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This image shows an open page from the November 1972 issue of the Harvard Bulletin, specifically pages 69 and 70, displayed against a neutral, off-white background. The magazine is bound in what appears to be aged, light brown or beige paper or cloth, with a visible gutter and slightly worn edges, suggesting a vintage or archival document.

The layout is characteristic of a print magazine from the early 1970s, with dense columns of black serif text and a central illustration.

Key Contents:

Headline & Main Article: "Goodbye Brueghel" (Page 70)

This is the featured article, discussing a new rental print program at the Fogg Museum (now part of the Harvard Art Museums) that allows Harvard students to hang high-quality, contemporary art prints on their dorm walls. Prior to this program, students were limited to reproductions of classical masters like “Rembrandt, Dürer, [and] Rubens” — hence the playful headline “Goodbye Brueghel.”

• The article details how a generous anonymous donor gave $20,000 to launch the program, which allows students to rent prints for $5 to $25 — a significant increase from the previous $10 flat rate.
• The prints include works by Jasper Johns, R. B. Kitaj, Larry Rivers, and Edward Ruscha.
• Daniel Robbins, Director of the Fogg, is quoted describing the program as “a pet project,” and Louise Ambler is appointed to oversee the rental program in addition to her role as Curator of the Portrait Collection.
• The program includes a “field survey” to locate lost prints and “carefully guarded” access to originals for student rental.
• A major feature was an exhibition in Gallery XV at the Fogg, and the rentals were for one print for two-and-a-half weeks, with students signing contracts to return prints within 48 hours if lost or damaged.

Central Illustration (Page 69/70)

• The centerpiece is a reproduction of a silkscreen print by British artist R. B. Kitaj, titled “Fighting the Traffic in Young Girls.”
• The artwork is rectangular and features a stylized, somewhat sketchy illustration: a street scene with two abstracted female figures, one on a bicycle, the other walking, with text and imagery suggesting urban movement or danger.
• A caption below the artwork reads: “This silkscreen print by R. B. Kitaj is available to students under the Fogg Museum’s new rental program. ‘Fighting the Traffic in Young Girls’ is from the portfolio In Our Time, done in 1969.”

Other Notable Elements:

• Page number and date: “NOVEMBER 1972 | 69” at the bottom of the right column on page 69. Page 70 is indicated at the bottom left.
• Radio advertisement: At the bottom of page 70, there is a small graphic for a radio station: “95.3 FM”, with a stylized radio wave symbol, indicating a possible advertisement or sponsorship.
• “Harvard Bulletin” masthead: Written in a script font beneath the Kitaj print, reinforcing the publication’s identity.
• Review snippet (top left): A brief review of Michael Kammen’s book People of Paradox, written by Judith Parker, praising its interpretation of American culture.
• Closing quote (bottom right): An excerpt from Devereux Clarke: “That’s the Class of 1776, of course,” which likely refers to an earlier piece in the magazine (perhaps discussing Harvard’s founding or traditions).

Overall Tone & Context:

The issue reflects the cultural and educational climate of early 1970s academia — embracing contemporary art, student engagement, and institutional innovation. The “Goodbye Brueghel” article celebrates democratizing access to art for undergraduates, signaling a shift from classical aesthetics to contemporary expression. The inclusion of R. B. Kitaj’s provocative print — dealing with social themes — further underscores this modernization.

This is a well-preserved artifact of Harvard’s cultural programming and student life in the early 1970s.

The image depicts a page from the Harvard Bulletin, a publication from November 1972. The page is titled "Goodbye Brueghel" and discusses the Fogg Museum's print rental program, which allows students to rent original works by contemporary artists such as Jasper Johns, R. B. Kitaj, Larry Poons, and Edward Ruscha. The article mentions that the program was initiated in the fall and that students can now adorn their digs with original prints, paying more for the privilege but enjoying the satisfaction of knowing the works are original and valuable.

In the middle of the page, there is an illustration of a silk-screen print titled "Fighting the Traffic in Young Girls" by R. B. Kitaj. The print is described as being available to students under the Fogg Museum's new rental program. The portfolio from which this print is taken is "In Our Time," and it was done in 1969.

The bottom of the page features a logo for the Harvard Bulletin and mentions the FM radio frequency, 95.3 FM. The page also includes a note about the Class of 1776 and quotes from Devereux Clarke, who describes the show as fetching and similar to its Hasty Pudding precursors.

The image shows a page from the November 1972 issue of the Harvard Bulletin, specifically pages 69 and 70. The content is a mix of text and images, discussing various topics related to Harvard University.

1. Left Column (Page 70):

   • The text mentions a book titled "People of Paradox" by Michael Kammen, Ph.D. '64, with a price of $8.95.
   • It also discusses a program called "Goodbye Brueghel," which seems to be about Harvard students hanging reproductions of artworks by famous artists like Renoir, Dürer, and Rembrandt on their walls. The text mentions a new rental program that allows students to rent original works by contemporary artists like Jasper Johns, R. B. Kitaj, Larry Poons, and Edward Ruscha.
   • The text is signed by Judith Parker.

2. Right Column (Page 69):

   • The text discusses the student print rental program at the Fogg Museum, highlighting the opportunity for students to become involved with original works of art.
   • It mentions the program's rules, such as students signing a contract to return the print in May or assume the cost of the framed picture, and notifying the registrar of the Fogg and the Harvard police within 48 hours if the picture is lost, stolen, or damaged.
   • The text includes a quote from Mr. Robbins, who expresses pride in the program.

3. Image:

   • There is a black and white image of a silk-screen print by R. B. Kitaj titled "Fighting the Traffic in Young Girls," which is part of the portfolio "In Our Time," done in 1969. The text mentions that this print is available to students under the Fogg Museum's new rental program.

4. Footer:

   • The bottom of the page includes a radio frequency "95.3 FM" and a small text about the same sense of burlesque and fun making the show as fetching as its Hasty Pudding precursors, signed by Devereux Clarke.
   • There is also a footnote indicating that the Class of 1776 is mentioned.

The page is set against a light background, and the text is in a serif font, typical of print publications from that era. The overall tone is informative, discussing academic and cultural programs at Harvard University.

The image is of a page from a magazine. The page has a brown background with a white page in the middle. The white page has text and an image. The text is in a small font and is in black. The image is of a woman in a cage. The text is about a museum and its collection of prints. The text also mentions a new program that allows students to rent prints for a low fee.

The image shows a page from a magazine or newspaper, with a black-and-white image of a woman in a cell. The image is accompanied by a caption that reads, "In Our Time, done by R. B. King, is available to students under the Fogg Museum's new rental program." The caption goes on to explain that the Fogg Museum has a collection of prints by contemporary artists, and that students can rent prints for a fee. The article also mentions that the museum has a diverse collection of prints, including works by German, French, and American artists.

The image shows an open book, specifically a page from the Harvard Bulletin, dated November 1972. The left page contains text discussing various topics, including a critique of Michael Kammer's work on the Harvard-Radcliffe Review, referencing historical and cultural aspects, and a mention of Judith Parker. The text is dense and appears to be an article or editorial commentary.

The right page features a prominent illustration titled "GOODBYE BRUGEL", which is a silk-screen print by R. B. Kitaj. The artwork is described as being available to students under the Fogg Museum's new rental program. The illustration itself is a stylized, graphic depiction of a figure, possibly a young girl, with bold lines and minimal detail, characteristic of Kitaj's style. Below the illustration, there is a caption that reads:

"This silk-screen print by R. B. Kitaj is available to students under the Fogg Museum's new rental program. The Traffic in Young Girls is from the portfolio In Our Time, done in 1967."

Additionally, the page includes a graphic element at the bottom right corner that reads:

"Same sense of burlesque and turn make this show as fetching as its Hasty Pudding precursor." — DIVIERUX CLARKE

and a note:

"That's the Class of 1776, of course."

At the bottom of the page, there is a logo for 95.3 FM, indicating a connection to radio or broadcasting. The overall layout suggests this is a publication that combines academic content, art commentary, and possibly student or campus-related news or features. The design and typography reflect a mid-20th-century aesthetic, consistent with the 1972 publication date.

The image shows a page from an old magazine or newspaper, with a large article and a small advertisement for a radio station. The page is open to a section that appears to be a review or article about art, with a large image of a painting or print in the center. The article is written in black text on a white background, and it discusses the work of various artists and their styles.

To the left of the article is a column of text that appears to be a review or critique of the art. The text is written in a formal tone and discusses the merits and flaws of the artwork. The article is signed by the author, who is identified as Judith Parker.

At the bottom of the page, there is a small advertisement for a radio station. The ad features a logo for 95.3 FM and a brief description of the station's programming. The ad is written in a playful tone and includes a tagline that reads "Some sense of musicque and fun more than this show as fetching as its Hasty Pudding precursors."

Overall, the image suggests that the page is from a publication that focuses on art and culture, and that it may be a review or critique of a particular exhibition or collection. The inclusion of the radio station ad adds a touch of modernity to the page, and suggests that the publication may have been published in the 1970s or 1980s.

The image depicts an open book with a page featuring a newspaper clipping. The clipping is from the Harvard Bulletin, dated November 1972, and includes an article about the Fogg Museum's print rental program. The article discusses the program's history, its availability to students, and the types of prints available for rent.

The clipping also features a sketch of a woman standing in front of a window, with the title "Fighting the Traffic in Young Girls" written above it. The sketch appears to be a reproduction of a work by R.B. Kitaj, which was part of the museum's collection.

At the bottom of the page, there is a signature that reads "Harvard Bulletin" in black ink. Below the signature, there is a logo for 95.3 FM, which suggests that the radio station may have been involved in promoting the museum's print rental program.

Overall, the image provides a glimpse into the history of the Fogg Museum's print rental program and its efforts to make art accessible to students.

The image is a scanned page from a book, featuring an article from the Harvard Bulletin.

• The page is open to a section with a white insert containing the article.
  • The article is titled "Goodbye Brueghel" and discusses the Fogg Museum's print rental program.
  • The article includes a black-and-white image of a print titled "Fighting the Traffic in Young Girls."
  • The print features a drawing of a woman standing in front of a window.
  • The article is written in a formal tone and includes quotes from various individuals.
  • The page number is 70, and the publication date is November 1972.
  • The article also mentions that the Fogg Museum has taken on the rental program as a pilot project.
  • The program allows students to rent prints for $0.50 to $2.50 per picture.
  • The article highlights the success of the program, with many students participating and expressing satisfaction with the selection of prints.
• The background of the image is a plain gray color.
  • The overall atmosphere of the image suggests an academic or educational setting.

In summary, the image is a scanned page from a book featuring an article from the Harvard Bulletin that discusses the Fogg Museum's print rental program. The article includes a black-and-white image of a print and provides information about the program's success and details.

The image presents a scanned page from the Harvard Bulletin, dated November 1972. The page is divided into two columns of text, with the left column featuring an article titled "Goodbye Brueghel" and the right column containing another article.

Key Features:

• Page Layout: The page is divided into two columns of text.
• Articles:
  • Left column: "Goodbye Brueghel"
  • Right column: An article discussing the Fogg Museum's print rental program
• Image: A black-and-white image of a print titled "Fighting the Traffic in Young Girls" by R.B. Kitaj
• Advertisement: A radio advertisement for Harvard Bulletin 95.3 FM
• Handwritten Note: A handwritten note reading "Harvard Bulletin"

Summary:

The image provides a snapshot of the Harvard Bulletin's content from November 1972, featuring articles on art and culture, as well as a radio advertisement. The page's layout and design suggest a publication focused on academic and cultural topics.