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ARCH.2003.36, Rendition: 805394
The image appears to be a page from a book or a magazine, specifically a news article or feature. The left side of the page contains an illustration, which is a black and white miniature painting from the Mughal period, depicting "Aurangzeb with Sultan Azam and Courtiers." The size of the painting is mentioned as 7½ inches by 8¾ inches, and it is dated around 1658. Below the image, there is a detailed text discussing the painting and its historical context, written by William Germain Dooley.
The right side of the page includes a calendar or list of exhibitions held at various locations, such as Baker Library, Busch-Reisinger Museum, Carpenter Center, Countway Library, Fogg Art Museum, and American Art at Harvard. The exhibitions are dated from May 11 to June 24, 1972. There is also a note dated May 5, 1972, regarding "The Gazette," which mentions discussing recent publications by the Harvard University Press based on interviews, documents, and published Chinese and Japanese sources. The page seems to be part of a history or art-related publication, discussing historical figures and their artistic representations.
This image shows an open book or magazine with a printed page on the left and a pasted clipping on the right. The left page contains a black-and-white illustration of a Mughal miniature painting titled "Aurangzeb with Sultan Azam and Courtiers," along with an accompanying article discussing the Mughal dynasty and the orderly transfer of power. The article is written by William Germain Dooley. The right page has a pasted clipping from "The Gazette," dated May 5, 1972, which lists various exhibitions and their locations, including exhibits at Baker Library, Busch-Reisinger Museum, Carpenter Center, Countway Library, and Fogg Art Museum. The clipping also mentions the Mughal miniature painting and the exhibition at the Fogg Art Museum. There is a handwritten note on the left page that reads "CSM 19 May 72." The book or magazine is placed on a light gray surface.
This image displays an open page from a publication, likely a newsletter or magazine titled The Gazette, dated May 5, 1972. The page features a large, centrally placed black-and-white reproduction of a Mughal miniature painting and accompanying text, alongside a sidebar listing current exhibitions.
The text below the image is an article that interprets the painting in the context of Mughal succession and court politics.
Key Themes:
Context: The article also notes that these paintings were on view at the Fogg Art Museum at Harvard through May and June 1972.
This section lists exhibitions at various Harvard locations:
The page presents a scholarly and cultural perspective, using art to explore historical narratives. It functions as both an art review and a commentary on power and legacy. The design is typical of mid-century academic or institutional publications — functional and text-heavy, with high-quality reproductions to support the analysis. The inclusion of exhibition details contextualizes the article within the current cultural offerings at Harvard, encouraging readers to visit and engage with the artworks in person.
The page is from a physical publication, as indicated by the beige, slightly aged paper and visible book binding on the left edge.
A page from a book is opened, showing two pages. The left page has a black-and-white illustration with a text below it. The right page has a text in a column format with a heading that reads "Exhibitions." The illustration on the left page shows a group of people, possibly a royal family, with the text below it reading "Ordinate Transfer of Sultan Alam and Courtiers." The text on the right page lists various exhibitions, including "Baker Library," "Busch-Reisinger Museum," and "Fogg Art Museum."
The image is of a page from a book. The page has a black and white drawing of people in a room, with a blurry effect. The drawing is surrounded by text that reads "Abundant Transfer of Governmental and Political Power" and "Imprisoning him Shah Jahan painted with poets, emperors, and the intelligentsia." The text also includes the words "May 1972" and "The Gazette." The page also has a small piece of paper attached to it with the words "Exhibitions" and "Baker Library" written on it.
The image shows an open book with a detailed illustration on the left page and text on the right page.
"The Aurangzeb Transfer of Governing Power has been one of the rare events shown here today of Aurangzeb's audacity to democratize or alter the age-old system of government by force and suffrage."
This suggests the illustration is related to a historical event involving Aurangzeb, the Mughal emperor.
This combination of historical art and modern exhibition listings indicates the book serves as a resource for both historical art studies and contemporary art events.
This image appears to be a photograph of an open book showcasing an exhibition page on the left and a newspaper clipping or additional information on the right. The left page contains an illustration or a reproduction of a work of art from the Mughal era, dating around 1588, titled "Audience With Sultan Akam and Commons." The artwork is distinctly Mughal in style, with intricate details, figures seated in a detailed architectural setting, and rich textile patterns. The text below the illustration provides context and an analysis of the artwork, discussing the intricacies of Mughal political dynamics and art in relation to the depicted scene.
On the right-hand side, there is additional textual information related to events and exhibitions, prominently featuring a schedule that includes a "Textiles from the Indian Subcontinent" exhibition and a lecture series related to various art historical and cultural topics. The schedule is marked with a date of May 5, 1972, and references the Fogg Art Museum at Harvard as the venue. The presence of both the illustration and the accompanying text suggests that this book or clipping is part of an academic or historical exploration of Mughal art and its broader cultural significance.
This image depicts a scrapbook page featuring an article and clippings. The article is titled "Aurangzeb with Sultan Azam and Courtiers," describing a miniature painting from the Mughal period, dated circa 1658. The painting, measuring 7.75 x 2.875 inches, illustrates the orderly transfer of governmental power, an uncommon phenomenon in monarchies. It describes Shah Jahan and his son Aurangzeb, highlighting aspects of Mughal governance and artistry.
The article also explores the significance of the painting in the context of Mughal history, focusing on Aurangzeb's reign and legacy. The text mentions the exhibition of similar artworks at Harvard's Fogg Art Museum.
To the right, another clipping outlines exhibition information at various venues, including one focused on Indian miniature painting during the Mughal reign.
The image shows a scrapbook page with two newspaper clippings attached to it.
The left clipping features a black-and-white reproduction of a Mughal miniature painting titled "Aurangzeb With Sultan Azam and Courtiers," dated around 1658. The painting depicts Aurangzeb and several courtiers in a richly decorated interior setting. The accompanying article discusses the historical context of the painting, focusing on Aurangzeb's reign, his tumultuous rise to power through overthrowing his brothers, and the overall theme of conflict and succession in Mughal India, particularly referencing Shah Jahan and Aurangzeb. The article is authored by William Germain Dooley and includes a note stating that the painting is courtesy of the Fogg Art Museum, Harvard University. There is also a handwritten note dated "May 15" and some initials "CSM."
The right clipping, dated May 5, 1972, is from "The Gazette" and lists several exhibitions at Harvard, including one at the Fogg Art Museum featuring the painting "Aurangzeb With Sultan Azam and Courtiers" by Soochi, as well as other exhibitions related to Indian painting and photography. It mentions various venues like the Baker Library, Busch-Reisinger Museum, Carpenter Center, and Fogg Art Museum, with exhibition dates extending through June 18.
The clippings are placed on a plain brown page, suggesting archival or curatorial documentation of the painting and related exhibitions.
The image shows a scrapbook page with a black-and-white reproduction of a Mughal miniature painting pasted on the left. The scene appears to be a royal court inside a tent or pavilion, with an emperor or noble seated on a throne or dais under a canopy, flanked by courtiers and attendants in traditional robes and turbans. The caption beneath reads something like “AURANGZEB WITH SULTAN AZAM AND COURTIERS: Miniature painting … Mughal, c. 1658.” On the right side of the page is a smaller clipping titled “Exhibitions” from The Gazette (May 5, 1972), listing various exhibition-related items. The page itself is mounted on a brown backing.