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The image is a page from a newspaper or magazine, specifically "The Boston Phoenix" dated October 12, 1973. The article on the page is titled "Art: In Man's Image and Likeness" and is written by Kenneth Baker. The article discusses contemporary figurative sculpture, focusing on a show at Harvard titled "Human Figure Sculpture."

Key points from the article:

1. Overview: The article explores the role and significance of the human figure in contemporary sculpture, questioning whether it is still relevant and meaningful.

2. Artists and Works:

   • Lois Andress: Her work "American Fortify" is described as a cast polyester piece that is both figurative and abstract. The sculpture is noted for its ambiguity, making it difficult to determine whether it is a man or a woman.
   • Nancy Grossman: Her sculpture "Untitled" is a bronze figure that is described as a powerful and expressive piece. The article highlights the intricate details and the emotional depth of the work.
   • George Segal: Known for his white plaster figures, Segal's work is noted for its realism and the sense of familiarity it evokes. The article mentions his ability to capture everyday moments and emotions.
   • Jim Dine: His work is described as playful and imaginative, often incorporating everyday objects and materials.

3. Themes and Questions:

   • The article raises questions about the relevance of figurative sculpture in contemporary art, suggesting that it can still be meaningful and impactful.
   • It discusses the challenge of creating sculptures that are both figurative and abstract, and the emotional and intellectual responses they can evoke.
   • The article also touches on the technical aspects of sculpture, such as the use of materials and the craftsmanship involved.

4. Exhibitions:

   • The article mentions an upcoming exhibition of contemporary photographs at the New York Graphic Society and a show of drawings by Bruce Davidson at the Harvard Art Museums.

Overall, the article provides a thoughtful exploration of contemporary figurative sculpture, highlighting the works of several artists and discussing the broader themes and questions related to the genre.

The image shows a newspaper article from "The Boston Phoenix," dated October 28, 1977. The article, titled "Art: In Man's Image and Likeness," is by Kenneth Baker. It discusses a show at the Fogg Museum at Harvard called "Recent Figure Sculpture: American and European Works on Paper." The article features a black-and-white photograph of a sculpture by Luis Jimenez, titled "American Fertility," which depicts a muscular man carrying a large iced drink. The article critically examines the use of figurative sculpture, its directness, and the challenges of representing the human form in contemporary art. The text also mentions other artists, including George Segal and Nancy Grossman, and their distinct approaches to figurative representation. The article explores the themes and reactions evoked by these sculptures, highlighting the tension between the ideal and the real in artistic depictions of the human body.

The image shows a page from The Boston Phoenix, dated October 28, 1977, focusing on an art exhibition at the Fogg Museum at Harvard University. The article, titled "Art: In Man's Image and Likeness," is written by Kenneth Baker.

The article discusses a show of recent figure sculpture, including pieces by Nancy Grossman and Luis Jimenez. It explores the question of how the human image is perceived in contemporary art and the directness of representation.

Key points include:

• The show includes sculptures by Nancy Grossman, who creates figures in leather and other materials.
• Luis Jimenez's work is described as a mix of traditional and modern elements, often incorporating everyday objects.
• The article also touches on the exhibition "Contemporary Photographs: New Acquisitions," highlighting several photographers and their works.

The article provides insights into the artists' intentions and the reception of their work, reflecting on the themes of identity, representation, and the human form in contemporary art. It also mentions the Fogg Museum's ongoing acquisitions and exhibitions.

The image is a newspaper clipping from "The Boston Phenix," dated October 28, 1977. The article is titled "Art: In Man's Image and Likeness" and is written by Kenneth Baker. It discusses an exhibition at the Fogg Museum at Harvard, called "Recent Figure Sculpture."

The article critiques the current show, which includes works by artists such as Nancy Grossman, George Segal, and Luis Jimenez. Baker raises questions about the directness and effectiveness of these sculptures in capturing the human likeness and image. He mentions that the sculptures often seem to be merely posing questions about the human condition rather than providing clear answers.

Key points include:

1. Nancy Grossman's Work: Baker notes that Grossman's sculptures, particularly "Boys Playing Soccer," are intriguing but not entirely successful in conveying the human condition. He finds the use of black leather and the mannequin-like figures unsettling and not very realistic.

2. George Segal's Work: Segal's sculptures are described as impressive and realistic, with a theatrical quality. Baker appreciates Segal's ability to capture the essence of the human figure, even if it is a bit uncomfortable or awkward.

3. Luis Jimenez's Work: Jimenez's sculpture, "American Fertility," is noted for its unique style, with a more humorous and playful take on the human form. Baker finds it more engaging and less problematic than the other pieces, although he questions its place in contemporary figure sculpture.

4. General Observations: Baker questions the role and effectiveness of figure sculpture in contemporary art, wondering if it is merely a statement about the human condition or if it can truly represent and evoke the human likeness.

The article also includes a small section about another exhibition, "Fogg: Contemporary Photographs: New Acquisitions," which features prints by various photographers, emphasizing the importance of hair in photography.

Overall, the article reflects on the challenges and considerations of creating and viewing contemporary figure sculptures.

The image shows a newspaper clipping from The Boston Globe, dated October 28, 1977, featuring an article titled "Art: In Man's Image and Likeness" by Kenneth Baker. The article discusses a small exhibition at the Fogg Museum at Harvard called "Recent Figure Sculpture."

Here is a detailed summary of the article:

1. Main Theme:

   • The article explores the challenges and responses to the question of what constitutes a "good" sculpture, particularly focusing on the representation of the human figure.

2. Exhibition Overview:

   • The exhibition, "Recent Figure Sculpture," presents a variety of works that push the boundaries of traditional sculpture, including pieces that are less direct and more abstract.

3. Artists and Works:

   • Luis Jiménez: His sculpture "American Fertility" is highlighted, showing a woman with a large belly, holding a melon. The piece is praised for its acknowledgment of cultural stereotypes and the uniformity of the human figure, despite its exaggerated features.
   • George Segal: Known for his life casts, Segal's work is noted for its theatrical quality, capturing fleeting moments and providing a sense of realism and self-consciousness.
   • Nancy Grossman: Her work "Boys Playing Soccer" is mentioned, featuring black boys in a dynamic pose. The article notes the work's striking visual impact and the complexity of its execution.

4. Critical Analysis:

   • The article delves into the debate over the use of mannequins and other synthetic materials in sculpture, questioning whether these materials can truly represent the human form.
   • It discusses the idea of 'likeness' in sculpture, pondering if it is essential for a sculpture to look like something to be considered art.
   • The author questions how much the viewer's expectation of realism affects the appreciation of art.

5. Exhibition Details:

   • The article mentions that the exhibition runs until November 13 and includes works by various artists like Paul Capogna, Bruce Davidson, and others.

6. Specific Artworks:

   • The article also references specific works like Hansons' "Boys Playing Soccer" and other pieces that explore the human form in unconventional ways.

The clipping overall provides a thoughtful critique of contemporary sculpture, focusing on the tension between traditional expectations and innovative artistic expression.

The image is a page from a newspaper, specifically the "Boston Phoenix" dated October 12, 1976, from Section Two, page twenty-five. The article is titled "Art: In Man's Image and Likeness" and is written by Kenneth Baker.

Summary of the Article:

Content:
The article discusses the representation of the human figure in contemporary sculpture. Baker critiques an exhibition at the Fogg Museum at Harvard, which presents a variety of sculptures focusing on the human form.

Key Points:

1. Critique of Figurative Sculpture:

   • Baker argues that many contemporary sculptures of the human figure are troubling due to their lack of clarity in expression and direction.
   • He mentions that the works often seem to be either direct and potentially crude or overly conceptual, lacking a deep understanding of human anatomy and emotion.

2. Examples of Artists:

   • Luis Jimenez: His sculpture "American Fertility" is noted for its upfront and somewhat garish depiction of a pregnant woman.
   • Nancy Grossman: Her work, although more abstract, is praised for its ability to capture a sense of the human form without being literal. Her piece is described as a black, tied-up figure that conveys a poignant and complex message.
   • Harold Tovish and John Andressa: Their works are criticized for either being too literal or overly vague in their depiction of the human form.

3. General Observations:

   • The author observes that many contemporary artists struggle with the balance between realism and abstraction.
   • Some artists, like Jimenez, use vibrant, almost cartoonish styles, while others, like Grossman, take a more abstract approach to evoke the human condition.
   • The article questions whether contemporary artists have lost their way in representing the human form, often lacking the depth seen in earlier, classical works.

Exhibitions Section:

At the bottom of the page, there is a section titled "Exhibitions," detailing an exhibition at the Fogg Museum:

• Title: Contemporary Photographers: New Acquisitions
• Artists: Includes works by Paul Caponigro, Bruce Davidson, Benno Friedman, Robert Heinecken, Neal Slavin, Frederick Sommer, Paul Strand, Jerry Uelsmann, and others.
• Dates: The exhibition runs from November 13 to January 1.

Visuals:

• There is an image of a sculpture by Luis Jimenez titled "American Fertility."
• Another image is of an untitled sculpture by Nancy Grossman, which appears to be a head wrapped in leather.

Conclusion:

The article reflects on the challenges contemporary artists face when depicting the human form, suggesting that many modern works either fail to capture the essence of humanity or do so in a way that is not immediately accessible or relatable to the viewer.

The image shows a scrapbook page with a newspaper article titled "Art: In Man's Image and Likeness" by Kenneth Baker. The article is from "The Boston Phoenix," dated Tuesday, October 24, 1972, and appears on page twenty-five.

The article discusses the Fogg Museum at Harvard's sculpture and figurative sculpture, focusing on how contemporary and traditional art represent the human form. There are mentions of artists such as Luis Jimenez and Nancy Grossman, and the article explores themes like the nature of representation, the reaction to figurative art, and how different materials and styles affect the perception of artwork.

The page includes two black-and-white photographs:

1. On the left side, an image titled "American Fertility" by Luis Jimenez, showing a somewhat abstract or expressive figure.
2. On the right side, a photograph of a sculpture titled "Untitled" by Nancy Grossman, depicting a leather-bound, human-like figure with a head covered and detailed textural elements.

Additionally, there is a smaller clipping at the bottom left corner about exhibitions, specifically noting the "Fogg: 'Contemporary Photographs: New Acquisitions,'" with details about its opening and some of the artists involved. This smaller clipping is from the "Harvard Bulletin," 1972.

The image appears to be a photographed page from a publication, specifically "The Boston Phoenix," dated Tuesday, October 12, 1977. The page features an article titled "Art: In Man's Image and Likeness" by Kenneth Baker. The article seems to discuss contemporary sculpture and the representation of the human form in art. A column of text occupies the majority of this page.

To the right side of the page, there is a black and white photograph of a sculpture. The sculpture is not identified by name in this view, but the caption beneath it reads "Untitled, by Nancy Grossman," acknowledging the artist behind the piece. The sculpture appears to be of a human-like form, with detailed textures and is fairly abstract in style. It seems to be placed upon a pedestal or base as typically seen in gallery displays. However, due to the caption being partially cut off at the bottom, further details about the sculpture are not ascertainable from the image provided.

Along the bottom of this page, partially cut off too, there's a red box with text discussing exhibitions, where the word "Photographs" and dates are visible, indicating an event or series of events related to photography. The text also includes part of an address and mentions "Fogg."

The overall condition of the paper suggests age and wear with discolored edge likely due to the passage of time, handling, or exposure to light.

The image depicts a page from a publication titled The Boston Phoenix, specifically Section Two, dated October 24, 1973, on page twenty-five. The page features an article titled "Art: In Man's Image and Likeness" by Kenneth Baker. The article discusses contemporary figurative sculpture, focusing on the works of several artists, including Nancy Grossman and Luis Jiménez.

Key Elements in the Image:

1. Article Title and Author:

   • The headline is prominently displayed at the top: "Art: In Man's Image and Likeness".
   • The author, Kenneth Baker, is credited at the beginning of the article.

2. Visual Content:

   • Left Side:
     • An illustration or photograph of a sculpture titled "American Fertility" by Luis Jiménez. The sculpture depicts a stylized female figure wearing a dress with an American flag design. The figure is posed dynamically, with one arm raised and the other bent, suggesting movement and vitality.
     • A caption beneath the image identifies the work as "American Fertility, by Luis Jiménez".
   • Right Side:
     • Another image labeled "Untitled, by Nancy Grossman", showing a sculptural figure. The figure appears to be made of leather and is posed in a dynamic, almost acrobatic stance. The sculpture has a dramatic, expressive form, with the figure's body stretched and twisted in an unconventional manner.

3. Text Content:

   • The article discusses the significance of figurative sculpture in contemporary art, exploring how artists use the human form to convey meaning, identity, and cultural commentary.
   • It references specific works, such as Nancy Grossman’s "Boys Playing Soccer" and Luis Jiménez’s "American Fertility", analyzing their artistic intent and impact.
   • The text delves into themes of identity, freedom, and the relationship between the artist and the viewer. It critiques the traditional notion of figurative sculpture and highlights how contemporary artists challenge conventional representations of the human form.

4. Exhibitions Section:

   • At the bottom of the page, there is a section titled "Exhibitions", listing upcoming art events, including a photography exhibition at the Fogg Museum titled "Contemporary Photographs: New Acquisitions." The exhibition runs from November 15 to January 6, 1974, and features works by photographers such as Paul Capogrosso, Bruce Davidson, Benno Friedman, and others.

5. Design and Layout:

   • The page has a classic magazine layout with a clean, structured design. The text is typeset in a serif font, typical of publications from the 1970s.
   • The images are placed strategically to complement the written content, with captions providing context for each artwork.

Summary:

The image showcases a page from The Boston Phoenix that combines critical art commentary with visual examples of contemporary figurative sculpture. The article examines the works of Nancy Grossman and Luis Jiménez, exploring themes of identity, freedom, and cultural commentary through their art. The page also includes a brief listing of upcoming art exhibitions, providing readers with additional cultural context. The design is typical of a magazine from the early 1970s, with a balance of text and imagery to engage readers in the discussion of contemporary art.

The image shows an open page of a magazine or publication. The page is filled with text and images, with a title at the top that reads "Art: In Man's Image and Likeness." The text appears to be an article or essay discussing the themes of human representation and likeness in art.

On the left side of the page, there is a photograph of a figure sculpture, possibly a work by the artist Nancy Grossman, as indicated by the caption. The sculpture depicts a human figure with a striking pose and expression.

On the right side of the page, there is another photograph of a different sculpture, also by Nancy Grossman, titled "American Fertility." This sculpture features a figure with a more abstract and stylized form, conveying a sense of movement and energy.

The text discusses the challenges and complexities of creating figurative sculptures that capture the essence of the human form and experience. It explores the different approaches and techniques used by artists like Nancy Grossman, who is described as a contemporary figure sculptor.

The article also mentions other artists, such as Duane Hanson, whose work is described as creating realistic and lifelike figures that challenge the boundaries between art and reality. The text delves into the philosophical and aesthetic considerations surrounding the representation of the human form in art.

Overall, the image presents a thought-provoking discussion on the themes of human likeness, representation, and the artistic process of capturing the essence of the human experience through figurative sculpture.