Archives Scrapbooks

This image displays a page from a scrapbook or a collection of press clippings, centered around an article from The Gazette dated May 5, 1972, titled “The Calendar”. The page is mounted on a light brown or beige cardstock and features three distinct newspaper clippings.

1. Main Article: “The Calendar” (May 5, 1972)

This is the central and most prominent clipping on the page. It features a striking black-and-white self-portrait of artist Arnulf Rainer — a middle-aged man with dark, tousled hair, a slight smile, and a thick black horizontal stripe painted across his eyes.

• Caption below the portrait:
  “A self-portrait of the artist as middle-aged man, taken from the Busch-Reisinger’s exhibition of the works of Arnulf Rainer. Mr. Rainer is a forty-one year old Viennese who specializes in ‘over-paintings’, photographs with additions painted on to them. The above is one of his ‘face farces,’ a series of photographs of himself in unusual poses. (Through June 24)”

• Signature: The artist’s signature “A. Rainer” is written below the portrait.

2. Article on Arnulf Rainer’s Work (Left Side)

A column of text to the left of the portrait elaborates on Rainer’s artistic practice:

• Describes his “Face Farces” as a series of photos with “various ‘touches’” like cotton balls, glass hooks, or sponges — sometimes resembling two sponges and a strap — which viewers might find repugnant.
• Mentions “over-paintings,” child-like scribbling, and drawings on graph paper.
• Notes that black is the “over-riding ‘color’” in his work, emphasizing surreal portraits of famous figures (Hannibal, Hitler, Stalin, Nero, Cleopatra) often rendered with overwhelming blackness.
• Highlights “Kleopatra” as particularly effective, with the black “spotted out on canvas.”
• Discusses his work’s “dark room magic” and playful, humorous qualities — despite his serious demeanor — and notes how his art can inspire mystery or nightmarish feelings.

3. Photograph of a Building (Bottom Right)

A black-and-white photograph of a classical building facade, captioned:

“Walker Evans’ The Breakfast Room, part of the exhibit American Photographs at Harvard at the Fogg through June 18.”

• The date “May 5, 1972” and “The Gazette” are handwritten at the top of this clipping.
• The architectural style suggests a columned entrance with a pediment — typical of neoclassical institutional buildings.

Additional Clipping (Top Left)

A smaller, upside-down clipping appears to be a theater schedule or movie listings from “The Gazette” — partially visible titles include “The Maltese Falcon,” “Strangers on a Train,” and “The King of Hearts.” It includes showtimes and venues such as “Harvard Square” and “Brattle St.”.

Handwritten Annotation

At the top of the “The Calendar” article, there’s a handwritten note in pencil:

“Gazette 12 may 72”

This may indicate the date the article was collected or archived, or possibly a misdating (since the article is dated May 5).

Overall Impression

The scrapbook page functions as a curated archive of contemporary art and culture in Cambridge/Boston in May 1972. It documents:

• A major exhibition of Austro-German artist Arnulf Rainer at the Busch-Reisinger Museum (part of Harvard), highlighting his provocative, conceptual, and humorous “over-paintings”.
• The concurrent exhibition of Walker Evans’ “American Photographs” at the Fogg Museum.
• Possibly a glimpse into movie/ theater listings of the time.

The arrangement suggests a collector or student interested in avant-garde art, photography, and cultural events centered around Harvard.

Key Themes: Avant-garde art, conceptual photography, self-portraiture, institutional exhibitions, and art criticism in early 1970s America.

The image appears to be a collection of newspaper clippings and an announcement or program, all laid out on a flat surface. Here's a detailed description:

1. Top Left Corner: There is a small section of an advertisement or announcement, likely related to a theater or cultural event. It lists times and venues for various performances, such as "Central 1," "Central 2," and "Battle Sq."

2. Top Right Corner: A section titled "The Calendar" features a black-and-white portrait of a man with a beard, wearing a collared shirt. There is a handwritten label in the top left corner that reads "Gazette 12 May 72." The text under the portrait describes the image as a self-portrait of the artist Arnulf Rainer, who specializes in "over-paintings" and a series of photographs of himself in unusual poses. The exhibit is mentioned to be through June 24.

3. Bottom Left Section: A larger piece of text describes the works of Arnulf Rainer. It details his creative process, mentioning "Farces," which are a series of photographs depicting the artist in various facial contortions and with various "touches" such as cotton balls and glass hooks. The text also mentions "over-paintings," which are photographs with additions painted on them, and discusses his use of heavy black lines in his work.

4. Bottom Right Section: A photograph of a classical-style interior, specifically Walker Evans' "The Breakfast Room," is featured. This is part of the exhibit "American Photographs at Harvard at the Fogg" through June 18. The photograph shows a series of columns and an ornate doorway.

The overall layout suggests a collection of clippings and images related to cultural events and art exhibitions from 1972, focusing on photography and the works of Arnulf Rainer and Walker Evans.

This image shows a collection of cutouts, likely from newspapers or magazines, arranged on a plain surface. The cutouts include:

1. A vertical strip on the left side with a list of events or movie showtimes, including titles like "Central 1" and "Central 2," and locations such as "Harvard Square" and "Brattle Square."

2. A central section with a black-and-white photograph of a man's face with a large black rectangular shape covering his eyes. The text below the photograph describes it as a self-portrait of the artist as a middle-aged man, taken from the Busch-Reisinger's exhibition of the works of Arnulf Rainer. The caption mentions that Rainer is a forty-one year old Viennese artist who specializes in "over-paintings," where he adds painted elements to photographs.

3. A column of text to the left of the photograph describes Rainer's artistic techniques and the exhibition at the Busch-Reisinger Museum.

4. At the bottom right, there is a black-and-white photograph of an architectural interior, labeled as "Walker Evans' The Breakfast Room," part of the exhibit "American Photographs at Harvard" at the Fogg through June 18.

The overall arrangement suggests a scrapbook or a collection of articles and images related to an art exhibition.

The image appears to be a scrapbook or a collage of various materials. It consists of a few pages of a newspaper, a magazine, and some photos. The newspaper has a black-and-white image of a person with a beard and mustache, along with some text. There is also a photo of a building with columns and a door. Additionally, there is a photo of a person with a beard and mustache, along with some text.

A magazine page with an article about a photographer named Arnu Raine is shown. The article is accompanied by a black-and-white photo of the photographer with his eyes covered. The article mentions that the photographer has exhibited his work at the Fogg Art Museum, and the exhibit includes a series of photographs of himself in various poses, which he calls "face farces." The article also mentions that the photographer uses a technique called "doodling" to create his images.

The image shows a page from a publication, likely an art magazine or exhibition catalog, featuring a combination of text and visual elements. Here is a detailed description:

Visual Elements:

1. Left Side:

   • Text Content: The left side contains a dense block of text, which appears to be an article or essay discussing the work of an artist, identified as Arno Rainer. The text is formatted in a typical magazine or catalog style, with paragraphs and headings.
   • Key Points in the Text:
     • Mentions Rainer's artistic techniques, including "over-paintings," "child-like drawings on graph paper and canvas," and "portraits."
     • References Rainer's use of black ink, grouping of eight to ten surreal portraits of famous historical figures (e.g., Hannibal, Hitler, Stalin, Nero, Cleopatra).
     • Describes Rainer's "face forees," a series of photographs of himself in unusual poses.
     • Mentions Rainer's "dark room magic," which produces surreal and dreamlike imagery.
     • Discusses Rainer's use of word puzzles and incongruities in his work.
     • Notes that Rainer's work is more important if one cannot see the exhibit, suggesting a focus on conceptual or intellectual engagement.
   • Layout: The text is organized into paragraphs, with some headings or subheadings, and includes references to specific works or techniques.

2. Right Side:

   • Photograph: A black-and-white photograph of Arno Rainer is prominently displayed. The image shows Rainer from the shoulders up, with his face partially obscured by his hair. He is smiling slightly, and the photograph has a vintage aesthetic, consistent with the publication's style.
   • Caption: Below the photograph, there is a caption that reads:

     "A self-portrait of the artist as middle-aged man, taken from the Busch-Reininger's exhibition of the works of Arno Rainer. Mr. Rainer is a forty-one year old Viennese who specializes in 'over-paintings' photographs with additions painted on to them. The above June 24."

   • Additional Text: At the top right of the page, there is a header that reads:

     "The Calendar"
     "Gazette 12 May 72"

   • Other Image: Below the Rainer photograph, there is a smaller photograph of a building labeled:

     "Walker Evans' 'The Breakfast Room,' part of the exhibit American Photographs at Harvard through June 18."

Overall Layout:

• The page is divided into two main sections: the left side contains the textual article, while the right side features visual content, including a photograph of Rainer and a smaller photograph of a building.
• The design is typical of art magazines or exhibition catalogs from the 1970s, with a mix of textual analysis and visual documentation of the artist's work.

Contextual Clues:

• The publication appears to be from May 1972, as indicated by the date on the header ("Gazette 12 May 72").
• The focus is on Arno Rainer, an artist whose work is being discussed in detail, with a particular emphasis on his unique techniques and conceptual approach.
• The inclusion of Rainer's self-portrait and a reference to another artist's work (Walker Evans) suggests a broader discussion of contemporary art and photography.

This page provides a glimpse into an art publication that combines critical analysis with visual documentation, offering readers insight into the artist's work and the artistic context of the time.

The image shows a collection of newspaper clippings and a photograph that are pasted into a scrapbook or journal. In the top-right corner, there is a clipping from "The Calendar" section of a publication dated "17 MAY 1972", which includes an article with some handwritten annotation at the bottom. There is also a photograph of the interior of a neoclassical architecture style building with columns, referred to as the "Braun Room," and it mentions an exhibit "American Photography at Harvard and at the Fogg through June 18."

On the top left and extending to the center left of the image, there's another article with text that appears to analyze or describe an artist's work in detail, mentioning elements like "dark magic" and discussing the impact and techniques used in the works described. There are also references to various exhibitions and dates associated with them.

The clipping appears to be from a different source and is titled "The Gazette," dated "May 5, 1972." It's rolled up on one edge, suggesting the page has been folded or rolled previously.

At the bottom of the central clipping, there is a signature which suggests that the article may refer to an artist's self-portrait or associated work.

This image appears to be a page from a scrapbook or a collage with a combination of text, clippings, and photographs. Key elements include:

1. Upper Right Section:

   • A newspaper or magazine clipping titled "The Calendar."
   • A black-and-white photograph, partially obscured (likely for privacy). The photograph is described as a self-portrait of the artist mentioned in the text below.
   • The artist's style seems to involve photographs with added alterations or "overpaintings." The described series of works is referred to as "face farces."

2. Lower Right Section:

   • A black-and-white photograph of a classic architectural interior, titled "Walker Evans' The Breakfast Room," which is part of an exhibition mentioned in the clipping. The location and exhibition dates are noted here.

3. Left Side:

   • Visible text from what appears to be a commentary or review discussing the artist's works and techniques. Topics include themes such as portraits, "doodles," and other artistic expressions.

4. Top Left Section:

   • An upside-down clipping of a newspaper or magazine listing times and locations, likely for programming or events.

Overall, this page presents a mix of artistic and cultural commentary, focusing on the works of specific individuals and artistic exhibitions.

This is a page from a scrapbook or collage that combines newspaper clippings and vintage photographs. Key details:

• The background is a light brown, aged paper mounted on a board.
• On the left, a vertical newspaper clipping runs down the page, with another small sheet folded into a pocket at the top left.
• On the right, there are two clipped images. The top one is titled “The Calendar” and shows a dark, silhouetted portrait with the person’s face obscured by a large gray square. A handwritten note above it reads something like “Gazette 12 May 72.”
• Below that is a black-and-white photograph of a classical architectural interior with columns, with a caption mentioning Walker Evans and “The Breakfast Room” as part of an exhibit.
• In the middle-left, there is a column of dense text, likely describing the themes of the portraits and photographs in the collage.

Overall, it has a vintage, documentary/art-essay feel, combining text and images to comment on self-portraits and photography.

The image shows an open scrapbook or journal page with three pasted newspaper clippings.

1. The top right clipping is titled "The Calendar" and features a black-and-white photo of a man’s head and shoulders. The face is obscured by a rectangular blur. Below the photo, text mentions the artist Arnulf Rainer and his exhibition "Over-paintings" with a focus on his "face farces," a series of altered self-portraits. The date on this clipping is handwritten as "Gazette 12 May 72."

2. The bottom right clipping is a photo of a classical architectural interior with tall columns and detailed molding. The caption reads: "Walker Evans' The Breakfast Room, part of the exhibit American Photographs at Harvard at the Fogg through June 18." The date on this clipping is "May 5, 1972" and it is from The Gazette.

3. The left clipping is a vertical column of text discussing the "faces," a series of photographs by Arnulf Rainer. It describes the artist’s style, mentioning over-paintings, drawings on graph paper, strange materials, and the techniques used. It praises the seriousness of the artist's work, the mystery in the faces, and the imaginative qualities. It also references the artist's approach as more ambitious than just doodling.

Additionally, there is a folded newspaper clipping partially visible at the top left corner of the scrapbook page. The overall tone suggests this scrapbook is preserving art exhibition reviews or announcements from 1972.