Archives Scrapbooks

This image shows an open scrapbook or folder containing a collection of newspaper clippings, primarily from the Cambridge Chronicle, dated January 11, 1973. The page is mounted on a tan or beige cardboard backing, and the clippings are arranged as a curated archive of art news from that time.

The central and most prominent clipping is a long review titled:

“The New Year’s art: Expressive feet at the Fogg”

Written by Ann Philips, the article discusses contemporary art exhibitions in Cambridge, with a focus on the Fogg Art Museum. It reviews an exhibition of photographs by Aaron Siskind (donated by Mrs. Phyllis Lambert) and notes that they are “recent, the earliest date back only to the 1930s” but feel contemporary due to their subject matter — specifically “feet, variously arched with toes wiggling in the air.” The reviewer contrasts Siskind’s work with that of Kelly Wise, whose “narrative” and “myth and ritual” themed photographs are described as “without context of focus or scale,” and instead offer “rich visual observations.”

The article also covers:

• The Cambridge Art Association’s New Member’s show, highlighting prize winners including Suzanne Sablon and Deane des Rioux.
• A Fauvish picture by Loïs Tarlow.
• Works in the Rental Gallery by George Lewin.
• Technical virtuosity eclipsing content in other pieces.

It concludes by noting that the Fogg is fortunate to have acquired Siskind’s photos, and that museums are “beginning to collect photographs seriously.”

Below the main article are three smaller clippings or advertisements related to local art institutions and exhibitions:

1. Harvard University Museum — lists general information, including address and hours, noting the museum has “a number of adjoining institutions,” such as the Fogg.

2. Cambridge section (Panorama) — Busch Reisinger Museum & Fogg Art Museum — includes an advertisement for:

   • “Panorama” with the date “Jan 11/73” handwritten in red ink.
   • Details about the Fogg Art Museum, including exhibitions like a Pre-Raphaelite and Early French Symbolist Art show (Jan 16–Feb 25), and Fredrick M. Watkins Collection (Jan 31–March 14).

3. “ART” column — Busch-Reisinger Museum — repeats information about the exhibition “Humanism-in-the-North,” exhibited through Jan 14.

There’s also a note about Hunt Hall (US 127 students) and their work on “American-Environments,” Jan 8–Jan 18.

Overall Impression:

This page is a well-preserved, historically valuable snapshot of the Cambridge art scene in early 1973. It reflects a thoughtful effort to document local exhibitions, critical reviews, and institutional listings, likely assembled by someone with an interest in contemporary art, photography, and museum culture — perhaps a curator, artist, collector, or student.

The handwritten “Panorama Jan 11/73” emphasizes the date and significance of this particular issue — perhaps marking the day the review was published or the exhibition opened.

Keywords: 1973, art criticism, Aaron Siskind, Fogg Art Museum, Cambridge Chronicle, Harvard University, photography, scrapbook, archival, art exhibition.

The image appears to be a scanned page from a publication, possibly a newspaper or magazine, dated January 11, 1973. The page contains an article titled "The New Year's art: Expressive feet at the Fogg" by Ann Phillips. The article discusses an art exhibition at the Fogg Museum, focusing on various artists and their works.

The layout includes the main article on the top half of the page, with the date and the title "The New Year's art" prominently displayed. Below the article, there are three smaller sections that seem to be related to other exhibitions or announcements, possibly from other museums. These sections include the titles "HARVARD UNIVERSITY MUSEUM," "Cambridge BUSCH-REISINGER MUSEUM," and "FOGG ART MUSEUM," along with dates and additional text.

The bottom part of the page also has some handwritten notes and markings, possibly indicating the page's use in a scrapbook or personal collection. The overall appearance suggests that the page might be part of a collection of clippings or a personal archive related to art and museums.

This image shows a page from a scrapbook or archive that includes a newspaper clipping from the "Cambridge Chronicle" dated January 11, 1973. The clipping is about an art exhibition titled "Expressive Feet at the Fogg" by Ann Philips. The article discusses various artworks on display, including photographs by Aaron Siskind, a sequence of photos by Kelly Wise titled "Pleasures and Terrors of Levitation," and other works by different artists.

Below the main article, there are several smaller clippings and notes about art exhibitions at Harvard University museums, including the Busch-Reisinger Museum and the Fogg Art Museum. The clippings mention details about the exhibits, such as the dates, locations, and artists featured. Some of the notes are handwritten, and there are references to specific dates like January 14, 1973, and January 10, 1973, from the "Harvard Independent."

The overall theme of the page is art exhibitions in Cambridge, Massachusetts, with a focus on the Fogg Art Museum. The clippings and notes are arranged in a somewhat haphazard manner, suggesting they were collected and pasted into the scrapbook for reference or personal interest.

The image shows a page from a newspaper or magazine with a headline titled "Expressive Feet at the Fogg." The article is written by Ann Phillips and discusses the art exhibition at the Fogg Art Museum. The article highlights the unique and expressive nature of the artworks, particularly the emphasis on feet as a central theme. The article also mentions the variety of styles and techniques represented in the exhibition, ranging from traditional to modern and experimental approaches. The article provides a detailed description of the artworks and the artists involved, showcasing the diversity and creativity of the exhibition.

The image is of a newspaper article from the Cambridge Chronicle, dated January 11, 1973. The article is titled "Expressive feet at the Fogg" and discusses an exhibition of photographs at the Fogg Art Museum. The article is written by Ann Philips and features photographs by Aaron Siskind, donated by Mrs. Phyllis Lambert. The article describes the variety and individuality of the artist's works, as well as the themes and subjects of the photographs. The exhibition is open from January 23 to January 18, 1973. The article also mentions other exhibitions and events at the museum, including a Pre-Raphaelite and Early French Symbolist Art exhibition, a Watkins Collection exhibition, and a Hunt Hall work done by UES 117 students.

The image shows a page from a publication titled "Cambridge Chronicle", dated January 11, 1973. The page features an article titled "The New Year's art: Expressive feet at the Fogg" by Ann Philips. The article discusses an art exhibition at the Fogg Museum, highlighting photographs by Aaron Siskind and other artists.

Key Elements of the Image:

1. Headline and Subheading:

   • The main headline is "The New Year's art", followed by a subheading "Expressive feet at the Fogg".
   • The byline reads "By Ann Philips".

2. Content Overview:

   • The article reviews an exhibition of photographs at the Fogg Museum, focusing on Siskind’s work, which is described as "the richest dates back (to the 1930s)."
   • It discusses the expressive nature of Siskind’s photographs, emphasizing their narrative and formal qualities.
   • The article also mentions other artists and trends in the exhibition, including works by Lou Tarlow, George Lewis, and Simone Trippi.
   • It references the Rental Gallery and mentions specific dates for the exhibition (January 10 and 18).

3. Visual Layout:

   • The text is formatted in a typical newspaper or magazine style, with justified alignment and clear headings.
   • There are no visible images or photographs within the article itself; the content is purely textual.

4. Footer Information:

   • At the bottom of the page, there are stamps and annotations:
     • "CAMBRIDGE CHRONICLE" is printed at the top left.
     • Stamps indicate the Harvard University Museum and Food Art Gallery, along with dates and collection information.
     • Additional stamps include "PANORAMA" and "ART", suggesting the page may have been part of a larger collection or archive.

5. Stamps and Annotations:

   • The page includes several stamps and handwritten notes, such as:
     • "PANORAMA 1/14/73" and "ART".
     • "PANORAMA" and "JAN 14 1973" stamps.
     • A note referencing "Buseck, Resinger Museum" and "Street-Humanist-in-the-North".
     • Other stamps and notations suggest cataloging or archival purposes.

Summary:

The image depicts a page from a 1973 issue of the Cambridge Chronicle, featuring a review of an art exhibition at the Fogg Museum. The article focuses on Aaron Siskind’s expressive photographs and other contemporary artists, with detailed commentary on their styles and themes. The page also includes stamps and annotations indicating its archival or cataloging context, likely within a museum or library collection.

This is a scanned page from a book or scrapbook that contains newspaper clippings and articles. The central feature is an article titled "Expressive feet at the Fogg" by Ann Phillips, published in the Cambridge Chronicle on January 11, 1973. The article discusses an exhibition at the Fogg Museum featuring photographs by Aaron Siskind, including both historical and contemporary works.

The page includes additional related clippings. The smaller clippings at the bottom provide information about exhibitions and events, mentioning the Harvard University Museum, Fogg Art Museum, and other venues. Some of these were taken from sources labeled "Panorama" and reference January 1973 events. The articles highlight art events and exhibitions featuring various artists, photographers, and mediums. The content appears to document cultural activities of that time.

The page is carefully laid out on a brown scrapbook page, with the clippings fixed with visible organization.

A scrapbook page with newspaper clippings glued to a gray-brown page. The main clipping is from the Cambridge Chronicle dated January 11, 1973, titled “The New Year’s art” with a subheadline “Expressive feet at the Fogg” by Ann Phillips. The article discusses art exhibitions at the Fogg Art Museum and mentions Aaron Siskind and related topics; a secondary header on the same clipping reads “They share variety.” The text is arranged in multiple narrow columns and is torn around the edges.

Below the main clipping are three smaller clipped notes or captions, some with handwritten red annotations. One resembles a label about the Harvard University Museum or the Fogg Art Museum, and another has a bold “ART” heading. The overall look is that of a curated scrapbook page documenting art events from the early 1970s.

This image shows a scrapbook page with various newspaper clippings related to art exhibitions and events, with a particular focus on the Fogg Art Museum. The main article is titled "The New Year's art Expressive feet at the Fogg" from the "CAMBRIDGE CHRONICLE," dated January 11, 1973. The article discusses an exhibition at the Fogg Museum with a review that includes expressions like "expressive feet" and references to the impressions left by the works of art on display.

Below the main article are three smaller clippings with related information about exhibitions at the Harvard University Museum, the Bush-Reisinger Museum, and one that seems to be a general notice about arts in the Cambridge area. The clippings appear to have been selectively cut out and placed in an organized manner on the scrapbook page. There is handwriting present on the page, which suggests personal annotations or reminders about the clippings, e.g., the dates "Jan 14," "Jan 18," and "Sun 14," indicating specific days related to the events noted. The overall image gives the impression of a personal collection or documentation of art events from that era.

The image shows a scrapbook or album page featuring a newspaper article titled "Expressive feet at the Fogg," authored by Ann Philips, dated January 11, 1973, from the Cambridge Chronicle. The article discusses photographs by Aaron Siskind at the Fogg Museum, highlighting the expressive and contemporary nature of the prints. It compares these prints to traditional forms and notes their focus on subject matter and visual observation rather than narrative storytelling.

The article also mentions a variety of other art exhibits and styles, including Fauvist pictures by Lois Tarlow, surrealism by Simmonetti, and glass objects by Moshe Hirschberg. It discusses the individualism of the artists and the different themes in their works.

Below the article, there are several small clippings with exhibition announcements and museum information. These include details about the Harvard University Museum, the Busch-Reisinger Museum, and the Fogg Art Museum, listing exhibition dates, addresses, and featured artists. The clippings contain handwritten notes with dates like "Panorama Jan 14, 1973" and "January 10, 1973."

Overall, the page appears to document and archive material related to art exhibitions and museum activities from early 1973.