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This image displays a full page from the Thursday, June 8, 1972 edition of The Christian Science Monitor, specifically from the Arts-entertainment section.

The page is dominated by a single article titled:

Arts at Fogg: Harvard discovers the camera

written by Susan Drysdale from Cambridge, Mass.

The article details the Fogg Art Museum at Harvard University’s new commitment to photography as a fine art form. It highlights:

• The museum’s receipt of a $10,000 matching grant from the National Endowment for the Arts, specifically for acquiring works by contemporary American photographers — a first for the museum.
• The appointment of Davis Pratt as associate curator of photography.
• The concurrent exhibitions running through June 18, 1972: “American Art at Harvard” (which includes paintings, sculpture, and decorative arts) and “American Photographs at Harvard, 1842–1972”.

The article is illustrated with two prominent black-and-white photographs:

1. On the left: A photograph titled “Dune at Oceana” by Edward Weston (1936), described as part of a group of photos bought with the Robert M. Sedgwick II fund. The image is a classic, abstracted close-up of textured sand dunes.

2. On the right: A photograph of a sculpture titled “Pianiste” by Jean Nadelman (circa 1917-1918). The sculpture depicts a stylized, elongated, dark wooden figure in a seated, pianist position.

The text also mentions specific items in the “American Art at Harvard” exhibition, including:

• A 1717 portrait of Cardinal Bentivoglio by William Trumbull.
• A 19th-century watercolor of the “Shoshone Tepee” by Thomas Moran.
• A 1664 portrait of Dr. John Clark by John Singleton Copley.
• A silver cradle cup from around 1690.

The article concludes with a note that both shows continue through June 18.

The page is printed on aged, cream-colored newspaper paper and is displayed open in what appears to be a bound volume or scrapbook.

This image is a photograph of a spread from The Christian Science Monitor, dated Thursday, June 8, 1972, focusing on the arts and entertainment section. The page discusses exhibitions at the Fogg Art Museum at Harvard University, titled "American Art at Harvard" and "American Photographs at Harvard, 1842-1972."

The left image is a photograph of a sand dune, titled "Dune at Oceana," by Edward Weston. It is described as part of a collection bought with the Robert M. Sedgwick II fund to illustrate the history of photography medium. The photograph is currently on display as part of the exhibition "American Photographs at Harvard, 1842-1972."

The right image is a sculpture titled "Pianiste" by Nadelman, part of the "American Art at Harvard" exhibition. The sculpture is noted to be one of 176 objects in the show and represents the diversity of Harvard's art collection, ranging from paintings, drawings, and sculptures to decorative arts.

The text accompanying the images provides a broader context about the exhibitions, mentioning contributions from various photographers and artists, the inclusion of photographs in the museum's collections, and the historical and artistic significance of the works displayed. The article also touches on the university's efforts to promote art and photography as important disciplines.

This image is a newspaper clipping from The Christian Science Monitor dated Thursday, June 8, 1972, focusing on art exhibitions at Harvard University. The clipping is from the "Arts-entertainment" section.

Main Article:

Title: "Arts at Fogg: Harvard discovers the camera"
Author: Susan Drysdale
Location: Cambridge, Mass.

The article discusses two art exhibitions at Harvard's Fogg Art Museum:

1. "American Art at Harvard": Showcasing a collection of 176 objects spanning four centuries of Harvard's history in painting, drawing, sculpture, and decorative arts. Notable items include:

   • A portrait of William Stoughton, chief magistrate in the Salem witchcraft trials of 1692.
   • A copy by William Trumbull of John Singleton Copley's "Colonels Hugo and Schlepegrell" (1787).

2. "American Photographs at Harvard, 1842-1972": A photographic exhibition highlighting the history and diversity of Harvard's holdings in photography. It includes:

   • A daguerreotype of the moon taken in 1852 by John Adams Whipple.
   • Works by contemporary photographers such as Anne Warrington, Fred Sommer, Diane Arbus, Bruce Davidson, and Minor White.

The article also mentions the appointment of Davis Pratt as the associate curator of photography and the addition of photography to Harvard's Department of Prints and Photography.

Images:

1. "Dune at Oceana": A photograph by Edward Weston, included in the "American Photographs at Harvard, 1842-1972" exhibition.
2. "Nadelman’s 'Pianiste'”: A painted wood sculpture featured in the "American Art at Harvard" exhibition.

Additional Notes:

• The National Endowment for the Arts awarded Harvard a $10,000 matching grant for acquiring works by contemporary American photographers.
• The article discusses the significance of these exhibitions in recognizing photography as a fine art and the museum's efforts to assemble a growing collection for teaching purposes.

The image depicts a page from a newspaper or magazine, dated Thursday, June 8, 1972, featuring an article titled "Arts at Fogg: Harvard discovers the camera" by Susan Drysdale. The article discusses the Fogg Art Museum at Harvard University and its exploration of photography as an art form. The museum's collection includes works by notable photographers such as John Adams Whipple, Fred Holland Day, and Robert White. The article highlights the museum's acquisition of the National Endowment for the Arts grant, which facilitated the purchase of contemporary works by artists like Ben Shahn and Paul Strand. Additionally, the article mentions a protest by American photographers who were not included in the museum's exhibition, emphasizing the medium's historical and artistic significance.

The image is a page from an old newspaper or magazine, featuring a photograph of a woman dressed in a revealing outfit, standing in front of a podium with a microphone. The image is titled "Dune at Oceana" and is accompanied by a caption that reads "Arts at Fogg: Harvard discovers the camera." The article discusses the history of photography at Harvard University, including the acquisition of works by notable photographers such as Robert Adams and Minor White.

The image shows an open page from a publication titled The Christian Science Monitor, dated Thursday, June 8, 1972, under the section "Arts-entertainment." The page features two main articles and accompanying illustrations.

Left Side:

• Headline: "Arts at Fogg: Harvard discovers the camera"
• Subheading: By Susan Drysdale
• Content: The article discusses an exhibition at Harvard's Fogg Art Museum, highlighting the museum's recent acquisition of a major collection of photographs. It mentions the National Endowment for the Arts grant that facilitated this acquisition, which includes works by prominent photographers such as Robert Adams, John Szarkowski, and others. The article also touches on the growing recognition of photography as an art form and its integration into academic curricula at Harvard.
• Illustration: A black-and-white photograph of a dune landscape, titled "Dune at Oceana," is prominently displayed above the article. The image shows a textured, sandy terrain with a dramatic, atmospheric quality, suggesting a natural, coastal setting.

Right Side:

• Headline: "Nadelman's 'Pianiste'"
• Content: This section discusses a painted wood sculpture by artist Naidelman, described as one of 114 objects on view in the university's historical and artistic collection. The sculpture is noted for its decorative and artistic qualities, and it is part of a broader exhibition running through June 18.
• Illustration: A black-and-white photograph of a wooden sculpture depicting a figure playing a piano. The sculpture is stylized and modern, with the figure seated and leaning forward, appearing to play an instrument. The sculpture is placed on a simple, dark pedestal, emphasizing its form and design.

Overall Layout:

• The page is formatted in a classic newspaper/magazine style, with clear headings, subheadings, and accompanying visuals.
• The left side focuses on photography and its recognition as an art form, while the right side highlights a specific sculpture, showcasing diverse artistic expressions.
• The publication date and section title (Arts-entertainment) are visible at the top of the page, providing context for the content.

This page effectively combines textual and visual elements to explore different aspects of art, emphasizing both historical and contemporary works.

This image shows a page from an old publication or scrapbook, featuring content from The Christian Science Monitor dated Thursday, June 8, 1972. This page appears to focus on arts and entertainment, specifically an article titled "Arts at Fogg: Harvard discovers the camera" by Susan Drysdale. The publication highlights an exhibition at Harvard's Fogg Art Museum.

The page includes two main visual elements:

1. A photograph captioned "Dune at Oceana", showing a detailed black-and-white image of a sand dune or a similar geological formation.
2. An image of a sculpture captioned "Nadelman's 'Pianiste'", depicting a painted wood sculpture of a seated figure playing a keyboard or piano.

The text describes photographic exhibits and art collections at the Fogg Art Museum, discussing the role of photography and visual art in capturing and preserving elements of history and culture. A mix of contemporary photographs and older works is highlighted.

This image shows an open newspaper or magazine page. The publication is "The Christian Science Monitor" and the date printed at the top is Thursday, June 8, 1972. The section heading is "Arts-entertainment."

The left side of the page features an article with the headline, "Arts at Fogg: Harvard discovers the camera." This article, by Susan Drysdale, discusses an art exhibit at Harvard University's Fogg Art Museum that highlights the institution's acquisition and presentation of American photographs. There is a photo accompanying the article, captioned "'Dune at Oceano'," which seems to be part of the exhibit being discussed.

On the right side of the spread, there's another article about two artistic works titled "Nadelman's 'Pianiste'." It features an image of a sculpture of a stylized human figure standing next to a piano. The figure has a simplified form with minimal detail and is posed as if playing or interacting with the piano. Below the image, there is a brief discussion about the sculpture and its significance.

All text within the image and the content of the articles refer to past events and do not include personal data about any individual.

The image depicts a newspaper page from "The Christian Science Monitor," dated Thursday, June 8, 1972. The page is from the Arts-entertainment section and contains an article titled "Arts at Fogg: Harvard discovers the camera" by Susan Drysdale.

The article discusses Harvard's Fogg Art Museum's recent efforts to highlight photography as an art form, showcasing two exhibitions: "American Art at Harvard" and "American Photographs at Harvard, 1842-1972." It highlights the acquisition and importance of photographic works, mentions key figures in photography, and discusses the museum's evolving policy towards teaching photography.

The page contains two black-and-white images:

1. On the left, a photograph titled "Dune at Oceana," described as one of a group of photographs bought through the Robert M. Sedgwick II fund to illustrate the history of photography at Harvard.
2. On the right, a painted wood sculpture titled "Pianiste" by Nadelman. The sculpture shows a stylized figure seated at a piano.

The article briefly touches upon significant paintings from Harvard's collection and notes the involvement of various artists and photographers, emphasizing the museum's commitment to expanding and diversifying its holdings.

• The image is a scanned page from a vintage newspaper clipping mounted in a scrapbook.
• It is from The Christian Science Monitor, Arts-entertainment, dated Thursday, June 8, 1972.
• The page features two black-and-white photographs:
  • Left photo: a large rock formation or dune, captioned “Dune at Oceana” (or similar).
  • Right photo: a sculpture of a slender, kneeling or seated female figure beside a block/pedestal, captioned “Nadelman’s ‘Pianiste’.”
• The main headline reads: “Arts at Fogg: Harvard discovers the camera,” by Susan Drysdale (Cambridge, Mass.).
• The layout includes multiple columns of text describing Harvard’s Fogg Art Museum and related exhibitions, typical of a newspaper arts feature.
• The page is yellowed with age and shows curled edges, indicating it’s an old clipping preserved in a scrapbook.