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ARCH.2003.36, Rendition: 805398
The image shows a page from a newspaper or magazine, dated Thursday, May 4, 1972. The top section is a supplement titled "Minute-Man Supplement," and it contains an article with the headline "Man and His Kine And American Art" by Alicia Faxon. The article discusses an exhibition titled "Man and His Kine," which is held at the DeCordova Museum in Lincoln from April 23 to May 28, 1972. The exhibition features paintings, prints, and objects showcasing the cow as an important possession of man and a part of the American landscape. The article mentions various paintings and artists, such as Thomas Doughty, Jasper Cropsey, and Edward Hicks.
The right-hand side of the page has a black and white photograph of a profile sketch of a young man, titled "Profile Head of a Young Man," and another titled "Stylized Head of a Bearded Man." Below the photograph is an article titled "Michelangeli at Fogg," discussing an exhibition at Harvard's Fogg Art Museum in Cambridge that features two drawings attributed to Michelangelo, which were previously believed to be part of the school of Michelangelo. The article mentions that these drawings were recently studied and may be genuine works by Michelangelo himself.
This image shows an open scrapbook or document with newspaper clippings related to art exhibitions. The left page contains a clipping from the "Minute-Man Supplement" dated Thursday, May 4, 1972. The headline reads "Man and His Kine And American Art" by Alicia Faxon. The article discusses an exhibition at the DeCordova Museum in Lincoln, Massachusetts, focusing on the depiction of cattle in American art. It mentions various artists and artworks featured in the exhibition, including landscapes and portraits from the Hudson River School to the works of Edward Hicks.
The right page has a smaller clipping titled "Michelangeli at Fogg," which discusses an exhibition at the Fogg Art Museum in Cambridge, featuring works attributed to Michelangelo and his school. There is also a black and white illustration of a profile of a young man's head, which is mentioned in the text as one of the works being attributed to Michelangelo.
The pages appear to be part of a collection or scrapbook, possibly used for research or documentation purposes. The paper is aged, indicating that these clippings are from the early 1970s.
This image displays an open, aged newspaper supplement titled "Minute-man SUPPLEMENT", dated Thursday, May 4, 1972. The paper, showing signs of yellowing and wear, is part of a publication by MINUTE-MAN PUBLICATIONS, INC. with a Lexington, Massachusetts address. The masthead lists several affiliated newspapers, including the Bedford Minute-Man and Burlington Times-Union.
The main feature article is titled “Man and His Kine And American Art” by Alice Faxon. It reviews a delightful exhibition at the DeCordova Museum in Lincoln (April 23–May 28, 1972). The article describes how the theme “Man and His Kine” (cow) is explored through paintings, prints, and objects curated by Carlo Lamagna and Charles D. Childs, with a focus on the cow’s presence in 19th-century American landscapes and pastoral scenes. Notable highlights include a “freely handled oil sketch called Jersey Calf by John Singer Sargent” and works by Thomas Doughty, Hudson River School painters, and Edward Hicks.
The right page contains two distinct articles with accompanying images:
“Windfall” - This piece announces that two drawings previously attributed to the School of Michelangelo have been recently reattributed to Michelangelo himself. These drawings — “Profile Head of a Young Man” and “Style Head of a Bearded Man” — are now on display at the Fogg Museum at Harvard University. The article explains that these are part of a special exhibition celebrating the museum’s 40-year possession of these “new” masterpieces. The accompanying image is a faded, sketch-like drawing depicting a profile view of a human head, consistent with Renaissance studies.
“Michelangeli at Fogg” - This is a smaller, boxed article confirming the Harvard University Fogg Art Museum’s exhibition of these two Michelangelo drawings. It clarifies that the works were gifted to the museum in 1932 from the collection of Charles Loeser, an American connoisseur and friend of Bernard Berenson. It also mentions a forthcoming article by Michael Hirst, who studied the drawings at the Courtauld Institute in London and argued they are autograph (by Michelangelo’s own hand).
Overall, the supplement blends cultural reporting with art criticism, featuring a major contemporary exhibition on American pastoral art alongside a high-profile announcement of newly authenticated Renaissance masterpieces. The juxtaposition of a local New England newspaper reviewing both indigenous American genre and international Renaissance art gives the page a unique, eclectic character.
The image shows a newspaper clipping with the title "Man and His Kine And American Art" and the date "Thursday, May 4, 1972." The clipping is from the "Minute-man" publication. The article is about an exhibition featuring paintings by Charles P. Curtis, the curator of the Fogg Art Museum, and other artists. The exhibition showcases American art, including landscapes, portraits, and sculptures. The article also mentions a special exhibition of two drawings attributed to Michelangelo, which were given to the museum by Bernard Berenson. The clipping is part of a scrapbook, with additional notes and articles pasted on the page.
The image shows an open book with two articles printed on the left and right pages. The left page features an article titled "Man and His Kine and American Art" by Alicia Faxon, discussing an art exhibition at the Lincoln Museum. The right page features an article titled "Michelangelo at Fogg" discussing an exhibition at Harvard University's Fogg Museum showing two drawings attributed to Michelangelo. The articles appear to be from a newspaper or magazine supplement, based on the layout and headings.
The image depicts an open book, showcasing two facing pages from a publication titled "Minute-Man Supplement", dated Thursday, May 4, 1972. The publication is associated with the Minute-Man Publications, Inc., based in Lexington, Massachusetts, and includes contact information such as a telephone number (861-9110) and a mailing address at 9 Merriam Street, Lexington, Mass.
The publication appears to be a supplement or insert, likely part of a larger periodical, focusing on art exhibitions and cultural events. The articles provide detailed reviews and analyses of two significant art exhibitions: one celebrating the theme of humans and cattle in American art, and another showcasing drawings attributed to Michelangelo at the Fogg Art Museum. The tone is informative and aimed at art enthusiasts or readers interested in cultural events.
The image shows a page from an old newspaper, with the title "Man and His Kine And American Art" in large letters at the top. The page is filled with articles and advertisements, but the most prominent feature is the large headline that reads "Man and His Kine And American Art".
The image appears to be a scan or photograph of a page from an old newspaper, possibly from the early 20th century. The headline and article suggest that the page is discussing American art, and the drawing or sketch adds a visual element to the page.
The image depicts a page from an old book or scrapbook, featuring newspaper clippings about art exhibitions. The clippings are arranged in a collage style, with some overlapping each other.
Main Clipping:
The main clipping is titled "Man and His Kine And American Art" and features a large headline at the top. Below the title, there is a smaller article discussing the exhibition, which includes information about the artists and their works. The article also mentions the location of the exhibition, which appears to be a museum or gallery.
Other Clippings:
There are several other clippings on the page, including one that appears to be a review of the exhibition. This clipping is titled "Michelangelo at Fogg" and features a brief summary of the exhibition. Another clipping shows a sketch of a man's face, which may be related to the exhibition.
Overall:
The image suggests that the book or scrapbook is a collection of articles and reviews about art exhibitions, possibly from the 1970s or 1980s. The clippings are arranged in a way that creates a visually interesting collage, with different fonts, sizes, and colors used throughout. Overall, the image provides a glimpse into the world of art exhibitions and the way they were presented in the media during this time period.
The image presents a worn, open book with yellowed pages, showcasing a newspaper clipping and an article about art.
Left Page:
The left page features a newspaper clipping titled "Man and His Kine And American Art" by Alicia Faxon. The clipping is from the "Minute-man SUPPLEMENT" dated Thursday, May 4, 1972. The article discusses an exhibition at the DeCordova Museum in Lincoln, Massachusetts, which explores the theme of "Man and His Kine." The exhibition includes works by various artists, including Charles Burchfield, Thomas Dougherty, and Jasper Cropsey.
Right Page:
The right page displays a gray-toned image of a sketch or drawing, accompanied by a caption that reads "Windfall. Two drawings attributed to the School of Michelangelo and is the Fogg's possession for 40 years have recently been attributed to Michelangelo himself." Below this image is a smaller clipping titled "Michelangeli at Fogg," which discusses an exhibition at the Fogg Art Museum featuring works by Michelangelo.
Overall:
The image appears to be a scrapbook or archive of art-related articles and clippings, with the book's worn condition suggesting that it has been handled frequently over time. The content of the clippings provides insight into the art world of the early 1970s, highlighting exhibitions and artists of note during that period.
The image presents a vintage newspaper clipping from the "Minute-man SUPPLEMENT" dated Thursday, May 4, 1972. The clipping is titled "Man and His Kine And American Art" and features an article by Alicia Faxon.
Newspaper Clipping Details:
Content Summary:
The article discusses an exhibition at the DeCordova Museum in Lincoln, which showcases a collection of paintings, prints, and objects that highlight the relationship between humans and their canine companions throughout American art history. The exhibition includes works by various artists, including Thomas Doughty, Jasper Cropsey, and Winslow Homer.
Additional Elements:
Overall:
The image provides a glimpse into a specific moment in art history, highlighting the intersection of humans and animals in American art. The inclusion of the sketch and the Michelangelo clipping adds context and depth to the article, suggesting that the exhibition was part of a larger conversation about art and its significance.