Archives Scrapbooks

The image is of a page from a newspaper, specifically "The Harvard Independent," dated April 27, 1972. The page features several articles and images related to art exhibitions and reviews. Here is a detailed summary of the content:

1. Article: "Just Hanging Around" by Phil Gabrielli

   • This article discusses an exhibition at the Fogg Art Museum featuring American paintings. The author notes that the exhibition has been mounted quickly and includes a variety of works from different places around the university.
   • Highlights include works by George Catlin, Thomas Sully, and Joseph Badger. The exhibition features portraits, landscapes, and still life paintings.
   • The author mentions that the exhibition is somewhat unremarkable but includes a few noteworthy pieces, such as a portrait by John Singleton Copley and a landscape by Fitz Hugh Lane.

2. Article: "Fogg show traces US imagery" by C.H. Wasserman

   • This article reviews a photography exhibition at the Fogg Museum, curated by Davis Pratt, which focuses on American photography from the 19th century.
   • The exhibition includes works by notable photographers such as Mathew Brady, William Henry Jackson, and Timothy O'Sullivan.
   • The reviewer notes the historical significance of the photographs and their role in documenting American life and landscapes.

3. Article: "Two Modes in Focus"

   • This article discusses two photography exhibitions: "Photographs by Edward Weston" at the Carpenter Center and "The Photographer's Eye" at the Fogg Art Museum.
   • The reviewer compares the styles of the two exhibitions, highlighting Weston's focus on natural forms and the more documentary approach of "The Photographer's Eye."

4. Exhibitions Listing

   • A section lists various exhibitions happening around Harvard, including:
     • "Transformations: Work of Faculty and Students" at the Carpenter Center.
     • "Serigraphs: Graphic Interpretations of the Moon's Surface" at the Gutman Library.
     • "A Photographer's Contribution to Tropical Medicine" at the Countway Library.
     • "American Painting during the Region of George III and Assignments, 1760-1780" at the Fogg Art Museum.
     • "The Mills of Lowell: Drawings by Robert G. Neill" at the Harvard Business School.

The page also includes images related to the articles, such as a portrait of an American Indian by George Catlin and photographs from the exhibitions being reviewed.

The image is a page from "The Harvard Independent," dated April 27, 1972. It features two main articles related to art exhibitions at the Fogg Art Museum.

1. Main Article: "Just Hanging Around" by Phil Gabrielli

   • The article discusses an exhibition at the Fogg Art Museum which opened just before the article was published.
   • The exhibition includes works by American painters, including George Catlin's "Wan-een-ton."
   • The article mentions the historical context and the variety of styles and periods represented in the exhibition, such as Ming Dynasty ceramics, and paintings by artists like Thomas Sully and Hiram Powers.
   • Notable pieces include a portrait of Joseph Badger by Gilbert Stuart and a portrait of the cross-eyed Rev. Whitefield by John Singleton Copley.
   • The article also highlights the work of Bruce Davidson, who has documented the "ruins" of American cities, and mentions other significant works like "Convalescence of a Woman" by Winslow Homer and "The Old Violinist" by Edward Hopper.

2. Photo Art Section: "Fogg show traces US imagery" by C. R. Wasserman

   • This section discusses an exhibition that includes various forms of American imagery, such as photographs and prints, which trace the development of American art.
   • It highlights the work of Davis Pratt and Edward Weston, among others, and mentions the juxtaposition of different artistic modes, such as the documentary and the abstract.
   • The article describes how the exhibition, titled "Two Modes in Focus," contrasts the works of Bruce Davidson and Edward Weston, among others, and how these contrasting styles reflect different aspects of American culture.

Additionally, there are smaller sections listing other exhibitions and events at the Fogg Art Museum and other Harvard libraries, such as the Carpenter Center, the Peabody Museum, the Harvard-Yenching Library, and the Houghton Library. The smaller exhibitions include works by artists like John Singleton Copley and Robert Peary.

The page also includes a newspaper clipping from the "Gazette" dated April 21, 1972, providing additional context or related news about the exhibitions.

The image shows a newspaper page from The Harvard Independent dated April 27, 1972. The page primarily focuses on art exhibitions at Harvard University's Fogg Art Museum.

The main article, titled "Just Hanging Around," by Phil Gabrielli, discusses an exhibition featuring works by various American painters. It highlights a selection of notable pieces, including George Catlin's "Wan-ee-ton" and a variety of other artworks that are part of the museum's holdings.

On the right side of the page, there is an article titled "Fogg show traces US imagery" by C.R. Wasserman, Globe. It describes a couple of exhibitions at the Fogg Art Museum:

1. Davis Pratt's "Considerable Fruit" which explores photography and its representation in the American art context.
2. Two modes in focus: Bruce Davidson's "Wales, circa 1968" and Edward Weston's "Nude" from the 1930s, juxtaposed to show a contrast between documentary and portrait photography.

There is also a section titled "Exhibitions" listing various events and exhibitions happening at different Harvard libraries and museums, including:

• Carpenter Center Exhibition Hall: "Transformations"
• Lobby: Lobby Line Transformations: Serigraphs
• Fogg Art Museum: "The Media of Drawings"
• Harvard-Yenching Library: Words of the Ming Dynasty

The newspaper page is a mix of informative text and illustrations, capturing the essence of the art and cultural activities at Harvard University during that period.

The image is a scanned page from "The Harvard Independent" dated April 27, 1972. The page features several articles and illustrations. The main article on the left, titled "Just Hanging Around" by Phil Gabrielli, discusses an exhibition at the Fogg Museum, which includes works by American painters such as George Catlin, Thomas Eakins, and others. The article includes an illustration of a figure, likely by George Catlin, with a caption describing it as "George Catlin's 'Wan-e-ton-ga,' one of several works by American Painters now on display at the Fogg."

On the right side, there are two columns of text. The top article, titled "Fogg show traces US imagery," discusses an exhibition of American art at the Fogg Museum, with a focus on the development of American art from colonial times to the present. The article includes two images, one of which is a reproduction of a figure, and the other an illustration of two figures, possibly by Edward Hopper and another artist.

The bottom of the page includes a section titled "Exhibitions," which lists various art exhibitions at different locations, including the Fogg Art Museum, the Buswell Library, and the Harvard-Yenching Library. The page also includes a note at the top right corner, "PHOTO ART / By G. R. Wasserman," possibly indicating the section or the author of the images.

The overall layout of the page is typical of a newspaper, with articles, illustrations, and advertisements, providing a glimpse into the cultural and artistic events at Harvard in 1972.

The image shows two pages from a newspaper, specifically from The Harvard Independent dated April 27, 1972, and the Boston Globe dated May 7, 1972.

Left Page (The Harvard Independent, April 27, 1972):

Article: "Just Hanging Around"

• Author: Phil Gabrieli
• Content:
  • The article discusses an exhibition at the Fogg Art Museum featuring various artworks, notably including George Catlin's "Wan-e-ton," one of several pieces from American painters.
  • The exhibition, which hasn't been mounted in a long time, occupies minimal space in the museum but is considered one of the most interesting displays currently available.
  • The main attraction is a pair of portraits by Charles Bird King and Thomas Sully. These portraits depict Native American figures with vivid colors and intricate details.
  • The exhibition also includes a portrait by Joseph Badger, described as more of a historical curiosity than a masterpiece.
  • Another section of the Fogg’s holdings highlighted is a group of watercolors by Winslow Homer, John La Farge, and others, which are seldom displayed due to their fragility.
  • The article also mentions an exhibition of Soviet-era designs in the nearby Naumburg room, featuring posters that are colorful but propagandistic.

Right Page (Boston Globe, May 7, 1972):

Article: "Fogg show traces US imagery"

• Author: C. R. Wasserman
• Content:
  • The article reviews an exhibition of photography at Harvard's Fogg Art Museum curated by Davis Pratt, focusing on the evolution of American imagery.
  • The exhibition is a retrospective of the past three years and includes around 150 prints, running until June 18.
  • The show is divided into three main sections: one on photography in New England, one on the documentation of American life, and one on experimental photography.
  • The New England section includes works by Walker Evans, while the documentation section features works by Bruce Davidson and others, covering various aspects of American life.
  • The experimental section includes works by artists like Minor White and Aaron Siskind, exploring abstract and innovative photographic techniques.

Column: "Exhibitions"

• Lists several exhibitions around the area:
  • Carpenter Center: Exhibition of facsimiles of 19th-century French art.
  • Fogg Art Museum: Various exhibitions including works on paper and a tribute to Max Beckmann.
  • University Library: Exhibitions focusing on topics such as the transformation of the media surface and the history of Harvard-Yenching Library.
  • Loeb Drama Center: Works by local artists.
  • Museum of Science: Show on the moon's surface.

General Observations:

• The left page is primarily text with one illustration of George Catlin's "Wan-e-ton."
• The right page includes text and images related to the photography exhibition and listings of other exhibitions.
• Both articles emphasize the cultural and historical significance of the exhibitions being discussed.

The image is a page from The Harvard Independent, dated April 27, 1972. The page focuses on an exhibition titled "Just Hanging Around" at the Fogg Art Museum, which features American paintings.

The main article, written by Phil Gabrielli, discusses the collection of American art at the Fogg Museum, highlighting the variety and quality of works on display. It mentions several notable pieces and artists, such as:

• George Catlin's "Wan-eet-on."
• Works by Thomas Sully, Thomas Eakins, Winslow Homer, and Childe Hassam.
• A portrait of the cross-eyed Rev. Whitefield by Joseph Badger.
• Paintings by artists like Edward Hicks, Albert Bierstadt, and Thomas Cole.

The article also discusses the exhibition's layout, noting that some paintings are hung in the galleries due to space constraints, while others are in storage. It mentions that the Fogg's holdings are extensive, with around 175 American works from various periods.

Additionally, there is a smaller article titled "Fogg show traces US imagery" by C.R. Wasserman, which discusses an exhibition at the Fogg Art Museum focusing on American imagery, including works by artists such as Bruce Davidson, Edward Weston, and others. This exhibition explores themes like American landscapes and portraits, highlighting how these artists captured the essence of American life and culture.

There is also an exhibit schedule listing various events and exhibitions happening at different Harvard libraries and museums, including the Carpenter Center, Lobby, and Houghton Library, among others. The schedule provides details on specific artworks and periods featured in these exhibitions.

The image shows an open scrapbook or album with two newspaper and magazine clippings mounted on adjacent pages.

The left page features a clipping from "The Harvard Independent" dated April 27, 1972, titled "Just Hanging Around" by Phil Gabrielli. It discusses an art exhibition at the Fogg Museum, focusing on American painters and their works on display. There is also a black-and-white illustration of a Native American figure wearing a traditional feathered headdress and a long blanket or robe. The caption under the illustration reads: "George Catlin’s ‘Wan-ee-ton,’ one of several works by American Painters now on display at the Fogg. Photo: Fogg Art Museum."

The right page contains two smaller clippings. The top clipping titled "Fogg show traces US imagery" describes Davis Pratt's photographic efforts at Harvard and the Fogg Museum, focusing on American art and photography, with black-and-white photos including one of two horses and riders and another landscape image. It is dated May 7, 1972. Below this is a list of exhibitions taking place at various Harvard locations, with titles, dates, and brief descriptions.

Overall, the scrapbook pages document historical art exhibitions and related events at Harvard University in the early 1970s.

This image shows an open newspaper, "The Harvard Independent," dated April 27, 1972. The left page headline reads "Just Hanging Around" by Phil Gabrielli. It is about an exhibition at the Fogg museum which contains works of American art, including a drawing of a Native American figure. This page also has a small illustration of a Native American figure, titled "George Catlin's "Wa-an-a-ton,' one of several works by American Painters now on display at the Fogg." The article discusses various paintings and their presumptive historic value.

The right page features two columns with articles and a section titled "Exhibitions" that lists upcoming events, mentioning locations such as Busch-Reisinger Museum, Fogg Art Museum, and others. One of the articles on the right column touches on American imagery in photography, while the bottom of the page seems to contain information about events at different venues and notes relevant to the museum or art exhibits. There's also a reference number or note "Gazette 4/21/72" at the bottom of the right column, possibly indicating a source or publication reference.

The image shows an open book or magazine, likely a publication titled The Harvard Independent, dated April 27, 1972. The visible pages are from Page 12 and the adjacent page, which includes various articles and illustrations.

Left Page (Page 12):

• Title: "Just Hanging Around" by Phil Gabrielli.
• Content: This article discusses an exhibition at the Fogg Art Museum, highlighting the display of American art. It mentions the Fogg's collection, which includes works by notable artists such as George Catlin, Thomas Sully, and others. The article describes the presentation of these works, noting their placement in galleries and the overall atmosphere of the exhibition.
• Illustration: A black-and-white sketch or drawing of an Indigenous person, presumably representing an artwork by George Catlin titled "Wan-e-ton," is prominently featured at the top of the page. The caption below the illustration reads: "George Catlin's 'Wan-e-ton,' one of several works by American Painters now on display at the Fogg. Photo: Fogg Art Museum."

Right Page:

• Title: "Fogg show traces US imagery" by C. R. Wasserman.
• Content: This article reviews an exhibition at the Fogg Art Museum, focusing on the representation of American imagery in photography and other visual arts. It discusses the work of photographers such as Bruce Davidson, whose exhibition contrasts two modes of focus: intimate, personal photographs and broader, documentary-style works. The article also touches on the evolution of American art and its documentation through photography.
• Illustrations:
  • A small photograph or illustration of a group of people, possibly depicting a scene from one of the exhibitions or artworks discussed.
  • Text and subheadings such as "TWO MODES IN FOCUS" and "Exhibitions" are visible, indicating sections or topics covered in the article.

General Observations:

• The publication appears to be a student or academic journal, given its format and content, which includes art reviews, exhibition coverage, and commentary on cultural events.
• The design is simple, with a mix of text and illustrations, typical of a magazine or newsletter format from the early 1970s.
• The article on the left page emphasizes the Fogg Art Museum's role in showcasing American art, while the article on the right provides a deeper analysis of photographic representation in American culture.

Overall, the image captures a snapshot of art criticism and cultural commentary from 1972, focusing on the Fogg Art Museum's exhibitions and the broader themes of American imagery in visual arts.

The image depicts a spread from a newspaper or magazine, specifically from The Harvard Independent, dated April 27, 1972. The spread includes multiple articles and advertisements, with the primary focus on art exhibitions and events.

Left Page

1. Main Article: "Just Hanging Around" by Phil Gabrielli

   • The article discusses an exhibition of American paintings at Fogg Art Museum.
   • Notable artists mentioned include Copley, Thomas Sully, Hiram Powers, Joseph Badger, Innes, and Pollock.
   • Specific works highlighted are Copley's portraits, Thomas Sully's busts, Hiram Powers' "Greek Slave," Joseph Badger's gold hazes, Innes' wall lunettes, and Pollock's large portraits.
   • The article also mentions an exhibition of French Expressionist works by Soutine and other artists.

2. Image

   • An illustration of a Native American figure in traditional attire is included, possibly referencing an artwork in the exhibition or as a thematic element.

Right Page

1. Main Article: "Fogg show traces US imagery"

   • This article delves into the themes and historical context of the exhibition at the Fogg Art Museum.
   • It mentions the efforts of David Pratt, a Harvard alumnus, in collecting American art.
   • Discusses the exhibition's focus on the evolution of American imagery and its representation in various mediums.

2. Sub-Article: "TWO MODES IN FOCUS"

   • Highlights the work of Bruce Davidson, focusing on his photographic series "Wales, 1968" and "Dune, 1969."
   • Describes Davidson's photographic skills and the thematic elements in his work.

3. Image

   • An illustration or photograph of a group of people, possibly referencing a work in the exhibition or a thematic representation.

Advertisements and Additional Content

• Various smaller articles and advertisements are interspersed throughout the spread, including announcements for other exhibitions, library events, and general news snippets.
• The layout is typical of a newspaper or magazine, with columns of text, headlines, and images strategically placed to draw the reader's attention.

Analysis

The spread is rich in content, focusing primarily on art exhibitions and their cultural and historical significance. The articles provide detailed insights into the artworks on display, the artists involved, and the thematic elements of the exhibitions. The inclusion of images and illustrations enhances the reader's understanding and engagement with the subject matter. The advertisements and additional content contribute to the overall context, offering a glimpse into the broader cultural and academic environment of the time.