Archives Scrapbooks

The image is a page from a scrapbook or an archive, containing two newspaper clippings from December 1972.

1. Left Clipping (Harvard Crimson, December 5, 1972):

   • Title: "Semitic Museum Survives In Shadow of the CFIA"
   • Content: The article discusses the Harvard Semitic Museum, which has been operating since 1888 and is planning to relocate due to the construction of the Center for International Affairs (CFIA). The museum, which houses Near Eastern artifacts, will be moved from the upper stories of Robinson Hall to 1930 Massachusetts Ave. The article quotes Father Carney E. Gavin, the museum's director, who explains the challenges of relocating the museum's collection and the importance of the museum's invaluable artifacts for research. The museum's collection includes pieces from ancient Middle Eastern journeys and is considered one of the best in the country.

2. Right Clipping (Cambridge Chronicle, December 7, 1972):

   • Title: "Take a trip to Moulin Rouge"
   • Content: The article features a painting titled "Circus Rider" by Henri de Toulouse-Lautrec, which is part of an exhibition at the Fogg Museum. The exhibition showcases Lautrec's paintings, drawings, and prints, highlighting his unique style and contribution to the art world. The article mentions that the exhibition includes various media and offers a glimpse into Lautrec's distinctive approach to capturing the essence of his subjects, particularly those from the Moulin Rouge and other Parisian nightlife scenes. The exhibition is described as a significant event for art enthusiasts and scholars.

Both clippings are pasted onto a page, likely for preservation or reference purposes, and include handwritten annotations indicating the sources and dates of the articles.

The image shows two newspaper pages, one from the "Harvard Crimson" dated December 5, 1972, and the other from the "Cambridge Chronicle" dated December 7, 1972.

Left Page: Harvard Crimson

Headline: "Semitic Museum Survives In Shadow of the CFIA"

Article Summary:

• The Harvard Semitic Museum, located in the basement of 6 Divinity Ave, has been impacted by the planned move of the Center for International Affairs (CFIA) to its building. The museum has not been able to use its entire space since 1968 and has been storing crates of artifacts in the basement of the Department of Near Eastern Languages and Literatures.
• The CFIA move, expected to take four or five years, will allow the museum to reclaim its building. However, the museum's current state is described as "tragic" by Daniel Robbins, director of the Fogg Art Museum.
• The museum has been cramped for space, with many artifacts stored in crates, some damaged or destroyed. The current space is inadequate for its collection, library, and staff.
• Father Carney E. Gavin, the museum’s volunteer director, expressed the need for a new building. The article notes that the museum's collection is invaluable for research and teaching, and its reopening is eagerly awaited.

Right Page: Cambridge Chronicle

Headline: "Take a trip to Moulin Rouge"

Article Summary:

• The article features an art exhibition at the Fogg Museum, showcasing the work of Henri de Toulouse-Lautrec, focusing on his depictions of the Moulin Rouge.
• The exhibition includes many of Lautrec’s famous posters and drawings, such as "Moulin Rouge: La Goulue" and "Aristide Bruant."
• The exhibition also includes works by other artists such as Pierre-Auguste Renoir, Mary Cassatt, and Edgar Degas, all of which relate to the theme of the Moulin Rouge and Parisian nightlife.
• The show is highly praised, and the article encourages readers to visit the exhibition, which is on display for a limited time.

Both articles provide insights into cultural and academic life at Harvard and in Cambridge during 1972, highlighting the challenges faced by institutions and the art exhibitions available to the public.

The image is a collage of two articles from the Harvard Crimson and Cambridge Chronicle newspapers, dated December 1972.

Left Page (Harvard Crimson, December 5, 1972):
The headline reads, "Semitic Museum Survives in Shadow of the CFIA."

The article discusses the Harvard Semitic Museum, which has been in the basement of 6 Divinity Avenue since 1958. The museum is awaiting relocation to reclaim its original building. The Department of Near Eastern Languages and Literature plans to close the museum to the public in 1998 to make room for a new building. The museum’s curator, Father Carney E. Gavin, criticizes Harvard for ignoring the museum's needs and financial mismanagement.

The article mentions that the Semitic Museum is facing a potential closure and relocation due to space constraints. The museum's collection, including fragile pieces, is in a precarious situation, as it needs to be cataloged and preserved before the move. Gavin expresses concern over the museum’s future and the importance of preserving its collections.

Right Page (Cambridge Chronicle, December 7, 1972):
The headline reads, "Take a trip to Moulin Rouge."

This article describes an exhibition titled "CIRCUS RIDER" by Henri de Toulouse-Lautrec, which is on display at the Fogg Museum. The exhibition showcases the artist's unique style and the various works that depict the Parisian nightlife of the late 19th century. The text highlights the artist's distinctive use of line and color, focusing on his portrayal of the Moulin Rouge and other popular venues in Paris.

The article also mentions the Fogg Museum's plans for a series of exhibitions and a route through various artworks, including prints and drawings, to provide a comprehensive view of Toulouse-Lautrec's work and his impact on modern art.

The image shows two newspaper clippings from December 1972, each discussing different topics related to museums and art exhibitions.

Left Clipping (Harvard Crimson, December 5, 1972):
The headline reads "Semitic Museum Survives In Shadow of the CFIA."

• The article discusses the Harvard Semitic Museum's relocation from the basement of 6 Divinity Ave. to the basement of the Center for International Affairs.
• The museum was initially closed to the public in 1958 to make room for the construction of the Kennedy Library, and it was expected to reopen in 1972.
• The Semitic Museum's collection, which includes artifacts from the Middle East, has been cramped in the basement since 1958, and some items were damaged or destroyed.
• Director Father Carney E. Gavin expressed concern about the museum's future, citing the lack of space and the need for better preservation.
• Daniel Robbins, director of the Fogg Art Museum, criticized Harvard for not prioritizing the Semitic Museum's needs, calling it a "tragic waste."
• The article mentions that the museum's collection is valuable for research, and the current situation is a hindrance to the cataloging efforts.

Right Clipping (Cambridge Chronicle, December 7, 1972):
The headline reads "Take a trip to Moulin Rouge."

• The article discusses an exhibition at the Fogg Museum titled "CIRCUS RIDER" by Henri de Toulouse-Lautrec.
• Toulouse-Lautrec's work is known for its vivid and expressive style, often depicting scenes from Parisian nightlife and theater.
• The exhibition features paintings and drawings by Toulouse-Lautrec, showcasing his unique artistic style and his influence on later artists.
• The article highlights that Toulouse-Lautrec's work captures the essence of Parisian life, particularly the Moulin Rouge, and mentions his famous posters and paintings.
• The article also describes other related exhibitions and events, such as a poetry reading by Louis Simpson and a lecture on Toulouse-Lautrec's work.

Both articles provide historical context and details about the state and significance of their respective museums and art exhibitions in the early 1970s.

The image contains two newspaper clippings from December 1972, focusing on art museums at Harvard University.

1. Harvard Crimson (December 5, 1972) - "Semitic Museum Survives in Shadow of the CFIA"

   • The Harvard Semitic Museum, located in the basement of 6 Divinity Ave, has been struggling since 1958 when it was forced to share its building with the Center for International Affairs (CFIA).
   • The museum is set to reclaim its building when the CFIA moves to the newly constructed Semitic Museum building in 1973.
   • The museum has been cramped for space and has had to relocate its entire collection to the basement. The move is expected to take four to five years.
   • Director Father Carney E. Gavin acknowledges the museum's needs and plans to find a new home for the collection.
   • Daniel Robbins, director of the Fogg Art Museum, criticizes Harvard for not prioritizing the Semitic Museum, suggesting that the museum's needs were ignored in favor of other projects.
   • Robbins also notes that the museum's collection, which includes artifacts from ancient Middle Eastern countries, is valuable for research and teaching.

2. Cambridge Chronicle (December 7, 1972) - "Take a Trip to Moulin Rouge"

   • The article discusses an exhibition at the Fogg Art Museum featuring works by Henri de Toulouse-Lautrec.
   • The exhibition includes drawings, prints, and paintings from the "Moulin Rouge" series, capturing the essence of the famous Parisian cabaret.
   • The show also includes Lautrec's works from other series, such as "Aristide Bruant," "Circus Riders," and "Carnival."
   • The exhibition is part of a larger series of six shows, with themes such as death, carnival, and motherhood.
   • The exhibition is curated by Michael Levey and features a selection of Lautrec's works, including a well-known poster of the Moulin Rouge.

Both articles highlight the importance of preserving and showcasing art and cultural artifacts, emphasizing the challenges faced by institutions in maintaining their collections and presenting them to the public.

The image displays a two-page spread from a December 1972 newspaper, featuring articles from both the Harvard Crimson and the Cambridge Chronicle.

Left Page (Harvard Crimson, December 5, 1972):

Headline: "Semitic Museum Survives In Shadow of the CFIA"

Article Summary:

• The Harvard Semitic Museum, located at 6 Divinity Ave, is facing the potential loss of its building due to Harvard’s plans to move the Center for International Affairs (CFIA) there in 1988.
• The museum's director, Frank Moore Cross, and assistant curator, David Gordon Mitten, are concerned about the museum's future.
• The museum's current condition is poor, with inadequate space and improper storage leading to damage of some artifacts.
• The collection includes invaluable items from many Middle Eastern countries, and the museum's primary focus is on cataloging and photographing its artifacts.
• Gavin, a volunteer at the museum, emphasizes the importance of the collection for research and the need for better preservation.
• Harvard’s administration has not committed to providing a new space for the museum once the CFIA takes over the current building.

Right Page (Cambridge Chronicle, December 7, 1972):

Headline: "Take a trip to Moulin Rouge"

Article Summary:

• The article is about an exhibition at the Fogg Museum showcasing Henri de Toulouse-Lautrec’s posters.
• The exhibition, titled "Circus Rider" by Henri de Toulouse-Lautrec, features various works depicting scenes from Parisian nightlife, particularly the Moulin Rouge.
• The posters include images of famous performers and scenes from the cabarets and circuses of Lautrec’s era.
• The article highlights the unique style and technique of Lautrec, noting his ability to capture the essence of his subjects with minimal detail.
• Lautrec's work is described as having an "exuberance and style" that captures the spirit of the era.

Additionally, there is a brief mention of an unrelated topic at the bottom of the page about a man named Arthur Bryant and his various exhibitions, but it is only partially visible.

The image shows a scrapbook page with two newspaper clippings pasted on it.

1. The clipping on the left is titled "Semitic Museum Survives In Shadow of the CFIA" dated December 5, 1972, from the Harvard Crimson. It discusses the struggles of the Harvard Semitic Museum, which was relegated to the basement of 6 Divinity Ave since 1958 and is planning to reclaim its space from the Center for International Affairs (CFIA). The article mentions the cramped conditions, efforts to protect and catalog the museum's collection, and criticism of Harvard's actions that showed disregard for the museum's importance. The museum's director and volunteers are actively working against time and decay to preserve the collection.

2. The clipping on the right is titled "Take a trip to Moulin Rouge" dated December 7, 1972, from the Cambridge Chronicle. It features an illustration titled "CIRCUS RIDER" by Henri de Toulouse-Lautrec from the Fogg Museum. The article by Ann Philips talks about an exhibition at the Boston (Fogg) and the Irish girl who Museum, which opens its final exhibition in a six-institution collaboration celebrating the art of Toulouse-Lautrec. It describes the style, themes, and notable aspects of Lautrec's work and mentions that many pieces from this exhibition will be loaned to other museums. The piece highlights the unique and evocative artistic style of Lautrec and mentions scheduled readings and lectures.

Handwritten annotations at the top identify the source publications and dates: "HARVARD CRIMSON" and "CAMBRIDGE CHRONICLE."

The image shows two newspaper clippings pasted into a scrapbook or journal. Both clippings are dated from December 1972, with one from "Harvard Crimson" and the other from "Cambridge Chronicle."

On the left-hand side is an article from the Harvard Crimson dated December 5, 1972, with the headline "Semitic Museum Survives In Shadow of the CFIA." The article discusses the challenges faced by the Harvard Semitic Museum, noting its relegation to lesser prominence due to the establishment of the Center for International Affairs (CFIA). It mentions the museum's efforts to remain open to the public and the need for reorganization and cataloging of the museum's collections, as well as funding and space limitations.

On the right-hand side is an article from the Cambridge Chronicle dated December 7, 1972, with the headline "Take a trip to Moulin Rouge." This article features a sketch called "CIRCUS RIDER" by Henri de Toulouse-Lautrec, located at the Fogg Museum. The text discusses the exhibition of Lautrec's works and contextual information about his art, the Moulin Rouge, and other related topics.

The articles are set against a brown paper background, and there are apparent folds and creases in the paper, suggesting age and handling. There's also handwriting in red which appears to date or label the articles, emphasizing their archival nature.

The image shows two pages from a newspaper or magazine, likely from the Harvard Crimson dated December 7, 1972. The left page is titled "Semitic Museum Survives In Shadow of the CFIA" and discusses the Harvard Semitic Museum, which has been impacted by the closure of the Center for International Affairs (CFIA). The article details the museum's financial struggles, its planning to relocate, and concerns about the condition of its collection due to storage issues. Key points include:

• The museum has been cramped since 1958 and is planning to move to the basement of 6 Divinity Avenue.
• The CFIA's closure has left the museum in limbo, with no clear timeline for relocation.
• The museum's collection, including artifacts and artworks, has suffered damage due to improper storage.
• The director, Father Carney E. Gavin, highlights the museum's importance for research and its irreplaceable collection.

The right page is titled "Take a trip to Moulin Rouge" and features an article about an exhibition at the Fogg Art Museum. The exhibition showcases works related to the Moulin Rouge, including posters, illustrations, and photographs. Key details include:

• The exhibition features works by Henri de Toulouse-Lautrec, including the iconic painting "Circus Rider."
• The article describes the exhibition as a celebration of the Moulin Rouge's history, featuring posters, illustrations, and photographs.
• It mentions the unique style of Toulouse-Lautrec, his fascination with the Moulin Rouge, and the variety of works on display, including images of performers and the iconic Moulin Rouge sign.
• The exhibition is part of a larger series of events at the Fogg Museum, including lectures and other exhibitions.

The layout includes a photograph on the right page, depicting a scene from the Moulin Rouge, likely illustrating the theme of the exhibition. The text is formatted in a classic newspaper style, with clear headings and subheadings. The overall design reflects the visual and editorial style of a 1970s publication.

The image shows a page from a newspaper with two articles. The top article is titled "Semitic Museum Survives In Shadow of the CFIA." It is about the Harvard Semitic Museum, which is planning to reclaim its building from the Center for International Affairs. The article discusses the museum's history, its collection, and its future plans. The bottom article is titled "Take a trip to Moulin Rouge" and features an illustration of a circus rider. It is about an exhibition at the Fogg Museum, showcasing the work of Henri de Toulouse-Lautrec. The article provides details about the exhibition, including the artist's style and the themes of his work.