Ctrl-C, Ctrl-V. Rinse, repeat.
ARCH.2003.36, Rendition: 805469
The image is a page from a newspaper, specifically from "The Harvard Crimson" dated January 31, 1973. It is an article titled "Images in Sequence" by Phil Patton. The article discusses the concept of photo sequences, where multiple photographs are combined to create a narrative or progression, similar to film sequences. The article includes a section titled "A photo sequence" by Kelly Wise, which is accompanied by three black-and-white photographs of a young child in various poses. The photographs are labeled as part of an exhibit at The Fogg. The page also contains information about other exhibits, such as those by Busch-Reisinger and Fogg, and notes about the Third Page Editor, Phil Patton. The overall tone of the article is analytical, discussing the development and potential of the photo sequence as a form of art and storytelling.
This image shows a newspaper clipping from "The Harvard Crimson," dated January 31, 1973. The article is titled "Images in Sequence" and is written by Phil Patton. It discusses the concept of photo sequences as a form of art and communication, focusing on the work of Kelly Wise, who is exhibiting at the Fogg.
The article is divided into two columns of text, with the left column providing an introduction to the topic of photography as a young medium and its challenges. The right column delves deeper into the specifics of photo sequences and their relationship to film and other forms of visual storytelling.
In the middle of the page, there are three black-and-white photographs arranged in a sequence. These images are a part of the photo sequence by Kelly Wise mentioned in the article. The first image shows a person sitting on a stack of logs in a wooded area, the second image depicts two people sitting on a table outdoors, one with their hand on the other's foot, and the third image shows a person sitting on the ground, leaning against a tree.
The bottom of the page includes a caption that reads: "A photo sequence By Kelly Wise. Now at The Fogg."
On the right side of the page, there is a section titled "exhibits" which lists various art exhibitions, including works by Busch-Reisinger, Graphic Works by Peter Ackermann and Hermann Waldenburg, photographs by Aaron Siskind, and Pre-Raphaelite and Early French Symbolist Art in the Fogg Collection.
The overall layout and design of the page are typical of a newspaper, with a mix of text and images providing information about the art of photo sequences and related exhibitions.
This image shows an open, aged newspaper or journal spread, resting on a surface with its pages slightly curved. The paper has a yellowed, beige tone, suggesting it is an original from the early 1970s.
The masthead “SCRUTINY” appears in the upper left corner.
The main article, occupying most of the left and center spread, is titled:
Images in Sequence
It is attributed to Phil Patton and is dated January 31, 1973, handwritten in red ink above the title. The headline is also stamped or written in red as “HARVARD CRIMSON”, and there’s a small handwritten note “S.G.R.” near the top right.
The article discusses the artistic and narrative potential of sequential photography — photo sequences — comparing them to film and exploring their evolution as an art form. It references photographers such as Kelly Wise and Aaron Siskind, and their exhibit at The Fogg (likely the Fogg Museum at Harvard). It also mentions the influence of film directors like Alfred Hitchcock and Eisenstein on photographers’ use of sequencing.
In the center of the article is a section labeled “A photo sequence By Kelly Wise. Now at The Fogg”, which features a grid of three black-and-white photographic images:
On the right-hand page, under a section titled “exhibits”, there’s a list of upcoming art events, including:
The text is formatted in columns, typical of a newspaper or alternative art journal of the era. The overall impression is of an arts and culture publication from the early 1970s, focusing on conceptual developments in photography and film.
The image is a page from a magazine or journal, featuring an article titled "Images in Sequence" by Phil Patton. The article is published in the January 31, 1973 issue of "Scrutiny." The page includes a combination of text and photographs, with the layout consisting of a main article text on the left side and several photographs arranged in a sequence on the right side.
The article "Images in Sequence" by Phil Patton delves into the narrative power of sequential photography. Patton argues that while photography is traditionally viewed as a static medium, arranging images in a sequence can create a dynamic narrative akin to film. He references the works of notable photographers to illustrate this concept, emphasizing how their sequences of images evoke emotion, tell stories, and capture movement.
The photographs accompanying the article serve as practical examples of the ideas discussed in the text. The sequence of black-and-white images likely portrays a progression of moments or emotions, demonstrating the narrative potential of sequential photography. The contemplative expressions and varying angles suggest a story unfolding, reinforcing Patton's argument about the medium's capacity to convey complex narratives.
In summary, the page from "Scrutiny" magazine presents a thoughtful exploration of sequential imagery in photography, supported by visual examples that enhance the article's themes and arguments.
The image is a page from a magazine or newspaper that features an article titled "Images in Sequence" by Phil Patton. The article discusses the use of sequences in photography and film, highlighting the work of photographers like Duane Michals, Kelly Wise, and Pierre Cordier. The article mentions that photography is a young medium and that the quality of work can be uncertain. It also discusses the use of sequences in photography to create a sense of progression and movement, similar to film. The article includes several images of photo sequences and mentions the use of sequences in film to create a sense of continuity and ambiguity.
The image shows a page from a publication titled "Scrutiny", dated January 31, 1973, as indicated at the top of the page. The page is titled "Images in Sequence" and appears to be a review or article discussing the art of photo sequences, particularly focusing on the work of photographers like Kelly Wise and Eve Sonneman.
Header and Title:
Author and Context:
Content Overview:
Visual Elements:
Design and Condition:
The image depicts a page from the January 31, 1973, issue of "Scrutiny", featuring an article titled "Images in Sequence" by B. Phil Patton. The article explores the artistic and narrative potential of photo sequences, with a focus on the work of Kelly Wise and Eve Sonneman. The page includes a central photograph by Kelly Wise, accompanied by descriptive text and references to other artistic works, reflecting a scholarly discussion of photography as a narrative medium. The overall design and condition suggest it is part of an academic or intellectual publication.
The image presents a page from an old newspaper, featuring a prominent headline that reads "Images in Sequence" in bold black font. The article, written by Phil Patton, delves into the world of photography and film, exploring their connections and the art of storytelling through images.
Key Points:
Summary:
The image showcases a thought-provoking article that explores the intersection of photography and film, highlighting the power of images to tell stories and evoke emotions. The use of a photograph as a visual aid adds depth and context to the article, making it a compelling read for anyone interested in the art of storytelling.
This image is a scanned page from the Harvard Crimson newspaper, dated January 31, 1973. The article, titled "Images in Sequence," explores the concept of photography as a medium that can be used to tell stories and convey meaning through sequences of images. The author, Phil Patton, discusses how photographers have used this technique to create narrative sequences that are more complex and nuanced than traditional single-image photography.
The article features several photographs by Kelly Wise, which are displayed in a grid format on the right-hand side of the page. These images appear to be part of a larger sequence, with each photograph building on the previous one to create a cohesive narrative. The article also includes a brief description of Wise's work and his approach to creating sequences.
Overall, the image provides insight into the artistic and technical aspects of photography as a medium for storytelling, highlighting the potential for sequences of images to convey complex ideas and emotions in a way that single images cannot.
The image presents a vintage newspaper clipping titled "Images in Sequence" from January 31, 1973, displayed on a beige background. The clipping is centered within a light-brown, rectangular frame resembling a book or folder, with visible stitching along the top edge.
Clipping Details:
Article Content:
The article, written by Phil Patton, discusses the concept of photography as a young medium and its relation to other forms of art, such as literature and painting. It highlights the work of Kelly Wise, who created a series of photographs that tell a story through a sequence of images. The article also mentions other photographers, including Diane Arbus and Alfred Hitchcock, and their use of sequences in their work.
Visual Elements:
Overall Impression:
The image appears to be a scanned or photographed copy of a vintage newspaper clipping, carefully preserved and presented in a protective sleeve or frame. The beige background and light-brown frame suggest a neutral and earthy tone, allowing the viewer to focus on the content of the clipping.
The image presents a newspaper clipping from the Harvard Crimson, dated January 31, 1973, featuring an article titled "Images in Sequence" by Phil Patton. The article is accompanied by three black-and-white photographs.
In summary, the image showcases a newspaper clipping from the Harvard Crimson, featuring an article on photography and photo sequences, accompanied by three black-and-white photographs. The article discusses the concept of photo sequences and highlights Kelly Wise's work, while the photographs appear to be part of his sequence.