Archives Scrapbooks

The image is a page from a newspaper or magazine, dated September 5, 1972, from The Boston Phoenix. The page is dedicated to art-related news and features.

1. Article Title and Date:

   • The top of the page has a handwritten note indicating the date "9/5/72" and the source "THE BOSTON PHOENIX."

2. Main Article:

   • The main article discusses the state of contemporary art in Boston. It mentions various galleries and institutions, including the Alpha Gallery, the ICA (Institute of Contemporary Art), and the Museum of Fine Arts.
   • The article highlights the temporary presence of the ICA at City Hall Plaza and its plans to move to a new location on Boylston Street.
   • It also mentions the Fogg Art Museum at Harvard University and the Carpenter Center for the Visual Arts, noting their roles in the local art scene.
   • The article discusses the challenges faced by these institutions, including budget constraints and the need for more exhibition space.

3. Photographs:

   • There is a large photograph of the Museum of Fine Arts, featuring a statue in front of the building.
   • Another photograph shows a person viewing an art installation at the Fogg Art Museum.

4. Inset Article:

   • There is an inset article titled "Capturing Movement" from the Cambridge Chronicle.
   • This article introduces Robert Beauchamp, who is noted for his kinetic art and sculpture. It mentions his exhibition at the Fogg Art Museum, which includes works like "Running Girl" and "Flying Girl."
   • The article discusses Beauchamp's unique approach to capturing movement in his sculptures.

5. Additional Photograph:

   • There is a smaller photograph of a sculpture titled "Running Girl" by Robert Beauchamp.

The overall content of the page provides an insight into the art scene in Boston and Cambridge in 1972, highlighting key institutions, exhibitions, and artists.

The image is a collage of newspaper clippings and articles related to art and museums from the Boston Phoenix and Cambridge Chronicle, dated September 5, 1972.

1. Boston Phoenix Article (Top Section):

   • Title: "Art..."
   • Content: The article discusses the Boston art scene and mentions various galleries and art institutions. It highlights the move of the Harvard Art Museums to the Quincy Market and the establishment of the Institute of Contemporary Art (ICA) at Faneuil Hall. The article notes the influence of European artists on the local art scene and the ICA's focus on contemporary art. It also mentions the "Boston University Art Gallery," "Massachusetts College of Art," and the "Museum of Fine Arts," which has a large collection of modern art.
   • Specifics: The article discusses the changes in gallery locations and the nature of the art being shown, emphasizing the diversity and quality of the exhibitions.

2. Cambridge Chronicle Article (Middle Section):

   • Title: "Capturing movement"
   • Author: Evelyn Stevenson
   • Content: This article focuses on the art of Frank Gallo, a graduate of the Julliard School of Music and the School of Fine and Applied Art at the Boston Public Schools. The article discusses Gallo's sculptures, particularly "Running Girl," which captures motion and movement through the use of materials like polyester reinforced with fiberglass.
   • Details: It mentions the process of creating the sculptures, which involves molding and casting to achieve a realistic appearance. The article also describes the Fogg Art Museum's collection, which includes a variety of works from ancient to contemporary art.

3. Images:

   • The newspaper clippings include photographs of the artworks and locations mentioned, such as the "Running Girl" sculpture and the Fogg Art Museum in Cambridge.

Overall, the collage captures a snapshot of the art world in Boston and Cambridge during September 1972, highlighting both the historical and contemporary aspects of art and the institutions that support and exhibit it.

The image is a page from a newspaper, specifically from the Boston Phoenix dated September 15, 1972. The page features several articles and sections related to art and museums.

1. Top Left Section:

   • Headline: "Art..."
   • The article discusses the location and history of commercial galleries in New York City, mentioning the 57th Street area and its transition to a predominantly art-centric space.
   • It highlights the changing nature of galleries, with a focus on the influence of European artists and the growth of institutions like the ICA (Institute of Contemporary Arts) and the City Hall Plaza.
   • It mentions the Massachusetts College of Art and the current shows and exhibitions there.

2. Top Right Section:

   • A photo of a gallery space with a large sculpture and an architectural backdrop, likely at the City Hall Plaza.
   • The text discusses the Mass College of Art's exhibits, focusing on the temporary nature of exhibitions and the influence of contemporary art on the institution.

3. Bottom Left Section:

   • A photo captioned "Running Girl" by Frank Gallo, from the Boston Chronicle, showing a sculpture piece.
   • The article describes the sculpture as a dynamic representation of movement, highlighting the use of materials like polyester and fiberglass to create a textured surface.

4. Bottom Right Section:

   • A captioned image showing the Fogg Art Museum, Cambridge, with a focus on the museum’s offerings and the art pieces displayed.
   • The text discusses the museum’s collections and the types of art it showcases, including works by significant contemporary artists and the general appeal of its exhibits.

5. Center Section:

   • A small article titled "Capturing Movement" from the Chronicle, which also references the work by Frank Gallo.
   • It delves into the techniques and materials used in Gallo's sculpture, emphasizing the artist's skill in capturing motion and realism.

The overall content of the page appears to be focused on contemporary art, gallery spaces, and the influence of modern art movements on cultural institutions in the Boston area.

The image displays a page from "The Boston Phoenix" dated September 9, 1971. The page is dedicated to art reviews and features two main articles and several images.

The first article, titled "Art... (continued from page 22)," discusses various art galleries and museums in the Boston area, including the Alpha Gallery, the Institute of Contemporary Art (ICA), the Museum of Fine Arts, and the Fogg Art Museum at Harvard University. The text comments on the exhibitions and the nature of the artworks displayed, as well as the general atmosphere and curation of these spaces. It mentions specific artists like Morris Louis and David Smith, and it critiques the institutions' approaches to showing contemporary art.

The second article, titled "Capturing movement," is a review by Evelyn Stevenson. It focuses on an exhibition at the Fogg Art Museum featuring sculptures that convey a sense of motion. The review describes several pieces, including "Running Girl" by Frank Gallo, and highlights the successful portrayal of movement and the emotional resonance of the works.

The images on the page include:

1. A photograph of "Running Girl" by Frank Gallo, which depicts a dynamic sculpture.
2. A photograph of the Fogg Art Museum, showing its exterior and a statue in the courtyard.
3. A photograph of a sculpture being moved by two men, which complements the article on capturing movement.

The page also includes a small note about the Fogg Art Museum being closed for installation, with a reopening date set for September 15.

The layout of the page is typical of a newspaper, with text and images integrated to support the reviews and provide visual context for the articles.

The image displays a newspaper page from The Boston Phoenix, dated September 15, 1972. The main articles and sections on this page focus on art and exhibitions.

Top Article: Art

The primary article discusses the Institute of Contemporary Art (ICA) in Boston and its recent history and challenges:

• Relocation and Space Issues: The ICA has moved multiple times over the years, struggling with finding a suitable permanent location. Initially, it was housed in the School of the Museum of Fine Arts and later moved to Newbury Street.
• Recent Developments: The City Hall Plaza is mentioned as the latest, though not ideal, location for the ICA. The article notes the difficulties faced by the ICA in maintaining and displaying its exhibitions due to spatial constraints.
• Temporary Exhibitions: The ICA has recently shown works by artists like Alfred Jensen and Romare Bearden. The current exhibition features the works of Claus Oldenberg.
• Future Plans: The article mentions that the ICA is considering future exhibitions, including a large-scale sculpture piece by Mark di Suvero.

The Museum of Fine Arts

A brief section discusses the Museum of Fine Arts in Boston:

• Critique: The author critiques the museum for being overly traditional and not showcasing enough contemporary art. The museum is noted for having a collection that is primarily historical, focusing on works from periods like the Renaissance and ancient civilizations.
• Visitor Impressions: The author mentions that the museum’s focus on historical art can make it seem outdated and less engaging compared to more modern art institutions.

Bottom Left: Capturing Movement

This section highlights Evelyn Statsinger’s work exhibited at the Fogg Museum in Cambridge:

• Exhibition Details: The article describes the exhibition as capturing motion and movement through abstract forms.
• Artists and Artworks: It mentions several pieces, including "Running Girl" by Frank Gallo, and discusses the different interpretations of movement in art.

Bottom Right: Photo Illustration

• Photograph: There is a photo of a person standing in a gallery, observing a triangular installation by an artist, which appears to be in the Fogg Museum.

Overall, the page provides an in-depth look at the art scene in Boston during this period, focusing on the challenges and offerings of local art institutions.

The image is a collection of clippings from a newspaper, specifically "The Boston Phoenix," dated September 15, 1972. The articles are related to art exhibitions and artists in Boston.

1. Main Article (Top Left)

   • The article discusses various art galleries and exhibitions in Boston.
   • It mentions the Alpha Gallery, which recently showed works by a European artist.
   • The Institute of Contemporary Art (ICA) is highlighted for its temporary exhibitions, including works by David Smith and a show of sculpture by Robert Morris.
   • The article also touches on the Museum of Fine Arts (MFA) and the School of the Museum of Fine Arts (SMFA), noting the presence of works by artists such as Morris Louis, Kenneth Noland, and others.
   • It discusses the challenges of art institutions in finding space and maintaining relevance amidst changing times.

2. Article on Sculpture (Bottom Left)

   • This article focuses on a sculpture exhibition at the Fogg Art Museum.
   • It describes the works of artists such as Eva Hesse and Bruce Nauman, highlighting their innovative use of materials and themes.
   • The article mentions a graduate student's contribution to the exhibition, emphasizing the dynamic nature of contemporary art.

3. Article on Capturing Movement (Center Bottom)

   • The article is titled "Capturing movement" and discusses an exhibition by a graduate student from the School of the Museum of Fine Arts, Evelyn Stevenson.
   • Stevenson's work involves creating sculptures that capture motion, such as "Running Girl" and "Woman Cleaning Rug."
   • The article provides insight into Stevenson's creative process and the materials she uses, such as fiberglass and plaster.

4. Article on Art Education (Top Right)

   • This article discusses the Mass College of Art and its exhibitions.
   • It highlights the school's focus on student work and the influence of various art movements on its curriculum.
   • The article also mentions the challenges and changes in the art world, emphasizing the need for institutions to adapt.

5. Article on the Fogg Art Museum (Right)

   • The article discusses the Fogg Art Museum's collection, including works by artists such as David Smith and Morris Louis.
   • It explores the museum's role in showcasing contemporary art and the challenges of maintaining a diverse and relevant collection.
   • The article also mentions the museum's efforts to foster a connection between the local art community and the broader art world.

Overall, the clippings provide a snapshot of the Boston art scene in 1972, highlighting the diversity and dynamism of the exhibitions and institutions at the time.

This image shows a scrapbook page containing multiple clippings from art-related articles and photographs.

• The top half contains a newspaper article discussing art galleries in Boston and Cambridge, mentioning places like the Massachusetts College of Art, Boston University, Harvard, and the Fogg Museum. There is a black-and-white photo of an outdoor sculpture of a rider on horseback in front of a classical building labeled “The Museum of Fine Arts…” above the article.

• Below that, there is a smaller newspaper clipping titled "Capturing move..." from the Cambridge Chronicle. This clipping includes a small photo of a statue titled “RUNNING GIRL” by Frank Gallo. The text provides detailed commentary on the sculpture and its motion.

• To the right of the "Capturing move..." clipping, there is another black-and-white photograph of a person standing inside an art gallery, looking at a large abstract sculpture and wall art. The caption reads “… And the Fogg, Cambridge.”

The scrapbook page appears to be documenting exhibitions and notable art experiences in the Boston and Cambridge area in the early 1970s, as noted by the handwritten date “9/5/72” from The Boston Phoenix at the top. The articles and images reflect a focus on local art institutions, artists, and exhibitions.

This image shows a scrapbook or an open journal page with newspaper clippings pasted onto it. The clippings are related to art and include articles, photographs, and event details.

At the top left, there is a heading "Art..." in bold, followed by an article which continues from a previous page. The date "9/5/72" and "THE BOSTON PHOENIX" are handwritten in black ink above the heading indicating either the date the article was saved or relevant to the individual who kept the scrapbook.

In the top right corner is a black and white photograph of The Museum of Fine Arts with the caption below the photo.

In the center, there's a segment titled "Capturing movement" from the "CAMBRIDGE CHRONICLE," including a photograph of a sculpture titled "RUNNING GIRL, by Frank Gallo."

At the bottom right, there is a smaller photograph with the caption "… And the Fogg, Cambridge." which appears to show a gallery space with minimalist artwork.

The text content of the clippings seems to discuss various art exhibitions, opinions on the current state of art and museums, and specific art pieces. Unfortunately, due to the resolution and the amount of content, I cannot transcribe or summarize the full articles with accuracy.

Description of the Image

The image shows a page from a publication titled "The Boston Phoenix", dated 9/5/72. The page is divided into two main sections, each containing text and accompanying illustrations.

Top Section: "Art..."

Text Content:

• The article is titled "Art..." and is a continuation from page 221.
• It discusses various art institutions and galleries in Boston, including:
  • Commercial galleries such as the Alpha Gallery and the Harvard-Krakow Gallery.
  • The Institute of Contemporary Art (ICA), which is described as an influential Euro-pean artist-run space.
  • The Boston City Hall Plaza, where large-scale sculptures are occasionally displayed.
  • The Hayden Gallery at MIT, which features contemporary art.
  • The Fogg Art Museum, which is noted for its collection of Western and Oriental art, including works by David Smith, Caro, and Louis.
  • The Boston Athenaeum, which hosts temporary exhibitions.
  • The Boston Public Library, which occasionally displays art.

The article provides details about the roles, collections, and activities of these institutions, highlighting their contributions to the Boston art scene.

Illustration:

• On the right side of the top section, there is an illustration of a statue of a woman riding a horse. The statue appears to be classical in style, with the woman dressed in flowing robes and the horse depicted in a dynamic pose. The background includes architectural elements, suggesting the statue is located in a public space or museum.

Bottom Section: "Capturing movement"

Text Content:

• The article is titled "Capturing movement" and is attributed to Evelyn Stevenson.
• It discusses Frank Gallo, an artist known for his kinetic sculptures that capture motion.
• The article references Gallo's work "Woman Cleaning Eye", which is described as a kinetic sculpture that communicates movement through materials like fiberglass and Lucite.
• The text mentions that Gallo's work is part of a larger exhibition at the Fogg Art Museum, where figures are represented in movement after works of motion have been completed.
• The article also notes that Gallo's sculptures often involve materials that mimic the textures of everyday objects, such as rubber-like appearances and reflective surfaces.

Illustration:

• On the left side of the bottom section, there is a photograph of a kinetic sculpture titled "Running Girl" by Frank Gallo. The sculpture depicts a female figure in a dynamic running pose, with one leg extended forward and the other trailing behind. The figure is rendered in a streamlined, abstract form, emphasizing motion and fluidity.
• On the right side of the bottom section, there is another photograph showing a small child standing in front of a large, abstract sculpture. The sculpture appears to be a dark, geometric form, and the child is positioned in a way that contrasts with the sculpture's scale and form.

Additional Elements:

• At the bottom of the page, there is a caption that reads: "...And the Fogg, Cambridge." This suggests that the illustrations and articles are related to exhibitions or events at the Fogg Art Museum in Cambridge.
• The layout is typical of a newspaper or magazine, with text on the left and illustrations on the right, creating a balanced visual composition.

Overall Impression:

The page provides a glimpse into the Boston art scene in 1972, focusing on both established institutions and contemporary artists. The illustrations complement the text by visually representing key artworks and concepts discussed in the articles. The combination of textual analysis and visual representation gives readers a comprehensive understanding of the art world at the time.

The image shows a page from a newspaper or magazine featuring an article about art. The article is titled "Art... Capturing Movement" and is accompanied by several photographs and illustrations. The main photograph shows a statue of a man riding a horse in front of a building, which is identified as the Museum of Fine Arts. Other photographs show sculptures and paintings, including a sculpture of a woman running by Frank Gallo. The article discusses the importance of capturing movement in art and features quotes from artists and curators. The layout of the page is clean and organized, with the article text and images arranged in a logical and visually appealing way.