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The image is a page from a 1972 issue of the "Harvard Bulletin." The page features an article titled "Goodbye Brugchel" and an image of a print titled "Fighting the Traffic in Young Girls."

Article Summary:

1. Book Review:

   • The article begins with a review of a book by Michael Kammen titled "People of Paradox," which discusses the complexities of American culture. The reviewer, Alan Parker, praises the book for its insights into the paradoxes of American society.

2. Goodbye Brugchel:

   • The main article, "Goodbye Brugchel," discusses the Fogg Museum's print rental program, which has been running since the 1940s. The program allows Harvard students to rent original prints for a small fee.
   • The article mentions notable artists whose works have been part of the program, such as Jacques Jones, R. B. Kitaj, and Leonard Baskin.
   • The program is described as a unique opportunity for students to live with original art, fostering an appreciation for contemporary prints.
   • The article highlights the efforts of Louise Auerbach, the curator of the print rental program, who has been instrumental in its success.
   • The program has been a significant part of the Harvard community, with students often keeping the prints they rented long after graduation.

3. Print Information:

   • The print featured in the article is "Fighting the Traffic in Young Girls" by R. B. Kitaj, created in 1969. It is an all-over print available to students through the Fogg Museum's rental program.

4. Additional Notes:

   • The article mentions the logistical challenges of managing the print rental program, including the need for students to return prints by a specific deadline.
   • The program has been a beloved tradition at Harvard, with many students and alumni expressing their appreciation for the opportunity to engage with original art.

The page also includes a handwritten note at the bottom, which appears to be a signature and a frequency (95.3 FM), possibly related to a radio station. There is also a small illustration of a radio wave. The bottom of the page includes a note from Dorothy Austin, mentioning a barbecue and the class of 1972.

The image shows an open book or magazine with an article on the left page and an illustration on the right page. The left page contains several columns of text, with the first paragraph discussing the issue of museum experts being replaced by former Republican fundraisers, and mentioning a book titled "People of Paradox" by Michael Kammen. The text is critical of this shift, suggesting it reflects broader societal issues of incompetence and unearned privilege.

The right page features a large illustration titled "Fighting the Craze for Young Girls," which appears to be an old illustration or engraving showing a man and a woman in period clothing, possibly from the 18th or 19th century. The illustration is accompanied by a caption explaining that it is an 18th-century print available to students at the Fogg Museum under its rental program. The caption also mentions that the print is from the Trustees of the British Museum and that the print was done in 1799.

At the bottom of the right page, there is a small section with the heading "95.3 FM" and a note about a radio broadcast, along with a drawing of sound waves. The text mentions Harvard Bulletin and makes a humorous reference to the class of 1776. The date "November 1972" is also visible, indicating when the article or edition was published.

The image depicts a page from the November 1972 issue of the Harvard Bulletin. The page features an article titled "Goodbye Brueghel," discussing the Fogg Museum's new initiative to exhibit original contemporary art prints.

Key points from the article include:

1. Historical Context: The article begins by discussing the traditional practice of hanging reproductions of well-known works of art by masters such as Rembrandt, Renoir, and others on Harvard's walls. It notes that this practice has been ongoing since the 1940s.

2. Introduction of Contemporary Prints: The article highlights the introduction of a new program at Harvard, which involves displaying original prints by contemporary artists like Jasper Johns, R. B. Kitaj, and others. These works are intended to be a more contemporary and relevant addition to the visual arts curriculum.

3. Student Access and Cost: Students are given the opportunity to rent these prints for a fee, allowing them to engage more directly with original artworks. The prints are rented for a period of two weeks, with a rental fee of $1.25 per print, covering the cost of insurance and maintaining the prints.

4. Donor Support: The article mentions that a generous anonymous donor provided the funds to establish this program, aiming to enrich the educational experience for students.

5. Details of the Show: The program includes a specific exhibit titled "Fighting the Fogg in Young Girls," curated by R. B. Kitaj. The show was held in Gallery XV and included approximately 120 prints. The prints were mainly from artists like Jasper Johns and R. B. Kitaj, illustrating a wide range of visual styles and themes.

6. Collecting Prints: The Fogg Museum has an extensive collection of prints, mostly dating from the early 20th century, and the initiative encourages students to familiarize themselves with these works.

The image also includes a small advertisement for 95.3 FM, a Harvard-affiliated radio station, and a note from Devereux Clarke, referencing a show on burlesque and the history of Harvard's 1776 class.

Additionally, there's a small illustration of an artwork titled "Fighting the Fogg in Young Girls" by R. B. Kitaj, which is part of the exhibit discussed in the article.

The image shows a page from the Harvard Bulletin, specifically the November 1972 issue. The page includes two articles and a small advertisement.

1. Article 1: "Goodbye Brueghel" by Judith Parker

   • This article discusses the history and evolution of the Harvard Fogg Museum's print rental program.
   • It notes that since the 1940s, Harvard students have been able to see reproductions of works by artists such as Brueghel, Rembrandt, and Durer.
   • A new initiative, the Fogg Museum's student print rental program, was introduced. Students can rent prints of contemporary artworks, such as those by Jasper Johns, R. B. Kitaj, and others, for $2.50 each. The museum has a collection of over 200 prints, and students sign contracts to return them.
   • The program started with a generous donation to purchase and insure the prints. The museum has about 100 prints that are rented out, and students are responsible for their care and return.
   • The article mentions that the collection includes prints from the 1960s, illustrating a wide range of book covers and other media.

2. Article 2: "People of Paradox" by Michael Kammen, Ph.D. '64

   • This article is an excerpt from a book, "People of Paradox: Essays on the Social History and Culture of the United States," by Michael Kammen.
   • It discusses the complexities of American history, culture, and institutions, highlighting the challenges of understanding and teaching history given the numerous and often conflicting narratives.
   • The author argues that American history has been shaped by paradoxes, including the blending of ideals and realities, and the coexistence of multiple narratives and viewpoints.

3. Advertisement:

   • The advertisement at the bottom right corner promotes a radio station, 95.3 FM, with a small graphic indicating its frequency.

The page also features a silk-screen print by R. B. King titled "Lighting the Fuse in Young Girls" from the Fogg Museum's collection, which is available to students under the rental program.

The image shows an open page from the Harvard Bulletin, dated November 1972. The page contains an article about a new print rental program initiated by the Fogg Art Museum at Harvard University. Here are the key points summarized:

1. Article Overview:

   • The article discusses a new initiative by the Fogg Art Museum to provide Harvard students with access to original works of contemporary prints for a low cost.

2. Historical Context:

   • Previously, Harvard students had access to reproductions of famous artworks by artists like Rembrandt, Renoir, and others.
   • The new program offers students the chance to interact with original prints by contemporary artists such as Jasper Johns, R. B. Kitaj, and others.

3. Program Details:

   • Students can rent prints for $2.25 per picture, which is less than the cost of a framed picture.
   • The program allows students to sign a contract for a two-and-a-half-week rental period.
   • A generous anonymous donor provided $20,000 to establish the program, with additional funding from the Harvard University Loans.
   • The prints are stored in a special room, and students are responsible for handling them carefully to avoid damage.

4. Print Collection:

   • The collection includes prints by a variety of artists, many of whom are American and Japanese.
   • The prints are generally purchased in batches and can include a wide variety of subjects, such as book covers from U.S. military intelligence manuals.

5. Access and Availability:

   • The prints are available for a limited time, with students able to sign up for viewing during specific hours.
   • The program provides an opportunity for students to engage with contemporary art and understand the value of original works.

6. Additional Information:

   • There is a small note on the page indicating the frequency of a radio station, 95.3 FM, and a handwritten note mentioning "same sense of burlesque and fun make this show as fetching as its Hasty Pudding predecessors," signed by Devereux Clarke.

The article highlights the educational benefits and the unique experience the program offers to students at Harvard.

The image displays an article from the Harvard Bulletin, dated November 1972, discussing an educational program involving the rental and study of fine art prints at Harvard University. Here's a detailed summary:

Main Article: "Harper & Row, $1.25"

The article discusses the perspectives of several mining experts, including Michael Kanninen and Philip C. Frorup, on the competence of the U.S. Bureau of Mines. They argue that the bureau has been ineffective due to political interference and a lack of focus on its primary functions, such as safety research and mineral resources management. The experts believe the bureau should be restructured to better fulfill its original mandate.

Sidebar: "Goodie Brueghel"

This section highlights a program at Harvard's Fogg Museum that allows students to rent fine art prints by notable artists for a minimal fee. Since the 1940s, students have been able to rent works by artists like Rembrandt, Renoir, and Picasso for as little as $5 to $25 a semester. The program is noted for its popularity and educational value.

A new initiative in the Fogg Museum's print rental program involves offering original prints by contemporary artists for $30 each. This project, led by curator Marjorie B. Cohn, includes works by artists such as Jim Dine, Helen Frankenthaler, and Jasper Johns. The goal is to provide students with access to original artworks to enhance their living spaces and appreciation of art.

The article mentions that the program, which has been running successfully, faced a potential shutdown due to funding issues but was saved by alumni donations.

Print Example and Radio Promotion

A sample print by R.B. Kitaj, available through the program, is illustrated. The text next to it mentions that the prints are available to students under the "Fighting the Fogg's Famous Print Rental Program."

Additionally, there is a small advertisement at the bottom promoting Harvard's radio station, 95.3 FM, featuring a humorous note about the class of 1976.

Overall, the article emphasizes the educational and cultural benefits of integrating art into students' lives through affordable access to fine art prints.

This image displays a scanned page from what appears to be a magazine or journal, possibly belonging to an academic institution given the reference to Harvard. The page is part of the "Harvard Bulletin," as indicated by the text at the top and bottom. The context suggests it might be from a library or an archive due to labels and additional notations.

There is a main article with a heading "Courtesy Thought," which contains several paragraphs of text and appears to be on the subject of university collections, museums, or libraries. Alongside the article is an advertisement or notice, prominently titled "CLOTHING THE TRAGEDY IN YOUNG GIRLS," with a stylized representation (artwork or a photograph) of two figures enclosed within a border, and includes the name "Harvard Bulletin" just below it followed by the text "95.3 FM." Additional text and context about the play, theatre, or drama related to the title are not fully visible within the image. At the bottom right, there is an unrelated comment or quip that reads, "That's the Class of 1776, of course."

Below the ad, a handwritten note reads "Nov/Dec 1972," which presumably is the issue date of this publication. Also, there is a label on the left side with the handwritten text "Harvard Bulletin," a number indicating either a volume or catalog reference "95.3 FM," and an additional handwritten notation.

The left margin exhibits some age-related discolouration indicating the document has considerable age or has been exposed to light. Furthermore, the open book or magazine lies on a surface that suggests it might be part of an archival process or being cataloged.

The image is of a page from a magazine. The page has a brown background with a white page in the middle. The white page has text and an image. The text is in a small font and is in black. The image is of a woman in a cage. The text is about a museum and its collection of prints. The text also mentions a new program that allows students to rent prints for a low fee.

The image shows a page from a magazine or newspaper, with a black-and-white image of a woman in a cell. The image is accompanied by a caption that reads, "In Our Time, done by R. B. King, is available to students under the Fogg Museum's new rental program." The caption goes on to explain that the Fogg Museum has a collection of prints by contemporary artists, and that students can rent prints for a fee. The article also mentions that the museum has a diverse collection of prints, including works by German, French, and American artists.

The image shows an open book, specifically a page from the Harvard Bulletin, dated November 1972. The left page contains text discussing various topics, including a critique of Michael Kammer's work on the Harvard-Radcliffe Review, referencing historical and cultural aspects, and a mention of Judith Parker. The text is dense and appears to be an article or editorial commentary.

The right page features a prominent illustration titled "GOODBYE BRUGEL", which is a silk-screen print by R. B. Kitaj. The artwork is described as being available to students under the Fogg Museum's new rental program. The illustration itself is a stylized, graphic depiction of a figure, possibly a young girl, with bold lines and minimal detail, characteristic of Kitaj's style. Below the illustration, there is a caption that reads:

"This silk-screen print by R. B. Kitaj is available to students under the Fogg Museum's new rental program. The Traffic in Young Girls is from the portfolio In Our Time, done in 1967."

Additionally, the page includes a graphic element at the bottom right corner that reads:

"Same sense of burlesque and turn make this show as fetching as its Hasty Pudding precursor." — DIVIERUX CLARKE

and a note:

"That's the Class of 1776, of course."

At the bottom of the page, there is a logo for 95.3 FM, indicating a connection to radio or broadcasting. The overall layout suggests this is a publication that combines academic content, art commentary, and possibly student or campus-related news or features. The design and typography reflect a mid-20th-century aesthetic, consistent with the 1972 publication date.