Archives Scrapbooks

This image shows an open book or magazine, displayed against a plain, light-gray background. The left-hand page is a solid, unprinted tan or beige paper, possibly a protective flyleaf or the inside cover of a portfolio-style publication. The right-hand page contains a printed article on white paper, with two black-and-white photographic reproductions of Asian artworks at the top, followed by several columns of text.

Visual Elements of the Page

Top Images (Illustrations)

• Left Image (Labeled “2”): A square-format photograph showing a carved stone panel. It appears to depict a decorative, possibly floral or foliate, border surrounding a central area. The lower portion is filled with swirling, stylized patterns, perhaps representing clouds or waves.
• Right Image: A vertical, full-length photograph of a seated stone figure, likely a Buddha or Bodhisattva. The figure sits cross-legged in a meditative posture (lotus position) with a serene expression. It is adorned with elaborate drapery folds and a halo or nimbus behind the head. The carving is detailed, with clear delineation of facial features, robes, and possibly a throne or pedestal.

Textual Content

The article is titled implicitly by the handwritten annotation: “Oriental Art + Magazine / Winter ‘72”, written in blue ink by hand at the bottom of the page.

The printed text reviews an exhibition titled “The Rathbone Years,” which was held at a museum from June 9th to October 8th. This exhibit was curated as a tribute to the retiring Director, Perry Rathbone, and featured notable examples of Asian art from the museum’s collection.

Key points from the text:

• The early Eastern Wei limestone figure of a Bodhisattva is described as having “its soft, serene smile” that spreads “a mood of content.” It is contrasted with a well-known 7th-century seated figure of a lion that has a “virile, rambunctious note.”
• A pair of Tang dynasty limestone tomb doors is noted for depicting “figures of ladies aristocratic in their demeanor, hair done up in extravagant swirls, full robes falling in voluminous folds.”
• A rare 8th-century Indian ivory figure of Buddha is mentioned as an exquisite example from its era.
• A South Indian gilt bronze figure of a seated Buddha (ca. 9th century), 81.9 cm tall, is described as the “only ‘South Indian Buddhist bronze of this style, size and historical significance… known to exist.’”
• The text references Harvard’s Fogg Art Museum series on Indian painting, starting with “Indian Painting Before The Reign of the Shah Jahan”, curated by Mark Zebrowski.
• Other works mentioned include an 18th-century portrait of the “Infant Prince” Shah Shuja (1616), a 1618 Mughal leaf from the Encyclopedia of Natural History Manuscript, and a 17th-century “famous beast ready to pounce” (possibly a deer or lion).

Overall Impression

This page is from a scholarly or museum-affiliated publication dedicated to Asian art. The tone is erudite and appreciative, combining formal art historical description with personal musings on display and installation (“One wonders why some of the smaller sculptures couldn’t be grouped together under spot, and oh, for a little greenery to soften the scene…”).

The handwritten annotation confirms the publication as Oriental Art + Magazine, Winter 1972 issue, page 400. The inclusion of both photographs and detailed descriptive text suggests it is part of an exhibition catalog or review article, aimed at collectors, academics, or art enthusiasts.

Physical Context

The page is mounted or affixed to a sturdy tan or brown backing—perhaps a portfolio folder or archival binding—indicating it may have been preserved or displayed as a separate document. The clean presentation and careful layout suggest a high-quality academic or museum publication.

The image shows a page from a book or catalog, likely an exhibition catalog or a publication about oriental art, specifically from the "Winter '72" issue of "Oriental Art Magazine." The page is numbered 400 and contains a text description and two grayscale illustrations of what appear to be ancient Chinese or East Asian artworks.

The left illustration depicts a figure holding a scroll, and the right illustration shows another figure, possibly a deity or a historical figure, holding an object. The text accompanying these illustrations discusses the artworks, referencing historical and cultural contexts, and provides details about the figures depicted. It mentions the early Eastern Wei limestone figure of a Bodhisattva, a 7th-century seated figure of a lion, and a pair of Tang limestone tomb doors with figures of ladies.

The text also references an exhibition called "The Rathbone Years," which was held at the museum as a tribute to a retiring director, Perry Rathbone. The exhibition featured several examples of Asian art, including a late Eastern Zhou painted lacquer box and a rare 8th-century Indian ivory figure of Buddha.

This image shows an open book featuring a page from the "Oriental Art Magazine," specifically the Winter 1972 issue. The page number is 400. The content is about an art exhibition held at the Fogg Art Museum, Harvard University, from June 9 to October 8, 1972, titled "The Rathbone Years." The exhibition was a tribute to the retiring director, Perry Rathbone, and featured several outstanding examples of Asian art.

At the top of the page, there are two black-and-white images. The left image is labeled as Figure 2 and depicts a pair of Tang dynasty limestone tomb door figures of ladies. The right image shows a South Indian, ca. 9th century, gilt bronze figure of a seated Buddha.

The text describes various artworks included in the exhibition, including an Eastern Wei limestone figure of a Bodhisattva, a well-known 7th-century seated figure of a lion, and a late Eastern Chou painted lacquer box. It also mentions an 18th-century Indian ivory figure of Buddha and a striking leaf from a Maklugat (Encyclopedia of Natural History) manuscript, among other pieces.

At the bottom of the page, there is a handwritten note that reads "Oriental Art Magazine Winter '72."

A magazine page with an article and a photograph of two sculptures is opened on the table. The article is titled "Orientale Art Magazine Winter '72." The magazine is open to page 400. The photograph is of two sculptures, one on the left and one on the right. The sculpture on the left depicts a lion, while the sculpture on the right depicts a person. The magazine is placed on a brown surface.

The image shows an open book with a white paper inserted in the middle. The paper contains a black-and-white photograph of a sculpture of a person sitting on a throne. The photograph is accompanied by some text. The book's cover is brown, and the pages are white. The book appears to be a magazine or a journal, as it has a title at the top of the page.

The image depicts an open book, specifically a page from the Oriental Art Magazine, Winter '72. The page features a combination of text and an illustration.

Text Content:

• The left side of the page contains a block of text discussing various art pieces, including a Tang limestone tomb figure, Buddhist bronzes, and Indian ivory figures.
• The text elaborates on the artistic and historical significance of these objects, mentioning their materials, styles, and cultural contexts. It also references exhibitions and notable collections, such as the Richter Year Exhibition and the Harvard University Art Museums.
• The text appears to be analytical and descriptive, aimed at readers interested in art history, particularly Asian and Indian art.

Illustration:

• On the right side of the page, there is a detailed black-and-white illustration of an Indian Buddhist bronze figure.
• The figure is depicted in a seated, meditative pose, wearing elaborate robes and jewelry, consistent with traditional Buddhist iconography. The illustration is rendered with fine lines and shading, capturing the intricate details of the sculpture.

Page Layout:

• The page is numbered 400, indicating it is part of a larger publication.
• The text is formatted in a classic, serif font, typical of academic or art magazine publications from the early 1970s.
• The illustration is placed adjacent to the text, suggesting a direct correlation between the visual depiction and the written description.

Overall Context:

The page appears to be part of an art magazine dedicated to exploring and showcasing Asian and Indian art. The combination of textual analysis and visual representation suggests an educational or scholarly purpose, aimed at art historians, collectors, or enthusiasts. The reference to "Oriental Art Magazine, Winter '72" indicates that this is a historical publication from the early 1970s.

This image shows a page from a magazine or publication affixed to a larger surface, which appears to be part of a scrapbook or book. The content includes text with accompanying illustrations. The illustrations feature two stone carvings or reliefs of figures, possibly of Buddhist or religious significance based on the description and imagery. Below the illustrations, the text discusses various topics related to art, likely including descriptions of the carvings, exhibitions, and cultural significance.

The bottom of the page includes handwriting in blue ink stating: "Oriental Art Magazine Winter '72." This seems to be a notation identifying the source and date of the publication. The page is aligned neatly within the scrapbook or book format.

This is a photograph of an open book with a two-page spread. On these pages, there are illustrations of two figures at the top of each page. Both figures appear to be depictions of Bodhisattvas, as indicated by the style of their garments, poses, and halos surrounding their heads. These illustrations have a historical or archaeological look, resembling rubbing or etch art.

Below the illustrations, there is text on both pages discussing the depicted figures and providing some context. The text is too small to read in detail, but it refers to various historical and artistic terms, such as early Eastern Wei limestone figures, Bodhisattvas, a South Indian, 9th century granite figure of a seated Buddha, and more. There seems to be a scholarly focus on Buddhist art and history.

At the bottom of the right page, just above the page number (400), there is handwritten text that appears to say "Oriental Art Magazine Winter '72." This suggests that the book is an art publication from the winter of 1972, specifically focused on the subject of Oriental art. The edge of the book's binding is visible on the left, indicating that this is towards the end of the book. The paper of the pages looks relatively aged, but still in good condition.

The image shows a page from a magazine or book featuring an illustration and text. The illustration at the top depicts two figures in traditional attire, possibly ancient or historical, both framed individually. They seem to be rendered in a sketchy or faded style, making details subtle. Below the illustration is a block of text in two columns describing art-related content, likely discussing the figures shown and related topics or artifacts. There is a handwritten note at the bottom of the page in blue ink that reads, "Oriental Art Magazine Winter '72." The page number at the bottom left corner is 400. The overall style and content suggest that this is an academic or scholarly article about Eastern art or artifacts.

• The image shows a page mounted on a brown backing. On the page, there are two vertical stone relief panels printed side by side, each depicting a robed figure with a halo, likely Bodhisattvas or deities.
• The reliefs are dark, with fine details of robes and jewelry, and they appear as a halftone photograph or reproduction.
• Beneath the pictures is a column of small printed text (article-style copy). At the bottom of the white page area, there is a handwritten note in blue ink: “Oriental Art Magazine Winter ’72.”
• The page number 400 is visible at the lower left corner of the printed portion.
• Overall, it resembles a scanned or photographed magazine or book page featuring art/archaeology content.