Ctrl-C, Ctrl-V. Rinse, repeat.
ARCH.2003.36, Rendition: 805425
The image appears to be a page from a publication, likely a magazine or a book, with a focus on historical architectural drawings and etchings by Giovanni Battista Piranesi. The page is divided into several sections:
Side Notes and Clippings: On the left side, there are fragments of other articles or clippings, possibly from different publications, with text references about grants and awards related to the arts. The top left corner includes a price and a reference to "New England," suggesting it may be related to a publication or event in that region.
Architectural Drawings: The central and right sections of the page display detailed black-and-white architectural drawings of St. Giovanni in Laterano, a basilica in Rome, Italy, created by Piranesi. There are three major drawings:
Textual Content: Below the drawings, there is a detailed text discussing Piranesi’s drawings and etchings at Columbia University. It mentions that twenty-three original Piranesi drawings (1720-1778) were acquired by Columbia University in 1971 and were first put on public view. The text provides context about the significance of these drawings, their acquisition, and their importance in the field of art history.
Date and Title: The top right corner of the page has a date, "November 1, 1972," and the title "German Master," indicating the potential article or section's theme or subject matter.
The page seems to be part of a historical or art-related publication, focusing on the work and significance of Piranesi’s architectural drawings.
This image shows a page from a book or magazine, likely a historical or art-related publication. The page features three detailed architectural drawings by Giovanni B. Piranesi, dated 1764, depicting various sections of the Basilica of S. Giovanni in Laterano. The drawings are ink and wash sketches, showcasing a cross-section through the choir, a longitudinal section of the north wall of the sanctuary with the transept and beginning of the nave, and a projected west wall of the transept. These works were part of an exhibition at Columbia University's Avery Architectural Library.
The text on the page provides information about the drawings and the exhibition. It mentions that these drawings were part of Piranesi's plan for remodeling the basilica in 1764 and were acquired by Columbia University in the fall of 1971. The text also discusses the history of the drawings, noting that they had been lost for two centuries before their rediscovery and acquisition.
To the left of the main page, there is a partially visible text discussing grants and funding for the National Endowment for the Arts, and to the right, there is a smaller image of a Gothic architectural detail attributed to a 'German Master' from November 1, 1972. The overall layout suggests a scholarly or museum publication, focusing on art history and architectural studies.
This image shows an open book or scrapbook, with a focus on a single page from a publication dated November 1, 1972. The page is a printed article from a newspaper or magazine, featuring a historical and scholarly topic.
The central subject of the article is a newly discovered set of twenty-three original drawings by Giovanni Battista Piranesi (1720–1778), the renowned Italian architect and etcher, which were acquired by Columbia University in 1971. The drawings, dated 1764, depict the architect’s plans for remodeling the Basilica of San Giovanni in Laterano in Rome — one of Rome’s oldest and most important churches.
The article highlights the extraordinary rediscovery of these drawings, which had been lost for two centuries. They were found in the possession of a European family for more than 50 years before coming to the attention of Columbia. Professor Winckower, a noted scholar, recognized their importance and helped secure the purchase for Columbia’s Avery Architectural Library.
A key figure mentioned is Dr. and Mrs. Arthur Sackler, who generously donated the funds for the purchase. The exhibition of these drawings was dedicated to the late Rudolf Winckower, a world-renowned art historian and former chairman of Columbia’s Department of Art History and Archaeology.
These detailed ink and wash drawings illustrate Piranesi’s monumental vision for the basilica’s interior, showcasing classical design elements, vaulted ceilings, and ornate detailing.
The article is structured with numbered captions beneath the illustrations, providing attribution and context for each drawing.
The page number 55 is visible at the bottom.
To the left: A partial view of another article or page references a $500 New England Endowment grant and mentions American art, including figures like John Singleton Copley and the Peale family, suggesting the publication may be a cultural or arts-focused journal.
To the right: A page or clipping is visible, labeled “German Master,” showing a black-and-white image of what appears to be a Gothic architectural interior — possibly a cathedral.
The whole spread appears to be carefully preserved in a binder or scrapbook, with the pages showing some signs of age (e.g., slight discoloration, a small tear on the top edge of the central page).
The article documents a major scholarly and cultural event — the rediscovery and acquisition of rare 18th-century architectural drawings by one of Europe’s most important neoclassical artists. It underscores the role of private patronage (Sacklers), institutional collecting (Columbia), and academic scholarship (Winckower) in preserving and studying historical art and architecture.
In summary, this image captures a pivotal moment in art historical scholarship — the 1972 announcement of Piranesi’s lost drawings being brought back into public view — presented in the context of a carefully curated archival scrapbook.
The image shows an open book with a page on the left that has some text written on it. On the right side, there is a page with some text and three images. The text is written in black ink, and the images are in black and white. The book appears to be a historical document or an academic publication, possibly related to art history or architecture, given the content of the images and the text. The images depict architectural drawings or sketches, possibly of historical buildings or structures. The text on the right page provides context or information about the images, while the text on the left page seems to be a continuation of the discussion or an introduction to the topic.
The image is of a book open to a page with historical information and illustrations. The text discusses the acquisition of architectural drawings by Giovanni Battista Piranesi, an Italian artist and architect, by Columbia University. The page includes a date of November 1, 1972, and mentions a grant from Nancy Hanks. The drawings are described as being lost for two years and then rediscovered by Columbia University Library officials. The text also provides details about the drawings, including their creation date, medium, and the individuals who donated them. The page includes illustrations of the architectural drawings, which are depicted in black and white.
The image shows an open book, likely an art catalog or exhibition guide, dated November 1, 1972, as indicated at the top right corner of the right page. The book appears to be a formal publication, possibly from an art institution or museum, given its structured layout and content.
In summary, this image depicts a page from an art catalog or exhibition guide dated November 1, 1972, focusing on Piranesi's architectural drawings and etchings, with detailed illustrations and descriptive text. The content highlights the historical and artistic significance of these works and their acquisition by Columbia University.
The image you've provided shows what appears to be an open book or magazine spread. On the right side of the spread, there is a printed page with text and illustrations. The main illustration is a black-and-white reproduction of a drawing or etching that depicts a figural scene held within an ornate architectural frame or portal. Directly below this, there are two smaller images: one of a building façade and another detailed section of a classical architectural element. There are additional illustrations on the top right side of the page, but they are partly obscured by the left page.
The text surrounding the illustrations on the right page includes various subjects, but due to the resolution, the specifics are not entirely discernible. The left page is folded over the right page, covering most of its content. On the upper left part of the visible portion of the left page, we can see a part of a text heading that says "N.E. $500" followed by some text that seems to mention a $40,000 sum. However, without additional context or higher resolution, it is challenging to determine the exact content and purpose of the document.
The spread appears to be part of an academic or art historical publication, judging by the nature of the illustrations and the block of text which includes references to drawings, Piranesi, and Avery Architectural Library, suggestive of a discussion on historical artworks, possibly focusing on architectural drawings or etchings. The presence of library and archive names hints at research or scholarly discourse.
At the bottom, we can observe that the text on the left side refers to a "German Master" and includes a date, November 1, 1972, possibly indicating when the content was published or the date of a related event.
This image appears to show a page from a publication or book. It includes textual information alongside several architectural sketches or drawings. The drawings feature architectural details, such as arches, facades, and decorative elements, and they seem to be labeled or annotated. The text below provides context or commentary about the illustrations, discussing topics like the provenance of the drawings, historical studies, and their significance.
On the left margin and below, partial newspaper or book clippings are visible, suggesting the page is part of a scrapbook or compilation. The overall presentation seems scholarly, documenting architectural history or research.
The image shows an open scrapbook or album page with a printed article or document placed on top of it. The article includes architectural drawings and text. There are three sketches at the top showing different views and sections of a building, specifically the choir, north wall of the sanctuary, and west wall of a building known as S. Giovanni in Laterno by Giovanni B. Piranesi from 1764, executed in ink and wash drawing.
Below the drawings is a block of text discussing "Piranesi Drawings and Etchings at Columbia." It provides historical context about original drawings by Piranesi from 1720-1778, mentioning their acquisition by Columbia University in 1971 and an exhibit dedicated to these works. The text also references donor Arthur M. Sackler and notes the relevance of these drawings to understanding Roman architectural history, specifically the Basilica of S. Giovanni in Laterno.
There is a slight view of other pages underneath, including a partially visible newspaper clipping with a photograph dated November 1, 1972, featuring some gothic arches, but the focus is primarily on the printed architectural article and sketches on top.
The image shows a single page from a bound publication or scrapbook opened to a spread about architectural drawings. The page contains three framed ink-and-wash drawings arranged in a grid: a large, detailed illustration on the left and two smaller rectangular drawings on the right (one above the other). The drawings appear to be architectural elevations and sections of classical or church architecture, showing arches, columns, and pediments.
Below the drawings is a block of dense captioned text, with numbered entries describing each illustration (including references to the artist and subjects such as cross-sections and longitudinal sections). The surrounding material includes cut-out newspaper clippings visible at the edges, giving the page a collage-like look. The overall impression is of a scholarly article or catalog entry about architectural drawings, possibly by or about Piranesi.