Archives Scrapbooks

This image displays a two-page spread from a physical scrapbook or clipping album, dated December 7, 1972. The pages are beige and show signs of aging, with visible creases and a stitched binding along the left edge.

Each page features a newspaper clipping glued onto it:

Left Page: Harvard Crimson

• Headline: "Semitic Museum Survives In Shadow of the CFIA"
• Date: December 7, 1972, handwritten above the headline.
• Content: The article discusses the precarious situation of the Harvard Semitic Museum. It reports that the museum was being evicted from its building to make way for the Center for International Affairs (CFIA). The museum, under the direction of the Department of Near Eastern Languages and Literature, was relegated to its basement since 1958. The article details criticism from museum staff and directors, including G. Ernest Wright and Father Carney E. Gavin, who lament the lack of space, financial support, and the damage or destruction of many artifacts during the move. The collection is described as invaluable for research, and the article notes it will take four to five years to catalog the entire collection once the museum regains a proper building.

Right Page: Cambridge Chronicle

• Headline: "Take a trip to Moulin Rouge"
• Date: December 7, 1972, typed, with "CAMBRIDGE CHRONICLE" handwritten above.
• Content: This article reviews the exhibition "CIRCUS RIDER" by the French artist Henri de Toulouse-Lautrec at the Fogg Museum.
  • Image: A small black-and-white line drawing, labeled as "CIRCUS RIDER," depicts a dynamic figure of a woman on a galloping horse.
  • Text: The review, by Ann Phillips, discusses Toulouse-Lautrec's work, noting his unique "Angosta" style and "drawing quality." It praises his focus on characters from the Moulin Rouge and his "Visuelles Histoires" series, as well as his posters for the "Revue de Paris." The review mentions his fascination with themes like death, carnival, and the theatrical, and concludes that his enthusiasm is evident in his work. It ends by mentioning that there is only one month left to see the exhibition.

Overall, the image captures two distinct cultural and institutional concerns from December 1972: the near-closure of an academic museum at Harvard and a vibrant art exhibition celebrating a major French post-impressionist artist. The handwritten notes and the physical format suggest a personal collection of significant local news events from that time.

The image shows a page from a book or journal containing two articles.

1. The left article, titled "Semitic Museum Survives In Shadow of the CFIA," is from the Harvard Crimson dated December 5, 1972. It discusses the Harvard Semitic Museum, which was relocated to the basement of 6 Divinity Ave. in 1958. The museum's director, Father Carney E. Gavin, laments the cramped conditions and expresses concerns about the damage or destruction of some pieces of art due to being stored in crates. The article mentions that the museum's collection is invaluable for research and cataloging efforts will take four or five years.

2. The right article, titled "Take a trip to Moulin Rouge," is from the Cambridge Chronicle dated December 7, 1972. It's a review of an exhibit at the Fogg Museum, featuring the work "Circus Rider" by Henri de Toulouse-Lautrec. The reviewer describes the exhibit, which includes works by various artists and explores themes such as death, carnal themes, and theatrical gestures. The article mentions that the exhibition is part of a six-institution collaboration celebrating the characters of Toulouse-Lautrec, and the reviewer provides insights into Lautrec's style and the significance of his work.

Both articles are accompanied by a sketch of a circus rider, which is attributed to Henri de Toulouse-Lautrec. The sketch is included in the Cambridge Chronicle article reviewing the exhibit at the Fogg Museum.

This image is a scanned page from a scrapbook or journal, featuring two newspaper clippings dated from December 1972. The left side of the page has an article from "The Harvard Crimson" dated December 5, 1972, with the headline "Semitic Museum Survives In Shadow of the CFIA." The article discusses the Harvard Semitic Museum's struggle to survive and reclaim its space from the Center for International Affairs (CFIA). It mentions the museum's current cramped conditions, the damage to its collection, and ongoing efforts to catalog and preserve the artifacts.

The right side of the page has an article from the "Cambridge Chronicle" dated December 7, 1972, with the headline "Take a trip to Moulin Rouge." This article discusses an art exhibition featuring the work of Henri de Toulouse-Lautrec, including a piece titled "Circus Rider." There is an accompanying image of a sketch by Toulouse-Lautrec, depicting a man riding a horse in a circus setting.

The articles are glued onto a grayish background, and the text is slightly faded, indicating the age of the clippings. The overall layout is simple, with the articles placed side by side on the page.

The image shows a page from a newspaper with two articles. The top article is titled "Semitic Museum Survives In Shadow of the CFIA." It is about the Harvard Semitic Museum, which is planning to reclaim its building from the Center for International Affairs. The article discusses the museum's history, its collection, and its future plans. The bottom article is titled "Take a trip to Moulin Rouge" and features an illustration of a circus rider. It is about an exhibition at the Fogg Museum, showcasing the work of Henri de Toulouse-Lautrec. The article provides details about the exhibition, including the artist's style and the themes of his work.

The image is a double-page spread from a newspaper, with two distinct articles. The left page features a headline titled "Semitic Museum Survives In Shadow of the CFIA" from the Harvard Crimson, dated December 5, 1972. The article discusses the challenges faced by the Harvard Semitic Museum, including financial issues and the potential threat of closure under the direction of the Committee for Institutional Affairs (CFIA). The article quotes G. Ernest Wright, the curator, expressing concerns about the museum's future and the impact of financial constraints on its operations.

The right page contains an article titled "Take a trip to Moulin Rouge" from the Cambridge Chronicle, also dated December 7, 1972. This article provides a review of an exhibition at the Fogg Art Museum, focusing on the works of Henri de Toulouse-Lautrec. The review highlights the artist's distinctive style, characterized by his use of pastels and the portrayal of circus riders and other characters associated with the Moulin Rouge. The article mentions the exhibition's popularity and the opportunity for visitors to explore Lautrec's works in detail.

The image shows two pages from a newspaper or magazine, likely from the Harvard Crimson dated December 7, 1972. The left page is titled "Semitic Museum Survives In Shadow of the CFIA" and discusses the Harvard Semitic Museum, which has been impacted by the closure of the Center for International Affairs (CFIA). The article details the museum's financial struggles, its planning to relocate, and concerns about the condition of its collection due to storage issues. Key points include:

• The museum has been cramped since 1958 and is planning to move to the basement of 6 Divinity Avenue.
• The CFIA's closure has left the museum in limbo, with no clear timeline for relocation.
• The museum's collection, including artifacts and artworks, has suffered damage due to improper storage.
• The director, Father Carney E. Gavin, highlights the museum's importance for research and its irreplaceable collection.

The right page is titled "Take a trip to Moulin Rouge" and features an article about an exhibition at the Fogg Art Museum. The exhibition showcases works related to the Moulin Rouge, including posters, illustrations, and photographs. Key details include:

• The exhibition features works by Henri de Toulouse-Lautrec, including the iconic painting "Circus Rider."
• The article describes the exhibition as a celebration of the Moulin Rouge's history, featuring posters, illustrations, and photographs.
• It mentions the unique style of Toulouse-Lautrec, his fascination with the Moulin Rouge, and the variety of works on display, including images of performers and the iconic Moulin Rouge sign.
• The exhibition is part of a larger series of events at the Fogg Museum, including lectures and other exhibitions.

The layout includes a photograph on the right page, depicting a scene from the Moulin Rouge, likely illustrating the theme of the exhibition. The text is formatted in a classic newspaper style, with clear headings and subheadings. The overall design reflects the visual and editorial style of a 1970s publication.

A scrapbook page with two old newspaper clippings pasted onto a tan, slightly textured sheet.

• Left clipping: From the Harvard Crimson (dated December 5, 1972), titled “Semitic Museum Survives In Shade of the CFIA.” It’s a multi-column article about the Harvard Semitic Museum and related topics, with bold headlines and dense text.

• Right clipping: From the Cambridge Chronicle (dated December 7, 1972), titled “Take a trip to Moulin Rouge.” It features a large illustration of a rider on a horse (a circus rider) and a caption about a Toulouse-Lautrec piece at the Fogg Museum.

Overall, the page has a vintage, sepia-toned feel with torn edges and clipped newspaper graphics.

The image shows two newspaper clippings pasted into a scrapbook or journal. Both clippings are dated from December 1972, with one from "Harvard Crimson" and the other from "Cambridge Chronicle."

On the left-hand side is an article from the Harvard Crimson dated December 5, 1972, with the headline "Semitic Museum Survives In Shadow of the CFIA." The article discusses the challenges faced by the Harvard Semitic Museum, noting its relegation to lesser prominence due to the establishment of the Center for International Affairs (CFIA). It mentions the museum's efforts to remain open to the public and the need for reorganization and cataloging of the museum's collections, as well as funding and space limitations.

On the right-hand side is an article from the Cambridge Chronicle dated December 7, 1972, with the headline "Take a trip to Moulin Rouge." This article features a sketch called "CIRCUS RIDER" by Henri de Toulouse-Lautrec, located at the Fogg Museum. The text discusses the exhibition of Lautrec's works and contextual information about his art, the Moulin Rouge, and other related topics.

The articles are set against a brown paper background, and there are apparent folds and creases in the paper, suggesting age and handling. There's also handwriting in red which appears to date or label the articles, emphasizing their archival nature.

This image is a scrapbook page containing two newspaper clippings dated December 5 and December 7, 1972, respectively.

1. The clipping on the left is titled "Semitic Museum Survives In Shadow of the CFIA" and is sourced from the Harvard Crimson. It discusses the status and struggles of the Harvard Semitic Museum while referencing its connection to the Center for International Affairs (CFIA). The article highlights challenges such as financial support and the museum’s efforts to catalog its collection.

2. The clipping on the right is titled "Take a trip to Moulin Rouge" and is sourced from the Cambridge Chronicle. It highlights an exhibition at the Fogg Museum featuring the work of Henri de Toulouse-Lautrec, including his painting "Circus Rider." The article discusses his artistic focus on figures at the Moulin Rouge and mentions related exhibitions at the museum.

Both clippings are glued to the scrapbook page, with handwritten notes above each specifying their source and publication date. The page has a vintage appearance and is neatly arranged.

The image shows a scrapbook page with two newspaper clippings pasted on it.

1. The clipping on the left is titled "Semitic Museum Survives In Shadow of the CFIA" dated December 5, 1972, from the Harvard Crimson. It discusses the struggles of the Harvard Semitic Museum, which was relegated to the basement of 6 Divinity Ave since 1958 and is planning to reclaim its space from the Center for International Affairs (CFIA). The article mentions the cramped conditions, efforts to protect and catalog the museum's collection, and criticism of Harvard's actions that showed disregard for the museum's importance. The museum's director and volunteers are actively working against time and decay to preserve the collection.

2. The clipping on the right is titled "Take a trip to Moulin Rouge" dated December 7, 1972, from the Cambridge Chronicle. It features an illustration titled "CIRCUS RIDER" by Henri de Toulouse-Lautrec from the Fogg Museum. The article by Ann Philips talks about an exhibition at the Boston (Fogg) and the Irish girl who Museum, which opens its final exhibition in a six-institution collaboration celebrating the art of Toulouse-Lautrec. It describes the style, themes, and notable aspects of Lautrec's work and mentions that many pieces from this exhibition will be loaned to other museums. The piece highlights the unique and evocative artistic style of Lautrec and mentions scheduled readings and lectures.

Handwritten annotations at the top identify the source publications and dates: "HARVARD CRIMSON" and "CAMBRIDGE CHRONICLE."