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ARCH.2003.36, Rendition: 805403
The image is a page from a book or a scrapbook, featuring a newspaper clipping about an exhibit titled "American Art at Harvard" at the Fogg Museum. The clipping is dated Wednesday, May 24, 1972, from the "Boston Herald Traveler."
The text discusses the exhibition and its significance, mentioning it as a fascinating display of American art from the University's collections. The article highlights various artists and their works, such as Bingham, Copley, Audubon, Feke, and others, spanning four centuries of American art history.
Additionally, there is a photograph of a marble bust of Charles William Eliot, titled "Charles William Eliot" by Frank Duveneck. The bust appears to be part of the exhibition and is described in the clipping as an unusual and unexpected work from the artist. The photograph is printed in black and white, and it is placed in the lower right corner of the page.
This image shows a newspaper clipping from the "Boston Herald Traveler," dated Wednesday, May 24, 1972. The article is titled "'American Art at Harvard' Exhibit in Fogg Museum" and is written by Malcolm Preston. The article discusses an exhibition at the Fogg Museum that features American art from various collections at Harvard University, including the Harvard Medical School, the Peabody Museum, and the Harvard Portrait Collection.
The article mentions that the exhibition includes 176 paintings, drawings, sculptures, and assorted objects, covering a wide range of American art from the 17th century to the mid-20th century. It highlights works by artists such as Motherwell, Noland, Catlin, Seth Eastman, Carl Wimar, Audubon, Kensett, Bierstadt, Homer, Eakins, Inness, Sargent, and others. The article also notes the inclusion of a work by Charles Sheeler and a marble bust of Charles William Eliot by Frank Duveneck.
To the right of the article, there is a photograph of the marble bust of Charles William Eliot, which is part of the exhibition. The bust is depicted in a grayscale image, and it is labeled with the text "CHARLES WILLIAM ELIOT By Frank Duveneck." The newspaper clipping is mounted on a brown paper or cardboard background.
A newspaper clipping is on a piece of brown paper. The clipping is from the Boston Herald Traveler, Wednesday, May 24, 1972. It has a black and white photo of a bust of Charles William Eliot by Frank Duveneck. The clipping is from an article about an exhibition of American art at Harvard in the Fogg Museum. The article is written by Malcolm Preston.
The image appears to be an open book or magazine with a clipping or article about an exhibition of American art at Harvard University, displayed at the Fogg Museum. The clipping contains a photograph of a bust sculpture by Frank Duveneck, depicting Charles William Eliot, the former president of Harvard University. The article discusses the exhibition, which showcases a collection of American art spanning four centuries, from the 17th to the 20th century. The exhibition aims to trace the course of American art from its provincial beginnings to its more sophisticated state in the 19th century.
The image shows an open book, likely a catalog or exhibition guide, titled "American Art at Harvard' Exhibit in Fogg Museum." The left page contains text discussing the exhibit, its significance, and the works displayed. The text is written in a formal, descriptive style, detailing the historical context, notable artists, and the evolution of American art. It references various artists, styles, and periods, emphasizing the breadth and depth of the collection.
On the right page, there is a black-and-white photograph of a bust labeled "CHARLES WILLIAM ELIOT", credited to Frank Duveneck. The photograph is accompanied by a caption identifying the subject and the artist. Above the photograph, there is a header indicating the source: "BOSTON HERALD TRAVELER, WEDNESDAY, MAY 24, 1972." The overall layout suggests this is a historical document or archive page, possibly from a museum or academic collection, documenting an art exhibition or related event. The design and typography reflect a mid-20th-century publication style.
The image depicts a page from an old scrapbook or photo album, featuring a newspaper clipping about an art exhibit at Harvard University's Fogg Museum.
The clipping is titled "'American Art at Harvard' Exhibit in Fogg Museum" and includes a black-and-white photograph of a bust of Charles William Eliot, the eighth president of Harvard University. The article discusses the exhibit, which showcases American art from the 18th to 20th centuries, including paintings, drawings, sculptures, and other works of art.
The page itself appears to be made of brown paper or cardboard, with a rough texture and visible creases. The clipping is pasted onto the page using a white glue or tape, and there are some tears and wrinkles around the edges. The background of the image is a plain gray color, suggesting that it may be a digital scan or photograph of the page.
Overall, the image provides a glimpse into the past, showcasing a piece of historical documentation about an art exhibit at Harvard University.
This image depicts an open scrapbook with a newspaper clipping featuring an article about an art exhibit at Harvard University's Fogg Museum. The article, titled "'American Art at Harvard' Exhibit in Fogg Museum," is written by Malcolm Preston and discusses the significance of American art in the context of Harvard's holdings.
The article highlights the importance of American art in the university's collection, noting that it is often overlooked in favor of more traditional European art. It also mentions the role of the Fogg Museum in promoting American art and its efforts to make it more accessible to the public.
To the right of the article is a black-and-white photograph of a bust of Charles William Eliot, who was the president of Harvard University from 1869 to 1909. The bust is attributed to Frank Duveneck, an American artist known for his portraits and sculptures.
Overall, the image suggests that the scrapbook is a collection of articles and ephemera related to art and culture, with a focus on American art and its significance in the context of Harvard University.
The image shows a scrapbook page featuring a newspaper clipping and a photograph. The clipping is titled "'American Art at Harvard' Exhibit in Fogg Museum" and is written by Malcolm Preston. It appears to be a review of an art exhibition at the Fogg Museum, which is part of Harvard University.
The clipping is accompanied by a black-and-white photograph of a bust of Charles William Eliot, created by Frank Duveneck. The photograph is labeled "CHARLES WILLIAM ELIOT By Frank Duveneck." The clipping and photograph are pasted onto a brown scrapbook page, which has a rough texture and visible binding on the left side. The page is set against a plain gray background.
Overall, the image suggests that the scrapbook is a collection of memorabilia related to art, history, or culture, and that the owner has carefully curated the contents to preserve memories or information about a particular event or topic.
The image presents a vintage newspaper clipping, yellowed with age, featuring an article about an exhibit of American art at Harvard University's Fogg Museum. The article is titled "American Art at Harvard' Exhibit in Fogg Museum" and includes a black-and-white photograph of a bust of Charles William Eliot by Frank Duveneck.
Newspaper Clipping:
Photograph:
Background:
Overall:
The image is a page from a scrapbook or album, featuring a newspaper article and a photograph. The article, titled "'American Art at Harvard' Exhibit in Fogg Museum," is written by Malcolm Preston and discusses an exhibition of American art at Harvard University's Fogg Museum. The article mentions various artists and artworks on display, including pieces by Copley, Eakins, and Homer, and highlights the diversity and significance of the collection.
The photograph accompanying the article is a portrait of Charles William Eliot, identified as a former president of Harvard University. The photograph is credited to Frank Duveneck.
The article provides context about the exhibition, noting that it includes works from the 18th and 19th centuries, with a focus on portraits and landscapes. It also mentions the educational value of the exhibition for students and the public.
The page appears to be part of a larger collection, possibly a personal or institutional scrapbook documenting events and figures related to Harvard University and American art.