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The image is a page from "The Boston Globe," dated Thursday, April 29, 1976. The article is titled "American Art at Harvard" and is located in the "Theater/Arts" section of the newspaper. The article is written by George Clowe, the Globe Correspondent.

The article discusses an exhibition of American art at Harvard, which is described as an astonishing collection showcasing more than any one museum's collection. It highlights various gifts and acquisitions, including works from the Museum of Fine Arts, Boston. The article notes that many of the paintings and artworks on display are rarely seen by the public.

The article features a detailed description of a chalk on canvas work titled "Ship in a Squall" by Washington Allston, created in 1804. The work is part of the Fogg Art Museum's collection and is noted for its dramatic depiction of a ship in a stormy sea.

The article also mentions other notable works, including portraits by Gilbert Stuart, such as the famous portrait of George Washington and a portrait of Edward Savage. The exhibition is described as a journey through close to 300 years of American art, featuring works by artists such as John Singleton Copley, John Trumbull, Charles Willson Peale, and others. The article highlights the diversity and richness of the collection, which includes portraits, landscapes, and other genres of American art.

Overall, the article emphasizes the significance and breadth of the American art collection at Harvard, showcasing its historical and artistic importance.

The image shows a newspaper article from The Boston Globe, dated Thursday, April 20, 1972. The article is titled "American Art at Harvard enol" and is written by Gerry Clow, a Globe Correspondent. The article discusses an exhibition at Harvard University titled "American Art," which features a collection of American art from the 17th to the 19th century, including works by Washington Allston, Gilbert Stuart, John Singleton Copley, and John Trumbull. The article includes a black-and-white image of a detail from Washington Allston's painting "Ship in a Squall" (1802), part of Harvard's Fogg Art Museum collection. The text describes the strengths and weaknesses of the exhibition, highlighting the historical significance and artistic quality of the works on display.

The image shows a newspaper clipping from The Boston Globe dated April 20, 1972. The article is titled "American Art at Harvard" and is part of the Theater/Arts section. The article is written by Gerry Clow, a Globe Correspondent.

The article discusses an exhibition titled "American Art" at Harvard University. The show features a diverse collection of American art spanning different periods and styles. The piece highlights the significance of the collection, which includes many pieces that are part of the Museum of Fine Arts, Boston's holdings. The show is described as a tour-de-force, showcasing a range of artworks from different eras and artists.

Key points mentioned in the article include:

1. The exhibition features a variety of artworks from different periods, such as portraits, landscapes, and genre scenes.
2. The show starts with an early American portraitist, Edward Savage, and progresses through different artistic movements.
3. Notable artists and their works are mentioned, such as Gilbert Stuart and John Singleton Copley, whose works are included to provide a comparative look at American art.
4. The article also mentions the inclusion of a famous Washington Allston painting, "Ship in a Squall," which is part of the exhibit.
5. The piece highlights how the journey through the collection can be enjoyable, with a focus on the historical and artistic evolution of American art.

The newspaper page includes a few black-and-white images of the artworks featured in the exhibition, adding visual context to the article.

The image is a page from The Boston Globe newspaper dated Thursday, April 20, 1972. The article is titled "American Art at Harvard enor" (likely "enormous") and is written by Gerry Clow, a Globe Correspondent.

The article discusses an exhibition at Harvard University titled "American Art," which showcases the university's extensive collection of American art. The exhibition is noted for its diverse range of artworks, spanning from colonial times to the mid-19th century, and includes pieces from the Museum of Fine Arts in Boston.

The article highlights various aspects of the collection, such as portraits by Gilbert Stuart and John Singleton Copley, and a chilling portrait of Washington by Charles Willson Peale. It also mentions the variety of styles and themes within the collection, from austere portraits to landscapes, and the inclusion of works by lesser-known artists.

The text mentions specific pieces, such as "Ship in a Squall" by Washington Allston and "The Concealed Valley" by George Bingham, and provides context about the artists and their works. The article emphasizes the rich and varied historical and artistic significance of the collection, which is described as a tour-de-force of Harvard's acquisitions.

Additionally, the page includes an illustration of the artwork "Ship in a Squall," detailing part of the canvas. The article is framed within the context of the exhibition's journey through American art, from the colonial period to the mid-19th century.

The image shows a page from "The Boston Globe" dated Thursday, April 20, 1972, featuring an article titled "American Art at Harvard enol" under the Theater/Arts section. The article, written by Gerry Clow, the Globe Correspondent, discusses an exhibition of American art at Harvard University.

The article begins by highlighting Harvard's extensive collection of American art, which is housed in the Fogg Museum and spans from the colonial period to contemporary times. The exhibit, titled "American Art," showcases a diverse range of artworks, including paintings, sculptures, and other visual art forms.

Key points mentioned in the article include:

• The exhibition features notable works by well-known artists.
• The article describes a specific painting by Washington Allston, titled "Ship in a Squall," as part of the exhibit.
• The show includes portraits of prominent historical figures such as George Washington, showcasing different artistic interpretations and styles.
• The article mentions the variety of artistic techniques and subjects, such as landscapes, portraits, and genre scenes.
• The collection is described as a tour-de-force, with many works that have not been displayed before.
• The article also references the work of other significant artists like Gilbert Stuart, John Singleton Copley, and John Trumbull, highlighting the breadth of the collection.

The article concludes by inviting readers to appreciate the journey through American art history that the exhibit offers. The visual part of the page includes a black-and-white image of a detail from Washington Allston's "Ship in a Squall."

The image is a newspaper clipping from The Boston Globe, dated Thursday, April 20, 1972. It features an article in the "Theater/Arts" section titled "American Art at Harvard."

Article Summary:

The article, written by George Cloyd, discusses the extensive and diverse collection of American art at Harvard University. According to the article:

• Harvard's collection is described as more varied and significant than any other museum's collection of American art, even surpassing the holdings of the Museum of Fine Arts in Boston.
• The term "American Art" is noted for its ambiguity, as it encompasses works spanning various styles and periods that may not have a unifying theme beyond their origin.

Highlights of the Collection:

1. Stuart Portraits:

   • The article highlights Gilbert Stuart's portraits, particularly focusing on the austere and haunting portrayal of George Washington from 1795.
   • Another Stuart portrait mentioned is of Theodore Sedgwick, which shows a different, more polished style.

2. Other Notable Works:

   • The gallery starts with several portraits by anonymous artists and progresses to works by renowned painters such as John Singleton Copley.
   • Works by artists like Winslow Homer, John Singer Sargent, and Edward Hopper are mentioned.
   • There is a significant emphasis on various styles and periods, including a chalk-on-canvas ship drawing by Washington Allston (1779-1843).

3. Unique Pieces:

   • The article describes a detailed chalk drawing of a ship by Allston, part of Harvard's collection, which is noted for its precision and complexity.
   • The exhibit includes a broad range of subjects from portraits and still lifes to landscapes, with pieces by artists like Charles Bulfinch, Charles Peale, and George Bingham.

Overall, the article praises the breadth and depth of Harvard's American art collection, showcasing its diversity and historical significance.

The image shows a newspaper clipping titled "American Art at Harvard" from The Boston Globe, dated Thursday, April 20, 1972. The clipping is from the Theater / Arts section and written by Gerry Clow, a Globe Correspondent.

The article discusses an exhibit at Harvard University showcasing its American art collection. It mentions the diversity and magnitude of the collection, highlighting the absence of a central theme but noting works by prominent American portrait artists such as Gilbert Stuart, John Copley, John Trumbull, Charles Willson Peale, and Rembrandt Peale. The article details the styles and subjects of these portraits, including depictions of historical figures like George Washington and others.

There is also a black and white image within the article showing a detail of a chalk on canvas work titled "Ship in a Squall" by Washington Allston (1779-1843), which is part of the exhibition. The article comments on the technical qualities of the work and its contribution to the overall exhibit.

The clipping is glued onto a brown scrapbook page. The text is densely printed in three columns and the layout is typical of newspaper arts sections from the early 1970s.

This is an image of an open book or journal, displaying a page from "The Boston Globe" newspaper dated Thursday, April 20, 1972. The visible page heading reads "THEATER / ARTS", which is followed by a column titled "American Art at Harvard eno[...]". Although the text is partially cut off, it appears to be an article discussing an exhibition of American art at Harvard University, possibly referencing its scope and detailing certain artworks and artists featured.

On the left-hand side of the open page, there is a pasted clipping with a different font, possibly from another source or section, also discussing the exhibition related to American Art at Harvard. The clipping includes mention of artworks such as "Washington at Princeton" and "SHIP IN A SQUALL," the latter being a work by Washington Allston (1779-1843), as described in the text.

The article seems to contextualize the art exhibition within the broad spectrum of American art history and mentions various historical periods, artists, and iconic artworks, giving readers insights into the cultural significance of the exhibition.

The image shows an open page from a newspaper or magazine, specifically from The Boston Globe, dated Thursday, April 20, 1972. The page is titled "THEATER/ARTS" and features an article titled "American Art at Harvard." The article is authored by Gerry Crow, identified as a Globe Correspondent.

Key Details:

1. Headline and Context:

   • The article discusses an exhibition titled "American Art at Harvard," which is part of Harvard University's collection of American art.
   • The exhibition is described as a "tour-de-force" of Harvard gifts and acquisitions, showcasing the institution's holdings of American art.

2. Content Overview:

   • The article highlights the diversity and significance of the collection, noting that it rivals the holdings of the Museum of Fine Arts in Boston.
   • It emphasizes the historical and artistic value of the works, ranging from portraits and landscapes to genre scenes and wildlife paintings.
   • The exhibition is organized chronologically, covering a broad span of American art from the 17th to the 19th centuries.

3. Exhibition Highlights:

   • The article mentions notable artists and works, including:
     • Gilbert Stuart: Known for his iconic portraits, including those of George Washington.
     • John Trumbull: A prominent painter of historical scenes.
     • John Singleton Copley: A celebrated portraitist.
     • Washington Allston: A painter known for his romantic and dramatic works.
     • George Catlin: Famous for his portraits of Native American tribes.
     • John James Audubon: Renowned for his detailed bird illustrations.
   • The article also references specific artworks, such as "SHIP IN A SQUALL" by Washington Allston (1779–1845), which is part of the exhibition.

4. Visual Elements:

   • There is a small black-and-white photograph at the top left of the article, depicting a detail of a chalk-on-canvas work titled "SHIP IN A SQUALL" by Washington Allston. The caption beneath the image provides context about the artwork and its place in the exhibition.

5. Design and Layout:

   • The page has a classic newspaper layout with clear typography and structured paragraphs.
   • The article is accompanied by a column of text on the right side, which appears to be a continuation or related content, though the text is partially cut off in the image.

Summary:

The image depicts a page from The Boston Globe featuring an article about an exhibition of American art at Harvard University. The article discusses the historical and artistic significance of the collection, highlighting notable artists and works, and includes a visual reference to a specific artwork, "SHIP IN A SQUALL" by Washington Allston. The layout is typical of a newspaper article, with clear headings, subheadings, and accompanying imagery.

The image shows a newspaper clipping from "The Boston Globe" dated Thursday, April 20, 1972. The headline reads "THEATER/ARTS," and the article is titled "American Art at Harvard enjoys." The article is written by Gerry Crow and discusses an exhibition of American art at Harvard University.

The text describes the exhibition as a comprehensive collection of American art, surpassing that of any single museum. It highlights the diversity and quality of the collection, which includes works by prominent American artists. The article mentions that the exhibition is a tour de force of Harvard's collector's holdings and acquisitions.

The exhibition is described as a "baffler at first," with no central core or theme. It is a random conglomeration of works that happened to befall Harvard. The article suggests that the exhibition is a testament to the university's commitment to collecting and preserving American art.

The article also mentions specific works and artists featured in the exhibition, including portraits by Washington Allston, works by the Peale brothers, and paintings by artists such as John Singleton Copley and Gilbert Stuart. The exhibition is praised for its comprehensive representation of American art and its ability to showcase the diversity and richness of the genre.

The article concludes by emphasizing the importance of the exhibition in highlighting Harvard's collection of American art and its significance in the broader context of American art history.