Archives Scrapbooks

This image displays an open, vintage scrapbook or album, with two newspaper clippings pasted onto a single, aged, beige-colored page.

Top Clipping: The Boston Phoenix, January 2, 1978

Headline:
Photography: Master Prints at the Fogg

Author:
Clif Garboden

Content:
This is a review of a photography exhibition at Harvard University’s Fogg Museum titled “Master Prints.” The article discusses the acquisition of significant modern photo prints for the museum’s permanent collection, funded by private contributions and a National Endowment for the Arts grant. It praises the high quality of the exhibition, which features work by photographers such as:

• Edward Steichen — “Steeple Chase Day” (1903)
• Jerry Uelsmann — known for surreal photomontages like “Room #1” (1963), depicted in a small black-and-white photo within the article.
• Other artists mentioned include Carl Chiarenza, Bruce Davidson, and Gowan’s “Edith and Grandmother Bennie Bocher.”

The review analyzes the symbolic, ambiguous, and often non-linear nature of modern photography, contrasting documentary style with more abstract or surreal works. It notes the absence of “news” shots or political imagery in the collection, emphasizing style, subtlety, and visual poetry. The reviewer notes that while the Fogg’s collection does not include a “frozen second” style like the famous NASA photograph “Wendy and Sky,” the show is still visually engaging and well-curated.

The article ends with gallery information:
The Fogg, 32 Quincy St., Cambridge, is open 9 to 5, Mon. thru Sat., 2 to 5, Sun. There is no admission charged.

Handwriting:
On the top right of the clipping, someone has written in cursive, though it is mostly illegible. It appears to say something like: “After the show, we were invited to dinner…”

Bottom Clipping: “His Real Paper,” January 10, 1978

Headline:
Exhibitions

This is a listings section, likely from a local arts or alternative paper. It includes:

• Openings of various exhibitions:
  • Sculpture by John Weidman
  • Various women artists, graphic works, and photography shows
  • Specifically highlighted in a blue circle: Aaron Siskind Photographs — “A Series of Segments” at the Fogg Art Museum, Jan. 8 to Feb. 4.
  • Also circled: Refracted Images — “A Series of Segments” by Aaron Siskind & Dutch Genre Paintings at the Museum of Fine Arts, Boston, Jan. 12–Mar. 5.

Handwritten text above the clipping:
“His Real Paper, January 10, 1978” — possibly the original collector’s note to identify the source.

Physical Appearance of the Page

The scrapbook page is visibly aged, with browned, yellowed paper edges and some wear along the spine margin. The clippings are mounted with what appears to be aged tape in the bottom corners. The page is slightly curled at the edges, suggesting it is part of a frequently handled or older book.

Summary

This scrapbook page preserves two 1978 newspaper articles reviewing photography exhibitions at Harvard’s Fogg Museum, notably by Jerry Uelsmann and Aaron Siskind. The collector annotated the page, adding context via handwriting and circling key events, suggesting personal interest or documentation of local art scene attendance. The artifacts reflect a moment in Boston’s cultural history, capturing critical reception and public listings of avant-garde photography at a major university museum.

The image appears to be a scanned page from a newspaper, specifically from "The Boston Phoenix" dated January 2, 1973. The page is formatted into two main sections:

1. Main Article:

   • The top section features an article titled "Photography: Master Prints at the Fogg" by Clif Garboden.
   • The article discusses an exhibition of master prints at the Fogg Art Museum in Harvard University. It provides a critique of the exhibition, mentioning various artists and their works. Notable artists mentioned include Edward Steichen, Diane Arbus, and Jerry Uelsmann.
   • There is a large black-and-white photograph in the middle of the article, attributed to Jerry Uelsmann, titled "Room #1" (1963).
   • The article concludes with details about the museum's opening hours and admission policy.

2. Exhibitions Section:

   • The bottom section lists various art exhibitions happening in Boston in January 1973. It includes details such as the names of the exhibitions, the galleries or venues, and the dates of the exhibitions.
   • The exhibitions mentioned include works by John Weidman Jr., a sculpture exhibition at the Boston Center for Adult Education, and an exhibition of works by women artists at Boston City Hall.

The page shows some handwritten notes in pencil and red ink, possibly for personal reference or comments on the article.

This image shows a page from an old newspaper or magazine, specifically from The Boston Phoenix dated January 2, 1973. The page is numbered as page fourteen.

Main Article:

The main article is titled "Photography: Master Prints at the Fogg" by Clif Garboden. It discusses a photography exhibition at the Fogg Museum of Harvard University. The article talks about the exhibition's focus on "big name" photographers and their works. It mentions various photographers such as Jerry Uelsmann, Diane Arbus, and others, and discusses the quality and significance of their work.

There is a photograph included within the article, credited to Jerry Uelsmann, titled "Room #1" (1963). The image appears to be a black-and-white photograph with a surreal and artistic composition, featuring a woman and some other elements that are not clearly defined.

Additional Content:

Below the main article, there is a section titled "Exhibitions" which lists upcoming art exhibitions and openings. Some of the exhibitions mentioned include:

• Sculpture by John Weidman Jr.
• Women artists exhibiting in Boston.
• Forms and Figures: Methods and Process at the Thayer Gallery.
• Works by Adele Seronde, Silvana Cenci, and Eric Herter.
• Graphic works by two Berlin artists.
• Refracted Images at the DeCordova Museum.
• Aaron Siskind photographs at the Fogg Art Museum.
• Dutch genre paintings at the Museum of Fine Arts, Boston.

Annotations:

There are handwritten notes on the page. At the top right, it says, "After the fact unfortunately, but he said he hopes to review the Siskind-Wise Exhibition, which would be great." At the bottom left, there is a note that says, "The Real paper January 10, 1973," with a circle around it.

The image is a photograph of a magazine page, specifically from The Boston Phoenix, dated January 1973. The page is filled with text, photographs, and some handwritten notes. The main article is titled "Photography: Master Prints at the Fogg," written by Cliff Garboden. The article discusses an exhibition at Harvard University's Fogg Museum, highlighting the work of various photographers, including Jerry Uelsmann, Edward Steichen, Paul Caponigro, and Carl Chiarenza.

The article praises the exhibition for its curated selection of prints that exemplify the photographers' unique styles and contributions to the medium. It mentions specific works, such as Uelsmann's "Room 11" and Steichen's "Steeple Chase Day," and describes the emotional and artistic impact of these images. The article also touches on the museum's efforts to present a cross-section of modern photography, emphasizing the importance of single prints in conveying the essence of each photographer's work.

Additionally, the page includes a smaller article titled "The Real Paper," which appears to be an advertisement or announcement for another publication. There are also handwritten notes in red and blue ink, possibly annotations or comments made by a reader. The page is slightly worn, with some creases and discoloration, indicating its age.

The image shows a magazine page with an article titled "Photography: Master Prints at the Fogg." The article discusses a photography exhibition at the Fogg Art Museum, highlighting the prints on display and the artists represented. The article mentions notable photographers such as Edward Steichen, Jerry Uelsmann, and others. The page also includes an advertisement for exhibitions, including "Sculpture by John Weiner" and "Women Artists Exhibiting Boston-New York." The magazine is open to page fourteen, with a date of January 7, 1975.

The image shows an open book or magazine spread featuring two pages from an issue dated January 3, 1973, published by The Boston Phoenix. The pages are titled "Photography: Master Prints at the Fogg" and "Exhibitions."

Left Page: "Photography: Master Prints at the Fogg"

• Title and Header: The page is titled "Photography: Master Prints at the Fogg" and is authored by Cliff Garboden.
• Content: The article discusses an exhibition of master prints at the Fogg Art Museum, highlighting notable photographers and their works. It mentions artists such as Jerry Ulenmann, Minor White, Paul Caputo, and Laura Gilpin, among others.
• Key Points:
  • The article emphasizes the importance of master prints in photography, noting that they offer a level of prominence and quality that distinguishes them from regular photographs.
  • It critiques the current state of photography exhibitions, suggesting that many viewers are more interested in the names of the photographers than the quality of the work itself.
  • The article references specific photographs, such as Jerry Ulenmann's "Room 11" (1983), and discusses their artistic and technical merits.
  • There is a mention of the Fogg's collection and its significance in the art world, as well as the challenges of presenting contemporary photography in an exhibition setting.

Right Page: "Exhibitions"

• Title and Header: The page is titled "Exhibitions" and appears to be a listing or announcement section.
• Content: This page contains a list of various art exhibitions taking place in Boston and surrounding areas during the month of January 1973.
• Key Points:
  • The listings include details about sculpture exhibitions, women artists' exhibitions, graphic works, and photography exhibitions.
  • Specific exhibitions mentioned include:
    • Sculpture by John Wedman at the Boston Center for the Arts.
    • Women Artists: Exhibiting Their Art and Processes at the Boston Center for the Arts.
    • Graphic Works by Two Artists at the Boston Center for the Arts.
    • Photography Exhibitions at the Museum of Fine Arts.
  • Each listing provides details such as the exhibition title, location, dates, and times.

Visual Elements:

• Handwritten Notes: There are handwritten notes and markings on the pages, suggesting that someone has annotated or highlighted specific parts of the text. These notes appear in red ink and are scattered across both pages.
• Photograph: On the left page, there is a black-and-white photograph of a woman standing in a room, likely illustrating one of the photographs discussed in the article. The photograph is captioned "Jerry Ulenmann's 'Room 11' (1983)."
• Layout: The text is formatted in a traditional newspaper or magazine style, with columns of text and clear headings.

Overall Impression:

The image captures a historical snapshot of art and photography exhibitions in Boston during January 1973. The left page provides an in-depth article about a photography exhibition at the Fogg Art Museum, while the right page serves as a directory of current exhibitions in the area. The handwritten notes suggest that the book or magazine was used for reference or study, adding a personal touch to the historical document.

This is an image of a scrapbook page containing clippings from articles and exhibition announcements. The primary article, titled "Photography: Master Prints at the Fogg," is from The Boston Phoenix (dated January 2, 1973) and discusses an exhibition at the Fogg Art Museum featuring master prints by prominent photographers. The article includes a black-and-white photograph with the caption: "Jerry Uelsmann's 'Room #1' (1963)." There is handwriting in the margins, including notes at the top right and text referencing "The Real Paper" dated January 10, 1973. Below the article is another clipping titled "Exhibitions," listing details about various art exhibits, including the Fogg Art Museum's featured display, which has been circled. The scrapbook appears to be neatly organized with typewritten and handwritten content.

The image shows a scrapbook page with two clippings from newspapers or magazines related to art exhibitions.

1. The top clipping is an article titled "Photography: Master Prints at the Fogg," written by Clif Garboden and published on January 2, 1973, in The Boston Phoenix (page fourteen). The article discusses a photography exhibition at Harvard University's Fogg Museum featuring master prints. It highlights various photographers and their works, including a photograph by Jerry Uelsmann titled "Room #1" (1963), which is included in the clipping with a photograph. Handwritten notes are present around the title and article, such as "After The Place," "Impressionists," "windy," "great," and comments relating to the exhibition.

2. The bottom clipping is a small section titled "Exhibitions," dated January 10, 1973, from "The Real Paper." It lists opening dates and brief descriptions for various art exhibitions, including topics such as sculpture by John Weidman Jr., methods and process in art, and photographs by Aaron Siskind. Some lines are underlined or highlighted with pen markings.

Both clippings are mounted on a brown scrapbook page, indicating a collection or archive of art exhibition reviews and announcements from the early 1970s.

This is a photograph of an open scrapbook or journal page. On the left page, there's an article titled "Photography: Master Prints at the Fogg" with columns of text and two visible black and white photographs that accompany the article. There are some handwritten notes and underlines on the article. A smaller, different cut-out article is pasted at the bottom left corner with black and red text, mentioning an opening of an exhibition.

The right page has text relating to photography and exhibitions, with more handwritten notes and underlining. There's a highlighted section that sits on a cut-out pasted lower on the page, concerning openings for photography exhibitions, with details like dates and featured artists. Both pages show signs of age with yellowing paper and some discoloration. The overall impression is that of a personal collection or record related to photographic art and exhibitions.

• A page from a vintage scrapbook or scrapbook-like album.
• The top clipping is a newspaper article with the headline: “Photography: Master Prints at the Fogg,” written by someone (it looks like a museum/arts piece). It includes a black‑and‑white photograph of an interior art scene (dimly lit room), with a blurred/obscured central area and at least one figure near a doorway; there’s a large dark space that dominates the image.
• The article text surrounds the photo, with a caption underneath that mentions Jerry Uelsmann’s work (the caption appears to read something like “Jerry Uelsmann’s ‘Room #…’ (1963)”).
• There is a grayish rectangle or patch over part of the photo, likely added to obscure something in the image.
• The bottom portion contains another clipped article labeled “Exhibitions” (with a red handwritten note across the top reading something like “The Real Paper January 10, 1973”). This clipping lists openings and exhibition notices in small print.
• The page itself is brown/beige with worn edges, as if from an old scrapbook, and shows handwritten marginal notes and signs of age.