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ARCH.2003.36, Rendition: 805468
The image shows a page from a book or catalog, likely an exhibition catalog or a publication about oriental art, specifically from the "Winter '72" issue of "Oriental Art Magazine." The page is numbered 400 and contains a text description and two grayscale illustrations of what appear to be ancient Chinese or East Asian artworks.
The left illustration depicts a figure holding a scroll, and the right illustration shows another figure, possibly a deity or a historical figure, holding an object. The text accompanying these illustrations discusses the artworks, referencing historical and cultural contexts, and provides details about the figures depicted. It mentions the early Eastern Wei limestone figure of a Bodhisattva, a 7th-century seated figure of a lion, and a pair of Tang limestone tomb doors with figures of ladies.
The text also references an exhibition called "The Rathbone Years," which was held at the museum as a tribute to a retiring director, Perry Rathbone. The exhibition featured several examples of Asian art, including a late Eastern Zhou painted lacquer box and a rare 8th-century Indian ivory figure of Buddha.
This image shows an open book featuring a page from the "Oriental Art Magazine," specifically the Winter 1972 issue. The page number is 400. The content is about an art exhibition held at the Fogg Art Museum, Harvard University, from June 9 to October 8, 1972, titled "The Rathbone Years." The exhibition was a tribute to the retiring director, Perry Rathbone, and featured several outstanding examples of Asian art.
At the top of the page, there are two black-and-white images. The left image is labeled as Figure 2 and depicts a pair of Tang dynasty limestone tomb door figures of ladies. The right image shows a South Indian, ca. 9th century, gilt bronze figure of a seated Buddha.
The text describes various artworks included in the exhibition, including an Eastern Wei limestone figure of a Bodhisattva, a well-known 7th-century seated figure of a lion, and a late Eastern Chou painted lacquer box. It also mentions an 18th-century Indian ivory figure of Buddha and a striking leaf from a Maklugat (Encyclopedia of Natural History) manuscript, among other pieces.
At the bottom of the page, there is a handwritten note that reads "Oriental Art Magazine Winter '72."
A magazine page with an article and a photograph of two sculptures is opened on the table. The article is titled "Orientale Art Magazine Winter '72." The magazine is open to page 400. The photograph is of two sculptures, one on the left and one on the right. The sculpture on the left depicts a lion, while the sculpture on the right depicts a person. The magazine is placed on a brown surface.
The image shows an open book with a white paper inserted in the middle. The paper contains a black-and-white photograph of a sculpture of a person sitting on a throne. The photograph is accompanied by some text. The book's cover is brown, and the pages are white. The book appears to be a magazine or a journal, as it has a title at the top of the page.
The image depicts an open book, specifically a page from the Oriental Art Magazine, Winter '72. The page features a combination of text and an illustration.
The page appears to be part of an art magazine dedicated to exploring and showcasing Asian and Indian art. The combination of textual analysis and visual representation suggests an educational or scholarly purpose, aimed at art historians, collectors, or enthusiasts. The reference to "Oriental Art Magazine, Winter '72" indicates that this is a historical publication from the early 1970s.
The image presents a page from an old book, featuring a section about Buddhist art. The page is open to a two-page spread, with the left page containing text and the right page displaying a sketch of two statues.
In summary, the image showcases a page from an old book that explores the topic of Buddhist art, specifically focusing on the early Eastern Wei limestone figure of a Bodhisattva. The page features a detailed sketch of two statues, including the Bodhisattva, and provides historical context and information about the figure's significance.
This image presents a page from an old book, featuring a newspaper clipping with two images of ancient stone carvings. The clipping is positioned centrally on the page, with the left side displaying a large, rectangular image and the right side showing a smaller, rectangular image. Both images depict stone carvings of figures in robes, with the larger image on the left appearing to be a more detailed representation.
Below the images, a column of text provides information about the carvings, including their origin, age, and significance. The text is written in black ink and is accompanied by a blue handwritten note at the bottom of the page, which reads "Oriental Art Magazine Winter '72." The background of the page is a light brown color, suggesting that it may be made of paper or cardboard. Overall, the image appears to be a scanned or photographed page from an old book or magazine, likely related to art history or archaeology.
The image depicts a page from a book or magazine, specifically the "Oriental Art Magazine" Winter '72 issue, as indicated by the handwritten note at the bottom of the page.
The image presents a page from an art magazine or book, featuring images and descriptions of ancient sculptures, and provides insight into the artistic and cultural heritage of various civilizations.
The image presents a page from an open book, featuring a white paper insert with text and an illustration. The page is set against a gray background.
In summary, the image shows a page from an open book with a white paper insert containing text and an illustration. The text discusses art and history, while the illustration depicts two figures in a classical style. A handwritten note at the bottom of the insert indicates that it was originally published in a magazine or journal called "Oriental Art Magazine" in Winter 1972.
The image shows an open page from what appears to be an art magazine, specifically the "Oriental Art Magazine" from the Winter 1972 issue. The page contains two black-and-white photographs of Bodhisattva statues. Below the images, there is a textual description.
The text describes a Bodhisattva figure that is well-known in the art world. It mentions that the figure is a 7th-century seated figure of a Bodhisattva from the Northern Ch'i dynasty, which is housed in the Nelson Gallery in Kansas City, Missouri. The text discusses the figure's contemplative pose and the artistic style, which includes the use of splendid, intricate carvings and a sense of serenity.
The text also mentions another Bodhisattva figure from South India, dating back to the 11th century, which is part of a private collection in New England. This figure is described as being in a state of deep contemplation and is noted for its historical significance.
Additionally, the text provides information about the artist, Thomas Merton Wei, who created the figures. It mentions his artistic journey, his training under various masters, and his participation in exhibitions. The text also highlights his academic background, including his studies at Harvard University and the University of Pennsylvania, and his current role as a graduate student in the Autumn of 1972.
The page number at the bottom left is 400. There is a handwritten note in blue ink at the bottom of the page that reads "Oriental Art Magazine Winter 72."