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ARCH.2003.36, Rendition: 805398
The image shows a page from a newspaper or magazine, dated Thursday, May 4, 1972. The top section is a supplement titled "Minute-Man Supplement," and it contains an article with the headline "Man and His Kine And American Art" by Alicia Faxon. The article discusses an exhibition titled "Man and His Kine," which is held at the DeCordova Museum in Lincoln from April 23 to May 28, 1972. The exhibition features paintings, prints, and objects showcasing the cow as an important possession of man and a part of the American landscape. The article mentions various paintings and artists, such as Thomas Doughty, Jasper Cropsey, and Edward Hicks.
The right-hand side of the page has a black and white photograph of a profile sketch of a young man, titled "Profile Head of a Young Man," and another titled "Stylized Head of a Bearded Man." Below the photograph is an article titled "Michelangeli at Fogg," discussing an exhibition at Harvard's Fogg Art Museum in Cambridge that features two drawings attributed to Michelangelo, which were previously believed to be part of the school of Michelangelo. The article mentions that these drawings were recently studied and may be genuine works by Michelangelo himself.
This image shows an open scrapbook or document with newspaper clippings related to art exhibitions. The left page contains a clipping from the "Minute-Man Supplement" dated Thursday, May 4, 1972. The headline reads "Man and His Kine And American Art" by Alicia Faxon. The article discusses an exhibition at the DeCordova Museum in Lincoln, Massachusetts, focusing on the depiction of cattle in American art. It mentions various artists and artworks featured in the exhibition, including landscapes and portraits from the Hudson River School to the works of Edward Hicks.
The right page has a smaller clipping titled "Michelangeli at Fogg," which discusses an exhibition at the Fogg Art Museum in Cambridge, featuring works attributed to Michelangelo and his school. There is also a black and white illustration of a profile of a young man's head, which is mentioned in the text as one of the works being attributed to Michelangelo.
The pages appear to be part of a collection or scrapbook, possibly used for research or documentation purposes. The paper is aged, indicating that these clippings are from the early 1970s.
This image displays an open, aged newspaper supplement titled "Minute-man SUPPLEMENT", dated Thursday, May 4, 1972. The paper, showing signs of yellowing and wear, is part of a publication by MINUTE-MAN PUBLICATIONS, INC. with a Lexington, Massachusetts address. The masthead lists several affiliated newspapers, including the Bedford Minute-Man and Burlington Times-Union.
The main feature article is titled “Man and His Kine And American Art” by Alice Faxon. It reviews a delightful exhibition at the DeCordova Museum in Lincoln (April 23–May 28, 1972). The article describes how the theme “Man and His Kine” (cow) is explored through paintings, prints, and objects curated by Carlo Lamagna and Charles D. Childs, with a focus on the cow’s presence in 19th-century American landscapes and pastoral scenes. Notable highlights include a “freely handled oil sketch called Jersey Calf by John Singer Sargent” and works by Thomas Doughty, Hudson River School painters, and Edward Hicks.
The right page contains two distinct articles with accompanying images:
“Windfall” - This piece announces that two drawings previously attributed to the School of Michelangelo have been recently reattributed to Michelangelo himself. These drawings — “Profile Head of a Young Man” and “Style Head of a Bearded Man” — are now on display at the Fogg Museum at Harvard University. The article explains that these are part of a special exhibition celebrating the museum’s 40-year possession of these “new” masterpieces. The accompanying image is a faded, sketch-like drawing depicting a profile view of a human head, consistent with Renaissance studies.
“Michelangeli at Fogg” - This is a smaller, boxed article confirming the Harvard University Fogg Art Museum’s exhibition of these two Michelangelo drawings. It clarifies that the works were gifted to the museum in 1932 from the collection of Charles Loeser, an American connoisseur and friend of Bernard Berenson. It also mentions a forthcoming article by Michael Hirst, who studied the drawings at the Courtauld Institute in London and argued they are autograph (by Michelangelo’s own hand).
Overall, the supplement blends cultural reporting with art criticism, featuring a major contemporary exhibition on American pastoral art alongside a high-profile announcement of newly authenticated Renaissance masterpieces. The juxtaposition of a local New England newspaper reviewing both indigenous American genre and international Renaissance art gives the page a unique, eclectic character.
The image shows a newspaper clipping with the title "Man and His Kine And American Art" and the date "Thursday, May 4, 1972." The clipping is from the "Minute-man" publication. The article is about an exhibition featuring paintings by Charles P. Curtis, the curator of the Fogg Art Museum, and other artists. The exhibition showcases American art, including landscapes, portraits, and sculptures. The article also mentions a special exhibition of two drawings attributed to Michelangelo, which were given to the museum by Bernard Berenson. The clipping is part of a scrapbook, with additional notes and articles pasted on the page.
The image shows an open book with two articles printed on the left and right pages. The left page features an article titled "Man and His Kine and American Art" by Alicia Faxon, discussing an art exhibition at the Lincoln Museum. The right page features an article titled "Michelangelo at Fogg" discussing an exhibition at Harvard University's Fogg Museum showing two drawings attributed to Michelangelo. The articles appear to be from a newspaper or magazine supplement, based on the layout and headings.
The image depicts an open book, showcasing two facing pages from a publication titled "Minute-Man Supplement", dated Thursday, May 4, 1972. The publication is associated with the Minute-Man Publications, Inc., based in Lexington, Massachusetts, and includes contact information such as a telephone number (861-9110) and a mailing address at 9 Merriam Street, Lexington, Mass.
The publication appears to be a supplement or insert, likely part of a larger periodical, focusing on art exhibitions and cultural events. The articles provide detailed reviews and analyses of two significant art exhibitions: one celebrating the theme of humans and cattle in American art, and another showcasing drawings attributed to Michelangelo at the Fogg Art Museum. The tone is informative and aimed at art enthusiasts or readers interested in cultural events.
This image depicts an aged paper scrapbook page featuring articles, clippings, and text from a publication named "Minute-man Supplement" dated Thursday, May 4, 1972. The main article is titled "Man and His Kine and American Art," written by Alicia Faxon, discussing an art exhibition focusing on pastoral themes, landscapes, and representations of American life and animals.
Adjacent is a section titled "Michelangeli at Fogg," highlighting two drawings attributed to the School of Michelangelo held at Harvard University's Fogg Art Museum. The clipping showcases a sketch of a male profile in faint detail, accompanied by a brief description of its artistic significance.
The page is made of textured brown scrapbook paper, with visible adhesive marks and the items mounted carefully. Additional short articles are present discussing topics like art exhibits, pastoral imagery, and specific American artists.
This image depicts an open spread of a newspaper or a magazine focusing on art-related topics. The left page has a heading "Minute-man SUPPLEMENT" and features an article titled "Man and His Kine And American Art" by Alicia Faxon. There are various columns and paragraphs discussing topics related to art.
On the right-hand side, there is a column visible with a heading "Michelang[i]li at Fogg," though part of the text is obscured due to the blurred area in the photo. Based on the visible text, the article seems to focus on art exhibitions, specifically referencing a relation to Michelangelo.
The articles contain numerous small paragraphs, and the page on the right also includes some red editorial markings, suggesting that the text is being proofread or edited.
Judging by the aesthetic and the date mentioned (Thursday, May 4, 1972), the documents appear to be from a periodical publication from the early 1970s. The paper looks moderately aged with some discoloration and signs of wear, indicating it has been preserved for some time.
The image shows a scrapbook page with multiple newspaper clippings attached to it. The main clipping on the left side is a supplement from "Minute-man" dated Thursday, May 4, 1972. The prominent headline reads "Man and His Kine And American Art" by Alicia Faxon. The article discusses an exhibition at the DeCordova Museum featuring American art, particularly paintings involving cows ("kine") and rural American scenes. It mentions various artists, artworks, and exhibitions, and highlights the cultural significance of cows in American art.
To the right of this main article are two smaller clippings. One shows a sketch drawing of a man's profile, identified as a work attributed to the School of Michelangelo, held at the Fogg Art Museum. The caption explains that the drawings have been mistakenly attributed to Michelangelo himself but are considered works from his school.
Below the drawing is a small article titled "Michelangeli at Fogg," mentioning a special exhibition at Harvard University's Fogg Art Museum focused on two drawings by Michelangelo's school, including works called "Profile Head of a Young Man" and "Stylized Head of a Bearded Man." It discusses the provenance of the drawings, their previous misattribution, and their exhibition history, along with some details about Michelangelo's artistic style.
The scrapbook page overall appears to document art exhibitions and historical art discussions from the early 1970s, highlighting American art and Renaissance drawings.
The image shows a page from a vintage scrapbook or bound magazine. It’s a newspaper-style supplement titled “Minute-man” with a Gothic masthead and the date Thursday, May 4, 1972. The main article is headlined “Man and His Kine And American Art” by Alicia Foxon, laid out in multiple text columns. On the right side, there is a light pencil sketch portrait in a bordered frame. Below and to the right, there are small clipped articles, including a piece titled “Michelangeli at Fogg” with red strip accents along the edges. The page has a handwritten, aged look with torn and pasted clippings.