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ARCH.2003.36, Rendition: 805414
The image appears to be a scanned page from a vintage document or scrapbook. The left side of the page features a black-and-white pencil drawing of a man in a military uniform, labeled as "M. de Sampayo en Lieutenant des Sixième Hussards" (Lieutenant of the Sixth Hussars) by Theodore Chassériau, dated 1854. Below the drawing, there is a detailed article titled "Nineteenth century elegance," authored by William Germain Dooley. The text discusses the elegance of Paris in the 19th century as portrayed in the drawing and provides background information about the artist, Theodore Chassériau, and the subject, M. de Sampayo.
On the right side of the page, there are two printed advertisements. One is for "Fresh Danish Cole Slaw" and the other is a continuation of an article titled "Art Show Languishes." The page has a vintage appearance, with a yellowed background and some handwritten notes in the top right corner, including "CSM 24 Jun 72." The overall layout and content suggest that this is a page from a historical document or a collection of interesting clippings related to art and cultural history.
This image shows a page from a book or journal with a clipping of an article and some additional items pasted on it.
Main Article:
Additional Items:
Annotations:
The overall layout suggests that this page is part of a scrapbook or a collection of clippings, with the main article being the focal point and the additional items serving as supplementary content.
This image displays a page from a scrapbook or archival album, featuring a newspaper clipping and additional pasted items.
The centerpiece is a newspaper article titled “Nineteenth century elegance” by William Germain Dooley. It includes a large, detailed black-and-white reproduction of a pencil drawing by Théodore Chassériau (1819–1856), titled:
“M. de Samayo en lieutenant des sixième hussards” 1854
This 1854 portrait shows a young man, M. de Samayo, in the distinctive uniform of a lieutenant of the 6th Hussars. The drawing is rich in detail, particularly in the ornate braiding, buttons, and epaulettes of the military jacket. The man’s pose is formal yet relaxed, with one hand resting on his hip and the other holding a pair of gloves.
The article discusses Chassériau’s mastery, noting that despite his short career (he died at age 37), his work reveals the influence of Ingres and his own emerging Romantic sensibility. The portrait demonstrates “the elegance of the pose, the high placement of the figure… and the manner in which it is inscribed.” The text also mentions Chassériau’s Creole heritage, his Spanish and French upbringing, and his connection with the Romantic poet Alfred de Vigny.
The clipping includes a caption crediting the image’s source: “By courtesy of the Fogg Art Museum, Harvard University.”
Above the drawing, in red ink, someone wrote:
“CSM 24 Jun 72”
This likely indicates that the piece was clipped or documented by “CSM” (possibly an initial or collection identifier) on June 24, 1972.
To the right of the main article, two smaller newspaper clippings are pasted vertically:
“Art Show Languishes” (Continued from Page 11) — This article discusses a disappointing turnout for an art exhibit at Harvard’s Fogg Art Museum. It mentions the collection was assembled by Maurice Wertheim and includes works by Monet, Degas, Van Gogh, and Renoir. The article notes only 1,700–2,200 visitors per week, and that the museum had acquired many pieces through the efforts of Dr. Freddy Homburger.
Two Price Tags or Labels — Above the “Art Show Languishes” clipping, two identical, torn price tags are pasted, reversed and upside down. They appear to say:
“SALAMI” and “COLE SLAW”
…with prices marked “49¢” and “55¢” and labels including “FRESH” and “MADE IN USA.” These are likely unrelated grocery labels, mistakenly or whimsically included in the scrapbook.
Overall Description:
The image is a curated page from a personal or research scrapbook, documenting 19th-century art. The central focus is an article analyzing a Chassériau portrait, contextualized within a broader commentary on a 1970s museum exhibition. The inclusion of grocery store labels adds a curious, anachronistic, or possibly humorous juxtaposition—a glimpse into how personal archives might blend serious research with everyday ephemera. The red annotation suggests the page was organized or annotated in 1972, likely by a collector or researcher documenting museum exhibitions or art history.
The entire page is mounted on tan, aged paper, suggesting the scrapbook itself is several decades old.
The image depicts a page from a book or a scrapbook, featuring a combination of text and illustrations. The page is divided into two main sections. On the left side, there is a pencil drawing of a man in a military uniform, which appears to be a historical portrait. The drawing is accompanied by a caption that provides information about the subject and the artist. Below the drawing, there is a paragraph of text that offers additional context and details about the individual depicted.
On the right side of the page, there is a smaller illustration, along with a paragraph of text. The illustration appears to be a reproduction of a newspaper clipping or an advertisement, featuring a stylized image of a person and some accompanying text. The text on the right side provides information about an art show or exhibition, including details about the artists, artworks, and the event itself.
The overall composition of the page suggests that it is part of a collection or compilation of historical and artistic content, showcasing a combination of biographical information, visual art, and cultural references. The page's design and layout indicate an attempt to provide a comprehensive overview of a particular subject or theme, blending visual and textual elements to create an engaging and informative presentation.
The image is of an open book with a drawing of a man in uniform. The drawing is titled "M. de Sampayo en Lieutenant des Sixième Hussars 1854" and is by Theodore Chasseriau. The book is titled "Nineteenth Century Elegance" and features an article about the elegance of the 19th century. The article discusses how the elegance of the 19th century is still evident today and how it can be seen in the works of artists such as Theodore Chasseriau. The book also includes a clipping from a newspaper about an art show featuring the works of Robert L. Damm.
The image depicts an open book showcasing a detailed pencil drawing of a 19th-century military figure, identified as "M. de Sampayo en Lieutenant des Sixième Hussards, 1854." The drawing is attributed to Theodore Chassebriand, dated 1839–1856, and is part of the Pulitzer Collection at Washington University in St. Louis.
"M. de Sampayo en Lieutenant des Sixième Hussards, 1854. Pencil drawing by Theodore Chassebriand, 1839–1856."
The image portrays a historical artifact—a book combining art, biography, and commentary—centered around a finely detailed military portrait from the 19th century. The inclusion of price tags and annotations adds a layer of context, suggesting the book has a history of being part of a collection, exhibition, or sale. The detailed drawing and accompanying text provide insight into the artistic and cultural milieu of the period.
This image shows a page from a scrapbook or archival collection. It includes a clipping of a drawing, newspaper articles, and handwritten notations. The main visual feature is a black-and-white pencil sketch of a male figure in a 19th-century military-style uniform with decorative braiding. The drawing is labeled “Monsieur de Samoyloff en lieutenant des guides hussards, 1854, Théodore Chassériau, 1819-1856.”
Below the illustration is a block of text titled “Nineteenth century elegance,” discussing the artist and the historical context of the artwork. Adjacent to the main piece is a smaller news clipping with the heading “Art Show Languishes” and a small accompanying advertisement.
The notations in red ink near the top read "CSM 24 Jun 72," suggesting a date and source. On the right-hand side, a thin piece of paper or ticket is tucked into the scrapbook, further adding to its preserved nature. The overall tone of the image evokes a sense of historical appreciation and archival documentation.
The image displays an open book with a sketch on the left page and a newspaper clipping on the right page. The left page features a detailed pencil or charcoal drawing of a person from the 19th century showcasing a fashionably elegant attire, including what appears to be a decorative military uniform with elaborate braiding, buttons and a sash. The figure is holding a hat and a pair of gloves in one hand. Below the illustration is a caption that reads "Nineteenth-century elegance" followed by an explanatory text. The newspaper clipping on the right includes various pieces of text, decorative elements, and partial titles such as "Art Show Languishes" and references to an art gallery. The upper right corner contains pricing information, likely from a sales receipt or a tag.
This image shows a scrapbook page that contains a pencil drawing of a man dressed in 19th-century military-style attire. The man's head is blurred for anonymity. The drawing, titled "M. DE SAMPAYO EN LIEUTENANT DES SIXIEME HUSSARDS" is dated 1854 and credited as a pencil drawing by Théodore Chassériau (1819-1856). There is an annotation "CSM 24 Jun 72" on the upper right corner of the drawing.
Below the drawing, there is an article titled "Nineteenth century elegance," discussing the elegance of a Parisian man named M. de Sampayo and the artistic style and historical context of the drawing. The article mentions details about the artist, Théodore Chassériau, and places the artwork in the context of 19th-century fashion and art.
On the right side of the scrapbook page, there are two small torn price labels for "cole slaw" and "salami," along with a partially visible newspaper clipping titled "Art Show Languishes," discussing an art exhibition and the reception of paintings by artists including Maurice Wertheim.