Archives Scrapbooks

The image is a page from a newspaper, specifically the Cambridge Chronicle, dated Thursday, April 20, 1972. The main article on the page is titled "Little Known Works - American Art at Harvard" and is written by William G. Dooley. The article discusses an exhibition of American landscape paintings at the Fogg Art Museum, Harvard University. It highlights three works by artists Washington Allston, Edward Hicks, and Fitz Hugh Lane, which are rarely seen or known. The exhibition aims to showcase these lesser-known pieces from the museum's collection.

Additionally, there is a smaller article titled "Cambridgeport Old Master," which mentions Washington Allston's classical landscape painting "The Rising Moon" from 1843. This painting is noted as one of the finest American artworks of its time and is part of the exhibition.

The page also includes a photograph showing Louise E. Winslow, Robert H. Harwood, Dr. Joseph Merriman, and Virginia Aldrich looking over exhibits at the Fogg Art Museum. The caption mentions that the exhibition is a benefit for Radcliffe Scholarships and will run until June 18.

There are also some smaller clippings attached to the page, including one about an exhibition at the Peabody Museum and another about a zoology event. The page appears to be part of a scrapbook or collection, as indicated by the handwritten note "April 26, 1972 Fogg Gallery" and the number "7" in the top right corner.

The image shows a newspaper page from the Cambridge Chronicle dated Thursday, April 20, 1972. The main article on the page is titled "American Art at Harvard" by William G. Dooley. The article discusses an exhibition at the Fogg Art Museum, which features American art, including pieces by Gilbert Stuart, John Singleton Copley, Washington Allston, and others. The exhibition also includes works by less prominent artists such as those from the Harvard community. The article mentions notable pieces like a portrait by John Singer Sargent and works by John Quidley, Edward Hopper, and Charles Burchfield. Additionally, the article highlights the historical significance of the art pieces and the role of the Fogg Art Museum in preserving and displaying them.

Another smaller article on the same page, titled "CAMBRIDGEPORT: OLD MASTER," discusses Washington Allston's painting, which was once displayed at the Fogg Art Museum and is now part of an exhibition at the Wadsworth Atheneum in Hartford. The article provides context about Allston's life and career, mentioning his birth in Washington, Connecticut, and his education at Harvard.

The page also includes a photograph with the caption "Louise Perry (Mrs. Robert) Harwood, Dr. Joseph Merrill and Virginia Aldrich look over exhibits at the Fogg Museum opening of American Art in the Harvard Collections Tuesday evening. The opening was a benefit for Radcliffe Scholarships and was sponsored by the Radcliffe Club of Boston. The exhibit will remain up through June 18." The photograph shows three individuals observing the art exhibits. There is also an attached note or clipping at the bottom right corner of the page, dated April 28, 1972, from The Gazette.

The image is a page from the Cambridge Chronicle newspaper dated April 20, 1972. The article is titled "Little Known Works: American Art at Harvard" by William G. Dooley.

Key points from the article include:

1. Exhibition Overview:

   • The article discusses an exhibition titled "American Art at Harvard" at the Harvard Art Museum, showcasing a variety of works rarely seen elsewhere.
   • It covers both historical and contemporary art pieces.

2. Artistic Focus:

   • The exhibition includes works by notable American artists, both from the 17th and 18th centuries and more modern artists.
   • It features landscape paintings, allegorical subjects, and portraits.

3. Notable Artists and Pieces:

   • Highlights include paintings by John Singleton Copley, such as "Paul Revere" and "The Boy with the Sling."
   • Other artists mentioned include Winslow Homer, Edward Hicks, Charles Burchfield, Fitzhugh Lane, and Washington Allston.
   • The article mentions a piece by John Singleton Copley, "Washington Alston," which is part of the exhibition.

4. Additional Historical Context:

   • It notes that the works are from the Fogg Art Museum’s collections and other Harvard departments.
   • The article also mentions the historical significance of the artworks, such as the Van Dyck portrait and the extensive works by Boston artists.

5. Exhibition Details:

   • The exhibition is described as being curated by a professor, with a specific focus on the advanced American art of the period.
   • It includes a timeline of the artist's life, from 1779 to 1843, and their studio in Cambridgeport.

6. Additional Clippings:

   • There are smaller newspaper clippings included within the article, highlighting events and figures related to the opening of the exhibition, such as a benefit for Radcliffe Scholarships.

The newspaper page includes photographs of the exhibition's opening and a group photo of some attendees, providing visual context to the article's content.

The image is a page from the "Cambridge Chronicle" dated Thursday, April 20, 1972. The main article is titled "Little Known Works: American Art at Harvard" by William G. Dooley. The article discusses an exhibition of American art at Harvard, focusing on lesser-known works.

Key points from the article include:

• The Foggy Art Museum at Harvard has an extensive collection of American art, which is not always displayed.
• The exhibition features works from the museum's collection, including paintings from the 1770s to the 19th century.
• About half of the works are from the Foggy Art Museum's own collection, and the rest are on loan from other institutions.
• Notable artists mentioned include Winslow Homer, Edward Hopper, Charles Burchfield, Fitzhugh Lane, and Washington Allston.
• The article highlights the significance of the artworks and their historical context, such as Washington Allston's time in Cambridgeport and his studio near what is now 13 Magazine Street.
• The exhibition includes landscapes, portraits, and allegorical subjects.

Additionally, there are two smaller articles and images clipped into the page:

1. An article from "The Gazette" dated April 28, 1972, which mentions an exhibit opening at the Fog Museum, including a photograph of three people (Louise Perry, Dr. Joseph Merriman, and Virginia Aldrich).
2. A smaller section discussing the exhibition of Washington Allston's work, which includes a classical landscape painting and notes that the exhibition runs from April 18 to June 18, with an opening reception on April 28.

The overall theme of the page is the celebration and promotion of American art housed at Harvard University.

The image is a page from the Cambridge Chronicle dated Thursday, April 20, 1972. The main article on the page is titled "Little Known Works of American Art at Harvard" and is written by William G. Dooley.

Here is a detailed summary of the article and the additional content on the page:

1. Main Article: "Little Known Works of American Art at Harvard"

   • The article discusses a collection of American art at Harvard University, focusing on works that are not commonly displayed.
   • The collection includes various types of art, such as paintings, prints, and drawings, spanning from the 17th to the 19th century.
   • Notable works mentioned include a 17th-century portrait of a doctor, John Trumbull’s painting of the signing of the Declaration of Independence, and works by artists such as John Singleton Copley, Edward Hicks, and Washington Allston.
   • The article highlights the university's extensive collection of American art, which includes pieces from the Harvard Art Museums, Houghton Library, and other parts of the university.

2. Sub-Headings and Specific Points:

   • The collection is described as a "cross section of our art in this country."
   • The article mentions that about half of the works are from the Foggs' collection, which includes paintings by notable artists such as Edward Hicks, Charles Burchfield, and others.
   • Washington Allston's work is highlighted as an example of a prominent American artist who lived in Cambridgeport and had a studio nearby.
   • The article discusses the historical significance of these works, noting that they represent a variety of artistic styles and periods.

3. Images:

   • There are three images on the page:
     • A black-and-white landscape painting by Washington Allston.
     • A black-and-white photograph of Louise Perry (Mrs. Robert Harwood), Dr. Joseph Merriman, and Virginia Aldrich, who are looking at exhibits at the opening of the American Art at Harvard exhibition.
     • A newspaper clipping from The Gazette dated April 28, 1972, which mentions the same exhibition, highlighting the opening event and the significance of the artworks.

4. Additional Information:

   • The Cambridge Chronicle article notes that the exhibition is an extensive run from April 18 to June 18, and it is open to the public.
   • The article provides context about the historical significance of the artists and their contributions to American art.

Overall, the page provides a detailed look into an exhibition of lesser-known American artworks at Harvard University, highlighting the historical and artistic significance of the collection.

This image is a page from the Cambridge Chronicle newspaper dated Thursday, April 20, 1972. It features an article titled "Little Known Works: American Art at Harvard" by William C. Dooley.

Main Article:

Title: Little Known Works: American Art at Harvard

Content:
The article discusses the extensive collection of American art at Harvard University, which includes a wide range of works from the Colonial period to the 20th century. Despite the university's reputation for having a strong focus on other areas of study, it holds a significant amount of American art.

• Early Works: The article mentions that the collection includes works from the 17th century, such as portraits by an unidentified artist from the Smibert circle.
• 18th Century: It highlights the works of notable artists like John Singleton Copley and Charles Willson Peale.
• 19th Century: The article points out the presence of works by artists such as Washington Allston, Fitz Hugh Lane, and Winslow Homer. It also mentions a large collection of watercolors and drawings by various artists.
• 20th Century: The article references modern works, including pieces by John Singer Sargent and other contemporary artists.

The author notes that the collection is generally not well-known, even among the university community. Harvard has never organized a major exhibition of its American art, and many of the works are stored away in various locations, not on public display.

Secondary Article:

Title: CAMBRIDGEPORT OLD MASTER

Content:
This smaller article highlights an exhibition at the Fogg Art Museum featuring the work of Washington Allston, an American artist known for his classical landscapes. The exhibition, titled "Washington Allston's Classical Landscape in America: Art from the Harvard Collections," includes paintings from his time in Cambridgeport (1779-1843).

• Exhibition Details: The exhibition was open from Saturday, April 8, to Sunday, June 18, and showcased Allston’s studies and completed works.
• Opening Event: The article describes the opening, which included a benefit for Radcliffe Scholarships sponsored by the Radcliffe Club of Boston. Dr. Joseph M. Merrion and Virginia Aldrich spoke at the event.

Images:

1. Top Image: A landscape painting, likely by Washington Allston, depicting a serene, pastoral scene.
2. Bottom Image: A photograph of four individuals (Louise Perry, Dr. Robert H. Harwood, Dr. Joseph Merrion, and Virginia Aldrich) looking over the exhibits at the Fogg Museum.

The page captures both historical and cultural aspects of American art collections and exhibitions at Harvard during that time.

The image shows a scrapbook page featuring two newspaper clippings related to American art at Harvard.

1. The first clipping, dated Thursday, April 20, 1972, is from the Cambridge Chronicle and is titled "Little Known Works - American Art at Harvard" by William G. Dooley. The article discusses an exhibition at the Fogg Art Museum that displays various works of American art, including early paintings, allegorical subjects, and landscape art, highlighting artists like Benjamin Rowland, Hudson River School painters, and others. It mentions the importance of the exhibition and the rarity of such works being publicly shown. There is also a black-and-white image accompanying the article, captioned: "CAMBRIDGEPORT OLD MASTER: Washington Allston's classical landscape in an exhibition at Fogg Art Museum 'American Art at Harvard' through June 18. Most famous American artist of his time, 1779 - 1843, Allston had a studio in Cambridgeport near what is now 13 Magazine St."

2. The second clipping is dated April 28, 1972, from The Gazette. It features a black-and-white photograph of four individuals (three women and one man, with their faces blurred or obscured) examining art exhibits at the Fogg Museum. The caption reads: "Louise Perry (Mrs. Robert) Harwood, Dr. Joseph Merriam and Virginia Aldrich look over exhibits at the Fogg Museum opening of American Art in the Harvard Collections Tuesday evening. The opening was a benefit for Radcliffe Scholarships and was sponsored by the Radcliffe Club of Boston. The exhibit will remain up through June 18."

The scrapbook page is mounted on a plain gray background, with the clippings neatly placed and a small cut-out date piece beside the second clipping.

The image shows a newspaper or magazine page dated Thursday, April 20, 1972, that includes text and images. Part of the page is dedicated to an article titled "Little Known Works American Art at Harvard," written by William G. Dooley. The article discusses various artworks and exhibitions, mentioning American artists and the historical context of their work. The page also showcases a section of the 'Cambridge Chronicle' which appears to be discussing a historic landscape by Washington Allston.

Additionally, there is a photograph below the article depicting three people closely observing several framed works of art on an easel. They are likely at a gallery or exhibition, considering the context provided by the article above, which seems to be associated with the opening of an exhibit at the Fogg Museum at Harvard. The accompanying caption mentions the names of the individuals in the photo and indicates that they are looking over entries at the opening. It is noted that the exhibit was presented by the Hadassah Club of Boston and would remain up through June 18.

The presentation style, font, and layout of the page suggest documentation characteristic of newspaper archives from the early 1970s.

The image shows a page from a newspaper or magazine titled "Cambridge Chronicle", dated Thursday, April 20, 1972. The page features an article titled "Little Known Works: American Art at Harvard", written by William G. Dooley. The article discusses an exhibition of American art at Harvard, highlighting lesser-known works from the university's collection.

Visual Elements:

1. Headline and Subheading:

   • The main headline is "Little Known Works: American Art at Harvard", emphasizing the focus on lesser-known American art pieces.
   • The byline indicates the author, William G. Dooley.

2. Article Content:

   • The article provides details about the exhibition, including its scope, notable artists, and historical significance.
   • It mentions various artists and their works, such as Albert Bierstadt, Charles Homer, Edward Windsor Homer, Washington Alston, and others.
   • The text discusses the diversity of the collection, ranging from landscapes to portraits, and highlights the historical and cultural value of the pieces.

3. Photograph:

   • A black-and-white photograph is positioned on the right side of the page.
   • The photo shows three individuals—Louise Perry (Mrs. Robert) Harwood, Joseph Merriam, and Virginia Aldrich—standing in front of an art exhibit.
   • They appear to be observing or discussing the artwork, with one person holding a white object, possibly a brochure or catalog.

4. Caption:

   • Below the photograph, there is a caption that reads:

     "Louise Perry (Mrs. Robert) Harwood, Joseph Merriam and Virginia Aldrich look over exhibits at the Fogg Museum opening of American Art in the Harvard Collections 'American Art at Harvard' through June 18. Most famous artist here is the visual of the exhibition in the Fogg Collections."

   • The caption provides context about the event, noting that the exhibition was part of a benefit for Radcliffe Scholarships and was sponsored by the Radcliffe Club of Boston. It also mentions that the exhibit would remain open through June 18.

5. Additional Text Box:

   • In the bottom right corner, there is a small text box with the date "April 28, 1972" and the source "The Gazette", likely indicating a related or follow-up article or announcement.

6. Design and Layout:

   • The page has a classic newspaper layout with clear typography and structured sections.
   • The article is accompanied by a small photograph and a caption, enhancing the visual appeal and providing context.

Overall Impression:

The page conveys a sense of cultural and historical interest, focusing on an art exhibition at Harvard that showcases lesser-known American artworks. The inclusion of a photograph of attendees adds a personal and contemporary touch, illustrating the event's relevance and engagement with the public. The layout and design are typical of a newspaper or magazine from the early 1970s.

A newspaper clipping is on top of a brown sheet of paper. The clipping has a title, "American Art at Harvard," and a date, "Thursday, April 20, 1972," on the top left. It also has a photo of a painting with a caption on the right. Below it is a photo of three people, and on the right is a caption that reads "Cambridge Chronicle."