Archives Scrapbooks

This image shows an open scrapbook or album, displaying two distinct items mounted on a single page, which appears to be made of aged, beige-colored paper.

On the left side of the page is a printed article centered around a large, black-and-white reproduction of a pencil drawing. The drawing, signed “Th. Chassériau 1854,” depicts a full-length portrait of a young, elegantly dressed man, identified in the caption as “M. de SAMPAYO EN LIEUTENANT DES SIXIÈME HUSSARDS,” 1854, by Théodore Chassériau (1819–1856). The subject wears a detailed, ornate military uniform with braiding and stands with one hand resting on his hip. The article below the image, titled “Nineteenth century elegance,” provides a biographical and critical analysis of Chassériau and his portrait. It was written by William German Dogley and is marked as being “By courtesy of the Fogg Art Museum, Harvard University.” A handwritten red ink note in the upper right corner of this article reads “CSM 24 jun 72.”

On the right side of the page is a small, rectangular newspaper clipping. It is from the “Bangor Daily News,” dated “July 24, 1972,” as indicated by a handwritten date in the upper right corner of the clipping. The headline reads “Art Show” and the sub-headline is “Languishes In Augusta.” The byline is “By PAT SHERLOCK,” and the article from Augusta, Maine, discusses a disappointing turnout at a French art exhibition at the Maine State Museum, describing the collection as “quite comprehensive” but “disappointingly small” due to space constraints.

The overall context suggests this is a page from a personal collection or research file, possibly curated by someone named “CSM,” documenting art exhibitions and reviews from the early 1970s, with a focus on 19th-century French art. The juxtaposition of a scholarly art review and a local newspaper article highlights different modes of public engagement with art during that period.

This image appears to be a page from a book or a magazine, featuring an illustration and an article. The illustration is a detailed pencil drawing of a man in 19th-century attire, specifically a uniform of a French naval officer, labeled as "M. de Sampayo en Lieutenant des Sixième Hussards" 1854, created by Théodore Chassériau in 1819-1856. The artwork is credited to the Fogg Art Museum, Harvard University.

Below the illustration, there is an article titled "Nineteenth century elegance" by William Germain Dooley. The article discusses the elegance and craftsmanship of 19th-century Parisian portraiture, focusing on the artwork by Théodore Chassériau. It provides context about the artist's background, his influences, and the significance of the piece.

To the right of the article is a clipping from a newspaper or magazine, dated July 24, 1972, titled "Languishes In Augusta," which mentions an art show featuring French art at the Maine State Museum in Augusta, Maine. The article discusses the collection displayed and the reactions of the public and museum officials. It includes a continuation that is cut off at the bottom of the page.

This image shows an open scrapbook or collection book with two newspaper clippings pasted inside. The left page features a detailed pencil drawing of a man in 19th-century military attire, specifically a French hussar uniform, labeled as "M. de Sampayo en lieutenant des sixième hussards" by Théodore Chassériau, dated 1854. The caption reads "Nineteenth century elegance" and includes an article about the artist Théodore Chassériau, discussing his artistic style and background.

The right page contains a newspaper clipping titled "Art Show Languishes In Augusta" by Pat Sherlock, dated July 24, 1972. The article discusses a private collection of 19th and 20th-century French art on display at the Maine State Museum, mentioning artists such as Renoir, Degas, Gauguin, and Toulouse-Lautrec, and comments on the disappointing turnout for the exhibition. The clipping is from the Bangor Daily News.

The pages appear to be part of a historical or art collection, possibly compiled for reference or personal interest.

The image shows a page of an old book with a drawing of a man and some text. The drawing appears to be a pencil sketch of a man in a military uniform, with a mustache and a hat. The text is written in a cursive font and includes the words "CSM 24 Jun 72" and "Nineteenth century elegance." The page also has a small piece of paper with the words "Art Show July 1972" written on it.

The image is of an open book with two pages visible. The left page features an image of a man in a uniform. The image is a pencil drawing titled "M. de Sampayo en lieutenant des sixieme hussards 1834" by Théodore Chassériau. The right page has an article titled "Nineteenth Century Elegance" with text and an image of a newspaper clipping. The article discusses the elegance of the 19th century and the influence of classical art on fashion.

The image shows an open book displaying a detailed pencil drawing of a man in 19th-century military attire on the left page. The drawing is labeled as "M. de Sampayo en Théodore Chassériau, 1829-1858" and is attributed to Théodore Chassériau, a prominent French artist of the Romantic period. The man is depicted in a formal pose, wearing a uniform that includes a high-collared jacket, epaulettes, and a sash, suggesting he is a military officer. The drawing is dated "1854" and is noted as a "Pencil drawing by Théodore Chassériau, 1829-1858."

Below the illustration, there is a descriptive text that provides context about the subject and the artist. It mentions that the man, M. de Sampayo, was a French naval officer and a student of Chassériau, who was known for his elegance and artistic talent. The text also highlights Chassériau's influence and the romanticism of the period, noting that the drawing reflects the artist's style and the subject's refined appearance.

On the right page, there is a printed article titled "Art Show" from the Languishes Daily News, dated July 24, 1972. The article discusses an art exhibition featuring works by Chassériau, including a mention of the drawing shown on the left page. It describes the collection as part of a display at the Washington University Art Gallery in St. Louis, noting Chassériau's significance as a painter and his influence on 19th-century art.

The book itself appears to be an art catalog or exhibition guide, with handwritten annotations visible on the left page, including the date "24 Jun 72" and some markings or notes. The overall presentation suggests a scholarly or archival context, likely used for documenting and analyzing historical artworks.

This image depicts a page from a scrapbook or archival collection. The main feature is an illustration of a man wearing ornate military-style attire, presumably a uniform from the 19th century, featuring braided embellishments and detailed fabric designs. This illustration appears to be a pencil drawing by Théodore Chassériau.

Below the drawing is an article titled "Nineteenth Century Elegance," discussing the artistic significance and historical context of the illustration. The article touches on Théodore Chassériau's work as a painter and draftsman who flourished during the mid-19th century. It mentions his distinctive style and impact on art history.

Adjacent to the main article is an additional newspaper clipping titled "Art Show Languishes in Augusta," which seems to discuss the state of art exhibitions in Augusta at that time.

The page is dated with handwritten notes, including "CSM 24 Jun 72," indicating a specific date and possibly noting the publication's source or archiving details. The sepia tones and older aesthetic suggest that this is an archival image preserved for historical or artistic reference.

The image depicts an open book showcasing an article page with a print of a pencil sketch from 1858, titled "M. Sauvageot de L'entracte (en costume Merveille)" by Théodore Chassériau. It illustrates a person facing left in a profile view, dressed in attire that signifies nineteenth-century elegance. The person is depicted wearing a jacket with bold buttons and adorned with a decorative tasseled cord across the front. The hand appears to be inserted into the pocket of the jacket, suggesting a casual yet refined stance.

To the right side of the sketch, there is a newspaper clipping pasted onto the same page. It details an art exhibition event that was held in Augusta. The clipping includes information about the featured art pieces, the venue, and observations on the significance and origins of the showcased artworks.

The layout of the content, the brownish aging of the paper, and the preservation method - placing these items in a book - imply historical significance and a tendency to document cultural or artistic history.

The image shows an old scrapbook or archival book open to a page with two items attached. On the left side, there is a pencil drawing of a man from the 19th century. The man is dressed in an elegant, detailed military-style uniform with intricate braiding and buttons, seen from the back and slightly turned to the side, holding a hat in his left hand. His face has been blurred for privacy. The caption below the drawing reads:

"‘M. DE SAMPAYO EIN LIEUTENANT DES SIXIÈME HUSSARDS’ 1854:
Pencil drawing by Théodore Chassériau, 1819-1856"

Below the caption, there is an article titled "Nineteenth century elegance" that discusses the elegance of Parisian fashion in the 19th century, the work of the artist Théodore Chassériau, and the historical and artistic context of the drawing.

On the right side, there is a clipped newspaper article titled "Art Show Languishes In Augusta" dated July 24, 1972, discussing an art show in Augusta, Maine, focusing on a private collection of 19th and 20th-century French art at the displayed State Museum.

At the top of the page, handwritten in red ink, is the notation "CSM 24 Jun 72." The overall presentation suggests this is a carefully curated page focused on 19th-century art and elegance, with historical and exhibition context.

An old scrapbook page showing a pencil drawing of a 19th‑century gentleman in a very ornate military-style coat, with frogging across the chest and a long chain or beaded necklace. The figure stands in a confident pose, one hand on his hip; the face is blurred/pixellated. The drawing is framed on the left side of the page and is titled “Nineteenth century elegance” with a small caption crediting the artist. Above the image is a red handwritten note “CSM 24 Jun 72.” To the right is a clipped newspaper article about an art show taped to the page. The page itself is brown, aged, and part of a scrapbook.