Archives Scrapbooks

The image shows an open book or magazine with two main pages of content visible. The left page contains a review of a photography exhibit titled "Photography" by Fred Brink. The review discusses various photographers and their works, including Walker Evans, Bruce Davidson, and August Sander. The exhibit appears to focus on documentary photography and the evolution of the medium.

The right page features an article titled "Executive Order 9066: Fifty Years of Racism," written by Mitsuo and Richard Conrat. This article discusses the historical context and implications of Executive Order 9066, which led to the internment of Japanese Americans during World War II. The article mentions a book and an exhibit related to this topic, highlighting the personal and societal impacts of the order.

Additionally, there is a smaller note or article on the right side of the right page, which mentions upcoming art exhibits, including one at the Fogg Art Museum and another featuring German master drawings.

The overall tone of the content suggests a focus on historical and cultural analysis, particularly through the lenses of photography and social issues.

The image shows a page from an old newspaper or magazine, specifically from the "Cambridge Magazine" dated September 1972, with the title "Recent Works by Fred Brink" prominently displayed at the top. The page is divided into several sections with text and images.

1. Top Left Section:

   • The text discusses photography, highlighting the work of various photographers and institutions such as the Peabody Collection and the New York Public Schools.
   • It mentions the photographer Fred Brink's work, particularly his photo-essay "State Thomas," which captures the transformation of buildings into diming halls in an urban setting.
   • The text also mentions Brink's work in the context of social issues, like the "Salvation Army" and "Orphan and Destitute Indian Children."

2. Center Left Section:

   • This section features an article titled "EXECUTIVE ORDER 9066: The Internment of 110,000 Japanese-Americans," with a photograph of a Japanese man.
   • The article discusses the historical event of the forced relocation and internment of Japanese-Americans during World War II.
   • It references the work of Richard Conrat, who took photographs during the internment, and the subsequent legal battles regarding the internment and the documentation of this period.

3. Center Right Section:

   • The text elaborates on the historical context of the photographs, mentioning the significance of the internment and the legal and political issues surrounding it.
   • It discusses the legal case "Korematsu v. United States" and the broader implications of the internment on Japanese-Americans.

4. Bottom Left Section:

   • This section includes a photograph of a person, presumably a Japanese-American interned during WWII, and discusses the broader implications of the internment on the community.
   • The text mentions the photographic work by Conrat and others, and the efforts to document the internment and its aftermath.

5. Bottom Right Section:

   • The section is a continuation of the article on Japanese-American internment, focusing on the legal and historical significance of the event.
   • It mentions the Supreme Court case and the broader narrative of the forced removal and internment.

6. Rightmost Section:

   • The text is a continuation of the article from page 5 of the Cambridge Magazine, discussing the broader context of the Japanese-American internment and its documentation.
   • It mentions the exhibition of the photographs at the Fog Art Museum and the related events and exhibitions.

Overall, the page combines discussions on photographic documentation of social issues, historical events, and their legal and cultural impacts.

The image is a collage of several newspaper clippings and a magazine article. Here's a detailed summary:

1. Top Left Clipping:

   • This is a section from a publication discussing the history of photography.
   • It mentions the work of the Pasadena Collection and the "Salvation Army" in Paris.
   • It references a sequence of photographs by William Eggleston and a project by Fredrick Brink, highlighting the use of photography as a tool for documenting and depicting social ethics.

2. Center Image:

   • A black-and-white photograph is shown, likely part of the Social Ethics collection, depicting a historical or cultural scene with an emphasis on an individual’s face.

3. Center Right Clipping (Headline: EXECUTIVE ORDER 9066):

   • The article discusses the internment of 110,000 Japanese-Americans during World War II.
   • It mentions the California Historical Society's exhibition, detailing the internment's impact and the subsequent legal battles.
   • The text describes the documentary nature of the photographic evidence used to support the legal arguments, such as the work by Ansel Adams and Dorothea Lange.
   • The Supreme Court’s decision in Korematsu v. United States is referenced.

4. Bottom Clippings (Cambridge Magazine):

   • This section from Cambridge Magazine (1972) lists upcoming art events:
     • "Recent Works by Fred Brink" at the Fogg Art Museum, Quincy Street.
     • "Japanese-Americans: The Internment of 110,000" exhibition at the California Historical Society.
     • An event on "Documentary Photography" by Richard Conrat, which is likely tied to the internment photographs.

5. Right Side Clippings:

   • The text highlights an exhibit at the California Historical Society, showing the use of photography to document the internment and the broader historical context.
   • It emphasizes the documentary quality of the photographs, such as those by Dorothea Lange, Ansel Adams, and others, which are instrumental in understanding the historical events.

The collage as a whole appears to focus on the historical significance of photography in documenting significant societal and political events, particularly the internment of Japanese-Americans during World War II.

The image depicts an open book or magazine with several articles and photographs. The left page contains an article titled 'Photography' that discusses various photographers and their works, including those from the Peabody collection, Salvation Army, Paris, and others. It mentions photographers like Walker Evans, Dorothea Lange, and Aaron Siskind, highlighting their contributions and the significance of their photographs in documenting social conditions and personal visions.

On the right page, there is an article titled 'EXECUTIVE ORDER 9066: THE INTERNMENT OF 110,000 JAPANESE-AMERICANS' which discusses the forced relocation and internment of Japanese-Americans during World War II. The article is illustrated with a photograph of a young Japanese-American girl, and it mentions the historical context, the impact on individuals, and the ongoing significance of this event. The text also refers to the California Historical Society as a source of information.

Additionally, there is a handwritten note on the right side of the page, listing some events and exhibitions, such as 'CAMBRIDGE MAGAZINE' and an exhibition at the Fogg Art Museum, along with details about German Master Drawings and other art events.

The overall context of the image suggests a focus on historical photography, social documentation, and significant events like the internment of Japanese-Americans, providing a blend of artistic, historical, and cultural information.

The image shows a page from the September/October 1972 issue of the "Cambridge Magazine." The page contains several articles and announcements related to photography and exhibitions. Here's a detailed summary:

1. Photography Article (Left Side):

   • The article discusses the significance of photography, highlighting various notable collections and photographers.
   • It mentions the steady growth of photography's recognition as an art form, with specific references to collections like the "Heady collection" and notable photographers such as Edward Weston, Ansel Adams, and Walker Evans.
   • The text talks about the recent exhibition at the Social Ethics Information Center, which showcased the works of Walker Evans, Ben Shahn, Arthur Rothstein, and Dorothea Lange from the Farm Security Administration of the 1930s.
   • The article also describes how the exhibition was organized chronologically and thematically, reflecting the documentary power of photography in capturing social issues and historical moments.

2. Executive Order 9066 Exhibition (Middle):

   • This part details an exhibition titled "Executive Order 9066," which is related to the internment of Japanese Americans during World War II.
   • The exhibition, curated by Maisie and Richard Conrat, is on display at the California Historical Society from September 12-30.
   • It features images that document the forced relocation and confinement of around 110,000 Japanese Americans, including both iconic and lesser-known photographs.

3. Affairs Section (Right Side):

   • The Fogg Art Museum on Quincy Street: An announcement about a sculpture exhibition on display through October.
   • German Master Drawings: An exhibition of 19th and 20th-century German drawings at the Fogg Art Museum, running from November 4 to December 18, 1972.
   • Supreme Court Justice: A brief mention of a recent fine related to a Japanese relocation program during World War II, referencing the historical context of the internment.
   • Documentary Photography: An announcement about a new book by Richard Whelan, focusing on the work of Lewis Hine and its impact on child labor laws. The book includes around 100 photographs and a historical essay.

The page overall emphasizes the historical and documentary importance of photography, featuring exhibitions and literature that explore significant social and historical themes.

The image depicts a page from the Cambridge Magazine dated September 1972, with the subtitle "Recent Works by Fred Brink." The page includes several articles and images related to photography and art exhibitions.

1. Top Left Article:

   • Title: "Photography" includes many photographs from the Pasadena collection, such as "New York Public Schools," "Salvation Army," "Paris, France," and "Orphan and Destitute Indian Children."
   • Content: The article discusses the work of photographer Fred Brink, who is transitioning from architectural photography to documenting more personal and artistic projects. It mentions his work in the "State Thomas Johnson" series and his exhibition of "The Root of P.S. 188," which was a record of architectural details. The article highlights his move towards a more personal style and his use of photography to capture the beauty of everyday objects and scenes.

2. Top Right Image:

   • An image of a man, likely from the photographic series mentioned in the article.

3. Middle Right Article:

   • Title: "Executive Order 9066: The Internment of 110,000 Japanese-Americans"
   • Content: This article discusses the forced relocation and internment of Japanese-Americans during World War II. It mentions the exclusion of all persons of Japanese ancestry from specific areas, citing the Supreme Court's decision and the reasons behind the internment. The article references the Japanese American National Museum and the book "Documentary Photography: An International History" by Richard Conrat, which includes photographs by Dorothea Lange and others, documenting the internment camps.

4. Bottom Right Image:

   • A photograph from the Japanese-American internment camps, showing a family.

5. Top Right Clipping:

   • Cambridge Magazine Clipping: The clipping mentions various exhibitions and events:
     • The Fog Art Museum in Quincy, Massachusetts, displaying recent figurative sculpture through October 24.
     • An exhibition of nine German master drawings from the Nineteenth Century at Harvard University from October 4 to November 18.
     • The exhibition of "Alvin R. Martin" at the Fog Art Museum.

The page provides a mix of historical documentation, artistic evolution, and cultural events, emphasizing the intersection of photography, social history, and artistic expression.

The image shows an open scrapbook or magazine page. The left page features an article with two black-and-white photographs. The first photograph, positioned near the top center, depicts a person wearing a hat and holding a pot as a shield, standing in front of a fence or wire mesh. The second photograph, near the bottom right, shows two people sitting at a table with one person holding a bottle, but their faces are obscured.

There is a headline on the right page titled "EXECUTIVE ORDER 9066: THE INTERNMENT OF 110,000 JAPANESE-AMERICANS" by Maisie and Richard Conrat, and it mentions the California Historical Society with prices for the book ($12.50 hard, $4.95 paper). The article text covers topics related to the internment of Japanese-Americans during World War II and the associated judicial and social contexts.

A small note is pasted on the upper right corner of the right page, titled "CAMBRIDGE MAGAZINE VOL. 3, NO. 1 1972," which discusses the program schedule and exhibitions at the Fog Art Museum and mentions a German Master Drawing exhibition.

The overall look is of an archival or vintage magazine or scrapbook page featuring historical articles and photographic exhibitions. The date at the bottom of the article is "September '72" from the Boston Review of the Arts.

This is an image of a printed publication page laid flat, and the page appears to be from a book or magazine. The page features multiple columns of text, suggesting that it is likely an article or a piece of editorial content. A photograph is embedded within the two columns of printed text on the left side of the page—one of a statue in a niche and the other displaying a historical event or situation with multiple individuals involved.

The right side of the page has text that seems to be related to "EXECUTIVE ORDER 9066: THE INTERNMENT OF 110,000 JAPANESE AMERICANS" and references to an exhibit by the name of "Farewell to Manzanar." Below this section, there is a label or note affixed to the page margin that indicates some sort of cataloguing or referencing, possibly from a library or a personal collection.

At the top left corner of the page and partly obstructed by a rolled document, the text "CAMBRIDGE HARVARD" followed by incomplete words suggests a connection to an institution or location, possibly associated with Harvard University. This rolled document has a label with text that is too small to read in this image resolution, but may provide additional context to the content on the page.

The bottom of the image displays the border of a brown surface on which the publication is resting. This could be a desk or table. The overall image conveys a sense of academic or historical research, particularly related to the history and experiences of Japanese Americans.

The image shows two pages from a book or magazine, likely an art or photography publication. The left page is titled "Photography" and discusses the evolution and significance of photography as an art form and documentary medium. It references notable photographers and their works, such as Waldemar Titzenthaler, Paul Caponigro, and Joel Meyerowitz, highlighting their contributions to the field. The text explores themes like documentary photography, social commentary, and the role of photography in capturing historical and cultural moments.

The right page features a section titled "EXECUTIVE ORDER 9066: THE INTERNMENT OF 110,000 JAPANESE-AMERICANS", which discusses the historical context of the internment of Japanese Americans during World War II. It includes a photograph of a man in a military uniform, likely a Japanese American soldier, and mentions the work of photographer Richard Conrad. The text delves into the legal and ethical implications of the internment, referencing the Supreme Court and the Justice Department, and emphasizes the impact on Japanese American communities.

Additionally, the top right corner of the right page contains a note titled "CAMBRIDGE MAGAZINE", dated May 3, 1972, which mentions an exhibition of Fogg Art Museum works on Qunicy Street, including sculpture, drawings, and catalogue. It also references an exhibition of Mies van der Rohe at the Museum of Modern Art in New York and a German Master Drawings exhibition at the Busch-Reisinger Museum.

The layout includes a mix of text, photographs, and annotations, suggesting an academic or artistic publication with a focus on photography, history, and cultural commentary. The pages are numbered 47 at the bottom, indicating they are part of a larger volume. The overall design is formal, with structured text and visual elements, typical of scholarly or art-focused publications.

The image shows a book with a paper that is folded and placed on top of it. The book has a brown cover and appears to be a collection of essays or articles. The paper on top is white and has text written on it, which seems to be a note or a summary of the book's content. The text on the paper is in a smaller font size compared to the text on the book's cover. The book is open to a specific page, and the text on that page is also visible. The image suggests that the book is being studied or analyzed, and the note on the paper is likely a reference or a summary of the information found on that page. The book's cover and the paper on top provide context for the image and suggest that the book is being used for research or educational purposes.