Archives Scrapbooks

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Fogg Art Museum Scrapbooks, January 1966-May 1973

ARCH.2003.36, Rendition: 805408

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The image shows a collection of pages from an archive or scrapbook, containing various documents, printed materials, and a hand-drawn sketch. Key elements include:

  1. Top Left Corner: A hand-drawn sketch of a profile head of a young man. Below the sketch is a label identifying it as a "Profile Head of a Young Man, a 16th century drawing attributed to Italian artist, Michelangelo Buonarroti, on display at the Fogg Art Museum, Harvard University."

  2. Main Content Area: A printed article titled "The art palette" from the "Bath-Brunswick (Maine) Times-Record" dated 6/1/72. The article discusses the catalog "American Art at Harvard," which was produced to accompany an exhibition at the Fogg Museum. It highlights the collaborative effort of graduate students in creating the catalog and provides a description of the exhibition and its significance.

  3. Bottom Section: An image of a painting titled "Wild Turkey Cock and Hen and Nine Chicks" by John James Audubon, along with a caption that describes the painting and provides historical context about Audubon’s work.

The overall document appears to be part of an archive related to art history, focusing on exhibitions and catalogues, particularly those associated with Harvard University and the Fogg Art Museum.

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This image is a photograph of a scrapbook page or collection of clippings and images related to art. Here's a detailed description:

  1. Top Section:

    • There is a photograph of a sketch titled "PROFILE HEAD OF A YOUNG MAN." The caption below the image identifies it as a 16th-century drawing attributed to the Italian artist Michelangelo Buonarroti, on display at the Fogg Art Museum, Harvard University.
    • The image is labeled as being from the "Cambridge Magazine, June/1972."
  2. Middle Section:

    • A newspaper clipping titled "The art palette" from the "Bath-Brunswick (Maine) Times-Record," dated 6/1/72.
    • The article, written by Ernest Haskell Jr., discusses an art catalog titled "American Art at Harvard." The article praises the catalog and mentions its contributors, including Kenyon C. Bolton III and his graduate students. It also mentions the exhibition of American art at the Fogg Museum and the dedication of the catalog to Professor Benjamin Rowland Jr.
  3. Bottom Section:

    • There is a photograph of an oil painting titled "Wild Turkey Cock and Hen and Nine Chicks" by John James Audubon. The painting depicts a group of wild turkeys.

The page is a collection of materials related to art exhibitions and catalogs, particularly those associated with Harvard University and the Fogg Art Museum. The items are arranged on a brown background, likely a page from a scrapbook or a folder.

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This image shows a scrapbook page dedicated to American art, featuring clippings from two different publications.

At the top, there is a photocopy or clipping from the Cambridge Magazine, June/1972. It displays a black-and-white reproduction of a drawing titled “PROFILE HEAD OF A YOUNG MAN”, which is attributed to the Italian artist Michelangelo Buonarroti and dated to the 14th century. The clipping notes that this artwork was on display at the Fogg Art Museum, Harvard University.

Below this, there is a newspaper clipping from the Bath-Brunswick (Maine) Times-Record, dated 6/1/72. The article, titled “Catalogue’s almost as good as the show”, is written by Ernest Haskell Jr. It reviews a major exhibition and accompanying catalogue titled “American Art at Harvard”, which featured 176 examples of original American art from the Fogg Museum’s collection.

The article discusses the catalog’s creation by five Harvard graduate students under the direction of Professor Benjamin Rowland Jr., and highlights a dedication to Professor Rowland, who was personally responsible for the study of visual arts at Harvard. It also praises the catalogue’s quality and mentions that Dr. Frank Jewett Mather Jr., a former director of Princeton’s art museum and a close friend of the author, would have admired the effort.

Additionally, the article references a specific work included in the catalogue: “Wild Turkey Cock and Hen and Nine Chicks,” an oil on canvas painting by John James Audubon.

The bottom portion of the page includes a torn, black-and-white reproduction of Audubon’s painting, showing the turkeys with the caption “‘Wild Turkey Cock and Hen and Nine Chicks,’ oil on canvas by John James Audubon.”

In summary, this scrapbook page juxtaposes an Italian Renaissance drawing (Michelangelo) with a focus on a Harvard exhibition of American art (featuring Audubon and a student-curated catalogue), suggesting the collector’s interest in both European masterworks and American art history as presented in scholarly publications and museum displays.

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The image is a photograph of an open book with several pages visible. The book appears to be a collection of magazine articles and artwork, likely from the early 1970s based on the date mentioned on one of the pages. The pages are arranged in a way that suggests they are part of a scrapbook or a personal collection.

On the left side of the image, there is a page with a pencil drawing of a man's head, which is labeled as "PROFILE HEAD OF A YOUNG MAN" and attributed to "Italian, 15th century." Below this drawing, there is a small piece of paper with text that reads "Cambridge Magazine, June/1972."

To the right of the drawing, there is a page with a newspaper article titled "The art palette" and a subheading "Catalogue's almost as good as the show." The article appears to be discussing an art exhibition and its accompanying catalog. The text is dense and includes names of artists and art institutions, such as the Fogg Art Museum and Harvard University.

At the bottom of the image, there is another page with a drawing of a wild turkey and nine chicks, labeled "Wild Turkey Cock and Hen, Nine Chicks," and attributed to "John James Audubon." This drawing is likely from one of Audubon's famous bird illustrations.

The book itself seems to be made of heavy paper, possibly cardboard, and has a homemade feel to it, suggesting that it was assembled by an individual rather than being a commercially published book. The pages are not bound in a traditional way, and some of them are loose, indicating that they may have been added or removed over time.

Overall, the image represents a personal collection of art and articles, likely belonging to someone with an interest in art history and natural history, given the inclusion of both the Italian Renaissance drawing and the Audubon bird illustration.

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A magazine page is open to a spread featuring an article and an illustration. The article is titled "Catalogue's almost as good as the show" and it discusses a splendid art catalogue from Harvard University. The illustration is a reproduction of "View of Mother's Yard" by Aaron Willard, a pen and ink drawing from around 1821. The article mentions that the catalogue is produced by the work of five graduate students and is dedicated to Professor Benjamin Rowland.

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The image depicts the interior pages of a book or magazine, showcasing a collection of clippings or articles from various publications. Here is a detailed description:

Overall Layout:

  • The book appears to be a compilation or scrapbook, with multiple articles or clippings inserted into its pages.
  • The pages are slightly worn, indicating age and frequent use.
  • The spine of the book is visible on the left, showing a thick, brown cover.

Top Left Page:

  • Title: "Cambridge Magazine, June/1972."
  • Content: This page features a small illustration of a profile head, described as a "16th century drawing attributed to an Italian artist, Michelangelo Buonarroti."
  • Caption: Below the illustration, there is a caption that reads:
    "PROFILE HEAD OF A YOUNG MAN. a 16th century drawing attributed to, Michelangelo Buonarroti, Harvard University Art Museum."

Middle Page:

  • Title: "The art palette"
    Subtitle: "Baths-Brunswick (Maine)"
    Publication: "Times-Record"
    Date: "6/1/72"
  • Headline: "Catalogue's almost as good as the show"
  • Author: By Ernest Haskell Jr.
  • Content: This article discusses an art exhibition at Harvard University, focusing on the quality and value of the accompanying catalogue. Key points include:
    • The exhibition features 176 examples of original American art, exhibited at the Fogg Art Museum.
    • The catalogue is praised for its reproduction of works, including a reproduction of "View of Harvard Yard" by Alvan Fisher.
    • The exhibition was curated by graduate students and featured works by notable artists such as John James Audubon.
    • The article highlights the catalogue's detailed reproductions and its significance for art enthusiasts and collectors.

Bottom Left Page:

  • Caption: "Wild Turkey Cock and Hen, and Nine Chick," oil on canvas by John James Audubon.
  • This appears to be a caption or description of an artwork, likely referencing one of the pieces featured in the exhibition discussed in the middle page.

Visual Elements:

  • Illustrations:
    • The top left page includes a small, detailed line drawing of a profile head.
    • The bottom left page includes a caption referencing a painting by John James Audubon, though the actual image of the painting is not visible in this view.
  • Text: The articles are typed or printed in a clear, formal font, typical of magazine or newspaper clippings.

Contextual Clues:

  • The articles are dated from 1972, suggesting the book is a historical collection of art-related content from that era.
  • The focus on Harvard University and the Fogg Art Museum indicates an interest in American art and its curation.

Overall Impression:

The image portrays a curated collection of art-related articles, likely assembled by someone with a keen interest in art history, exhibitions, and museum catalogues. The inclusion of detailed captions and illustrations suggests a scholarly or enthusiast approach to preserving and studying art from the early 1970s.

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The image is a page from an old book or scrapbook, featuring a newspaper clipping and a drawing.

The newspaper clipping is titled "The art palette" and has a subheading that reads "Catalogue's almost as good as the show." The article discusses the American Art at Harvard catalogue, which was reproduced in the Fogg Museum. It mentions that the catalogue is a valuable resource for art enthusiasts and that it features a reproduction of "View of Harvard Yard" by Alvan Fisher.

Above the newspaper clipping is a drawing of a man's head, titled "PROFILE HEAD OF A YOUNG MAN." The drawing is attributed to Italian artist Michelangelo Buonarroti and is on display at the Fogg Art Museum, Harvard University.

The background of the image is a plain gray color, suggesting that it may be a digital scan or photograph of the original page. Overall, the image appears to be a nostalgic look at an art exhibition or event, with a focus on the catalogue and the artwork on display.

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This image shows a page from a scrapbook or photo album, featuring two newspaper clippings and a sketch of a man's head. The top clipping is from the Cambridge Magazine, dated June 1972, and features a sketch of a young man's head attributed to Italian artist Michelangelo Buonarotti. The bottom clipping is from the Bath-Brunswick (Maine) Times-Record, dated June 1, 1972, and discusses the Fogg Museum's American Art at Harvard catalogue.

The background of the page is a light brown color, with a slight shadow visible around the edges. The overall atmosphere of the image suggests that it is a collection of artistic and cultural artifacts, possibly created by an individual who appreciates art and history.

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The image is a photograph of a brown scrapbook or photo album with two newspaper clippings attached to it.

The top clipping is from the "Cambridge Magazine, June/1972" and features a black-and-white sketch of a man's head, titled "Profile Head of a Young Man." The sketch is attributed to Italian artist Michelangelo Buonarroti, on display at the Fogg Art Museum, Harvard University.

The bottom clipping is from the "Bath-Brunswick (Maine) Times-Record, 6/1/72" and is titled "Catalogue's almost as good as the show." The article discusses an art catalogue produced for an exhibition at the Fogg Museum, featuring American art. The catalogue is described as being of high quality, with good reproductions of the artwork and informative text. The article also mentions that the catalogue is dedicated to Professor Benjamin Rowland Jr., who was responsible for the study of the visual arts of America at Harvard.

The background of the image is a plain gray color, suggesting that it may be a product photo or a scan of the scrapbook page.

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The image presents a collection of newspaper clippings and artwork, arranged on a brown paper background. The top-left corner features a black-and-white sketch of a young man's profile, accompanied by a small white note with the text "PROFILE HEAD OF A YOUNG MAN, 16th century drawing attributed to the artist, Michelangelo Buonarroti, on display at the Fogg Art Museum Harvard University." Below this, a clipping from "The art palette" section of the Bath-Brunswick (Maine) Times-Record, dated 6/1/72, is visible. The article, titled "Catalogue's almost as good as the show," discusses an art catalogue featuring 176 examples of original American art.

In the bottom-right corner, a partial view of another article or image is visible, although the text is not fully legible. The overall composition suggests that the items are being showcased or preserved in some manner, possibly for archival or educational purposes. The use of newspaper clippings and artwork creates a visually interesting and informative display.