Archives Scrapbooks

The image is a photograph of a page from "The Harvard Independent," dated April 27, 1972. The page is divided into two main sections. On the left side, there is an article with the headline "Just Hanging Around" by Phil Gabrielli, discussing an exhibition at the Fogg Art Museum. The article mentions various paintings on display, including a portrait by George Catlin titled "Wan-ee-ton." Below the article is an illustration of a Native American figure, captioned as George Catlin's "Wan-ee-ton."

On the right side, there is another article titled "Photo Art" by C.R. Wasserman, with a subheading "Fogg show traces US imagery." This article appears to be a review or commentary on an exhibition at the Fogg, discussing various photographic works and providing a critical analysis of the exhibition. Accompanying the text are two black-and-white photographs, one of which is a close-up of a photograph by Bruce Davidson titled "Wales, circa 1968," and the other is a landscape photograph.

At the bottom of the page, there is a list of upcoming exhibitions, including ones at the Carpenter Center, Countway Library, Harvard-Yenching Library, and Houghton Library. The page appears to be from a newspaper or magazine, and it is labeled as page 12 of the publication.

This image shows an open book or magazine with a clipping from "The Harvard Independent," dated April 27, 1972, pasted on page 12. The clipping features an article titled "Just Hanging Around" by Phil Gabrielli, discussing an exhibition at the Fogg Museum. The article mentions various artworks and artists, including a drawing by George Catlin titled "Wan-ee-ton," which is illustrated at the top of the page.

On the right side of the page, there is another article titled "Fogg show traces US imagery" by C.R. Wasserman. This article discusses a photography exhibition at the Fogg Museum, featuring works by various photographers and highlighting the range of photographic skills on display. There are two black-and-white photographs accompanying this article, one of which is labeled "Two Modes in Focus," comparing works by Bruce Davidson and Edward Weston.

At the bottom of the right page, there is a section listing various exhibitions at different locations, including the Carpenter Center, Countway Library, Fogg Art Museum, Harvard-Yenching Library, and Houghton Library, with details about the exhibits and their durations. The publication date of the Gazette is noted as 4/21/72.

This image shows an open page of a vintage newspaper, specifically The Harvard Independent, dated April 27, 1972 (Page 12). The page is filled with articles and illustrations about art exhibitions at Harvard University, primarily centered around the Fogg Art Museum.

The layout is a classic newspaper style, with multiple columns and black-and-white photographs and drawings. The paper shows signs of age, with yellowed pages and slight discoloration on the edges.

Here’s a breakdown of the main content:

Main Headline: “Just Hanging Around”

By Phil Gabrielli, this is the lead article reviewing the exhibitions at the Fogg Art Museum. It discusses the diverse and sometimes eclectic nature of the artworks on display, ranging from American painters like George Catlin (whose dramatic drawing of a Native American figure, “Wan-ee-ton,” is featured prominently) to the “sophisticated and emotional distortions” of the Third Reich’s “deviant” artists.

The article highlights:

• George Catlin’s “Wan-ee-ton” — described as one of several works by American painters now on display.
• The Busch-Reisinger exhibition, featuring artists like Erich Heckel.
• Portraits by Copley and Stuart, and whimsical works like Iribe’s “gold hares.”
• The Namburg room, displaying contemporary drippings by Louis and Pollock.
• An exhibition of French designer Souchi at Baker Library.

Right Column Articles:

1. “Fogg show traces US imagery” by G.R. Wasserman (from the Globe, May 7, 1972).

   • Focuses on Davis Pratt’s efforts to curate American photography and painting at the Fogg.
   • Mentions Edward Weston’s “Dune at Oceana, 1936” and Bruce Davidson’s “Wales, circa 1968” — a “TWO MODES IN FOCUS” comparison.
   • Features two illustrations: one of a reclining nude (“Dune at Oceana”) and one of a group of people in a landscape (“Wales”).
   • Discusses the “documentary” vs. “personal” modes in American art and the influence of photographers like Frank, Weston, and O’Sullivan.

2. “Exhibitions” Box (Gazette, 4/21/72):
   A brief list of current exhibits across Harvard’s art spaces:

   • Carpenter Center: Transformation, visiting artists.
   • Lobby: Lunar Transformations: Serigraphs.
   • Counterway Library: Lower E. Harvard’s Contribution to Tropical Medicine.
   • Fogg Art Museum: Galleries featuring Ming Painting, Media of Drawings, American Art.
   • Harvard-Yenching Library: Woodcuts of the Ming Dynasty.
   • Houghton Library: Bertholon, Beardsley, and Rothenstein collections.

Visuals:

• A large, detailed black-and-white drawing of George Catlin’s “Wan-ee-ton” dominates the upper left — a Native American man standing with dramatic feathered headdress and fringed garments.
• Two smaller black-and-white photographs appear in the right column: one of a desert landscape with dunes (Weston’s “Dune at Oceana”), and one of a group of people outdoors (Davidson’s “Wales”).

Overall Tone & Context:

The page captures a moment in 1972 when Harvard’s art institutions were engaged in lively, sometimes provocative, exhibitions — from historical American art to European modernism and photography. The critiques and descriptions reflect a blend of scholarly analysis and accessible cultural commentary, aimed at a student and local audience.

This page serves as a historical snapshot of art criticism, museum curation, and campus culture at Harvard in the early 1970s.

The image depicts a spread from a newspaper or magazine, specifically from The Harvard Independent, dated April 27, 1972. The spread includes multiple articles and advertisements, with the primary focus on art exhibitions and events.

Left Page

1. Main Article: "Just Hanging Around" by Phil Gabrielli

   • The article discusses an exhibition of American paintings at Fogg Art Museum.
   • Notable artists mentioned include Copley, Thomas Sully, Hiram Powers, Joseph Badger, Innes, and Pollock.
   • Specific works highlighted are Copley's portraits, Thomas Sully's busts, Hiram Powers' "Greek Slave," Joseph Badger's gold hazes, Innes' wall lunettes, and Pollock's large portraits.
   • The article also mentions an exhibition of French Expressionist works by Soutine and other artists.

2. Image

   • An illustration of a Native American figure in traditional attire is included, possibly referencing an artwork in the exhibition or as a thematic element.

Right Page

1. Main Article: "Fogg show traces US imagery"

   • This article delves into the themes and historical context of the exhibition at the Fogg Art Museum.
   • It mentions the efforts of David Pratt, a Harvard alumnus, in collecting American art.
   • Discusses the exhibition's focus on the evolution of American imagery and its representation in various mediums.

2. Sub-Article: "TWO MODES IN FOCUS"

   • Highlights the work of Bruce Davidson, focusing on his photographic series "Wales, 1968" and "Dune, 1969."
   • Describes Davidson's photographic skills and the thematic elements in his work.

3. Image

   • An illustration or photograph of a group of people, possibly referencing a work in the exhibition or a thematic representation.

Advertisements and Additional Content

• Various smaller articles and advertisements are interspersed throughout the spread, including announcements for other exhibitions, library events, and general news snippets.
• The layout is typical of a newspaper or magazine, with columns of text, headlines, and images strategically placed to draw the reader's attention.

Analysis

The spread is rich in content, focusing primarily on art exhibitions and their cultural and historical significance. The articles provide detailed insights into the artworks on display, the artists involved, and the thematic elements of the exhibitions. The inclusion of images and illustrations enhances the reader's understanding and engagement with the subject matter. The advertisements and additional content contribute to the overall context, offering a glimpse into the broader cultural and academic environment of the time.

The image shows a spread from a newspaper or magazine, dated April 27, 1972. The left page features an article titled "Just Hanging Around" by Phil Gabrielli, which discusses an exhibition of American paintings at Harvard University. The article includes descriptions of various artworks, such as "Convalesence of a Woman" by Souchou and "The Indian" by Erich Heckel. The right page contains an article titled "Fogg show traces US imagery" by G. R. Wasserman, discussing an exhibition at the Fogg Museum at Harvard, featuring works by Bruce Davidson and Edward Weston. The image also includes illustrations and diagrams related to the articles.

The image shows an open book or magazine, likely a publication titled The Harvard Independent, dated April 27, 1972. The visible pages are from Page 12 and the adjacent page, which includes various articles and illustrations.

Left Page (Page 12):

• Title: "Just Hanging Around" by Phil Gabrielli.
• Content: This article discusses an exhibition at the Fogg Art Museum, highlighting the display of American art. It mentions the Fogg's collection, which includes works by notable artists such as George Catlin, Thomas Sully, and others. The article describes the presentation of these works, noting their placement in galleries and the overall atmosphere of the exhibition.
• Illustration: A black-and-white sketch or drawing of an Indigenous person, presumably representing an artwork by George Catlin titled "Wan-e-ton," is prominently featured at the top of the page. The caption below the illustration reads: "George Catlin's 'Wan-e-ton,' one of several works by American Painters now on display at the Fogg. Photo: Fogg Art Museum."

Right Page:

• Title: "Fogg show traces US imagery" by C. R. Wasserman.
• Content: This article reviews an exhibition at the Fogg Art Museum, focusing on the representation of American imagery in photography and other visual arts. It discusses the work of photographers such as Bruce Davidson, whose exhibition contrasts two modes of focus: intimate, personal photographs and broader, documentary-style works. The article also touches on the evolution of American art and its documentation through photography.
• Illustrations:
  • A small photograph or illustration of a group of people, possibly depicting a scene from one of the exhibitions or artworks discussed.
  • Text and subheadings such as "TWO MODES IN FOCUS" and "Exhibitions" are visible, indicating sections or topics covered in the article.

General Observations:

• The publication appears to be a student or academic journal, given its format and content, which includes art reviews, exhibition coverage, and commentary on cultural events.
• The design is simple, with a mix of text and illustrations, typical of a magazine or newsletter format from the early 1970s.
• The article on the left page emphasizes the Fogg Art Museum's role in showcasing American art, while the article on the right provides a deeper analysis of photographic representation in American culture.

Overall, the image captures a snapshot of art criticism and cultural commentary from 1972, focusing on the Fogg Art Museum's exhibitions and the broader themes of American imagery in visual arts.

This image shows an open newspaper, "The Harvard Independent," dated April 27, 1972. The left page headline reads "Just Hanging Around" by Phil Gabrielli. It is about an exhibition at the Fogg museum which contains works of American art, including a drawing of a Native American figure. This page also has a small illustration of a Native American figure, titled "George Catlin's "Wa-an-a-ton,' one of several works by American Painters now on display at the Fogg." The article discusses various paintings and their presumptive historic value.

The right page features two columns with articles and a section titled "Exhibitions" that lists upcoming events, mentioning locations such as Busch-Reisinger Museum, Fogg Art Museum, and others. One of the articles on the right column touches on American imagery in photography, while the bottom of the page seems to contain information about events at different venues and notes relevant to the museum or art exhibits. There's also a reference number or note "Gazette 4/21/72" at the bottom of the right column, possibly indicating a source or publication reference.

The image shows an open scrapbook or album with two newspaper and magazine clippings mounted on adjacent pages.

The left page features a clipping from "The Harvard Independent" dated April 27, 1972, titled "Just Hanging Around" by Phil Gabrielli. It discusses an art exhibition at the Fogg Museum, focusing on American painters and their works on display. There is also a black-and-white illustration of a Native American figure wearing a traditional feathered headdress and a long blanket or robe. The caption under the illustration reads: "George Catlin’s ‘Wan-ee-ton,’ one of several works by American Painters now on display at the Fogg. Photo: Fogg Art Museum."

The right page contains two smaller clippings. The top clipping titled "Fogg show traces US imagery" describes Davis Pratt's photographic efforts at Harvard and the Fogg Museum, focusing on American art and photography, with black-and-white photos including one of two horses and riders and another landscape image. It is dated May 7, 1972. Below this is a list of exhibitions taking place at various Harvard locations, with titles, dates, and brief descriptions.

Overall, the scrapbook pages document historical art exhibitions and related events at Harvard University in the early 1970s.

This image depicts a page from a scrapbook, possibly showcasing clippings from magazines or newspapers. It primarily revolves around art exhibitions and events.

Content Breakdown:

1. Main Section ("Just Hanging Around")

   • An article from "The Harvard Independent" dated April 27, 1972, discussing an art exhibition at the Fogg Art Museum.
   • The central feature is a portrait titled "Was-se-ton" by George Catlin, an American painter, showing an Indigenous figure adorned with a feather headdress and traditional attire.
   • The article addresses the exhibition's highlights, including portraits by prominent artists like Copley, Stuart, and Sargent, as well as various other art pieces spanning centuries.

2. Adjacent Column ("Fogg Show Traces US Imagery")

   • Another article detailing efforts to outline the evolution of photographic art in America, citing a voluntary-base photographic collection.
   • Two images accompany the article: one titled "Two Modes in Focus" depicts a couple of photographs on show at the art museum.

3. Exhibition Listings

   • A smaller section lists exhibitions underway or upcoming, including Carpenter Center exhibitions, works from French scenic painters, and works of Joseph Mallord William Turner.

4. Handwritten Note

   • A handwritten notation references a date: May 7, 1972, seemingly connected to the "Globe" article titled "Fogg show traces US imagery."

The visual layout appears historical, documenting articles of interest for archival or personal reference.

A page from a vintage scrapbook or notebook filled with newspaper clippings about a 1972 Fogg Art Museum show.

• Left side: A large illustration of a Native American figure wearing a feathered headdress. The headline reads “Just Hanging Around” with a byline by Phil Gabrielli. The caption mentions George Catlin’s work and notes it’s on display at the Fogg.

• Right side: A clipping headlined “Fogg show traces US imagery” with a small photo and several columns of text about the exhibition. At the top there’s a note giving photo credit to C.R. Wasserman (Globe, 7 May 72). There are additional small images and an “Exhibitions” section toward the bottom. The clipping appears to be from papers dated around April–May 1972.

The pages are aged brown and pasted into a bound book.