sequence" written by Phil Patton, published on January 21, 1973. The article discusses the concept of photo sequences in photography and their significance.

Key points from the article include:

1. Photography as a Medium: The article notes that photography is a young medium and compares its development to literature and painting. It highlights that while photography may not have the same historical depth, it has seen significant advancements.

2. Photo Sequences: The article focuses on the photo sequences by Kelly Wise, which are being exhibited at The Fogg. Photo sequences are described as a series of photographs that tell a story or convey a narrative progression.

3. Comparison to Film: The article compares photo sequences to film, noting that both involve a series of images but differ in their presentation and impact. Photo sequences are said to be more deliberate and complex, allowing for a more nuanced exploration of the subject matter.

4. Examples of Sequences: The article mentions specific sequences by Kelly Wise, such as one involving a young girl coming into a room and climbing into a cardboard carton, and another showing a boat passing through the ceiling.

5. Critique and Analysis: The article discusses the effectiveness of photo sequences and their ability to convey movement and narrative. It also mentions the work of other photographers like Eadweard Muybridge and Duane Michals, who have experimented with sequences.

6. Exhibitions: The article lists several exhibitions, including one by Kelly Wise at The Fogg, and mentions other notable exhibitions such as those by Peter Ackermann, Hermann Zern, and Aaron Siskind.

The page also includes a section titled "exhibits" on the right side, listing various photography exhibitions happening at the time. The layout features text and a few black-and-white photographs illustrating the concepts discussed in the article.

This is an image of an open newspaper or magazine spread with an article focused on photographic sequences. The spread includes multiple photographs arranged in a series, presented in a visual story format. The article discusses the importance and techniques behind creating effective photographic sequences. Text columns surround the images with headings and subheadings related to the art of photography and the impact of sequences. The page appears to be from a historical publication, given the vintage look and feel of the paper and the font styles used in the print.

The image shows a page from a publication titled "Scrutiny", dated January 31, 1973, as indicated at the top of the page. The page is titled "Images in Sequence" and appears to be a review or article discussing the art of photo sequences, particularly focusing on the work of photographers like Kelly Wise and Eve Sonneman.

Key Elements of the Image:

1. Header and Title:

   • The top of the page features the publication name "Scrutiny" in bold, along with the date "January 31, 1973".
   • The main title, "Images in Sequence", is prominently displayed in large, bold text.

2. Author and Context:

   • The article is attributed to B. Phil Patton, as indicated at the top of the text.
   • The article discusses the concept of photo sequences, comparing them to film and other visual media. It explores how sequences can convey narrative, emotion, and meaning through a series of images.

3. Content Overview:

   • The article begins by introducing the idea of photo sequences as a young medium, noting their potential to tell stories and evoke emotions.
   • It highlights the work of Kelly Wise, who is praised for his sequences that capture family relations and everyday moments, emphasizing the emotional impact of sequential imagery.
   • The article also references Eve Sonneman, whose two-frame sequence is analyzed for its ability to convey movement and narrative.

4. Visual Elements:

   • Photographs:
     • A central photograph depicts a young child holding an adult's hand, suggesting themes of family, care, or connection.
     • Below the photograph, there is a caption: "A photo sequence by Kelly Wise. None at The Fogg." This indicates that the image is part of a sequence by Kelly Wise, and it is not part of the collection at The Fogg Art Museum.
   • Text Layout:
     • The article is written in a dense, columned format typical of academic or intellectual journals.
     • The text is accompanied by subheadings and references to other works, such as "BUSCH-REISINGER. Graphic Works by Peter Ackermann and Hermann Fogge", suggesting a broader discussion of art and photography.

5. Design and Condition:

   • The page appears to be part of a bound book or journal, with visible spine edges and a slightly worn appearance, indicating age or frequent handling.
   • The text is printed in black ink on a light-colored page, with clear typography that is typical of mid-20th-century publishing.

Summary:

The image depicts a page from the January 31, 1973, issue of "Scrutiny", featuring an article titled "Images in Sequence" by B. Phil Patton. The article explores the artistic and narrative potential of photo sequences, with a focus on the work of Kelly Wise and Eve Sonneman. The page includes a central photograph by Kelly Wise, accompanied by descriptive text and references to other artistic works, reflecting a scholarly discussion of photography as a narrative medium. The overall design and condition suggest it is part of an academic or intellectual publication.

The image is a page from a magazine or journal, featuring an article titled "Images in Sequence" by Phil Patton. The article is published in the January 31, 1973 issue of "Scrutiny." The page includes a combination of text and photographs, with the layout consisting of a main article text on the left side and several photographs arranged in a sequence on the right side.

Detailed Description:

Text Content:

• Title: "Images in Sequence"
• Author: Phil Patton
• Publication: Scrutiny, January 31, 1973
• Main Text:
  • The article discusses the concept of images in sequence, emphasizing the narrative and artistic potential of sequential imagery.
  • It mentions the work of photographers like Diane Arbus and Kelly Wise, highlighting their contributions to the medium.
  • The text explores the idea that photography, while often seen as a static medium, can create a narrative when images are arranged in a sequence.
  • It also touches on the influence of film and the moving camera on still photography, suggesting that the sequence of images can mimic the flow and movement found in cinema.
  • The article includes quotes and references to other photographers and their works, such as Avedon and Herb Ritts, illustrating the broader context of sequential imagery in photography.

Photographs:

• Number of Photographs: There are four photographs arranged in a sequence on the right side of the page.
• Photograph Descriptions:
  • First Photograph: A black-and-white image of a person, possibly a portrait, with a contemplative or melancholic expression.
  • Second Photograph: Another black-and-white image, showing a different angle or moment, continuing the narrative from the first image.
  • Third Photograph: A third black-and-white image, further developing the sequence, possibly showing a change in expression or environment.
  • Fourth Photograph: The final image in the sequence, which concludes the narrative or theme started in the previous images.

Analysis and Description:

The article "Images in Sequence" by Phil Patton delves into the narrative power of sequential photography. Patton argues that while photography is traditionally viewed as a static medium, arranging images in a sequence can create a dynamic narrative akin to film. He references the works of notable photographers to illustrate this concept, emphasizing how their sequences of images evoke emotion, tell stories, and capture movement.

The photographs accompanying the article serve as practical examples of the ideas discussed in the text. The sequence of black-and-white images likely portrays a progression of moments or emotions, demonstrating the narrative potential of sequential photography. The contemplative expressions and varying angles suggest a story unfolding, reinforcing Patton's argument about the medium's capacity to convey complex narratives.

In summary, the page from "Scrutiny" magazine presents a thoughtful exploration of sequential imagery in photography, supported by visual examples that enhance the article's themes and arguments.

The image is a page from a magazine or newspaper that features an article titled "Images in Sequence" by Phil Patton. The article discusses the use of sequences in photography and film, highlighting the work of photographers like Duane Michals, Kelly Wise, and Pierre Cordier. The article mentions that photography is a young medium and that the quality of work can be uncertain. It also discusses the use of sequences in photography to create a sense of progression and movement, similar to film. The article includes several images of photo sequences and mentions the use of sequences in film to create a sense of continuity and ambiguity.