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The image is a page from the Christian Science Monitor, dated Thursday, June 8, 1972. The page is part of the Arts-entertainment section and features an article titled "Arts at Fogg: Harvard discovers the camera."

The article, written by Susan Drysdale from Cambridge, Massachusetts, discusses Harvard's Fogg Art Museum's recent decision to incorporate photography into its collection, which previously focused on paintings and sculptures. This decision was made possible by a grant from the National Endowment for the Arts.

The article highlights two exhibitions:

1. "American Photographs at Harvard," which includes works by notable photographers such as Edward Weston, Ansel Adams, and Minor White. This exhibition aims to illustrate the history of photography as an art form.
2. "American Photographs from the F.V. Hayden Expedition," featuring photographs by William Henry Jackson, who documented the American West in the 19th century.

The article also mentions the appointment of Davis Pratt as the associate curator of photography at Harvard, who emphasizes the importance of photography in the university's art collection.

Accompanying the article are two photographs:

1. A photograph titled "Dune at Oceano" by Edward Weston.
2. A sculpture titled "Pianiste" by Gaston Lachaise, which is a painted wood sculpture on display at the Fogg Art Museum.

The article underscores Harvard's growing interest in photography as a legitimate art form, aligning with broader trends in the art world during the early 1970s.

The image is a scanned page from a newspaper, specifically "The Christian Science Monitor," dated Thursday, June 8, 1972. The page is dedicated to arts and entertainment, featuring two main articles and associated images.

1. The article on the left, titled "Arts at Fogg: Harvard discovers the camera" by Susan Drydale, discusses the Fogg Art Museum at Harvard, which recently organized a little spring cleaning and came up with a show called "American Photographs at Harvard, 1842-1972." The article mentions that the National Endowment for the Arts gave the university a grant to make a major museum of photography. It also highlights the history of photography at Harvard and the role of the museum in assembling a collection of 2,000 photographs taken by Ben Shahn, some of which are included in the current exhibition. The article also includes a photograph titled "'Dune at Ocean' is one of a group of photographs bought through the Robert M. Sedgwick II fund for a collection to illustrate the history of the medium. The photograph, taken in 1932, is by Walker Evans, from the Fogg Art Museum."

2. The article on the right, titled "Nadelman's 'Pianiste'," discusses an exhibition featuring works by artist Elie Nadelman. The article describes a painted wood sculpture titled "Pianiste," which is one of the highlights of the show. It also mentions that the show includes portraits, architectural fragments, and carved architectural elements. The article is accompanied by an image of the "Pianiste" sculpture.

The layout of the page includes these two main articles, with related images placed next to each respective article. The design is typical of a newspaper, with columns of text and black-and-white images.

The image is a page from a newspaper, specifically from the Christian Science Monitor, dated June 1971. The article focuses on a section of the arts and entertainment.

Title:
"Arts at Fogg: Harvard discovers the camera"

Article Summary:
The article, written by Susan Drydale, discusses a new exhibition at Harvard's Fogg Art Museum. The exhibition, titled "American Art, 1842-1972: Photographs," is a part of the museum's ongoing efforts to broaden its collection and education in photography. The exhibition includes works by various artists and photographers, highlighting the medium's role in documenting American history and culture.

Key Points:

1. Protest and Collection:

   • The museum recently received a significant donation of photographs, including a collection from the Robert M. Sedgwick II fund, aimed at illustrating the history of photography in America.
   • The donation includes photographs from the early 1840s to the mid-1970s, showing the evolution of photography in the United States.

2. New Curator:

   • The new curator of photography at the Fogg Art Museum, Mr. Pratt, has been tasked with assembling a diverse collection. This includes works by prominent photographers like John Adams Whipple, Fred Sommer, and Robert Frank.

3. Exhibition Details:

   • The exhibition, which is part of a larger collection, will run until June 18, 2018 (though the date seems incorrect in the context of the 1971 newspaper).
   • The display includes both historical and contemporary photographic works, demonstrating the medium's versatility and historical significance.

4. Artwork Highlights:

   • There is mention of a daguerreotype and a collection of photographs by notable artists, such as one by William Trumbull and another by John Smiley's collection of photographs.

5. Other Features:

   • The article also mentions a sculptural piece titled "Nadelman's Pianiste" and briefly touches on the diversity and evolution of art forms within the museum.

Visual Elements:

• The page includes two photographs:
  • On the left, a photograph of a large, intricate wooden sculpture labeled "Dune at Oceana."
  • On the right, a detailed image of a sculpture labeled "Nadelman's Pianiste," showing a figure in a dynamic pose.

Overall, the article highlights Harvard's efforts to integrate photography into its art collections and educational programs, showcasing the historical and cultural importance of photography.

The image is a newspaper clipping from "The Christian Science Monitor," dated Thursday, June 1, 1972, under the Arts-Entertainment section.

The article is titled "Arts at Fogg: Harvard discovers the camera" and is written by Susan Drydale from Cambridge, Massachusetts. It discusses Harvard University's Fogg Art Museum's recent focus on photography and its historical significance.

Key points from the article include:

• Harvard's Fogg Art Museum recently acquired a significant collection of photographs from the Robert M. Sedgwick II fund, including the work of American photographer Benjamin Franklin Smith.
• The museum has also made a substantial addition to its collection of photographs from the American Photographs at Harvard, 1842-1927, which will be displayed until June 18.
• The article mentions the appointment of a new curator, Mr. Pratt, who is tasked with building a collection of contemporary photographs and expanding the teaching of photography.
• The protest against the inclusion of photographs in the museum's holdings is highlighted, with a small display of photographs from the 1840s to the 1920s being exhibited.
• The article mentions several notable pieces, such as a daguerreotype by John Adams Whipple, a photograph of John Singer Sargent, and a sculpture by Nadelman.

Additionally, the article includes images:

• A photograph of a whale skeleton labeled "Dune at Oceana."
• A photograph of a sculpture titled "Nadelman's 'Pianiste'."

The clipping also references two exhibitions, one titled "American Photographs at Harvard, 1842-1927" and another featuring works by William Trumbull and John Singer Sargent, among others. The exhibitions are part of a broader effort to enhance the Fogg Art Museum's photographic holdings and teaching.

The image is a newspaper clipping from the Christian Science Monitor dated Thursday, June 9, 1971. The article is titled "Arts at Fogg: Harvard discovers the camera" and is written by Susan Drydale from Cambridge, Massachusetts.

The article discusses the Fogg Art Museum at Harvard University, highlighting its recent addition of a significant collection of photographs to its holdings. This collection includes over 2,000 photographs taken by Benjamin Franklin Bache, who was a great-grandson of Benjamin Franklin, and other notable photographers.

Key points from the article include:

• Harvard's Fogg Art Museum is expanding its collection to include photographs, a relatively new area for the museum.
• The acquisition was made possible by a bequest of Bache’s photographs, which cover the history of the medium from the 1840s to the early 20th century.
• The collection includes daguerreotypes, salt prints, and albumen prints, showcasing various photographic techniques.
• The museum has also acquired works by contemporary photographers like Anne Warrington and Fred Sommer.
• The article mentions an exhibition featuring photographs by Robert Frank, which was part of a broader collection donated by Robert M. Sedgwick II.
• The article references the inclusion of photographs in the museum's collection as a step towards recognizing photography as an art form.
• It also highlights the museum’s ongoing efforts to assemble a collection of photographs that document America’s westward expansion.
• The article notes that the museum's new curator, Mr. Fratt, is planning to expand the photographic collection and teaching efforts in this area.
• The article includes a brief mention of other notable pieces in the museum, such as a portrait by John Singleton Copley and a sculpture by William Trumbull.

The images in the clipping include a photograph titled "Dune at Oceana" and a painted wood sculpture titled "Pianiste" by Nadelman. The text and images together provide a snapshot of the evolving focus of the Fogg Art Museum on photography as an art form.

The image is a scanned page from The Christian Science Monitor, dated Thursday, June 8, 1972, focusing on arts and entertainment. The primary article on this page is titled "Arts at Fogg: Harvard discovers the camera" by Susan Drysdale from Cambridge, Mass.

Summary of the Article:

Headline: Arts at Fogg: Harvard discovers the camera

Subheading:
Harvard's Fogg Art Museum recently integrated photography into its artistic canon, recognizing it as a significant medium.

Content:

• The Fogg Art Museum at Harvard University has taken significant steps to include photography as an important art form.
• In July, the National Endowment for the Arts awarded a major museum grant for the acquisition of works by contemporary photographers, marking the first time a major museum has received such funding specifically for photography.
• The museum has also recently appointed a new curator of photography, Mr. Prat, who started his role in 1972. His appointment was supported by a grant from the National Endowment for the Arts.
• Mr. Prat's appointment was triggered by a substantial gift of 2,000 photographs from the Polaroid Corporation, which significantly expanded the museum's collection.
• A current exhibition at the Fogg Art Museum features a collection illustrating the history of photography, including works from the mid-19th century to contemporary pieces.
• The exhibition includes daguerreotypes from the 1830s and 1840s, works by notable photographers such as William Henry Fox Talbot, and contemporary artists like Minor White.
• The collection was initially brought together by Robert M. Sedgwick II for illustrating the history of photography and was later donated to the museum.

Additional Content:

Nadelman's Pianiste:

• The page also features a brief article about an interesting painted wood sculpture by Elie Nadelman, titled "Pianiste." This sculpture is part of a collection of 150 pieces given to the Fogg Art Museum.
• The artworks range from historical and artistic standpoints and include pieces from the Salem witchcraft trials of 1692 and a portrait by John Smibert.

The page showcases a mix of traditional art and the burgeoning recognition of photography within prestigious art institutions, highlighting Harvard's efforts to embrace and promote photography as an art form.

The image depicts a newspaper page from "The Christian Science Monitor," dated Thursday, June 8, 1972. The page is from the Arts-entertainment section and contains an article titled "Arts at Fogg: Harvard discovers the camera" by Susan Drysdale.

The article discusses Harvard's Fogg Art Museum's recent efforts to highlight photography as an art form, showcasing two exhibitions: "American Art at Harvard" and "American Photographs at Harvard, 1842-1972." It highlights the acquisition and importance of photographic works, mentions key figures in photography, and discusses the museum's evolving policy towards teaching photography.

The page contains two black-and-white images:

1. On the left, a photograph titled "Dune at Oceana," described as one of a group of photographs bought through the Robert M. Sedgwick II fund to illustrate the history of photography at Harvard.
2. On the right, a painted wood sculpture titled "Pianiste" by Nadelman. The sculpture shows a stylized figure seated at a piano.

The article briefly touches upon significant paintings from Harvard's collection and notes the involvement of various artists and photographers, emphasizing the museum's commitment to expanding and diversifying its holdings.

This image shows an open newspaper or magazine page. The publication is "The Christian Science Monitor" and the date printed at the top is Thursday, June 8, 1972. The section heading is "Arts-entertainment."

The left side of the page features an article with the headline, "Arts at Fogg: Harvard discovers the camera." This article, by Susan Drysdale, discusses an art exhibit at Harvard University's Fogg Art Museum that highlights the institution's acquisition and presentation of American photographs. There is a photo accompanying the article, captioned "'Dune at Oceano'," which seems to be part of the exhibit being discussed.

On the right side of the spread, there's another article about two artistic works titled "Nadelman's 'Pianiste'." It features an image of a sculpture of a stylized human figure standing next to a piano. The figure has a simplified form with minimal detail and is posed as if playing or interacting with the piano. Below the image, there is a brief discussion about the sculpture and its significance.

All text within the image and the content of the articles refer to past events and do not include personal data about any individual.

The image shows an open page from a publication titled The Christian Science Monitor, dated Thursday, June 8, 1972, under the section "Arts-entertainment." The page features two main articles and accompanying illustrations.

Left Side:

• Headline: "Arts at Fogg: Harvard discovers the camera"
• Subheading: By Susan Drysdale
• Content: The article discusses an exhibition at Harvard's Fogg Art Museum, highlighting the museum's recent acquisition of a major collection of photographs. It mentions the National Endowment for the Arts grant that facilitated this acquisition, which includes works by prominent photographers such as Robert Adams, John Szarkowski, and others. The article also touches on the growing recognition of photography as an art form and its integration into academic curricula at Harvard.
• Illustration: A black-and-white photograph of a dune landscape, titled "Dune at Oceana," is prominently displayed above the article. The image shows a textured, sandy terrain with a dramatic, atmospheric quality, suggesting a natural, coastal setting.

Right Side:

• Headline: "Nadelman's 'Pianiste'"
• Content: This section discusses a painted wood sculpture by artist Naidelman, described as one of 114 objects on view in the university's historical and artistic collection. The sculpture is noted for its decorative and artistic qualities, and it is part of a broader exhibition running through June 18.
• Illustration: A black-and-white photograph of a wooden sculpture depicting a figure playing a piano. The sculpture is stylized and modern, with the figure seated and leaning forward, appearing to play an instrument. The sculpture is placed on a simple, dark pedestal, emphasizing its form and design.

Overall Layout:

• The page is formatted in a classic newspaper/magazine style, with clear headings, subheadings, and accompanying visuals.
• The left side focuses on photography and its recognition as an art form, while the right side highlights a specific sculpture, showcasing diverse artistic expressions.
• The publication date and section title (Arts-entertainment) are visible at the top of the page, providing context for the content.

This page effectively combines textual and visual elements to explore different aspects of art, emphasizing both historical and contemporary works.

The image depicts a page from a newspaper or magazine, dated Thursday, June 8, 1972, featuring an article titled "Arts at Fogg: Harvard discovers the camera" by Susan Drysdale. The article discusses the Fogg Art Museum at Harvard University and its exploration of photography as an art form. The museum's collection includes works by notable photographers such as John Adams Whipple, Fred Holland Day, and Robert White. The article highlights the museum's acquisition of the National Endowment for the Arts grant, which facilitated the purchase of contemporary works by artists like Ben Shahn and Paul Strand. Additionally, the article mentions a protest by American photographers who were not included in the museum's exhibition, emphasizing the medium's historical and artistic significance.