Archives Scrapbooks

The image shows a page from a book or journal containing two articles.

1. The left article, titled "Semitic Museum Survives In Shadow of the CFIA," is from the Harvard Crimson dated December 5, 1972. It discusses the Harvard Semitic Museum, which was relocated to the basement of 6 Divinity Ave. in 1958. The museum's director, Father Carney E. Gavin, laments the cramped conditions and expresses concerns about the damage or destruction of some pieces of art due to being stored in crates. The article mentions that the museum's collection is invaluable for research and cataloging efforts will take four or five years.

2. The right article, titled "Take a trip to Moulin Rouge," is from the Cambridge Chronicle dated December 7, 1972. It's a review of an exhibit at the Fogg Museum, featuring the work "Circus Rider" by Henri de Toulouse-Lautrec. The reviewer describes the exhibit, which includes works by various artists and explores themes such as death, carnal themes, and theatrical gestures. The article mentions that the exhibition is part of a six-institution collaboration celebrating the characters of Toulouse-Lautrec, and the reviewer provides insights into Lautrec's style and the significance of his work.

Both articles are accompanied by a sketch of a circus rider, which is attributed to Henri de Toulouse-Lautrec. The sketch is included in the Cambridge Chronicle article reviewing the exhibit at the Fogg Museum.

This image is a scanned page from a scrapbook or journal, featuring two newspaper clippings dated from December 1972. The left side of the page has an article from "The Harvard Crimson" dated December 5, 1972, with the headline "Semitic Museum Survives In Shadow of the CFIA." The article discusses the Harvard Semitic Museum's struggle to survive and reclaim its space from the Center for International Affairs (CFIA). It mentions the museum's current cramped conditions, the damage to its collection, and ongoing efforts to catalog and preserve the artifacts.

The right side of the page has an article from the "Cambridge Chronicle" dated December 7, 1972, with the headline "Take a trip to Moulin Rouge." This article discusses an art exhibition featuring the work of Henri de Toulouse-Lautrec, including a piece titled "Circus Rider." There is an accompanying image of a sketch by Toulouse-Lautrec, depicting a man riding a horse in a circus setting.

The articles are glued onto a grayish background, and the text is slightly faded, indicating the age of the clippings. The overall layout is simple, with the articles placed side by side on the page.

The image shows a page from a newspaper with two articles. The top article is titled "Semitic Museum Survives In Shadow of the CFIA." It is about the Harvard Semitic Museum, which is planning to reclaim its building from the Center for International Affairs. The article discusses the museum's history, its collection, and its future plans. The bottom article is titled "Take a trip to Moulin Rouge" and features an illustration of a circus rider. It is about an exhibition at the Fogg Museum, showcasing the work of Henri de Toulouse-Lautrec. The article provides details about the exhibition, including the artist's style and the themes of his work.

The image is a double-page spread from a newspaper, with two distinct articles. The left page features a headline titled "Semitic Museum Survives In Shadow of the CFIA" from the Harvard Crimson, dated December 5, 1972. The article discusses the challenges faced by the Harvard Semitic Museum, including financial issues and the potential threat of closure under the direction of the Committee for Institutional Affairs (CFIA). The article quotes G. Ernest Wright, the curator, expressing concerns about the museum's future and the impact of financial constraints on its operations.

The right page contains an article titled "Take a trip to Moulin Rouge" from the Cambridge Chronicle, also dated December 7, 1972. This article provides a review of an exhibition at the Fogg Art Museum, focusing on the works of Henri de Toulouse-Lautrec. The review highlights the artist's distinctive style, characterized by his use of pastels and the portrayal of circus riders and other characters associated with the Moulin Rouge. The article mentions the exhibition's popularity and the opportunity for visitors to explore Lautrec's works in detail.

The image shows two pages from a newspaper or magazine, likely from the Harvard Crimson dated December 7, 1972. The left page is titled "Semitic Museum Survives In Shadow of the CFIA" and discusses the Harvard Semitic Museum, which has been impacted by the closure of the Center for International Affairs (CFIA). The article details the museum's financial struggles, its planning to relocate, and concerns about the condition of its collection due to storage issues. Key points include:

• The museum has been cramped since 1958 and is planning to move to the basement of 6 Divinity Avenue.
• The CFIA's closure has left the museum in limbo, with no clear timeline for relocation.
• The museum's collection, including artifacts and artworks, has suffered damage due to improper storage.
• The director, Father Carney E. Gavin, highlights the museum's importance for research and its irreplaceable collection.

The right page is titled "Take a trip to Moulin Rouge" and features an article about an exhibition at the Fogg Art Museum. The exhibition showcases works related to the Moulin Rouge, including posters, illustrations, and photographs. Key details include:

• The exhibition features works by Henri de Toulouse-Lautrec, including the iconic painting "Circus Rider."
• The article describes the exhibition as a celebration of the Moulin Rouge's history, featuring posters, illustrations, and photographs.
• It mentions the unique style of Toulouse-Lautrec, his fascination with the Moulin Rouge, and the variety of works on display, including images of performers and the iconic Moulin Rouge sign.
• The exhibition is part of a larger series of events at the Fogg Museum, including lectures and other exhibitions.

The layout includes a photograph on the right page, depicting a scene from the Moulin Rouge, likely illustrating the theme of the exhibition. The text is formatted in a classic newspaper style, with clear headings and subheadings. The overall design reflects the visual and editorial style of a 1970s publication.

The image depicts a page from an old scrapbook or photo album, featuring two newspaper clippings. The left clipping is titled "Semitic Museum Survives In Shadow of the CFIA" and discusses the relocation of the Harvard Semitic Museum to the basement of 6 Divinity Ave. The right clipping is titled "Take a trip to Moulin Rouge" and features a sketch of a person riding a horse, with text describing an exhibition at the Fogg Museum.

Key Features:

• Newspaper Clippings: Two clippings are visible on the page, one on the left and one on the right.
• Titles: The left clipping is titled "Semitic Museum Survives In Shadow of the CFIA", while the right clipping is titled "Take a trip to Moulin Rouge".
• Content: The left clipping discusses the relocation of the Harvard Semitic Museum, while the right clipping features a sketch of a person riding a horse and describes an exhibition at the Fogg Museum.
• Page Background: The page has a light brown color with a subtle texture, giving it a vintage appearance.
• Overall Appearance: The image appears to be a scanned or photographed page from an old scrapbook or photo album, with the newspaper clippings carefully arranged and preserved.

The image presents a page from an old scrapbook, featuring two newspaper clippings. The left clipping, dated December 5, 1972, is titled "Semitic Museum Survives In Shadow of the CFIA" and discusses the Harvard Semitic Museum's efforts to reclaim its building after being forced to relocate due to the construction of the Center for International Affairs (CFIA). The article highlights the museum's struggles to find a new home and its commitment to preserving its collection.

The right clipping, dated December 7, 1972, is titled "Take a trip to Moulin Rouge" and features a sketch of a woman riding a horse. The article describes the exhibition "Circus Rider" by Henri de Toulouse-Lautrec at the Fogg Museum, which showcases the artist's work in a unique and captivating way.

Both clippings are written on a piece of paper and placed on a gray background, with handwritten notes in red ink providing additional context and information. The overall design of the page suggests that it was created by someone who is interested in art, history, and culture, and who values the preservation of these topics.

The image shows a scrapbook page featuring two newspaper clippings from December 1972, with a focus on art and culture.

• The left clipping is from the "Harvard Crimson" dated December 5, 1972, and is titled "Semitic Museum Survives In Shadow of the CFIA."
  • The article discusses the Harvard Semitic Museum's struggles with funding and space.
  • The museum is planning to reclaim its building from the Center for International Affairs.
  • The article highlights the museum's cramped conditions and the challenges it faces in storing its collection.
• The right clipping is from the "Cambridge Chronicle" dated December 7, 1972, and is titled "Take a trip to Moulin Rouge."
  • The article discusses an exhibition at the Fogg Museum featuring the work of Henri de Toulouse-Lautrec.
  • The exhibition includes prints and drawings by Toulouse-Lautrec, as well as other artists.
  • The article highlights the unique style of Toulouse-Lautrec's work and its significance in the art world.

Overall, the image provides a glimpse into the cultural and artistic scene in Cambridge, Massachusetts, in the early 1970s, highlighting the challenges faced by museums and the importance of preserving and showcasing artistic heritage.

The image presents a vintage scrapbook page featuring two newspaper clippings from 1972. The left clipping, titled "Semitic Museum Survives In Shadow of the CFIA," is from the Harvard Crimson, dated December 5, 1972. It discusses the challenges faced by the Harvard Semitic Museum and its relocation to the Center for International Affairs.

The right clipping, titled "Take a trip to Moulin Rouge," is from the Cambridge Chronicle, dated December 7, 1972. It features an article about an exhibition of Henri de Toulouse-Lautrec's artwork at the Fogg Museum, accompanied by a sketch of a circus rider on horseback. The clipping has handwritten notes at the top, including "CAMBRIDGE CHRONICLE."

Both clippings are attached to a gray page with a brown border, set against a white background. The overall appearance suggests that this is a scanned or photographed page from a scrapbook or archive collection.

The image is a page from a scrapbook or an archive, containing two newspaper clippings from December 1972.

1. Left Clipping (Harvard Crimson, December 5, 1972):

   • Title: "Semitic Museum Survives In Shadow of the CFIA"
   • Content: The article discusses the Harvard Semitic Museum, which has been operating since 1888 and is planning to relocate due to the construction of the Center for International Affairs (CFIA). The museum, which houses Near Eastern artifacts, will be moved from the upper stories of Robinson Hall to 1930 Massachusetts Ave. The article quotes Father Carney E. Gavin, the museum's director, who explains the challenges of relocating the museum's collection and the importance of the museum's invaluable artifacts for research. The museum's collection includes pieces from ancient Middle Eastern journeys and is considered one of the best in the country.

2. Right Clipping (Cambridge Chronicle, December 7, 1972):

   • Title: "Take a trip to Moulin Rouge"
   • Content: The article features a painting titled "Circus Rider" by Henri de Toulouse-Lautrec, which is part of an exhibition at the Fogg Museum. The exhibition showcases Lautrec's paintings, drawings, and prints, highlighting his unique style and contribution to the art world. The article mentions that the exhibition includes various media and offers a glimpse into Lautrec's distinctive approach to capturing the essence of his subjects, particularly those from the Moulin Rouge and other Parisian nightlife scenes. The exhibition is described as a significant event for art enthusiasts and scholars.

Both clippings are pasted onto a page, likely for preservation or reference purposes, and include handwritten annotations indicating the sources and dates of the articles.