Archives Scrapbooks

This image is a page from a newspaper dated Thursday, April 20, 1972, from "Cambridge Chronicle." The article is titled "Little Known Works: American Art at Harvard" and is written by William G. Dooley. The page also includes a photograph and a caption.

The text discusses an exhibition of American art at Harvard, highlighting various artworks and artists. It mentions the works by Washington Allston, Winslow Homer, Edward Hopper, Maurice Prendergast, Charles Burchfield, Fitzhugh Lane, and others. The exhibition features a mix of landscapes, portraits, and prints, with some pieces from Harvard's own collection and others from external sources. The article provides details about the exhibition's location at the Fogg Art Museum, its dates, and its significance.

The photograph below the article shows three individuals—Louise Perry (Mrs. Robert) Harwood, Dr. Joseph Merriam, and Virginia Aldrich—looking at an exhibit at the Fogg Museum. The caption notes that the opening was a benefit for Radcliffe Scholarships and was sponsored by the Radcliffe Club of Boston. The exhibit was open from Tuesday evening and would remain until June 18.

The overall tone of the page reflects the interest in showcasing lesser-known American artworks and providing an educational experience for the community.

This image shows a newspaper clipping from the "Cambridge Chronicle" dated Thursday, April 20, 1972. The article is titled "Little Known Works: American Art at Harvard" and is written by William G. Dooley. The article discusses an exhibition of American art at the Fogg Art Museum, featuring 176 objects from various parts of the university and its collections. The exhibition includes works ranging from the Hudson River School to modern artists like Calder and represents a cross-section of American art over four centuries.

The page includes two photographs:

1. A black-and-white image of a classical landscape painting by Washington Allston, described as a "Cambridgeport Old Master." The painting is part of the exhibition and is on display at the Fogg Art Museum.
2. A photograph of three people, identified as Louise Perry (Mrs. Robert) Harwood, Dr. Joseph Merriam, and Virginia Aldrich, looking at exhibits at the opening of the American Art in the Harvard Collections exhibition. The opening was a benefit for Radcliffe Scholarships and was sponsored by the Radcliffe Club of Boston.

The article mentions various artists and their works, including John Clark, John Smibert, Caleb Bingham, George Catlin, Charles Bird King, and others. It also highlights the historical significance of these works and their connection to Harvard University. The exhibition will run through June 18 and is open to the public on specific days and times.

This image displays a newspaper clipping from the Cambridge Chronicle, dated Thursday, April 20, 1972, mounted on a piece of light brown paper within what appears to be a scrapbook or folder.

The clipping is titled “American Art at Harvard” and authored by William G. Dooley. It announces the opening of an exhibition titled “American Art at Harvard” at the Fogg Art Museum.

Key details from the article:

• Exhibition Scope: It showcases 176 objects from across the Harvard University collections, many of which are rarely or never seen by the public. About half are from the Fogg Museum’s own collection.
• Historical Range: The works span from the 17th century through the 20th century, including a portrait of John Clark (c. 1661), early Boston paintings, works by Audubon, and pieces from the Hudson River School.
• Featured Artists: Mentions include John Smibert, John Trumbull (copy of Van Dyck), Caleb Bingham, George Catlin, and Washington Allston. The article notes that Allston (1779-1843) was the “old master of Cambridgeport” and the most famous American artist of his time.
• Current Work: Highlights the “current exhibition” as featuring work by five graduate students under Professor Benjamin Rowland, Jr.
• Exhibition Details: The exhibit runs through June 18, 1972, and is open free Monday through Saturday 9 to 5, Sunday 2 to 5. The opening was a benefit for Radcliffe Scholarships and sponsored by the Radcliffe Club of Boston.

The clipping also includes two photographs:

1. Top Right: A black-and-white reproduction of a landscape painting by Washington Allston, captioned: “CAMBRIDGEPORT OLD MASTER: Washington Allston’s classical landscape in exhibition at Fogg Art Museum ‘American Art at Harvard’ through June 18. Most famous American artist of his time, 1779 - 1843. Allston had a studio in Cambridgeport near what is now 13 Magazine st.”
2. Bottom Center: A black-and-white photograph from the exhibition opening, dated April 20, 1972, published in “The Gazette.” It shows three people examining exhibits:
   • Louise Perry (Mrs. Robert) Harwood (left)
   • Dr. Joseph Merriam (center)
   • Virginia Aldrich (right)
     The caption explains they are “look[ing] over exhibits at the Fogg Museum opening of American Art in the Harvard Collections Tuesday evening.”

Overall, the image is a historical record documenting an art exhibition at Harvard University in 1972, combining descriptive text, reproductions of art, and a photograph of attendees.

A newspaper clipping is on top of a brown sheet of paper. The clipping has a title, "American Art at Harvard," and a date, "Thursday, April 20, 1972," on the top left. It also has a photo of a painting with a caption on the right. Below it is a photo of three people, and on the right is a caption that reads "Cambridge Chronicle."

An old newspaper has a headline that reads "American Art at Harvard" with a picture of a landscape painting. The article is about an exhibition of American art at Harvard University, showcasing a collection of works by various artists, including landscapes, portraits, and allegorical subjects. The exhibition is open from June 18 to 5, with an additional day on June 9. The article also mentions that the exhibition is sponsored by the Radcliffe Club of Boston, which supports women's scholarship at Harvard.

The image shows a page from a newspaper or magazine titled "Cambridge Chronicle", dated Thursday, April 20, 1972. The page features an article titled "Little Known Works: American Art at Harvard", written by William G. Dooley. The article discusses an exhibition of American art at Harvard, highlighting lesser-known works from the university's collection.

Visual Elements:

1. Headline and Subheading:

   • The main headline is "Little Known Works: American Art at Harvard", emphasizing the focus on lesser-known American art pieces.
   • The byline indicates the author, William G. Dooley.

2. Article Content:

   • The article provides details about the exhibition, including its scope, notable artists, and historical significance.
   • It mentions various artists and their works, such as Albert Bierstadt, Charles Homer, Edward Windsor Homer, Washington Alston, and others.
   • The text discusses the diversity of the collection, ranging from landscapes to portraits, and highlights the historical and cultural value of the pieces.

3. Photograph:

   • A black-and-white photograph is positioned on the right side of the page.
   • The photo shows three individuals—Louise Perry (Mrs. Robert) Harwood, Joseph Merriam, and Virginia Aldrich—standing in front of an art exhibit.
   • They appear to be observing or discussing the artwork, with one person holding a white object, possibly a brochure or catalog.

4. Caption:

   • Below the photograph, there is a caption that reads:

     "Louise Perry (Mrs. Robert) Harwood, Joseph Merriam and Virginia Aldrich look over exhibits at the Fogg Museum opening of American Art in the Harvard Collections 'American Art at Harvard' through June 18. Most famous artist here is the visual of the exhibition in the Fogg Collections."

   • The caption provides context about the event, noting that the exhibition was part of a benefit for Radcliffe Scholarships and was sponsored by the Radcliffe Club of Boston. It also mentions that the exhibit would remain open through June 18.

5. Additional Text Box:

   • In the bottom right corner, there is a small text box with the date "April 28, 1972" and the source "The Gazette", likely indicating a related or follow-up article or announcement.

6. Design and Layout:

   • The page has a classic newspaper layout with clear typography and structured sections.
   • The article is accompanied by a small photograph and a caption, enhancing the visual appeal and providing context.

Overall Impression:

The page conveys a sense of cultural and historical interest, focusing on an art exhibition at Harvard that showcases lesser-known American artworks. The inclusion of a photograph of attendees adds a personal and contemporary touch, illustrating the event's relevance and engagement with the public. The layout and design are typical of a newspaper or magazine from the early 1970s.

The image shows a newspaper or magazine page dated Thursday, April 20, 1972, that includes text and images. Part of the page is dedicated to an article titled "Little Known Works American Art at Harvard," written by William G. Dooley. The article discusses various artworks and exhibitions, mentioning American artists and the historical context of their work. The page also showcases a section of the 'Cambridge Chronicle' which appears to be discussing a historic landscape by Washington Allston.

Additionally, there is a photograph below the article depicting three people closely observing several framed works of art on an easel. They are likely at a gallery or exhibition, considering the context provided by the article above, which seems to be associated with the opening of an exhibit at the Fogg Museum at Harvard. The accompanying caption mentions the names of the individuals in the photo and indicates that they are looking over entries at the opening. It is noted that the exhibit was presented by the Hadassah Club of Boston and would remain up through June 18.

The presentation style, font, and layout of the page suggest documentation characteristic of newspaper archives from the early 1970s.

The image shows a scrapbook page featuring two newspaper clippings related to American art at Harvard.

1. The first clipping, dated Thursday, April 20, 1972, is from the Cambridge Chronicle and is titled "Little Known Works - American Art at Harvard" by William G. Dooley. The article discusses an exhibition at the Fogg Art Museum that displays various works of American art, including early paintings, allegorical subjects, and landscape art, highlighting artists like Benjamin Rowland, Hudson River School painters, and others. It mentions the importance of the exhibition and the rarity of such works being publicly shown. There is also a black-and-white image accompanying the article, captioned: "CAMBRIDGEPORT OLD MASTER: Washington Allston's classical landscape in an exhibition at Fogg Art Museum 'American Art at Harvard' through June 18. Most famous American artist of his time, 1779 - 1843, Allston had a studio in Cambridgeport near what is now 13 Magazine St."

2. The second clipping is dated April 28, 1972, from The Gazette. It features a black-and-white photograph of four individuals (three women and one man, with their faces blurred or obscured) examining art exhibits at the Fogg Museum. The caption reads: "Louise Perry (Mrs. Robert) Harwood, Dr. Joseph Merriam and Virginia Aldrich look over exhibits at the Fogg Museum opening of American Art in the Harvard Collections Tuesday evening. The opening was a benefit for Radcliffe Scholarships and was sponsored by the Radcliffe Club of Boston. The exhibit will remain up through June 18."

The scrapbook page is mounted on a plain gray background, with the clippings neatly placed and a small cut-out date piece beside the second clipping.

This image shows a scrapbook-style collage of two newspaper clippings mounted on a background.

1. The first clipping:

   • The headline reads, "American Art at Harvard," published in the "Cambridge Chronicle" on Thursday, April 20, 1972.
   • The article discusses an art exhibition highlighting American artists, including the Hudson River School painters, at the Fogg Art Museum in Harvard. A black-and-white reproduction of a painting by American artist Washington Allston is included, showing a tranquil forested landscape with a mountain in the background and a small waterway in the foreground. The photo caption mentions Allston as one of the prominent figures represented in the exhibit.

2. The second clipping:

   • Includes a black-and-white photograph with three people (their faces blurred).
   • The caption identifies the individuals and explains that they were attending an opening of the American Art at Harvard exhibit at the Fogg Museum.
   • It notes the event as a benefit for Radcliffe Scholarships, sponsored by the Radcliffe Club of Boston, and also mentions the exhibit ran through June 18.

The combined imagery suggests a focus on preserving events related to the art exhibition at Harvard, emphasizing its cultural significance and noteworthy attendees.

A vintage scrapbook-style page with newspaper clippings about American art at Harvard (dated April 1972).

• The left side features a long column titled “American Art at Harvard” by William G. Dooley, under the header “Little Known Works.” It discusses American landscape painting and the Hudson River School in Harvard’s collections.
• In the top right is a black-and-white photo of a landscape painting, with a caption referring to Washington Allston and calling it a “Cambridgeport Old Master.”
• Below, there’s another photo showing a small group of people in a museum gallery, standing with sculptures and portraits. The caption notes the people (including Louise Perry and others) at the Fogg Museum opening of the American Art in the Harvard Collections, with dates noted (April 28, 1972; The Gazette).

Overall, it’s a collage of clippings highlighting Harvard’s lesser-known American art and a few accompanying images.