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ARCH.2003.36, Rendition: 805453
This image displays a single page from an old, open publication, likely a magazine or journal, with aged, yellowish-brown paper visible on the left-hand side and binding. The main content is a printed article on white paper, identified at the bottom right as the Harvard Bulletin, January 1973, page 65.
The article consists of three columns of dense, justified text. The content discusses the life and character of a man named Eliot — likely Charles W. Eliot, the influential president of Harvard University — drawing on assessments from contemporaries like Professor Hawkin and Professor Bliss Perry. It touches on his presidency, his views on education, his personality (described as “cold,” “austere, unbending, icy autocrat” but also “fair, gentlemanly and pleasant”), and his legacy.
Centrally placed below the first two columns and overlapping the third is a black-and-white reproduction of a drawing or print.
The illustration depicts the mythological figures Pan and Psyche. Pan, a bearded satyr with goat-like legs and horns, is crouched or seated, leaning over Psyche, who is reclining nude. The scene has a classical, somewhat melancholic or intimate tone, rendered in an etching or engraving style with fine lines and cross-hatching for shading. The background features stylized rocks or cliffs.
Beneath the illustration, a caption reads:
Pan and Psyche, represented here in a painting by Sir Edward Burne-Jones, hung for 25 years in a dimly lit stairwell in the upper reaches of the Fogg Art Museum, their privacy rarely violated by the dilated eyes of passers-by. With them in the discreet dark were other Pre-Raphaelite personages, chosen from the Fogg's holdings (unarranged in the United States) of works by Ford Madox Brown, Sir John Everett Millais, Dante Gabriel Rossetti, and others. On January 16 some seventy Pre-Raphaelite paintings from the Fogg collection will appear downstairs, proud and properly illuminated, and will remain in plain sight out there in the open through February 25. A supplementary exhibition of paintings by Gustave Moreau and early French symbolists will invite viewers to compare a parallel movement in France.
Thus, the page blends biographical writing on a Harvard figure with an art review, using a reproduced Pre-Raphaelite painting as a visual centerpiece. The signature “Hawkins” is handwritten at the bottom center of the article text, possibly indicating the author or a note on a copy.
The image shows a page from the Harvard Bulletin from January 1973. The page contains a text article and an illustration. The text appears to be an excerpt or a summary of a biography or analysis, discussing an individual's contributions and characteristics. The illustration is a black-and-white drawing of a scene featuring two figures, one resembling a mythological creature, possibly Pan, and the other a human figure, possibly Psyche, from Greek mythology. Below the illustration, there is a caption that identifies the scene as "Pan and Psyche," and it credits the artwork to Sir Edward Burne-Jones, a renowned British Pre-Raphaelite artist. The caption also mentions that the artwork was displayed in the Fogg Art Museum and provides some historical context about the exhibition.
This image shows a page from the Harvard Bulletin dated January 1973. The page contains printed text discussing Charles Eliot, an influential Harvard president, and includes a detailed grey-scale illustration of a painting titled "Pan and Psyche" by Sir Edward Burne-Jones.
The painting depicts two figures: one is a nude woman, representing Psyche, seated and looking up at a male figure, presumably Pan, who is kneeling on a rock and leaning toward her. The male figure is draped in a robe and appears to be interacting closely with Psyche. The background features a rocky landscape with some vegetation.
The caption below the illustration provides context about the painting's history at the Fogg Art Museum, noting that it hung for 25 years in a dimly lit stairwell and was part of a larger collection of Pre-Raphaelite works that were subsequently moved to a more visible location. The caption also mentions an exhibition of these paintings that was scheduled to run from January 16 to February 25, 1973.
The text on the page discusses Eliot's character, his contributions to education, and his influence on Harvard University. It mentions his efforts in school reform and adult education, as well as his role in shaping the American university system. The page number is 65.
The image depicts a page from an old book or journal, with a photograph of a painting on the left side and a text passage on the right side. The painting, titled "Pan and Psyche," shows a man and a woman in a natural setting, possibly a forest or garden, with the man holding the woman's hand. The text passage discusses the relationship between Pan and Psyche, describing their love story and the challenges they faced. The text also includes quotes from various sources, such as ancient myths and literary works, to provide context and depth to the story. Overall, the image conveys a sense of romance, mythology, and artistic expression, inviting the viewer to explore the rich tapestry of human emotions and experiences.
The image shows an open book with a page displaying text and a drawing. The text appears to be an excerpt from a biography or historical account, discussing the life and actions of a person named Eliot. The drawing depicts two figures, possibly symbolizing a scene or concept related to the text. The book has a brown cover and a beige-colored page, and the text is printed in black ink. The image provides a glimpse into the content of the book and the visual representation accompanying the text.
The image shows an open book, likely a journal or magazine, with two pages visible. The left page features a printed text article, while the right page contains a combination of text and an illustration.
Illustration: The right page features a detailed illustration of a mythological or allegorical scene. The artwork depicts a female figure lying on her back, seemingly in a state of rest or contemplation. She is dressed in flowing, classical-style clothing, and her pose suggests a sense of serenity or vulnerability. The figure is surrounded by ornamental details, including what appears to be a winged figure or cherub above her, adding a symbolic or divine element to the scene. The style of the illustration is reminiscent of Art Nouveau or Symbolist art, with flowing lines and intricate details.
Caption/Text Below the Illustration: Below the illustration, there is a caption that provides context for the artwork. It identifies the painting as "Pan and Psyche", created by Sir Edward Burne-Jones in 1894. The caption explains that this painting is part of a series of works by Burne-Jones, including "The Mirror of Venus" and "The Golden Stairs", which were exhibited at the Royal Academy. It also notes that the painting was part of a larger collection, with supplementary paintings from Gustave Moreau and John Everett Millais on display at the Guggenheim during February 25. The caption further invites viewers to compare this work with a parallel movement in France, suggesting a broader artistic and cultural context.
In summary, the image depicts a page from a scholarly publication that combines an article on educational reform and intellectual history with a detailed illustration of "Pan and Psyche" by Sir Edward Burne-Jones, providing a rich blend of textual and visual content.
This image shows a page from a publication or book. The page contains typed text divided into columns and includes an artwork at the bottom left. The artwork depicts a classical-style scene featuring two figures, presumably a male figure bending forward and interacting with a female figure kneeling near a source of water or a pool. The figures are drawn in a soft, sketch-like style.
Beneath the artwork, there is a caption describing its background. It states that the piece is entitled "Pan and Psyche," painted by Sir Edward Burne-Jones. Additional details mention its exhibition at The Fogg Art Museum and its significance in relation to various art movements.
The page is from Harvard Bulletin, as labeled at the bottom right with a date of January 1973 and the page number, 65. The surrounding paper edges indicate that this is likely from an archive or book.
This is an image of an open book with a page featuring text and an illustration. The illustration is a pencil or ink drawing, positioned on the left-hand side of the page, showing two human figures, one standing and the other kneeling or crouching, by a body of water. They appear to be engaging with the water or with each other. The style of the drawing is reminiscent of classical or Renaissance sketches, with an emphasis on the human form and anatomy. The lines are delicate yet detailed, conveying texture and movement.
The page also contains two columns of text, suggesting that this might be a page from a magazine, journal, or academic text, based on the typeset and alignment. Given the presence of an illustration alongside the text, it could be from a literary magazine, an art publication, or a historical study.
The bottom of the page contains a handwritten signature that reads "Harwood Steele" followed by "JAN. 1979 | 65," probably indicating the name of the illustrator or annotator and a date with a page number, which suggests that the image is from a publication printed in January 1979, on page 65.
Without textual context, it is challenging to surmise the exact content or the significance of the illustration in relation to the text.
The image shows a page from a publication, specifically the "Harvard Bulletin" from January 1973, page 65. The page contains text on both sides of a central illustration. The illustration is a monochrome drawing or painting titled "Pan and Psyche," represented in a painting by Sir Edward Burne-Jones. It depicts two nude human figures in a tender, intimate pose, with one figure standing and bending over the other, who is kneeling by a pool of water. The background features rocky or cliff-like formations. Below the illustration is a caption explaining the artwork and providing context about a related exhibition and a brief artist biography. The rest of the page includes dense text discussing themes related to American life, education, and reflections on a person named Eliot.
A black-and-white newspaper clipping mounted on a brown scrapbook page. The clipping features three narrow columns of text with a grayscale illustration in the lower left corner. The illustration shows two nude figures (Pan and Psyche) by a rocky edge and a pool or fountain, with one figure leaning toward the other. The caption at the bottom identifies the scene as Pan and Psyche from a painting by Sir Edward Burne-Jones, and the clipping appears to be from the Harvard Bulletin, dated January 1965.