Archives Scrapbooks

The image is a two-page spread from a publication, likely a magazine or a bulletin, from Harvard University, dated January 1973, as indicated by the text in the upper right corner of the right page.

Left Page:

• Top Section:
  • A drawing is featured prominently in the upper left corner, labeled as an "Aquatint from the 'Unite' Suite of Le Corbusier (1965), $125 at Graphics 1 and Graphics 2."
• Middle Section:
  • Text discusses exhibitions related to art, such as "Images of the Feminine in the Belle Epoch" at the Hayden Gallery at M.I.T., and "The Comedy of Art" at the Boston University Art Gallery.
  • It also mentions other exhibits like "Books and Bookcovers by Toulouse-Lautrec" at Harvard University's Houghton Library and "La Lithographie Originale en Coleurs" at the Boston Public Library.
• Bottom Section:
  • A detailed description of the Toulouse-Lautrec Festival in Boston, highlighting his influence and the unique artistic style of Toulouse-Lautrec, his contemporaries, and his work's depiction of Parisian nightlife.
• Image:
  • A black and white illustration of a woman in a corset, labeled as "Elles: femme en corset," a print by Toulouse-Lautrec, displayed at M.I.T.'s Hayden Gallery.

Right Page:

• Top Section:
  • A text section titled "Exhibitions" lists upcoming exhibitions, including photographs by Aaron Siskind and Kelly Wise at the Fogg Art Museum.
• Bottom Section:
  • A mention of an exhibition of Pre-Raphaelite paintings, drawings, and watercolors, which has been absent from museum shows for over 25 years.
• Other Information:
  • The page number is "96" at the bottom right of the left page.

The overall content of the spread focuses on art exhibitions, particularly those featuring works by Toulouse-Lautrec and Pre-Raphaelite artists, and mentions the educational function of the unique gallery where Graphics 1 and Graphics 2 are located.

This image shows an open book with pages pasted over the original book pages. The left page features a printed article titled "Toulouse-Lautrec Festival," which discusses an art festival dedicated to the works of Henri de Toulouse-Lautrec and his contemporaries. The article mentions various exhibits and collections related to Toulouse-Lautrec, including posters, drawings, and paintings from local collections and the Fogg Art Museum. There are two black-and-white illustrations accompanying the text: one is an aquatint from the "Unite" Suite of Le Corbusier (1965), and the other is a print by Toulouse-Lautrec titled "Elles: femme en corset."

The right page has a separate printed piece titled "Exhibitions," which discusses various art exhibitions, including photographs by Aaron Siskind and Kelly Wise, and the Museum's renowned collection of Pre-Raphaelite paintings, drawings, and watercolors. This piece is also dated January 1973 and is labeled "HARVARD BULLETIN."

The pasted pages appear to be from a magazine or bulletin, and there is a handwritten note at the top left corner of the left page that reads "Panorama thru Dec 1972." The book itself has a brownish cover, and the pages are slightly aged.

This image displays an open page from a bound publication, likely an art magazine or museum bulletin, dated January 1973. The page is numbered 90 at the bottom.

The layout features two main article sections on a light beige page, set against the brown cloth cover of the bound volume.

Main Article: Toulouse-Lautrec Festival

This is the central and largest article on the page, discussing a city-wide exhibition of works by Henri de Toulouse-Lautrec and his contemporaries held in Boston during December 1972.

• Top Left Image: A small, square black-and-white reproduction of an aquatint titled “Femmes en corsets” (Women in Corsets), part of the “Unite” Suite by La Corbaixier (1964). Below it, there’s a note indicating it is available for $135 at Graphics 1 and Graphics 2.
• Text Overview: The article introduces the festival, praising Toulouse-Lautrec's role as a chronicler of Parisian nightlife — cabarets, music halls, and bohemian life — and notes he’s an “eighteenth century genius” whose work is “not fit well into any artistic prototype.”
• Exhibition Details: Mentions several concurrent exhibitions:
  • “Posters by Toulouse-Lautrec and His Contemporaries” — held at the Museum of Fine Arts.
  • “Drawings and Paintings from Local Collections” — including early sketchbook sheets at the Fogg Art Museum.
  • “Images of the Feminine in the Belle Epoch” — at the Hayden Gallery at M.I.T., featuring women as mothers, femmes fatales, goddesses, and vamps.
  • “The Comedy of Art” — at Boston University Art Gallery, featuring Lautrec’s complete “Elle” series.
  • “Books and Bookcovers by Toulouse-Lautrec” — at Harvard’s Houghton Library, showcasing illustrative work in theater programs, menus, and memorabilia.
  • “La Lithographie Originale en Couleurs” — at Boston Public Library, celebrating the emergence of color lithography, including works by Lautrec.
• Bottom Image: A black-and-white reproduction of the print “Elles: femme en corset” by Toulouse-Lautrec, which is displayed in conjunction with the Toulouse-Lautrec Festival at M.I.T.’s Hayden Gallery.

Side Box: Exhibitions

A smaller article on the right side focuses on other current exhibitions at the Fogg Art Museum:

• Photographs by Aaron Siskind and Kelly Wise: Displayed from January 8 to February 4. Siskind is noted as a distinguished teacher with wide exhibition history. Wise teaches at Phillips Academy, Andover. Thirty prints by Wise are part of the Fogg’s collection and are organized into eight sequences exploring formal relationships in texture, space, light, narrative, myth, and ritual.
• Pre-Raphaelite Collection: The Fogg’s renowned collection of Pre-Raphaelite paintings, drawings, and watercolors will be on view from January 16 to February 25. Most have not been shown in over 25 years. The collection originates from a 1943 gift by Grenville L. Winthrop and includes works by Ford Madox Brown, Burne-Jones, Hunt, Millais, Rossetti, Solomon, and Watts — the largest Pre-Raphaelite holding in the U.S.
• French Symbolist Works: Simultaneously, the Fogg presents a satellite show of early French Symbolist works by Moreau, Bresdin, Puvis de Chavannes.

This section is labeled “HARVARD BULLETIN” in red handwriting, with “JANUARY 1973 | 7” below it — likely indicating the page number or issue of the bulletin.

Annotations

Handwritten in red ink on the main article’s top left corner is: “Pomelaine – 1st Dec 1972”, possibly referencing a personal note or date of acquisition.

Summary

This page serves as an informative guide to major art exhibitions in Boston during early 1973, centered on a landmark festival celebrating Henri de Toulouse-Lautrec — the artist who famously captured the soul of Parisian nightlife. It highlights interdisciplinary and collaborative cultural events across multiple institutions and includes smaller features on photography and Pre-Raphaelite art, reflecting the diverse artistic offerings of the time. The handwritten notes suggest the page may have been part of a personal library or archive.

The image is a photograph of a page from a book. The page contains text and images. The text is in a small font and is printed on a beige background. The text appears to be an article or essay about an artist or art movement. The images on the page are in black and white and depict various artworks, including paintings, drawings, and sculptures. The artworks are arranged in a grid-like pattern and are accompanied by captions that provide information about the artist, the title of the work, and the medium used. The page also includes a table of contents or index at the top, which lists the different sections or chapters of the book. Overall, the image suggests that the book is a scholarly publication or academic resource on art history or visual culture.

The image is of a book opened to two pages. The left page features a drawing of a woman in a flowing dress, surrounded by text that discusses the artist, Toulouse-Lautrec, and his work. The right page contains text discussing the artist's exhibitions and the Fogg Art Museum's collection of his work. The pages have a vintage, worn look, with yellowed edges and a faded color scheme. The text is written in a cursive font, and the image of the woman is in black and white.

The image shows an open book with a page titled "Panorama: The Late 1972". The page is part of a catalog or publication, likely related to an art exhibition or cultural event. Here's a detailed description:

Layout and Content:

1. Left Column:

   • Title: "Panorama: The Late 1972"
   • Text: The left column contains a paragraph discussing an exhibition or event titled "Toulouse-Lautrec Festival." It highlights Henri de Toulouse-Lautrec, an 18th-century artist known for his vibrant and immersive graphic work. The text mentions that the festival is the largest presentation of the artist's work ever held in the United States, taking place during December at the Boston Public Library.
   • Details: The text emphasizes Toulouse-Lautrec's unique ability to capture the essence of Parisian life, including its cabarets, music halls, and the personalities of the era. It also notes that while the exhibition is contemporary, it does not fit neatly into traditional artistic categories.

2. Right Column:

   • Title: "Exhibitions"
   • Content: This section lists various exhibitions and events, including:
     • "Fogg Photographs by Aaron Siskind and Kelly Wise" at the Fogg Art Museum, featuring photographs from January 1973.
     • "Books and Bookcovers by Toulouse-Lautrec" at Harvard University's Houghton Library, showcasing illustrations, sheet music, theater programs, menus, invitations, and memorabilia.
     • "Images of the Feminine in the Belle Époque" at the Hayden Gallery, M.I.T., featuring works by Toulouse-Lautrec and his contemporaries.
     • "Pre-Raphaelite paintings, drawings, and watercolors" on view from January 16–February 23, 1973, at the Fogg Art Museum.
     • Other exhibitions mentioned include works by Moreau, Brendin, Povis de Chavannes, and others.

3. Visual Elements:

   • Illustrations:
     • Top Left: A small, abstract drawing or sketch labeled "Jeannette from the 'Unie' State of La Couloureuse, 1925, figs. at Graphic 1 and Graphic 2." This appears to be a graphic or illustration related to the text.
     • Bottom Right: A black-and-white photograph or illustration labeled "Élie, femme en corset," a print by Toulouse-Lautrec in conjunction with the city-wide Toulouse-Lautrec Festival during December." This image depicts a woman in a corset, likely referencing Toulouse-Lautrec's iconic style.

Design and Formatting:

• The page has a clean, structured layout typical of a catalog or exhibition guide.
• The text is organized into two columns, with headings and subheadings for clarity.
• The illustrations are placed strategically to complement the text, providing visual context for the discussed topics.

Context:

• The page appears to be part of a publication documenting art exhibitions, cultural events, and artistic retrospectives from late 1972 and early 1973. It emphasizes Toulouse-Lautrec's influence and legacy, as well as other significant exhibitions of the time.

Overall, the image captures a detailed and informative page from an art catalog or exhibition guide, blending textual descriptions with illustrative elements to provide context about various cultural events and exhibitions.

This is an image of an open scrapbook or journal page. The left side of the page includes handwritten annotations, reading "Panorama - then Dec 1973," suggesting that the content relates to that date or period. Below the handwriting is a cutout from a publication showing an artwork, specifically a sketch or a print, accompanied by a caption mentioning "Eleonora" by Charles Conder from 1899 and some information about it.

The right side of the page contains typewritten texts and images, apparently from various articles or newsletters associated with art exhibitions and events. There is a cutout titled "Images of the Feminine in the Belle Epoque," mentioning artworks on view at the Hayden Gallery at MIT featuring goddesses, mothers, mistresses, etc. Another cutout discusses books and bookcovers by Toulouse-Lautrec, exhibited at Harvard University's Fogg Art Library. Below these texts is an image of a piece by Toulouse-Lautrec, accompanied by a caption indicating that this is a clipping from a M.I.T. Hayden Gallery calendar, depicting a lithographic transfer entitled "Helene Vary en corset," which was featured during a Toulouse-Lautrec Festival.

The remainder of the page features more text about the Toulouse-Lautrec Festival, describing the artist Henri de Toulouse-Lautrec and his significance, and information about other exhibitions. There are two smaller text cutouts with one being titled "Exhibitions" and discussing photographs by Aaron Siskind and others, and the other discussing "Reliability," but the context is clipped off.

Overall, this page appears to be a personal or curated collection of art-related memorabilia from the indicated time period, possibly used for study, inspiration, or historical archival purposes.

This image appears to be a page from a catalog or magazine featuring articles, images, and exhibition information. The layout includes both text and black-and-white illustrations of artwork.

• Left Section: The text discusses topics such as Toulouse-Lautrec's work, a focus on women in art, exhibitions at various galleries, and the exploration of graphic art and posters. There are also smaller, accompanying black-and-white illustrations: one abstract and another depicting women in a lively indoor setting. These artworks are directly connected to the text.

• Right Section: Smaller blocks of text describe exhibitions, mentioning specific artists like Aaron Siskind and others. A handwritten note at the bottom reads, "January Bulletin, January 1973," providing a timestamp for the publication.

The overall layout is simple and clean, adhering to a formal presentation style characteristic of educational or museum-related materials.

The image shows a scrapbook or album page with two clippings of text and images related to art exhibitions from the early 1970s. The larger clipping on the left side discusses a Toulouse-Lautrec Festival held in Boston in December, and mentions various exhibitions and collections featuring Toulouse-Lautrec's work and contemporaries. Included are two black-and-white images: a drawing described as an aquatint from the "Unité" Suite of Le Corbusier, and a print titled "Elles: femme en corset" by Toulouse-Lautrec. The text also covers exhibitions on themes like feminine imagery in the Belle Epoch and lithography's history.

The smaller clipping on the right side is titled "Exhibitions" and discusses photography exhibitions at the Fogg Museum featuring Aaron Siskind and Kelly Wise, as well as paintings, drawings, and watercolors from the museum's collection on view in early 1973. The Fogg Museum's collection includes Pre-Raphaelite works and French Symbolist art.

There is a handwritten note in red ink at the top left reading "Panorama - thru Dec 1972," and a small handwritten note in red ink at the bottom right of the clipping on the right that says "Harvard BULLETIN JANUARY 1973."

• A brown scrapbook page with two newspaper clipping inserts pasted on it.
• The left clipping is large and contains several columns of text with three small black-and-white images: an abstract line drawing at the top, a small figure sketch in the middle, and another image at the bottom.
• The right clipping is smaller and titled “Exhibitions,” listing a photography show by Aaron Siskind and Kelly Wise, with a short paragraph of text and a red stamp/date mark at the bottom.
• There is red handwriting along the top edge of the left clipping, and the page itself is blank aside from the clippings, showing the book’s beige backing and binder holes along the left edge.