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This image is a photograph of a spread from The Christian Science Monitor, dated Thursday, June 8, 1972, focusing on the arts and entertainment section. The page discusses exhibitions at the Fogg Art Museum at Harvard University, titled "American Art at Harvard" and "American Photographs at Harvard, 1842-1972."

The left image is a photograph of a sand dune, titled "Dune at Oceana," by Edward Weston. It is described as part of a collection bought with the Robert M. Sedgwick II fund to illustrate the history of photography medium. The photograph is currently on display as part of the exhibition "American Photographs at Harvard, 1842-1972."

The right image is a sculpture titled "Pianiste" by Nadelman, part of the "American Art at Harvard" exhibition. The sculpture is noted to be one of 176 objects in the show and represents the diversity of Harvard's art collection, ranging from paintings, drawings, and sculptures to decorative arts.

The text accompanying the images provides a broader context about the exhibitions, mentioning contributions from various photographers and artists, the inclusion of photographs in the museum's collections, and the historical and artistic significance of the works displayed. The article also touches on the university's efforts to promote art and photography as important disciplines.

This image is a newspaper clipping from The Christian Science Monitor dated Thursday, June 8, 1972, focusing on art exhibitions at Harvard University. The clipping is from the "Arts-entertainment" section.

Main Article:

Title: "Arts at Fogg: Harvard discovers the camera"
Author: Susan Drysdale
Location: Cambridge, Mass.

The article discusses two art exhibitions at Harvard's Fogg Art Museum:

1. "American Art at Harvard": Showcasing a collection of 176 objects spanning four centuries of Harvard's history in painting, drawing, sculpture, and decorative arts. Notable items include:

   • A portrait of William Stoughton, chief magistrate in the Salem witchcraft trials of 1692.
   • A copy by William Trumbull of John Singleton Copley's "Colonels Hugo and Schlepegrell" (1787).

2. "American Photographs at Harvard, 1842-1972": A photographic exhibition highlighting the history and diversity of Harvard's holdings in photography. It includes:

   • A daguerreotype of the moon taken in 1852 by John Adams Whipple.
   • Works by contemporary photographers such as Anne Warrington, Fred Sommer, Diane Arbus, Bruce Davidson, and Minor White.

The article also mentions the appointment of Davis Pratt as the associate curator of photography and the addition of photography to Harvard's Department of Prints and Photography.

Images:

1. "Dune at Oceana": A photograph by Edward Weston, included in the "American Photographs at Harvard, 1842-1972" exhibition.
2. "Nadelman’s 'Pianiste'”: A painted wood sculpture featured in the "American Art at Harvard" exhibition.

Additional Notes:

• The National Endowment for the Arts awarded Harvard a $10,000 matching grant for acquiring works by contemporary American photographers.
• The article discusses the significance of these exhibitions in recognizing photography as a fine art and the museum's efforts to assemble a growing collection for teaching purposes.

The image depicts a page from a newspaper or magazine, dated Thursday, June 8, 1972, featuring an article titled "Arts at Fogg: Harvard discovers the camera" by Susan Drysdale. The article discusses the Fogg Art Museum at Harvard University and its exploration of photography as an art form. The museum's collection includes works by notable photographers such as John Adams Whipple, Fred Holland Day, and Robert White. The article highlights the museum's acquisition of the National Endowment for the Arts grant, which facilitated the purchase of contemporary works by artists like Ben Shahn and Paul Strand. Additionally, the article mentions a protest by American photographers who were not included in the museum's exhibition, emphasizing the medium's historical and artistic significance.

The image is a page from an old newspaper or magazine, featuring a photograph of a woman dressed in a revealing outfit, standing in front of a podium with a microphone. The image is titled "Dune at Oceana" and is accompanied by a caption that reads "Arts at Fogg: Harvard discovers the camera." The article discusses the history of photography at Harvard University, including the acquisition of works by notable photographers such as Robert Adams and Minor White.

The image shows an open page from a publication titled The Christian Science Monitor, dated Thursday, June 8, 1972, under the section "Arts-entertainment." The page features two main articles and accompanying illustrations.

Left Side:

• Headline: "Arts at Fogg: Harvard discovers the camera"
• Subheading: By Susan Drysdale
• Content: The article discusses an exhibition at Harvard's Fogg Art Museum, highlighting the museum's recent acquisition of a major collection of photographs. It mentions the National Endowment for the Arts grant that facilitated this acquisition, which includes works by prominent photographers such as Robert Adams, John Szarkowski, and others. The article also touches on the growing recognition of photography as an art form and its integration into academic curricula at Harvard.
• Illustration: A black-and-white photograph of a dune landscape, titled "Dune at Oceana," is prominently displayed above the article. The image shows a textured, sandy terrain with a dramatic, atmospheric quality, suggesting a natural, coastal setting.

Right Side:

• Headline: "Nadelman's 'Pianiste'"
• Content: This section discusses a painted wood sculpture by artist Naidelman, described as one of 114 objects on view in the university's historical and artistic collection. The sculpture is noted for its decorative and artistic qualities, and it is part of a broader exhibition running through June 18.
• Illustration: A black-and-white photograph of a wooden sculpture depicting a figure playing a piano. The sculpture is stylized and modern, with the figure seated and leaning forward, appearing to play an instrument. The sculpture is placed on a simple, dark pedestal, emphasizing its form and design.

Overall Layout:

• The page is formatted in a classic newspaper/magazine style, with clear headings, subheadings, and accompanying visuals.
• The left side focuses on photography and its recognition as an art form, while the right side highlights a specific sculpture, showcasing diverse artistic expressions.
• The publication date and section title (Arts-entertainment) are visible at the top of the page, providing context for the content.

This page effectively combines textual and visual elements to explore different aspects of art, emphasizing both historical and contemporary works.

The image presents a newspaper clipping from "The Christian Science Monitor" dated Thursday, June 8, 1972, featuring an article about the Fogg Art Museum at Harvard University. The article is titled "Arts at Fogg: Harvard discovers the camera" and includes two photographs of artworks displayed at the museum.

• Newspaper Clipping
  • Date: Thursday, June 8, 1972
  • Source: The Christian Science Monitor
• Article Title
  • Arts at Fogg: Harvard discovers the camera
• Photographs
  • Dune at Oceana
    • Artist: Edward Weston
    • Year: 1945-1946
    • Medium: Photograph
  • Nadelman's 'Pianiste'
    • Artist: Nadelman
    • Year: 1918
    • Medium: Painted wood sculpture
• Article Content
  • Discusses the Fogg Art Museum's collection of photographs
  • Highlights the discovery of a camera in the museum's archives
  • Features two artworks displayed at the museum: "Dune at Oceana" by Edward Weston and "Nadelman's 'Pianiste'" by Nadelman

The article provides insight into the Fogg Art Museum's collection of photographs and highlights the discovery of a camera in the museum's archives. The inclusion of two photographs of artworks displayed at the museum adds visual interest to the article.

This image presents a page from the Christian Science Monitor, dated Thursday, June 8, 1972, featuring two newspaper articles. The left article, titled "Arts at Fogg: Harvard discovers the camera," is accompanied by a photograph of a rock formation with the caption "'Dune at Oceana.'" The right article, titled "Nadelman's 'Pianiste,'" features a photograph of a sculpture of a woman sitting at a piano.

The articles appear to be discussing exhibitions at Harvard University's Fogg Art Museum, with the first article focusing on a photography exhibition and the second article highlighting a sculpture by Elie Nadelman. The image provides a glimpse into the artistic and cultural scene at Harvard University during the early 1970s.

The image is a scanned page from The Christian Science Monitor, dated Thursday, June 8, 1972. The page features an article titled "Arts at Fogg: Harvard discovers the camera" by Susan Drydall.

• Header
  • The header includes the date "Thursday, June 8, 1972" and the publication name "THE CHRISTIAN SCIENCE MONITOR / Arts-entertainment".
• Article
  • The article is divided into two sections: "Arts at Fogg: Harvard discovers the camera" and "Nadelman's 'Pianiste'".
  • The first section discusses the Fogg Art Museum's recent acquisition of photographs, including works by Alan Ward, Diane Arbus, Bruce Davidson, and Minor White.
  • The second section focuses on a sculpture by Nadelman, titled "Pianiste", which is part of a collection of 128 objects on display at Harvard.
• Images
  • Two images accompany the article: a photograph of a landscape and a sculpture of a woman playing the piano.
  • The photograph is captioned "'Dune at Oceana'" and is described as one of a group of photographs bought through the Robert M. Sedgwick II fund for a collection in the history of the medium.
  • The sculpture is captioned "Nadelman's 'Pianiste'" and is described as a painted wood sculpture, one of 128 objects on view in "American Art at Harvard".
• Statistics
  • The article mentions that the Fogg Art Museum has acquired 2,000 photographs taken by Ben Shahn in the 1930s.
  • The article also mentions that the museum has received a $10,000 matching grant from the National Endowment for the Arts.

In summary, the image is a scanned page from The Christian Science Monitor, featuring an article about the Fogg Art Museum's recent acquisitions and exhibitions. The article highlights the museum's discovery of photography as an art form and showcases two notable works: a photograph by an unknown artist and a sculpture by Nadelman.

The image presents a vintage newspaper clipping from "The Christian Science Monitor," dated Thursday, June 8, 1972. The clipping is titled "Arts at Fogg: Harvard discovers the camera" and features two photographs.

Newspaper Clipping Details:

• Date: Thursday, June 8, 1972
• Source: The Christian Science Monitor
• Section: Arts-entertainment

Photographs:

• Top-Left Photograph:
  • Title: "'Dune at Oceana'"
  • Image: A black-and-white photograph of a rocky cliffside with a body of water in the background.
• Right Photograph:
  • Title: "Nadelman's 'Pianiste' sculpture to the decorative arts."
  • Image: A black-and-white photograph of a sculpture depicting a woman playing the piano.

Article Content:

• The article discusses the acquisition of a collection of photographs by the Fogg Art Museum at Harvard University.
• The collection includes works by various photographers, including Edward Weston, and spans four centuries of American art.
• The article also mentions an exhibition at the Fogg Art Museum featuring 124 objects on view in "American Art at Harvard."

Overall:

The newspaper clipping provides a snapshot of the art world in 1972, highlighting the acquisition of a significant photography collection by Harvard University's Fogg Art Museum and featuring two photographs that showcase the diversity of artistic expression.

The image is a page from the Christian Science Monitor, dated Thursday, June 8, 1972. The page is part of the Arts-entertainment section and features an article titled "Arts at Fogg: Harvard discovers the camera."

The article, written by Susan Drysdale from Cambridge, Massachusetts, discusses Harvard's Fogg Art Museum's recent decision to incorporate photography into its collection, which previously focused on paintings and sculptures. This decision was made possible by a grant from the National Endowment for the Arts.

The article highlights two exhibitions:

1. "American Photographs at Harvard," which includes works by notable photographers such as Edward Weston, Ansel Adams, and Minor White. This exhibition aims to illustrate the history of photography as an art form.
2. "American Photographs from the F.V. Hayden Expedition," featuring photographs by William Henry Jackson, who documented the American West in the 19th century.

The article also mentions the appointment of Davis Pratt as the associate curator of photography at Harvard, who emphasizes the importance of photography in the university's art collection.

Accompanying the article are two photographs:

1. A photograph titled "Dune at Oceano" by Edward Weston.
2. A sculpture titled "Pianiste" by Gaston Lachaise, which is a painted wood sculpture on display at the Fogg Art Museum.

The article underscores Harvard's growing interest in photography as a legitimate art form, aligning with broader trends in the art world during the early 1970s.