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ARCH.2003.36, Rendition: 805384
The image depicts a page from a publication, specifically from "The Boston Globe" dated Thursday, April 20, 1972. The section is titled "Theater/Arts," and the article is about "American Art at Harvard." The article is attributed to Gerry Clow, a Globe Correspondent. The content discusses an exhibition at Harvard University showcasing American art, emphasizing the university's collection as being both grand and diverse.
The article begins by highlighting the scale and diversity of Harvard's collection, stating that it surpasses any single museum's collection of American art and is comparable to that of prestigious institutions. It mentions that the exhibition lacks a central theme, presenting works that have come to Harvard by chance.
A smaller, inset image is present on the page, featuring a detail from the chalk on canvas work "Ship in a Squall" by Washington Allston (1779-1843). The text accompanying this image notes that this work is part of Harvard's collection and compares its holdings to those of the Museum of Fine Arts in Boston.
The article continues to provide a broader overview and commentary on the exhibition, discussing various aspects of American art and its historical context, including portraits, landscapes, and scenes of early American life. The text is detailed and informative, offering readers insights into the art and cultural significance of the pieces on display.
This image shows a page from The Boston Globe dated Thursday, April 20, 1972. The page is from the "Theater / Arts" section and features an article titled "American Art at Harvard eno," written by Gerry Clow, a Globe Correspondent.
The article discusses an exhibition at Harvard University showcasing its collection of American art, which is described as grander and more diverse than any single museum's collection. The article highlights various artists and their works, mentioning names such as Gilbert Stuart, Edward Savage, the Peale brothers, and others. It also describes different styles and periods of American art on display, from Puritanical portraits to more colorful and sensuous works from later periods.
Central to the page is an image titled "SHIP IN A SQUALL," a detail of a chalk on canvas work by Washington Allston (1779-1843). The artwork is described as part of an exhibit displaying Harvard's U.S. collection, which rivals the holdings of the Museum of Fine Arts, Boston.
The article is accompanied by several paragraphs of text, providing a detailed description of the exhibition and the various artworks on display. The page is neatly cut and taped onto a brown folder, suggesting it has been saved for reference or archival purposes.
This image shows a single page from a printed scrapbook or clipping album. The page is made of a light brown, textured paper and has been bound on the left with visible stitching. Affixed to the page is a newspaper clipping from The Boston Globe, dated Thursday, April 20, 1972.
The clipping is from the "THEATER / ARTS" section and is headed with the title: "American Art at Harvard". The article is written by Gerry Choe, a Globe Correspondent.
The article reviews an exhibition of American art held at Harvard University, describing it as a sprawling, diverse, and somewhat disjointed collection drawn from Harvard’s own extensive holdings, rivaling those of the Museum of Fine Arts, Boston. The reviewer notes that the show lacks a central theme and is arranged by room and period.
The clipping includes a black-and-white photograph of an artwork, which is identified in a caption below as:
"SHIP IN A SQUALL." (detail) a chalk on canvas work by Washington Allston (1779-1843), is part of exhibit displaying Harvard’s US collection…
The main body of the article discusses the evolution of American art as represented in the show — from early, austere portraits by Gilbert Stuart and John Trumbull to more colorful and Romantic landscapes and scenes of American life by artists such as George Bingham and Thomas Cole. Specific works mentioned include the portrait of “Dr. John Clarke” by Joseph Badger and Bierstadt’s 1863 landscape, “Rocky Mountains, Lander’s Peak.”
The overall presentation is archival, with the article carefully pasted onto the page, preserving a record of a cultural event from over 50 years ago. The photograph of the Allston drawing has a soft, sketchy quality, appropriate for a chalk on canvas work.
The image shows a newspaper clipping from "The Boston Globe" dated Thursday, April 20, 1972. The headline reads "THEATER/ARTS," and the article is titled "American Art at Harvard enjoys." The article is written by Gerry Crow and discusses an exhibition of American art at Harvard University.
The text describes the exhibition as a comprehensive collection of American art, surpassing that of any single museum. It highlights the diversity and quality of the collection, which includes works by prominent American artists. The article mentions that the exhibition is a tour de force of Harvard's collector's holdings and acquisitions.
The exhibition is described as a "baffler at first," with no central core or theme. It is a random conglomeration of works that happened to befall Harvard. The article suggests that the exhibition is a testament to the university's commitment to collecting and preserving American art.
The article also mentions specific works and artists featured in the exhibition, including portraits by Washington Allston, works by the Peale brothers, and paintings by artists such as John Singleton Copley and Gilbert Stuart. The exhibition is praised for its comprehensive representation of American art and its ability to showcase the diversity and richness of the genre.
The article concludes by emphasizing the importance of the exhibition in highlighting Harvard's collection of American art and its significance in the broader context of American art history.
The image depicts a section of an old newspaper or magazine, specifically from The Boston Globe, dated Thursday, April 20, 1972. The article is titled "American Art at Harvard" and is written by Gerry Claw, a Globe Correspondent. The article discusses an exhibition at Harvard University that showcases an impressive collection of American art. It highlights the diverse range of artworks, from portraits to landscapes, and mentions notable pieces such as "Ship in a Squall" by Washington Allston and "Rocky Mountains, Lander's Peak" by Thomas Cole. The article also provides historical context, mentioning the exhibition's significance in displaying the evolution of American art over 300 years. The text is presented in a traditional newspaper format, with columns and a mix of body text and smaller print for additional details.
The image shows an open page from a newspaper or magazine, specifically from The Boston Globe, dated Thursday, April 20, 1972. The page is titled "THEATER/ARTS" and features an article titled "American Art at Harvard." The article is authored by Gerry Crow, identified as a Globe Correspondent.
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The image depicts a page from The Boston Globe featuring an article about an exhibition of American art at Harvard University. The article discusses the historical and artistic significance of the collection, highlighting notable artists and works, and includes a visual reference to a specific artwork, "SHIP IN A SQUALL" by Washington Allston. The layout is typical of a newspaper article, with clear headings, subheadings, and accompanying imagery.
The image is a photograph of a newspaper clipping from The Boston Globe dated Thursday, April 20, 1972, under the section titled "THEATER / ARTS." The article is titled "American Art at Harvard" and provides information about an exhibition at Harvard University showcasing its collection of American art, which rivals the holdings of the Museum of Fine Arts in Boston.
The column text explores themes in American art history, mentioning notable works and artists such as Washington Allston. A faint and abstract image labeled "SHIP IN A SQUALL" is visible in the clipping, which is described as a chalk-on-canvas work by Washington Allston, part of the Harvard exhibit. The text in the clipping highlights various styles and periods of American art covered by the exhibition.
The clipping is mounted on a brown or khaki background, and the edges of the paper are slightly irregular, as if cut out for preservation.
The image shows a vintage scrapbook page. A clipping from The Boston Globe, dated Thursday, April 20, 1972, is pasted onto a brown card. The clipping is headed “THEATER/ARTS” with a subheading about “American Art at Harvard …” and is written by Gerry Clow. In the middle of the clipping is a small black-and-white image of a painting, with a caption reading something like “‘SHIP IN A SQUALL’ … a chalk on canvas by Washington Allston … part of the holdings of the Museum of Fine Arts, Boston.” The article is laid out in several newspaper columns around the image. The overall look is aged, with the clipping slightly ragged along the edges.
This is an image of an open book or journal, displaying a page from "The Boston Globe" newspaper dated Thursday, April 20, 1972. The visible page heading reads "THEATER / ARTS", which is followed by a column titled "American Art at Harvard eno[...]". Although the text is partially cut off, it appears to be an article discussing an exhibition of American art at Harvard University, possibly referencing its scope and detailing certain artworks and artists featured.
On the left-hand side of the open page, there is a pasted clipping with a different font, possibly from another source or section, also discussing the exhibition related to American Art at Harvard. The clipping includes mention of artworks such as "Washington at Princeton" and "SHIP IN A SQUALL," the latter being a work by Washington Allston (1779-1843), as described in the text.
The article seems to contextualize the art exhibition within the broad spectrum of American art history and mentions various historical periods, artists, and iconic artworks, giving readers insights into the cultural significance of the exhibition.
The image shows a newspaper clipping titled "American Art at Harvard" from The Boston Globe, dated Thursday, April 20, 1972. The clipping is from the Theater / Arts section and written by Gerry Clow, a Globe Correspondent.
The article discusses an exhibit at Harvard University showcasing its American art collection. It mentions the diversity and magnitude of the collection, highlighting the absence of a central theme but noting works by prominent American portrait artists such as Gilbert Stuart, John Copley, John Trumbull, Charles Willson Peale, and Rembrandt Peale. The article details the styles and subjects of these portraits, including depictions of historical figures like George Washington and others.
There is also a black and white image within the article showing a detail of a chalk on canvas work titled "Ship in a Squall" by Washington Allston (1779-1843), which is part of the exhibition. The article comments on the technical qualities of the work and its contribution to the overall exhibit.
The clipping is glued onto a brown scrapbook page. The text is densely printed in three columns and the layout is typical of newspaper arts sections from the early 1970s.