Ctrl-C, Ctrl-V. Rinse, repeat.
ARCH.2003.36, Rendition: 805403
This image displays an open scrapbook or album. The left-hand page features a newspaper article titled “‘American Art at Harvard’ Exhibit in Fogg Museum,” written by Malcolm Preston and published in the Boston Herald Traveler on Wednesday, May 24, 1972 (as indicated by a small clipping at the top right of the article).
The article provides a review of an exhibition showcasing American art from Harvard University’s collections, housed at the Fogg Museum. It notes that 178 objects span four centuries, covering American colonial portraiture, 19th-century landscape and Realist painting, through to 20th-century Impressionism and Abstract Expressionism. It highlights notable artists such as John Singleton Copley, Thomas Eakins, Winslow Homer, and Frank Duveneck, and mentions surprising items like Sacco and Vanzetti-themed drawings.
Attached to the article is a smaller, separate clipping — likely a figure or illustration from the newspaper — labeled as “8 A” and dated the same day. It features a black-and-white photograph of a marble bust titled “CHARLES WILLIAM ELIOT,” sculpted by Frank Duveneck. The bust depicts a solemn, bearded man in a shirt and bow tie, and is shown mounted on a pedestal.
The right-hand page of the scrapbook is mostly blank, showing only the spine and a small portion of another clipping at the top corner. The pages themselves are aged and browned, and the article is mounted with adhesive, indicating this is a preserved keepsake or archive. The overall appearance suggests a mid-20th century artifact, carefully collected to document a significant cultural event at Harvard.
In sum, this is a preserved newspaper clipping reviewing a historical exhibition of American art at Harvard’s Fogg Museum, featuring both textual commentary and a photographic reproduction of a notable sculpture from the show.
The image is a page from a book or a scrapbook, featuring a newspaper clipping about an exhibit titled "American Art at Harvard" at the Fogg Museum. The clipping is dated Wednesday, May 24, 1972, from the "Boston Herald Traveler."
The text discusses the exhibition and its significance, mentioning it as a fascinating display of American art from the University's collections. The article highlights various artists and their works, such as Bingham, Copley, Audubon, Feke, and others, spanning four centuries of American art history.
Additionally, there is a photograph of a marble bust of Charles William Eliot, titled "Charles William Eliot" by Frank Duveneck. The bust appears to be part of the exhibition and is described in the clipping as an unusual and unexpected work from the artist. The photograph is printed in black and white, and it is placed in the lower right corner of the page.
This image shows a newspaper clipping from the "Boston Herald Traveler," dated Wednesday, May 24, 1972. The article is titled "'American Art at Harvard' Exhibit in Fogg Museum" and is written by Malcolm Preston. The article discusses an exhibition at the Fogg Museum that features American art from various collections at Harvard University, including the Harvard Medical School, the Peabody Museum, and the Harvard Portrait Collection.
The article mentions that the exhibition includes 176 paintings, drawings, sculptures, and assorted objects, covering a wide range of American art from the 17th century to the mid-20th century. It highlights works by artists such as Motherwell, Noland, Catlin, Seth Eastman, Carl Wimar, Audubon, Kensett, Bierstadt, Homer, Eakins, Inness, Sargent, and others. The article also notes the inclusion of a work by Charles Sheeler and a marble bust of Charles William Eliot by Frank Duveneck.
To the right of the article, there is a photograph of the marble bust of Charles William Eliot, which is part of the exhibition. The bust is depicted in a grayscale image, and it is labeled with the text "CHARLES WILLIAM ELIOT By Frank Duveneck." The newspaper clipping is mounted on a brown paper or cardboard background.
A newspaper clipping is on a piece of brown paper. The clipping is from the Boston Herald Traveler, Wednesday, May 24, 1972. It has a black and white photo of a bust of Charles William Eliot by Frank Duveneck. The clipping is from an article about an exhibition of American art at Harvard in the Fogg Museum. The article is written by Malcolm Preston.
The image appears to be an open book or magazine with a clipping or article about an exhibition of American art at Harvard University, displayed at the Fogg Museum. The clipping contains a photograph of a bust sculpture by Frank Duveneck, depicting Charles William Eliot, the former president of Harvard University. The article discusses the exhibition, which showcases a collection of American art spanning four centuries, from the 17th to the 20th century. The exhibition aims to trace the course of American art from its provincial beginnings to its more sophisticated state in the 19th century.
The image shows an open book, likely a catalog or exhibition guide, titled "American Art at Harvard' Exhibit in Fogg Museum." The left page contains text discussing the exhibit, its significance, and the works displayed. The text is written in a formal, descriptive style, detailing the historical context, notable artists, and the evolution of American art. It references various artists, styles, and periods, emphasizing the breadth and depth of the collection.
On the right page, there is a black-and-white photograph of a bust labeled "CHARLES WILLIAM ELIOT", credited to Frank Duveneck. The photograph is accompanied by a caption identifying the subject and the artist. Above the photograph, there is a header indicating the source: "BOSTON HERALD TRAVELER, WEDNESDAY, MAY 24, 1972." The overall layout suggests this is a historical document or archive page, possibly from a museum or academic collection, documenting an art exhibition or related event. The design and typography reflect a mid-20th-century publication style.
The image is of a scrapbook page containing a newspaper article titled "'American Art at Harvard' Exhibit in Fogg Museum" by Malcolm Preston. The article describes an art exhibit showcasing American art at Harvard's Fogg Museum. Alongside the article, there is a black-and-white photograph of a bust labeled "Charles William Eliot" by Frank Duveneck. The photograph is from the Boston Herald Traveler, dated Wednesday, May 24, 1972. The text in the article discusses the details and highlights of the exhibit, mentioning various artworks and themes. The background of the page is a brown scrapbook paper.
The image shows a scrapbook page with two newspaper clippings attached.
On the left is a relatively long article titled "'American Art at Harvard' Exhibit in Fogg Museum" by Malcolm Preston. The article discusses the exhibit showcasing a large and impressive collection of American art at Harvard's Fogg Museum. It mentions the museum's efforts to trace the course of American art from its early beginnings to the present, with a focus on paintings, drawings, sculptures, and other assorted objects. The article highlights important works by several artists, including Catlin, Seth Eastman, Harriett C. Judson, and others, and notes the collaboration among several museums to create a comprehensive exhibit. The text also refers to a specific style of art by Badger and mentions exhibited artists such as Copley, Stuart, Allston, Charles Wilson Peale, and Charles William Eliot.
On the right is a smaller clipping from the Boston Herald Traveler dated Wednesday, May 24, 1972. It contains a black and white image of a bust sculpture titled "Charles William Eliot" by Frank Duveneck. The caption is placed below the image. The image also contains a partial handwritten note on the bust saying, "Head of a Woman," referring to a different artwork.
The overall theme of the page revolves around American art and an exhibit held at Harvard's Fogg Museum.
This is an image of a scrapbook or album page with two newspaper clippings pasted onto it. The larger clipping on the left side of the page is an article entitled 'American Art at Harvard' Exhibit in Fogg Museum' by Malcolm Preston, which seems to discuss a cultural or art exhibition. The article includes several paragraphs of text detailing the exhibition content and possibly the history behind it.
On the right side, there is a smaller clipping with a caption underneath. The clipping features an excerpt from the "Boston Herald Traveler" dated Wednesday, May 26, 1971. Underneath the excerpt, there is a caption identifying a certain individual as the subject of a bust by Frank Duveneck. This section is accompanied by an image of a sculpture showing the subject's attire and part of the bust but the facial features are not shown. The page appears to be well-preserved, with slightly yellowed paper, indicating age. The background of the photo shows the edge of the opposite page, and the brown paper of the scrapbook serves as a backdrop for the clippings.