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This image shows a single page from an open book or scrapbook, displaying a newspaper clipping dated December 21, 1972. The clipping is from the Boston Globe, written by Robert Taylor, and is titled:

“Toulouse-Lautrec gets a real play”

This article reviews a series of exhibitions in Boston celebrating the artist Henri de Toulouse-Lautrec, coinciding with a lecture by Peter Wick on the color lithography of 1890s Paris.

Key Features of the Clipping:

• Byline: “By Robert Taylor, Globe Staff”

• Headline: Bold, large font — “Toulouse-Lautrec gets a real play”

• Content: The article details six exhibitions across Boston venues:

  • Wiggin Gallery, BPL — Features prints and posters, including rare early works like “La Vache Enragée”.
  • Houghton Library, Harvard — Highlights book covers, brochures, and illustrations for Jules Renard’s “La Comédie de l’Art.”
  • Fogg Museum, Harvard — Showcases drawings and paintings, including the “Elles” series and a study of a horse.
  • Museum of Fine Arts — Displays prints focused on Parisian cabarets.
  • Hayden Gallery, MIT — Described as “possibly the finest gathering of late 19th century European prints Americans have yet encountered.”
  • BU Gallery — Another major exhibit (details cut off).

• Handwritten Annotation: The date “December 21, 1972” is written in red ink at the top right of the clipping.

• Visual Element: A black-and-white illustration (likely a reproduction of a Toulouse-Lautrec lithograph) shows a woman seated in elegant, flowing dress, holding flowers — possibly from the “Elles” series.

• Blue Circles: Someone has circled two sections of text with blue ink — one around “WIGGIN GALLERY, BPL” and another around “FOGG MUSEUM, HARVARD” — likely to highlight these particular venues.

Physical Context:

The clipping is mounted on a beige, aged paper page in a book, with visible browned edges suggesting age. The right-hand page of the book is blank, and the book spine is visible on the far right edge, showing a reddish-brown cover.

In summary: This is a preserved historical newspaper article from 1972 reviewing a multi-venue Toulouse-Lautrec exhibition in Boston. It’s been curated into a scrapbook or album, with handwritten notes and markings indicating personal interest in specific galleries. The article is both informative and reflective of 1970s art criticism, particularly regarding the artist’s legacy and the cultural significance of his work in post-WWII America.

The image shows a page from a book or a magazine, dated December 21, 1972. The page contains a printed article titled "Toulouse-Lautrec gets a real play," authored by Robert Taylor, from the Globe Staff. The article discusses an exhibition of Toulouse-Lautrec's works, which includes various galleries in Boston and other institutions.

The text provides details about the exhibition, mentioning the significance of the works, the artists involved, and the venues where the exhibition took place. It highlights various aspects such as the prints, posters, and music sheets by Toulouse-Lautrec, as well as other artists' works that were included in the exhibition.

On the right side of the article, there is a black-and-white illustration of a woman holding a child. The illustration appears to be an artistic depiction, possibly related to the content of the article. The page is slightly aged, indicating that it is from an older publication.

This image shows a newspaper clipping pasted onto a beige page, likely from a scrapbook or collection. The clipping is titled "Toulouse-Lautrec gets a real play" and is dated December 21, 1972, which is handwritten at the top of the clipping. The article is written by Robert Taylor, a Globe Staff writer.

The article discusses various exhibitions of Toulouse-Lautrec's work in Boston and Cambridge in 1972. It mentions different galleries and their exhibits, such as the Wiggin Gallery at the Boston Public Library, the Fogg Museum at Harvard, the Museum of Fine Arts, and MIT's Hayden Gallery. The article highlights the extensive showing of the artist's work and mentions specific pieces and artists influenced by Toulouse-Lautrec.

On the right side of the clipping, there is a black-and-white illustration of a man sitting on a tree stump, smoking a pipe and wearing a hat. The illustration is detailed and appears to be in the style of Toulouse-Lautrec's artwork.

The clipping is pasted on a beige page with a red binding visible on the right side, suggesting it is part of a bound collection or scrapbook. There are some handwritten notes and markings on the clipping, including a blue circle around a section of the text.

A book is open to a page that features a newspaper clipping. The clipping is dated December 21, 1972, and is titled "Toulouse-Lautrec gets a real play." The article is written by Robert Taylor and discusses an exhibition of Toulouse-Lautrec's work at the Boston Globe Staff. The article highlights the artist's unique style and the impact of his work on the art world. There is a picture of a woman holding a flower.

The image shows a page from a magazine or newspaper with an article about an exhibition of Henri de Toulouse-Lautrec's work. The article features a black and white illustration of a woman with a flower in her hand, and the text discusses the artist's life and career, as well as the significance of the exhibition. The article also mentions other events and exhibitions related to the artist's work.

The image shows an open book, specifically a page from a publication dated December 21, 1972. The page features an article titled "Toulouse-Lautrec gets a real play", written by Robert Taylor for the Globe Staff. The article discusses an exhibition or event related to the artist Toulouse-Lautrec, highlighting his work and its influence.

Key Details in the Image:

1. Title and Date:

   • The headline at the top reads "Toulouse-Lautrec gets a real play".
   • The date is clearly stated as December 21, 1972.

2. Content Overview:

   • The article describes an exhibition or event featuring Toulouse-Lautrec's work, including his drawings, paintings, and illustrations.
   • It mentions various galleries and institutions, such as the Wiggins Gallery, Harvard Library, MIT Hayden Gallery, and BU Gallery, indicating where the works are being displayed or referenced.

3. Illustrations and Visual Elements:

   • On the right side of the page, there is a black-and-white illustration or photograph of a figure, likely depicting a subject related to Toulouse-Lautrec's work. The figure appears to be a woman in an expressive pose, consistent with the artist's style.
   • The illustration is labeled with the text "MUSEUM OF FINE ARTS", suggesting it is part of an exhibition or collection at a museum.

4. Textual Highlights:

   • The article discusses Toulouse-Lautrec's influence on modern art, referencing his illustrations for books, posters, and theater programs.
   • It mentions specific works, such as "La Voulez" and "The Comedy of Art", and highlights the artist's impact on contemporary art.
   • The text also references other artists and works, such as André Gill, Jules Renard, and Paul Moulin, providing context about Toulouse-Lautrec's legacy.

5. Layout and Design:

   • The page has a classic newspaper or magazine layout, with a mix of text and a central illustration.
   • The text is typeset in a serif font, typical of publications from the early 1970s.
   • The illustration is placed to the right of the text, drawing attention to the visual representation of Toulouse-Lautrec's style.

Summary:

The image depicts a page from a 1972 publication discussing an exhibition or event celebrating the works of Toulouse-Lautrec. The article highlights his influence on modern art, referencing various galleries and institutions, and includes a black-and-white illustration of a figure that aligns with his artistic style. The layout and design reflect the aesthetic of a newspaper or magazine from that era.

This image features a newspaper clipping from December 21, 1972, titled “Toulouse-Lautrec gets a real play,” written by Robert Taylor. It discusses exhibitions of Toulouse-Lautrec's work in various galleries and locations, including his lithographs, drawings, and paintings. The article explores Lautrec's artistic influence and contributions to Impressionism.

On the right side of the clipping, there is a black-and-white reproduction of an artwork, likely by Toulouse-Lautrec, depicting a woman in a stylized composition. The clipping is pasted onto a brown paper background, with the date handwritten in red ink at the top. A portion of the text has been circled. The overall effect is archival and historical in presentation.

A scrapbook page with a clipped newspaper article attached near the top. The clipping has a bold headline: “Toulouse-Lautrec gets a real play,” with byline “By Robert Taylor Globe Staff.” A red handwritten note at the very top reads December 21, 1972. The article is laid out in a couple of narrow columns and includes a small black‑and‑white illustration on the right showing a scene with figures. The rest of the page is blank, a plain tan color, as if the clipping was pasted onto a larger scrapbook page.

This is an image of an open scrapbook or album page with a newspaper article affixed to it. The headline reads "Toulouse-Lautrec gets a real play" and is dated December 21, 1972. There's a subtitle that says, "By Robert Taylor Globe Staff," which suggests that this article was originally published in a newspaper, likely The Boston Globe given the writer's title.

To the right of the headline, there is a column of text that seems to be the main body of the article. It appears to discuss an event related to Toulouse-Lautrec, likely an exhibition or a play considering the title. Toulouse-Lautrec was a renowned French painter, and such events often showcase his work or are inspired by his life.

On the right side of the article, there's an illustration or a reproduction of an artwork, which appears to depict a woman, presumably in 19th-century attire, suggestive of Toulouse-Lautrec's interest in the Parisian nightlife and the characters he encountered. The artwork features a line drawing of the woman, with shading that gives depth to the image. She seems to be seated and is looking down towards her left side.

The physical condition of the page suggests age, and the manner of preservation implies a sense of value or significance given to the article by the owner of the scrapbook. There is a small round sticker or seal with an "M" on it, possibly indicating a library or collection mark. The edges of the page show some discoloration possibly due to age or exposure to light, typical of paper materials over time.

The image shows a newspaper clipping titled "Toulouse-Lautrec gets a real play," written by Robert Taylor, Globe Staff. The article appears to discuss various exhibitions and displays related to Toulouse-Lautrec and other artists from the late 1800s. The date "December 21, 1972" is handwritten in red ink at the top of the clipping.

The article mentions several locations including Wiggins Gallery, Houghton Library at Harvard, Fogg Museum, Hayden Gallery at MIT, and others where art related to Toulouse-Lautrec and his contemporaries can be viewed.

To the right of the text, there is a black-and-white illustration of a woman in a bonnet holding a basket. The style of the illustration is reminiscent of the late 19th-century art period.

There are some handwritten blue markings underlining or circling parts of the text in the article. The clipping is affixed to an otherwise blank page, suggesting it is part of a scrapbook or collection.